Songs like $4cr1f1c14|_ by Danny Baranowsky
Based on a tempo of (+/- 10%) and a similar genre
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Danny Baranowsky
Sacrificial
166 bpm • E min • 05:08 • -11db
36% Popularity • 52% Danceability • 55% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
36% Popularity • 52% Danceability • 55% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
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Sophus Alf Agerbæk-Larsen
Attack of the Glyphids
165 bpm • C# Maj • 02:13 • -9db
33% Popularity • 53% Danceability • 85% Energy • 9% Liveness
80% Instrumentalness • 46% Positiveness
33% Popularity • 53% Danceability • 85% Energy • 9% Liveness
80% Instrumentalness • 46% Positiveness
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Vicarious Visions Audio
Dr. Neo Cortex 2
165 bpm • G# Maj • 01:47 • -11.29db
31% Popularity • 50% Danceability • 84% Energy • 15% Liveness
77% Instrumentalness • 97% Positiveness
31% Popularity • 50% Danceability • 84% Energy • 15% Liveness
77% Instrumentalness • 97% Positiveness
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flashygoodness
Howl of the Forest
165 bpm • E min • 02:12 • -4.21db
26% Popularity • 38% Danceability • 99% Energy • 14% Liveness
48% Instrumentalness • 50% Positiveness
26% Popularity • 38% Danceability • 99% Energy • 14% Liveness
48% Instrumentalness • 50% Positiveness
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DM DOKURO
Left Alone
165 bpm • F min • 05:14 • -4.12db
37% Popularity • 39% Danceability • 89% Energy • 15% Liveness
94% Instrumentalness • 16% Positiveness
37% Popularity • 39% Danceability • 89% Energy • 15% Liveness
94% Instrumentalness • 16% Positiveness
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Garoad
All Systems, Go!
165 bpm • F Maj • 03:41 • -11.8db
30% Popularity • 48% Danceability • 79% Energy • 16% Liveness
29% Instrumentalness • 55% Positiveness
30% Popularity • 48% Danceability • 79% Energy • 16% Liveness
29% Instrumentalness • 55% Positiveness
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Danny Baranowsky
Penance
166 bpm • E min • 05:23 • -17.82db
23% Popularity • 50% Danceability • 44% Energy • 11% Liveness
92% Instrumentalness • 30% Positiveness
23% Popularity • 50% Danceability • 44% Energy • 11% Liveness
92% Instrumentalness • 30% Positiveness
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Nightmargin
Collapse
168 bpm • B Maj • 01:04 • -14.3db
22% Popularity • 28% Danceability • 56% Energy • 11% Liveness
89% Instrumentalness • 77% Positiveness
22% Popularity • 28% Danceability • 56% Energy • 11% Liveness
89% Instrumentalness • 77% Positiveness
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Vicarious Visions Audio
Tiny Tiger
165 bpm • D Maj • 01:29 • -10.51db
32% Popularity • 62% Danceability • 84% Energy • 11% Liveness
77% Instrumentalness • 91% Positiveness
32% Popularity • 62% Danceability • 84% Energy • 11% Liveness
77% Instrumentalness • 91% Positiveness
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River Boy
Amdusias
163 bpm • A Maj • 01:16 • -8.63db
37% Popularity • 65% Danceability • 78% Energy • 24% Liveness
93% Instrumentalness • 76% Positiveness
37% Popularity • 65% Danceability • 78% Energy • 24% Liveness
93% Instrumentalness • 76% Positiveness
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Deniz Akbulut
Boss Battle
170 bpm • C# Maj • 01:21 • -8.84db
