Songs like 4 Motets sur des themes gregoriens, Op. 10: I. Ubi caritas by Maurice Duruflé
Based on a tempo of (+/- 10%) and a similar genre
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Antonio Vivaldi
Credo, RV 591: 2. Et incarnatus est
78 bpm • A Maj • 01:18 • -16.19db
15% Popularity • 23% Danceability • 21% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
15% Popularity • 23% Danceability • 21% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Hymnen, Op. 140: II. Dextera Domini
78 bpm • D Maj • 02:57 • -24.41db
11% Popularity • 11% Danceability • 12% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 12% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
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Franz Schubert
Mass No. 2 in G major, D. 167: I. Kyrie
78 bpm • G Maj • 03:16 • -21.78db
3% Popularity • 14% Danceability • 10% Energy • 11% Liveness
52% Instrumentalness • 11% Positiveness
3% Popularity • 14% Danceability • 10% Energy • 11% Liveness
52% Instrumentalness • 11% Positiveness
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Maurice Duruflé
4 Motets sur des themes gregoriens, Op. ...
78 bpm • B Maj • 00:54 • -23.53db
13% Popularity • 22% Danceability • 23% Energy • 24% Liveness
9% Instrumentalness • 18% Positiveness
13% Popularity • 22% Danceability • 23% Energy • 24% Liveness
9% Instrumentalness • 18% Positiveness
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Giuseppe Verdi
Laudi alla Vergine Maria
78 bpm • G Maj • 05:19 • -28db
14% Popularity • 16% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 3% Positiveness
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Heinrich Schütz
Geistliche Chormusik, Op. 11, SWV 369-39...
78 bpm • G Maj • 04:04 • -25.7db
12% Popularity • 9% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 9% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 2. in Tribulatio...
78 bpm • B min • 02:24 • -18.01db
26% Popularity • 17% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
26% Popularity • 17% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
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Edward Elgar
The Dream of Gerontius, Op. 38, Pt.2: So...
78 bpm • D Maj • 06:50 • -31.41db
2% Popularity • 9% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
2% Popularity • 9% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Anton Bruckner
Locus iste, WAB 23
78 bpm • C Maj • 02:43 • -30db
20% Popularity • 11% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 11% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Maurice Duruflé
4 Motets sur des themes gregoriens, Op. ...
78 bpm • D Maj • 02:05 • -32db
12% Popularity • 9% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 9% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Hugo Distler
Jahrkreis, Op. 5: No. 39: Wie der Hirsch...
78 bpm • G min • 02:02 • -25db
20% Popularity • 21% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
20% Popularity • 21% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
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Michael Haydn
Missa Tempore Quadragesimae, MH 553: Kyr...
78 bpm • C# min • 01:44 • -23db
32% Popularity • 28% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
32% Popularity • 28% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
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Francesco Durante
Magnificat in B flat major: Et misericor...
78 bpm • F# min • 01:51 • -24.74db
21% Popularity • 14% Danceability • 4% Energy • 15% Liveness
1% Instrumentalness • 8% Positiveness
21% Popularity • 14% Danceability • 4% Energy • 15% Liveness
1% Instrumentalness • 8% Positiveness
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Ola Gjeilo
Ubi caritas
78 bpm • F# min • 03:06 • -35db
31% Popularity • 9% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
31% Popularity • 9% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
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Claude Debussy
Trois chansons de Charles d'Orleans L. 9...
78 bpm • G# min • 02:29 • -24db
10% Popularity • 12% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Requiem, Op. 9: III. Domine Jesu Christe
78 bpm • G# min • 07:50 • -20.32db
6% Popularity • 9% Danceability • 13% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
6% Popularity • 9% Danceability • 13% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
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Hubert Parry
Blest Pair of Sirens
78 bpm • D# Maj • 10:44 • -18.64db
3% Popularity • 8% Danceability • 20% Energy • 13% Liveness
84% Instrumentalness • 8% Positiveness
3% Popularity • 8% Danceability • 20% Energy • 13% Liveness
84% Instrumentalness • 8% Positiveness
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John Taverner
Dum transisset sabbatum
79 bpm • D# min • 07:53 • -14db
12% Popularity • 16% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Motets: Cantate domino
77 bpm • F Maj • 03:11 • -18db
22% Popularity • 18% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 18% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: XI. Inflammatus
78 bpm • A# Maj • 02:49 • -24db
34% Popularity • 31% Danceability • 7% Energy • 40% Liveness
1% Instrumentalness • 16% Positiveness
34% Popularity • 31% Danceability • 7% Energy • 40% Liveness
1% Instrumentalness • 16% Positiveness
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Samuel Scheidt
Surrexit Christus hodie
79 bpm • G min • 01:18 • -19db
34% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Johannes Brahms
Ein deutsches Requiem (A German Requiem)...
