Songs like 4 Lieder, Op. 27, TrV 170: IV. Morgen! (Arr. for Cello and Piano by Julian Riem) by Richard Strauss
Based on a tempo of (+/- 10%) and a similar genre
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Richard Strauss
4 Lieder, Op. 27, TrV 170: IV. Morgen! (...
174 bpm • F Maj • 03:46 • -28db
26% Popularity • 14% Danceability • 1% Energy • 7% Liveness
79% Instrumentalness • 3% Positiveness
26% Popularity • 14% Danceability • 1% Energy • 7% Liveness
79% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
Winter Meditation (after The Four Season...
174 bpm • D# Maj • 02:51 • -13.28db
37% Popularity • 8% Danceability • 32% Energy • 10% Liveness
25% Instrumentalness • 13% Positiveness
37% Popularity • 8% Danceability • 32% Energy • 10% Liveness
25% Instrumentalness • 13% Positiveness
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Peter Warlock
Capriol Suite: 5. Pied-en- l'air
174 bpm • G Maj • 02:24 • -30db
52% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
52% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Mazurka in A Minor, Op. 17 No. 4
173 bpm • A min • 04:54 • -42.12db
40% Popularity • 16% Danceability • 0% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
40% Popularity • 16% Danceability • 0% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Robert Schumann
Schumann: 6 Studien in kanonischer Form,...
173 bpm • C Maj • 02:05 • -37db
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
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Claude Debussy
Beau Soir, L. 6
172 bpm • F# min • 02:15 • -28db
27% Popularity • 9% Danceability • 3% Energy • 11% Liveness
21% Instrumentalness • 3% Positiveness
27% Popularity • 9% Danceability • 3% Energy • 11% Liveness
21% Instrumentalness • 3% Positiveness
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Richard Strauss
4 Lieder, Op. 27: 4. Morgen!
175 bpm • G Maj • 04:17 • -29db
8% Popularity • 17% Danceability • 2% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
8% Popularity • 17% Danceability • 2% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
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Niccolò Paganini
Cantabile, MS 109/Op. 17 (Arr. for Cello...
172 bpm • D Maj • 03:25 • -11.12db
40% Popularity • 16% Danceability • 26% Energy • 11% Liveness
80% Instrumentalness • 22% Positiveness
40% Popularity • 16% Danceability • 26% Energy • 11% Liveness
80% Instrumentalness • 22% Positiveness
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Hugo von Hofmannsthal
Elektra: Xxi. Ich glaube ich war schön
176 bpm • F# min • 03:16 • -20.59db
1% Popularity • 10% Danceability • 18% Energy • 61% Liveness
20% Instrumentalness • 4% Positiveness
1% Popularity • 10% Danceability • 18% Energy • 61% Liveness
20% Instrumentalness • 4% Positiveness
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George Frideric Handel
Serse, HWV 40, Act I: Ombra mai fu (Arr....
172 bpm • F Maj • 02:37 • -16.13db
29% Popularity • 14% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
29% Popularity • 14% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Book 2, Op. 30: VI. A...
176 bpm • F# min • 03:06 • -38db
35% Popularity • 18% Danceability • 0% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
35% Popularity • 18% Danceability • 0% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
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Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
172 bpm • A# Maj • 03:14 • -26db
39% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
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Richard Strauss
Strauss, R: 4 Lieder, Op. 27: No. 4, Mor...
173 bpm • D Maj • 04:47 • -31db
15% Popularity • 20% Danceability • 1% Energy • 6% Liveness
26% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 1% Energy • 6% Liveness
26% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): IV...
176 bpm • D Maj • 02:01 • -36.55db
62% Popularity • 25% Danceability • 1% Energy • 16% Liveness
27% Instrumentalness • 18% Positiveness
62% Popularity • 25% Danceability • 1% Energy • 16% Liveness
27% Instrumentalness • 18% Positiveness
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![24 Préludes, Op. 28: No. 4 in E Minor (Arr. Franchomme for Cello) [Adapted for 4 Cellos by Matthias Spindler] cover art](https://i.scdn.co/image/ab67616d00001e020a0d3964e8fe7a6802addb9b)
Frédéric Chopin
24 Préludes, Op. 28: No. 4 in E Minor (...
176 bpm • G Maj • 02:17 • -21.09db
34% Popularity • 9% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
34% Popularity • 9% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Erik Satie
Gymnopédie No. 3 (Arr. for Cello and Pi...
171 bpm • A min • 02:51 • -29.87db
27% Popularity • 12% Danceability • 3% Energy • 8% Liveness
60% Instrumentalness • 4% Positiveness
27% Popularity • 12% Danceability • 3% Energy • 8% Liveness
60% Instrumentalness • 4% Positiveness
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Franz Schubert
Du bist die Ruh', D. 776 (Transc. for Ce...
171 bpm • A# Maj • 04:21 • -24.9db
37% Popularity • 10% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
37% Popularity • 10% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23 / Act III: Solveig's S...
171 bpm • E Maj • 05:42 • -28db
16% Popularity • 13% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
16% Popularity • 13% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
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Richard Strauss
Cello Sonata in F Major, [Op. 6, TrV 115...
172 bpm • C Maj • 09:29 • -18.62db
8% Popularity • 25% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
8% Popularity • 25% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
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Hugo von Hofmannsthal
Strauss, R: Der Rosenkavalier, Op. 59, A...