17% Popularity • 63% Danceability • 77% Energy • 9% Liveness
91% Instrumentalness • 59% Positiveness
17% Popularity • 63% Danceability • 77% Energy • 9% Liveness
91% Instrumentalness • 59% Positiveness
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Jukio Kallio
Biggest Bandit
170 bpm • F# min • 01:30 • -4.97db
16% Popularity • 28% Danceability • 98% Energy • 19% Liveness
67% Instrumentalness • 9% Positiveness
16% Popularity • 28% Danceability • 98% Energy • 19% Liveness
67% Instrumentalness • 9% Positiveness
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Danny Baranowsky
$4cr1f1c14|_
166 bpm • E min • 05:01 • -9.7db
25% Popularity • 40% Danceability • 63% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
25% Popularity • 40% Danceability • 63% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
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Mykah
Tal Tal Heights
170 bpm • G Maj • 02:12 • -7.91db
28% Popularity • 45% Danceability • 81% Energy • 5% Liveness
93% Instrumentalness • 55% Positiveness
28% Popularity • 45% Danceability • 81% Energy • 5% Liveness
93% Instrumentalness • 55% Positiveness
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Vicarious Visions Audio
Snow Go Gem
168 bpm • D Maj • 01:36 • -10.56db
34% Popularity • 59% Danceability • 96% Energy • 12% Liveness
94% Instrumentalness • 96% Positiveness
34% Popularity • 59% Danceability • 96% Energy • 12% Liveness
94% Instrumentalness • 96% Positiveness
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River Boy
Leshy
163 bpm • D Maj • 01:53 • -6.21db
40% Popularity • 58% Danceability • 76% Energy • 17% Liveness
97% Instrumentalness • 62% Positiveness
40% Popularity • 58% Danceability • 76% Energy • 17% Liveness
97% Instrumentalness • 62% Positiveness
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Mudeth
Hallowed Ground (Downpour)
170 bpm • G Maj • 04:39 • -9.07db
26% Popularity • 47% Danceability • 69% Energy • 24% Liveness
96% Instrumentalness • 14% Positiveness
26% Popularity • 47% Danceability • 69% Energy • 24% Liveness
96% Instrumentalness • 14% Positiveness
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Alec Holowka
Crimes
170 bpm • A# Maj • 03:51 • -9db
25% Popularity • 53% Danceability • 80% Energy • 9% Liveness
88% Instrumentalness • 95% Positiveness
25% Popularity • 53% Danceability • 80% Energy • 9% Liveness
88% Instrumentalness • 95% Positiveness
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Danny Baranowsky
...Be Done
170 bpm • B min • 02:01 • -9.07db
25% Popularity • 43% Danceability • 90% Energy • 54% Liveness
79% Instrumentalness • 35% Positiveness
25% Popularity • 43% Danceability • 90% Energy • 54% Liveness
79% Instrumentalness • 35% Positiveness
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ClascyJitto
Yeehaw Deliveryboy
170 bpm • F# min • 02:05 • -8.1db
39% Popularity • 46% Danceability • 88% Energy • 9% Liveness
88% Instrumentalness • 60% Positiveness
39% Popularity • 46% Danceability • 88% Energy • 9% Liveness
88% Instrumentalness • 60% Positiveness
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Marika Suzuki
Torch Man Stage
162 bpm • B min • 02:36 • -8.09db
19% Popularity • 43% Danceability • 94% Energy • 23% Liveness
93% Instrumentalness • 85% Positiveness
19% Popularity • 43% Danceability • 94% Energy • 23% Liveness
93% Instrumentalness • 85% Positiveness
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Toby Fox
Bring It In, Guys!