77 bpm • G Maj • 07:22 • -28.35db
18% Popularity • 19% Danceability • 3% Energy • 11% Liveness
13% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 3% Energy • 11% Liveness
13% Instrumentalness • 4% Positiveness
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Bob Chilcott
The lily and the rose (version for mixed...
77 bpm • A min • 04:08 • -29.26db
16% Popularity • 15% Danceability • 6% Energy • 6% Liveness
83% Instrumentalness • 6% Positiveness
16% Popularity • 15% Danceability • 6% Energy • 6% Liveness
83% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
Gloria: Domine Fili unigenite
79 bpm • E Maj • 02:02 • -20db
32% Popularity • 28% Danceability • 25% Energy • 22% Liveness
6% Instrumentalness • 41% Positiveness
32% Popularity • 28% Danceability • 25% Energy • 22% Liveness
6% Instrumentalness • 41% Positiveness
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Nordic Chamber Choir - Nicol Matt
O Nata Lux
77 bpm • D Maj • 04:31 • -30db
20% Popularity • 16% Danceability • 2% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 2% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
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Orlando Gibbons
The Silver Swan
79 bpm • C Maj • 02:07 • -25.05db
17% Popularity • 18% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Thomas Morley
Nolo mortem peccatoris
79 bpm • F min • 03:12 • -26.17db
13% Popularity • 18% Danceability • 7% Energy • 9% Liveness
38% Instrumentalness • 8% Positiveness
13% Popularity • 18% Danceability • 7% Energy • 9% Liveness
38% Instrumentalness • 8% Positiveness
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Carl Reinecke
6 Songs, Op. 48: No. 4. Die Ehre Gottes ...
77 bpm • D Maj • 02:14 • -22.13db
17% Popularity • 20% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
17% Popularity • 20% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Maurice Duruflé
4 Motets sur des themes gregoriens, Op. ...
77 bpm • F# min • 01:53 • -28.7db
12% Popularity • 19% Danceability • 5% Energy • 24% Liveness
59% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 5% Energy • 24% Liveness
59% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Mass in D Major, Op. 86 / Kyrie: Ia. Kyr...
79 bpm • D Maj • 03:15 • -19.23db
13% Popularity • 10% Danceability • 18% Energy • 13% Liveness
89% Instrumentalness • 3% Positiveness
13% Popularity • 10% Danceability • 18% Energy • 13% Liveness
89% Instrumentalness • 3% Positiveness
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Chapelle du Roi
If ye love me
79 bpm • D# Maj • 02:11 • -32.31db
12% Popularity • 23% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
12% Popularity • 23% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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George Frideric Handel
Judas Maccabaeus, HWV 63: "See, the Conq...
79 bpm • G Maj • 03:05 • -14.44db
3% Popularity • 22% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
3% Popularity • 22% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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Franz Schubert
Deutsche Messe, D. 872: I. Zum Eingang. ...
79 bpm • F Maj • 04:34 • -24db
13% Popularity • 16% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: Blessed Be the Man
79 bpm • D# min • 05:37 • -25.91db
9% Popularity • 8% Danceability • 5% Energy • 9% Liveness
12% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 5% Energy • 9% Liveness
12% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Requiem, Op. 9: In paradisum
79 bpm • F# Maj • 03:06 • -34.19db
4% Popularity • 12% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
4% Popularity • 12% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
Magnificat | Magnificat in C
79 bpm • C Maj • 05:04 • -23.78db
8% Popularity • 9% Danceability • 12% Energy • 15% Liveness
99% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 12% Energy • 15% Liveness
99% Instrumentalness • 4% Positiveness
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William Walton
Belshazzar's Feast: The trumpeters and p...
79 bpm • A min • 01:02 • -34.79db
12% Popularity • 8% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 8% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Henry Purcell
Evening Service in G Minor, Z. 231: No. ...
79 bpm • A min • 04:03 • -21.42db
12% Popularity • 16% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
12% Popularity • 16% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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George Frideric Handel
Serse, HWV 40 / Act 1: "Ombra mai fu" (A...