178 bpm • C# Maj • 02:42 • -12.99db
3% Popularity • 12% Danceability • 26% Energy • 11% Liveness
30% Instrumentalness • 4% Positiveness
3% Popularity • 12% Danceability • 26% Energy • 11% Liveness
30% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Sonata In G Minor For Cello & Piano, Op....
171 bpm • A# Maj • 03:37 • -30.67db
23% Popularity • 8% Danceability • 1% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness
23% Popularity • 8% Danceability • 1% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
170 bpm • D# Maj • 07:53 • -21db
41% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
41% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 8 in C Minor, Op. 13 "P...
170 bpm • G# Maj • 05:43 • -33db
43% Popularity • 29% Danceability • 0% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
43% Popularity • 29% Danceability • 0% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
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Edvard Grieg
Solveig's Song
170 bpm • A min • 04:38 • -25.36db
18% Popularity • 19% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Richard Strauss
Die Liebe der Danae: "Wie umgibst du mic...
171 bpm • F Maj • 04:51 • -17db
7% Popularity • 19% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
7% Popularity • 19% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
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Manuel de Falla
7 Canciones populares Españolas: No. 5,...
170 bpm • A min • 02:06 • -32.52db
20% Popularity • 10% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 4% Positiveness
20% Popularity • 10% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 4% Positiveness
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Jean Sibelius
13 Pieces for Piano, Op. 76: Elegiaco, N...
169 bpm • E Maj • 01:32 • -33.11db
47% Popularity • 24% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
47% Popularity • 24% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
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Sergei Rachmaninoff
Sonata In G Minor For Cello & Piano, Op....
168 bpm • D# Maj • 05:43 • -25.03db
31% Popularity • 19% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
31% Popularity • 19% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 25 in G Major, Op. 79 "...
170 bpm • A# Maj • 03:10 • -30.44db
34% Popularity • 31% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
34% Popularity • 31% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
168 bpm • G min • 01:58 • -37db
54% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
54% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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Richard Strauss
Cello Sonata in F Major, Op.6: II. Andan...
171 bpm • A# Maj • 09:18 • -26db
25% Popularity • 11% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
25% Popularity • 11% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel Variation (Arr. for Violin & Piano...
168 bpm • G Maj • 02:34 • -15.94db
30% Popularity • 9% Danceability • 17% Energy • 10% Liveness
77% Instrumentalness • 6% Positiveness
30% Popularity • 9% Danceability • 17% Energy • 10% Liveness
77% Instrumentalness • 6% Positiveness
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Raphaela Gromes
Merry Go Round of Life
168 bpm • G min • 02:50 • -16.29db
15% Popularity • 27% Danceability • 22% Energy • 16% Liveness
84% Instrumentalness • 17% Positiveness
15% Popularity • 27% Danceability • 22% Energy • 16% Liveness
84% Instrumentalness • 17% Positiveness
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Hugo von Hofmannsthal
Elektra: Xi. Was bluten muss?
165 bpm • C# Maj • 02:26 • -18.78db
1% Popularity • 19% Danceability • 30% Energy • 46% Liveness
46% Instrumentalness • 17% Positiveness
1% Popularity • 19% Danceability • 30% Energy • 46% Liveness
46% Instrumentalness • 17% Positiveness
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Alma Deutscher
The Lonely Pine-Tree
165 bpm • A min • 03:22 • -30.72db
16% Popularity • 32% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
16% Popularity • 32% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
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Antonio Vivaldi
Four Seasons Variation (Arr. for Piano f...
164 bpm • C# Maj • 02:01 • -27db
46% Popularity • 26% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
46% Popularity • 26% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
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Richard Strauss
Die Frau ohne Schatten, Op. 65, TrV 234,...
167 bpm • B Maj • 05:30 • -19.87db
7% Popularity • 26% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
7% Popularity • 26% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Franz Schubert
Adagio and Allegro, Op. 70 (version for ...
164 bpm • G# Maj • 04:16 • -27.79db
30% Popularity • 13% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
30% Popularity • 13% Danceability • 2% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
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Jacques Offenbach
Danse bohémienne, Op. 28
152 bpm • D Maj • 09:05 • -21.57db
14% Popularity • 33% Danceability • 14% Energy • 11% Liveness
82% Instrumentalness • 20% Positiveness
14% Popularity • 33% Danceability • 14% Energy • 11% Liveness
82% Instrumentalness • 20% Positiveness
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Hugo von Hofmannsthal
Elektra: V. Mit Messern gräbt Tag um Ta...
152 bpm • D# Maj • 02:07 • -18.14db
2% Popularity • 18% Danceability • 27% Energy • 66% Liveness
0% Instrumentalness • 16% Positiveness
2% Popularity • 18% Danceability • 27% Energy • 66% Liveness
0% Instrumentalness • 16% Positiveness
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Dmitri Shostakovich
24 Preludes and Fugues, Op. 87: Prelude ...
162 bpm • C Maj • 02:37 • -34.76db
33% Popularity • 43% Danceability • 0% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
33% Popularity • 43% Danceability • 0% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
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Franz Liszt
Mendelssohns Lieder, S. 547: Auf Flugeln...
149 bpm • G# Maj • 03:19 • -30.75db
53% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
53% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Richard Strauss
Standchen, TrV 114
163 bpm • G Maj • 04:00 • -19.88db
9% Popularity • 23% Danceability • 8% Energy • 9% Liveness
49% Instrumentalness • 17% Positiveness
9% Popularity • 23% Danceability • 8% Energy • 9% Liveness
49% Instrumentalness • 17% Positiveness