170 bpm • F Maj • 04:12 • -11.36db
45% Popularity • 26% Danceability • 84% Energy • 14% Liveness
84% Instrumentalness • 48% Positiveness
45% Popularity • 26% Danceability • 84% Energy • 14% Liveness
84% Instrumentalness • 48% Positiveness
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Vince De Vera & Jason Garner
Work to Be Done
172 bpm • D# Maj • 01:29 • -16db
29% Popularity • 38% Danceability • 26% Energy • 18% Liveness
77% Instrumentalness • 74% Positiveness
29% Popularity • 38% Danceability • 26% Energy • 18% Liveness
77% Instrumentalness • 74% Positiveness
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Jonah Senzel
The Four Scrybes
172 bpm • G min • 02:10 • -15.77db
32% Popularity • 53% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 21% Positiveness
32% Popularity • 53% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 21% Positiveness
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flashygoodness
Fire's Last Hope
160 bpm • A# min • 02:34 • -4.65db
23% Popularity • 38% Danceability • 98% Energy • 9% Liveness
42% Instrumentalness • 63% Positiveness
23% Popularity • 38% Danceability • 98% Energy • 9% Liveness
42% Instrumentalness • 63% Positiveness
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Mr. Sauceman
Calzonification
171 bpm • C# Maj • 02:41 • -5.57db
38% Popularity • 42% Danceability • 95% Energy • 15% Liveness
79% Instrumentalness • 50% Positiveness
38% Popularity • 42% Danceability • 95% Energy • 15% Liveness
79% Instrumentalness • 50% Positiveness
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Michiru Yamane
An Oasis Of Blood
160 bpm • G Maj • 05:32 • -10.57db
19% Popularity • 35% Danceability • 70% Energy • 48% Liveness
80% Instrumentalness • 27% Positiveness
19% Popularity • 35% Danceability • 70% Energy • 48% Liveness
80% Instrumentalness • 27% Positiveness
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Chris Christodoulou
Double Fucking Rainbow
160 bpm • C# Maj • 04:10 • -7.4db
28% Popularity • 54% Danceability • 92% Energy • 7% Liveness
91% Instrumentalness • 56% Positiveness
28% Popularity • 54% Danceability • 92% Energy • 7% Liveness
91% Instrumentalness • 56% Positiveness
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Danny Baranowsky
Hot Damned Retro (Ch 4 Warp Zone)
160 bpm • C min • 02:53 • -5.96db
14% Popularity • 43% Danceability • 92% Energy • 32% Liveness
51% Instrumentalness • 72% Positiveness
14% Popularity • 43% Danceability • 92% Energy • 32% Liveness
51% Instrumentalness • 72% Positiveness
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DM DOKURO
Threats of the Ocean Floor
160 bpm • B min • 04:00 • -6.27db
39% Popularity • 31% Danceability • 70% Energy • 42% Liveness
76% Instrumentalness • 6% Positiveness
39% Popularity • 31% Danceability • 70% Energy • 42% Liveness
76% Instrumentalness • 6% Positiveness
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flashygoodness
Lightning Pandemonium
160 bpm • B min • 02:13 • -4.14db
25% Popularity • 30% Danceability • 98% Energy • 34% Liveness
96% Instrumentalness • 41% Positiveness
25% Popularity • 30% Danceability • 98% Energy • 34% Liveness
96% Instrumentalness • 41% Positiveness
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Jun Senoue (SEGA SOUND TEAM)
Central City
160 bpm • F Maj • 02:05 • -5.58db
26% Popularity • 50% Danceability • 81% Energy • 12% Liveness
85% Instrumentalness • 66% Positiveness
26% Popularity • 50% Danceability • 81% Energy • 12% Liveness
85% Instrumentalness • 66% Positiveness
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Michiru Yamane
Going Nowhere Fast
172 bpm • D Maj • 06:08 • -10.3db
21% Popularity • 41% Danceability • 77% Energy • 46% Liveness
35% Instrumentalness • 60% Positiveness
21% Popularity • 41% Danceability • 77% Energy • 46% Liveness
35% Instrumentalness • 60% Positiveness
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Sophus Alf Agerbæk-Larsen
I Welcome The Darkness
160 bpm • A min • 04:02 • -13.35db
28% Popularity • 64% Danceability • 52% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
28% Popularity • 64% Danceability • 52% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Danny Baranowsky
The Wight to Remain
160 bpm • C# min • 02:43 • -6db
29% Popularity • 50% Danceability • 96% Energy • 19% Liveness
33% Instrumentalness • 60% Positiveness
29% Popularity • 50% Danceability • 96% Energy • 19% Liveness
33% Instrumentalness • 60% Positiveness
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Phyrnna
Fight the Movement!