79 bpm • F Maj • 02:54 • -22.37db
25% Popularity • 18% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 8% Positiveness
25% Popularity • 18% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 8% Positiveness
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Anton Bruckner
Pange lingua, WAB 33
79 bpm • A min • 04:46 • -31db
27% Popularity • 15% Danceability • 2% Energy • 7% Liveness
1% Instrumentalness • 3% Positiveness
27% Popularity • 15% Danceability • 2% Energy • 7% Liveness
1% Instrumentalness • 3% Positiveness
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Johannes Ockeghem
Missa Prolationum: Kyrie
79 bpm • F# Maj • 03:48 • -28.06db
14% Popularity • 10% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
14% Popularity • 10% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Mass in C Major, Op. 86: I. Kyrie
79 bpm • C Maj • 05:40 • -23db
14% Popularity • 14% Danceability • 8% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 8% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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William Croft
Burial service: I heard a voice from hea...
80 bpm • E Maj • 01:43 • -17db
18% Popularity • 22% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
18% Popularity • 22% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Henry Purcell
Funeral Sentences for the death of Queen...
77 bpm • A# Maj • 02:12 • -27db
14% Popularity • 8% Danceability • 4% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 4% Energy • 20% Liveness
83% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
76 bpm • D# Maj • 04:52 • -25db
16% Popularity • 10% Danceability • 7% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
16% Popularity • 10% Danceability • 7% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
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Anton Bruckner
Virga Jesse floruit, WAB 52
80 bpm • C# min • 03:28 • -23.02db
10% Popularity • 12% Danceability • 10% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 10% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Franz Schubert
Gott ist mein Hirt, D. 706
80 bpm • B min • 04:44 • -30db
29% Popularity • 12% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
29% Popularity • 12% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: III. O quam tristis
80 bpm • G min • 02:33 • -23.72db
41% Popularity • 14% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
41% Popularity • 14% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Musica Amphion
Motet Jesu Meine Freude (Bwv 227)
80 bpm • D# min • 01:15 • -22.18db
30% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
30% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Maurice Duruflé
Requiem: Pie Jesu
80 bpm • G# Maj • 04:25 • -24.94db
11% Popularity • 10% Danceability • 2% Energy • 18% Liveness
12% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 2% Energy • 18% Liveness
12% Instrumentalness • 4% Positiveness
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T. Tertius Noble
Evening Service in B Minor, Op. 6: I. Ma...
76 bpm • E min • 04:53 • -22db
14% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 20% Energy • 18% Liveness
9% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Gloria: Gratias agimus tibi
80 bpm • D# Maj • 01:15 • -14db
32% Popularity • 26% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
32% Popularity • 26% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Frank Martin
Mass for Double Choir: I. Kyrie
80 bpm • E min • 05:16 • -23db
15% Popularity • 13% Danceability • 7% Energy • 6% Liveness
18% Instrumentalness • 4% Positiveness
15% Popularity • 13% Danceability • 7% Energy • 6% Liveness
18% Instrumentalness • 4% Positiveness
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Louis Vierne
Messe solennelle pour deux orgues et cho...
76 bpm • A Maj • 07:06 • -18db
12% Popularity • 9% Danceability • 17% Energy • 37% Liveness
76% Instrumentalness • 4% Positiveness
12% Popularity • 9% Danceability • 17% Energy • 37% Liveness
76% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Ave verum corpus in E-Flat Major
76 bpm • D# Maj • 02:48 • -28db
18% Popularity • 7% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
18% Popularity • 7% Danceability • 2% Energy • 7% Liveness
11% Instrumentalness • 3% Positiveness
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Maurice Duruflé
Requiem, Op. 9: IX. In Paradisum
80 bpm • G# min • 02:51 • -29.45db
2% Popularity • 7% Danceability • 0% Energy • 11% Liveness
5% Instrumentalness • 3% Positiveness
2% Popularity • 7% Danceability • 0% Energy • 11% Liveness
5% Instrumentalness • 3% Positiveness
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Gioachino Rossini
Petite messe solennelle, Gloria: V. Laud...
80 bpm • F Maj • 01:46 • -25db
21% Popularity • 35% Danceability • 8% Energy • 12% Liveness
4% Instrumentalness • 7% Positiveness
21% Popularity • 35% Danceability • 8% Energy • 12% Liveness
4% Instrumentalness • 7% Positiveness
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Gregorio Allegri
Messe vidi turbam magnam: No. 2, Kyrie
80 bpm • F Maj • 02:39 • -16.68db
24% Popularity • 20% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 20% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Charles Wood
Oculi omnium
76 bpm • E Maj • 01:13 • -24db
23% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
German Requiem, Op. 45: Wie lieblich sin...