160 bpm • C min • 05:36 • -9.37db
21% Popularity • 41% Danceability • 88% Energy • 17% Liveness
96% Instrumentalness • 86% Positiveness
21% Popularity • 41% Danceability • 88% Energy • 17% Liveness
96% Instrumentalness • 86% Positiveness
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Hyperduck Soundworks
Short Fuse
160 bpm • C# Maj • 02:27 • -9.84db
13% Popularity • 44% Danceability • 95% Energy • 25% Liveness
90% Instrumentalness • 51% Positiveness
13% Popularity • 44% Danceability • 95% Energy • 25% Liveness
90% Instrumentalness • 51% Positiveness
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Mudeth
Outside the Fold (Cellar)
160 bpm • D Maj • 04:30 • -6.88db
26% Popularity • 48% Danceability • 92% Energy • 10% Liveness
84% Instrumentalness • 48% Positiveness
26% Popularity • 48% Danceability • 92% Energy • 10% Liveness
84% Instrumentalness • 48% Positiveness
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Seth Parker
Snaxburg at Rest
160 bpm • C Maj • 02:46 • -15.32db
29% Popularity • 36% Danceability • 60% Energy • 12% Liveness
89% Instrumentalness • 32% Positiveness
29% Popularity • 36% Danceability • 60% Energy • 12% Liveness
89% Instrumentalness • 32% Positiveness
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Sophus Alf Agerbæk-Larsen
Into The Abyss
160 bpm • E min • 06:24 • -18db
28% Popularity • 47% Danceability • 30% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
28% Popularity • 47% Danceability • 30% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Vince De Vera & Jason Garner
E.F.S.
160 bpm • C# Maj • 01:36 • -14.87db
24% Popularity • 48% Danceability • 41% Energy • 36% Liveness
36% Instrumentalness • 51% Positiveness
24% Popularity • 48% Danceability • 41% Energy • 36% Liveness
36% Instrumentalness • 51% Positiveness
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Danny Baranowsky
Last Dance
160 bpm • C# Maj • 02:22 • -8.89db
28% Popularity • 50% Danceability • 77% Energy • 9% Liveness
92% Instrumentalness • 38% Positiveness
28% Popularity • 50% Danceability • 77% Energy • 9% Liveness
92% Instrumentalness • 38% Positiveness
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DM DOKURO
Raw, Unfiltered Calamity
174 bpm • D min • 09:00 • -4db
44% Popularity • 36% Danceability • 93% Energy • 20% Liveness
66% Instrumentalness • 18% Positiveness
44% Popularity • 36% Danceability • 93% Energy • 20% Liveness
66% Instrumentalness • 18% Positiveness
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Mudeth
Allnoise (The Void)
160 bpm • F Maj • 03:55 • -7db
32% Popularity • 38% Danceability • 95% Energy • 58% Liveness
85% Instrumentalness • 28% Positiveness
32% Popularity • 38% Danceability • 95% Energy • 58% Liveness
85% Instrumentalness • 28% Positiveness
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Jonah Senzel
The Prospector
175 bpm • D Maj • 03:59 • -13db
27% Popularity • 42% Danceability • 23% Energy • 4% Liveness
81% Instrumentalness • 3% Positiveness
27% Popularity • 42% Danceability • 23% Energy • 4% Liveness
81% Instrumentalness • 3% Positiveness
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A Shell In The Pit
Immortal Kings
175 bpm • E min • 04:36 • -4.76db
1% Popularity • 14% Danceability • 82% Energy • 29% Liveness
69% Instrumentalness • 8% Positiveness
1% Popularity • 14% Danceability • 82% Energy • 29% Liveness
69% Instrumentalness • 8% Positiveness
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SEGA SOUND TEAM
Game Land 5
175 bpm • D min • 02:46 • -11.67db
19% Popularity • 29% Danceability • 63% Energy • 12% Liveness
5% Instrumentalness • 48% Positiveness
19% Popularity • 29% Danceability • 63% Energy • 12% Liveness
5% Instrumentalness • 48% Positiveness
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Toby Fox
Stronger Monsters
175 bpm • A# min • 01:03 • -9.13db
47% Popularity • 60% Danceability • 97% Energy • 12% Liveness
72% Instrumentalness • 96% Positiveness
47% Popularity • 60% Danceability • 97% Energy • 12% Liveness