80 bpm • D# Maj • 04:18 • -25.68db
16% Popularity • 15% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
16% Popularity • 15% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
► Preview
Frederick Delius
To Be Sung Of A Summer Night On The Wate...
76 bpm • A# Maj • 02:41 • -36.87db
18% Popularity • 16% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
18% Popularity • 16% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Maurice Duruflé
Kyrie
80 bpm • F Maj • 04:13 • -20.65db
8% Popularity • 8% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Gerald Finzi
My Spirit Sang All Day
76 bpm • G Maj • 02:18 • -20db
17% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Thomas Campion
Never Weather-beaten Sail
80 bpm • G Maj • 02:38 • -24db
20% Popularity • 23% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 23% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Jacobus Gallus
Ecce quomodo moritur iustus
76 bpm • G Maj • 02:36 • -24db
15% Popularity • 19% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
15% Popularity • 19% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
► Preview
Gioachino Rossini
Petite Messe solennelle, Kyrie: II. Chri...
81 bpm • F min • 01:49 • -32.62db
30% Popularity • 16% Danceability • 2% Energy • 16% Liveness
66% Instrumentalness • 4% Positiveness
30% Popularity • 16% Danceability • 2% Energy • 16% Liveness
66% Instrumentalness • 4% Positiveness
► Preview
Heinrich Kaminski
Psalm 130: Aus der Tiefe reufe ich, Herr...
81 bpm • D min • 01:50 • -27db
24% Popularity • 13% Danceability • 7% Energy • 12% Liveness
7% Instrumentalness • 5% Positiveness
24% Popularity • 13% Danceability • 7% Energy • 12% Liveness
7% Instrumentalness • 5% Positiveness
► Preview
Maurice Duruflé
Ubi caritas et amor
76 bpm • A# Maj • 02:01 • -23.62db
11% Popularity • 15% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 15% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1a. K...
81 bpm • B Maj • 01:36 • -25.57db
43% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
43% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Heinrich Schütz
Historia der Auferstehung Jesu Christi, ...
75 bpm • D# min • 01:04 • -22.9db
25% Popularity • 20% Danceability • 11% Energy • 23% Liveness
2% Instrumentalness • 7% Positiveness
25% Popularity • 20% Danceability • 11% Energy • 23% Liveness
2% Instrumentalness • 7% Positiveness
► Preview
Alfred Schnittke
Three Sacred Hymns: III. Vater unser
75 bpm • D# Maj • 03:21 • -21.78db
8% Popularity • 9% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
► Preview
Giovanni Battista Pergolesi
Stabat Mater, P. 77: IV. Quae moerabat
75 bpm • D# Maj • 02:49 • -25db
38% Popularity • 26% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
38% Popularity • 26% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
► Preview
Benjamin Britten
A Hymn to the Virgin
81 bpm • E Maj • 02:43 • -27db
18% Popularity • 15% Danceability • 4% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 4% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
► Preview
Maurice Duruflé
Introit
75 bpm • D min • 03:50 • -27.52db
7% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
7% Popularity • 18% Danceability • 4% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
► Preview
Thomas Attwood Walmisley
Magnificat in D Minor
75 bpm • D min • 05:44 • -27db
8% Popularity • 9% Danceability • 5% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 5% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
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Anton Bruckner
Psalm 146, WAB 37: Solo and Chorus: Alle...
81 bpm • A Maj • 04:56 • -23.73db
11% Popularity • 8% Danceability • 13% Energy • 16% Liveness
66% Instrumentalness • 4% Positiveness
11% Popularity • 8% Danceability • 13% Energy • 16% Liveness
66% Instrumentalness • 4% Positiveness
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Wilhelm Stenhammar
Tre Körvisor - September
81 bpm • B min • 02:01 • -33db
11% Popularity • 22% Danceability • 6% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 6% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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William Croft
Burial Sentences: I. I Am The Resurrecti...
75 bpm • D min • 01:04 • -21.24db
28% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
28% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
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Girolamo Frescobaldi
O Mors Illa
81 bpm • G min • 04:16 • -24db
10% Popularity • 12% Danceability • 11% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 11% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
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Maurice Duruflé
Requiem, Op. 9: Pie Jesu
81 bpm • G# Maj • 03:22 • -22.19db
4% Popularity • 15% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
4% Popularity • 15% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Edgar Leslie Bainton
And I Saw a New Heaven
75 bpm • G Maj • 05:20 • -23.58db
8% Popularity • 8% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Louis Vierne
Messe solennelle pour deux orgues et cho...