72% Instrumentalness • 96% Positiveness
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Scattle
Bedside Manner (Hospital Light)
175 bpm • F Maj • 03:15 • -7.33db
19% Popularity • 55% Danceability • 86% Energy • 12% Liveness
90% Instrumentalness • 60% Positiveness
19% Popularity • 55% Danceability • 86% Energy • 12% Liveness
90% Instrumentalness • 60% Positiveness
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Mudeth
Memento Mori (Witness)
158 bpm • C# Maj • 03:43 • -7.81db
26% Popularity • 45% Danceability • 84% Energy • 44% Liveness
90% Instrumentalness • 54% Positiveness
26% Popularity • 45% Danceability • 84% Energy • 44% Liveness
90% Instrumentalness • 54% Positiveness
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DM DOKURO
The Leviathan Trilogy
175 bpm • C Maj • 09:23 • -6db
38% Popularity • 38% Danceability • 82% Energy • 17% Liveness
96% Instrumentalness • 10% Positiveness
38% Popularity • 38% Danceability • 82% Energy • 17% Liveness
96% Instrumentalness • 10% Positiveness
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Clark Aboud
The Heart
157 bpm • D# min • 03:09 • -10db
32% Popularity • 32% Danceability • 37% Energy • 9% Liveness
94% Instrumentalness • 38% Positiveness
32% Popularity • 32% Danceability • 37% Energy • 9% Liveness
94% Instrumentalness • 38% Positiveness
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Tristan Alric
The Usurper, Grasping for Power
157 bpm • C# Maj • 05:25 • -15.52db
12% Popularity • 50% Danceability • 60% Energy • 30% Liveness
97% Instrumentalness • 64% Positiveness
12% Popularity • 50% Danceability • 60% Energy • 30% Liveness
97% Instrumentalness • 64% Positiveness
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Danny Baranowsky
Serenity
176 bpm • C min • 01:56 • -24.17db
29% Popularity • 40% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 57% Positiveness
29% Popularity • 40% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 57% Positiveness
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Oli Wood
Center Perks 2.0 Job Time
176 bpm • G Maj • 06:53 • -15.49db
8% Popularity • 59% Danceability • 44% Energy • 10% Liveness
81% Instrumentalness • 36% Positiveness
8% Popularity • 59% Danceability • 44% Energy • 10% Liveness
81% Instrumentalness • 36% Positiveness
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Toby Fox
Checker Dance
156 bpm • A# min • 01:18 • -12.9db
47% Popularity • 42% Danceability • 80% Energy • 14% Liveness
60% Instrumentalness • 89% Positiveness
47% Popularity • 42% Danceability • 80% Energy • 14% Liveness
60% Instrumentalness • 89% Positiveness
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DM DOKURO
Hadopelagic Pressure
176 bpm • B min • 04:27 • -6db
35% Popularity • 26% Danceability • 66% Energy • 42% Liveness
85% Instrumentalness • 7% Positiveness
35% Popularity • 26% Danceability • 66% Energy • 42% Liveness
85% Instrumentalness • 7% Positiveness
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Tettix
Poot Yan (Minigame)
156 bpm • G# Maj • 00:55 • -12.16db
12% Popularity • 60% Danceability • 34% Energy • 10% Liveness
86% Instrumentalness • 98% Positiveness
12% Popularity • 60% Danceability • 34% Energy • 10% Liveness
86% Instrumentalness • 98% Positiveness
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Tristan Alric
Termite Capitol
156 bpm • G# Maj • 02:50 • -20.37db
18% Popularity • 67% Danceability • 9% Energy • 12% Liveness
76% Instrumentalness • 48% Positiveness
18% Popularity • 67% Danceability • 9% Energy • 12% Liveness
76% Instrumentalness • 48% Positiveness
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C418
Atempause (C418 Remix)
176 bpm • C min • 02:03 • -21db
29% Popularity • 42% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
29% Popularity • 42% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
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Alec Holowka
Batter Up
156 bpm • C Maj • 06:46 • -14.09db
23% Popularity • 55% Danceability • 65% Energy • 7% Liveness
96% Instrumentalness • 79% Positiveness
23% Popularity • 55% Danceability • 65% Energy • 7% Liveness
96% Instrumentalness • 79% Positiveness
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Vicarious Visions Audio
N. Tropy
177 bpm • A Maj • 01:44 • -11.26db
34% Popularity • 68% Danceability • 91% Energy • 7% Liveness
91% Instrumentalness • 78% Positiveness
34% Popularity • 68% Danceability • 91% Energy • 7% Liveness
91% Instrumentalness • 78% Positiveness
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River Boy
Sozo
155 bpm • E min • 01:03 • -8.98db
38% Popularity • 75% Danceability • 58% Energy • 8% Liveness
77% Instrumentalness • 33% Positiveness
38% Popularity • 75% Danceability • 58% Energy • 8% Liveness
77% Instrumentalness • 33% Positiveness
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岩垂徳行
対決 〜プレスト 2009
155 bpm • C# min • 03:06 • -6.87db
25% Popularity • 55% Danceability • 86% Energy • 18% Liveness
48% Instrumentalness • 96% Positiveness
25% Popularity • 55% Danceability • 86% Energy • 18% Liveness
48% Instrumentalness • 96% Positiveness
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Danny Baranowsky
A Cold Sweat
155 bpm • G Maj • 02:59 • -7.25db
28% Popularity • 54% Danceability • 84% Energy • 8% Liveness
85% Instrumentalness • 41% Positiveness
28% Popularity • 54% Danceability • 84% Energy • 8% Liveness
85% Instrumentalness • 41% Positiveness
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Jonah Senzel
The Scrybe of Technology
155 bpm • A# min • 01:25 • -12.61db
28% Popularity • 47% Danceability • 53% Energy • 59% Liveness
3% Instrumentalness • 46% Positiveness
28% Popularity • 47% Danceability • 53% Energy • 59% Liveness
3% Instrumentalness • 46% Positiveness
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Alec Holowka
Trailer II
155 bpm • E Maj • 01:20 • -8.75db
24% Popularity • 38% Danceability • 85% Energy • 8% Liveness
53% Instrumentalness • 31% Positiveness
24% Popularity • 38% Danceability • 85% Energy • 8% Liveness
53% Instrumentalness • 31% Positiveness
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Chris Christodoulou
Hailstorm
155 bpm • A Maj • 02:23 • -7.35db
27% Popularity • 54% Danceability • 98% Energy • 23% Liveness
68% Instrumentalness • 49% Positiveness
27% Popularity • 54% Danceability • 98% Energy • 23% Liveness
68% Instrumentalness • 49% Positiveness
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flashygoodness
Neon Universe EX
155 bpm • D min • 04:27 • -4.64db
17% Popularity • 31% Danceability • 99% Energy • 24% Liveness
7% Instrumentalness • 38% Positiveness
17% Popularity • 31% Danceability • 99% Energy • 24% Liveness
7% Instrumentalness • 38% Positiveness
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Jukio Kallio
Come So Far
154 bpm • D min • 01:59 • -6.03db
15% Popularity • 28% Danceability • 50% Energy • 19% Liveness
87% Instrumentalness • 10% Positiveness
15% Popularity • 28% Danceability • 50% Energy • 19% Liveness
87% Instrumentalness • 10% Positiveness
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Danny Baranowsky
A Hot Mess
155 bpm • G Maj • 02:59 • -7.28db
28% Popularity • 53% Danceability • 89% Energy • 14% Liveness
83% Instrumentalness • 54% Positiveness
28% Popularity • 53% Danceability • 89% Energy • 14% Liveness
83% Instrumentalness • 54% Positiveness
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ROCK-MEN
Mega Man 2 / Title
154 bpm • C Maj • 03:44 • -7.33db
11% Popularity • 37% Danceability • 96% Energy • 30% Liveness
76% Instrumentalness • 62% Positiveness
11% Popularity • 37% Danceability • 96% Energy • 30% Liveness
76% Instrumentalness • 62% Positiveness
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River Boy
Darkwood
154 bpm • A# Maj • 01:24 • -10db
38% Popularity • 65% Danceability • 52% Energy • 7% Liveness
95% Instrumentalness • 56% Positiveness
38% Popularity • 65% Danceability • 52% Energy • 7% Liveness
95% Instrumentalness • 56% Positiveness
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岩垂徳行
芝九蔵虎ノ助 〜スウィンギン...