81 bpm • G# Maj • 04:49 • -28db
11% Popularity • 15% Danceability • 6% Energy • 17% Liveness
70% Instrumentalness • 3% Positiveness
11% Popularity • 15% Danceability • 6% Energy • 17% Liveness
70% Instrumentalness • 3% Positiveness
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Ludwig van Beethoven
Beethoven: Fantasia in C Minor, Op. 80 "...
81 bpm • C Maj • 04:06 • -15.86db
18% Popularity • 30% Danceability • 27% Energy • 71% Liveness
1% Instrumentalness • 24% Positiveness
18% Popularity • 30% Danceability • 27% Energy • 71% Liveness
1% Instrumentalness • 24% Positiveness
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Nordic Chamber Choir - Nicol Matt
Contre Qui, Rose
81 bpm • A# min • 04:10 • -35db
17% Popularity • 8% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
17% Popularity • 8% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
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Henry Purcell
Come, ye sons of art, away (1694) Ode fo...
81 bpm • C# Maj • 01:41 • -16.46db
8% Popularity • 34% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 34% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Maurice Duruflé
Messe “Cum Jubilo” pour choeur de ba...
81 bpm • G Maj • 03:52 • -23.61db
2% Popularity • 16% Danceability • 9% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
2% Popularity • 16% Danceability • 9% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Anton Bruckner
Locus Iste, WAB 23: Locus iste, WAB 23
75 bpm • C Maj • 03:12 • -31db
23% Popularity • 16% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
23% Popularity • 16% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Antonín Dvořák
Mass in D Major, Op. 86 / Kyrie: Ic. Kyr...
75 bpm • D Maj • 01:34 • -21.14db
13% Popularity • 18% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Geistliche Chormusik, Op. 11: No. 4, Ver...
75 bpm • G# min • 02:13 • -19.96db
19% Popularity • 14% Danceability • 10% Energy • 9% Liveness
25% Instrumentalness • 8% Positiveness
19% Popularity • 14% Danceability • 10% Energy • 9% Liveness
25% Instrumentalness • 8% Positiveness
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Francis Poulenc
Quatre petites prières de Saint Franço...
81 bpm • E Maj • 01:22 • -29.32db
16% Popularity • 17% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Charles Gounod
Messe solennelle de Sainte Cécile (1988...
75 bpm • F Maj • 05:16 • -15db
8% Popularity • 7% Danceability • 23% Energy • 11% Liveness
28% Instrumentalness • 7% Positiveness
8% Popularity • 7% Danceability • 23% Energy • 11% Liveness
28% Instrumentalness • 7% Positiveness
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Maurice Duruflé
Requiem pour soli, choeurs et orgue, Op....
75 bpm • G min • 03:06 • -21.35db
5% Popularity • 7% Danceability • 11% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
5% Popularity • 7% Danceability • 11% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
MartÍn Palmeri
Misatango, Misa a Buenos Aires: IV. Qui ...
75 bpm • F min • 03:02 • -21.54db
11% Popularity • 7% Danceability • 9% Energy • 11% Liveness
12% Instrumentalness • 5% Positiveness
11% Popularity • 7% Danceability • 9% Energy • 11% Liveness
12% Instrumentalness • 5% Positiveness
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Francois-Joseph Gossec
Grande Messe des Morts: II. Introitus: R...
74 bpm • C min • 03:08 • -26.75db
37% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
37% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Heinrich Schütz
Erbarm dich mein, o Herre Gott, SWV 148
74 bpm • C Maj • 06:32 • -27db
15% Popularity • 13% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 13% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Anton Bruckner
Anton Bruckner: Ave Maria
74 bpm • F Maj • 03:19 • -24db
18% Popularity • 9% Danceability • 5% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
18% Popularity • 9% Danceability • 5% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
► Preview
John Stainer
God So Loved The World
82 bpm • D Maj • 03:18 • -25db
22% Popularity • 11% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
22% Popularity • 11% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Maurice Duruflé
Requiem, Op. 9: VIII. Libera me
82 bpm • A Maj • 05:12 • -19db
5% Popularity • 10% Danceability • 15% Energy • 8% Liveness
44% Instrumentalness • 4% Positiveness
5% Popularity • 10% Danceability • 15% Energy • 8% Liveness
44% Instrumentalness • 4% Positiveness