179 bpm • C Maj • 01:46 • -8.1db
21% Popularity • 56% Danceability • 54% Energy • 40% Liveness
78% Instrumentalness • 97% Positiveness
21% Popularity • 56% Danceability • 54% Energy • 40% Liveness
78% Instrumentalness • 97% Positiveness
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DM DOKURO
Catastrophes before the calamity
179 bpm • C Maj • 04:57 • -6db
37% Popularity • 15% Danceability • 66% Energy • 9% Liveness
83% Instrumentalness • 6% Positiveness
37% Popularity • 15% Danceability • 66% Energy • 9% Liveness
83% Instrumentalness • 6% Positiveness
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Jake Kaufman
The Starlit Wilds (Campfire Scene)
180 bpm • F# Maj • 01:38 • -5.5db
29% Popularity • 20% Danceability • 93% Energy • 10% Liveness
97% Instrumentalness • 40% Positiveness
29% Popularity • 20% Danceability • 93% Energy • 10% Liveness
97% Instrumentalness • 40% Positiveness
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Alec Holowka
The Long Fall
180 bpm • A min • 04:12 • -12.69db
24% Popularity • 60% Danceability • 32% Energy • 9% Liveness
79% Instrumentalness • 47% Positiveness
24% Popularity • 60% Danceability • 32% Energy • 9% Liveness
79% Instrumentalness • 47% Positiveness
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GaMetal
Marx / Heart of Nova
180 bpm • F min • 03:34 • -8.49db
26% Popularity • 34% Danceability • 92% Energy • 12% Liveness
76% Instrumentalness • 43% Positiveness
26% Popularity • 34% Danceability • 92% Energy • 12% Liveness
76% Instrumentalness • 43% Positiveness
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Danny Baranowsky
Devil N' Bass (Ch 4 Dark World)
180 bpm • D min • 02:40 • -5.1db
29% Popularity • 32% Danceability • 96% Energy • 24% Liveness
97% Instrumentalness • 48% Positiveness
29% Popularity • 32% Danceability • 96% Energy • 24% Liveness
97% Instrumentalness • 48% Positiveness
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Mudeth
Depression Shop
180 bpm • C# Maj • 03:20 • -18.83db
30% Popularity • 44% Danceability • 46% Energy • 11% Liveness
95% Instrumentalness • 25% Positiveness
30% Popularity • 44% Danceability • 46% Energy • 11% Liveness
95% Instrumentalness • 25% Positiveness
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DM DOKURO
Unholy Ambush
180 bpm • G# Maj • 04:07 • -3db
38% Popularity • 26% Danceability • 97% Energy • 32% Liveness
89% Instrumentalness • 61% Positiveness
38% Popularity • 26% Danceability • 97% Energy • 32% Liveness
89% Instrumentalness • 61% Positiveness
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Anamanaguchi
Gideon Wrath Part II
180 bpm • E min • 01:48 • -5.49db
25% Popularity • 33% Danceability • 100% Energy • 6% Liveness
78% Instrumentalness • 63% Positiveness
25% Popularity • 33% Danceability • 100% Energy • 6% Liveness
78% Instrumentalness • 63% Positiveness
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Jake Kaufman
The Schemer (Tinker Knight Battle)
180 bpm • C# Maj • 01:16 • -2db
34% Popularity • 57% Danceability • 98% Energy • 23% Liveness
17% Instrumentalness • 97% Positiveness
34% Popularity • 57% Danceability • 98% Energy • 23% Liveness
17% Instrumentalness • 97% Positiveness
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flashygoodness
Eternal Sanctity
180 bpm • A min • 03:03 • -12.06db
16% Popularity • 41% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 41% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Magnus Pålsson
Popular Potpourri
180 bpm • B Maj • 06:10 • -10.08db
18% Popularity • 55% Danceability • 49% Energy • 7% Liveness
88% Instrumentalness • 83% Positiveness
18% Popularity • 55% Danceability • 49% Energy • 7% Liveness
88% Instrumentalness • 83% Positiveness
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Danny Baranowsky
Meat Golem (Ch 4 Boss)
180 bpm • G Maj • 02:45 • -8.21db
22% Popularity • 45% Danceability • 77% Energy • 32% Liveness
21% Instrumentalness • 51% Positiveness
22% Popularity • 45% Danceability • 77% Energy • 32% Liveness
21% Instrumentalness • 51% Positiveness
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Matthewせいじ
The Core - Say Goodbye Mix
180 bpm • E min • 03:46 • -13.45db
33% Popularity • 46% Danceability • 55% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
33% Popularity • 46% Danceability • 55% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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DM DOKURO
Unholy Insurgency
180 bpm • C min • 05:18 • -2.74db
45% Popularity • 27% Danceability • 93% Energy • 12% Liveness
86% Instrumentalness • 27% Positiveness
45% Popularity • 27% Danceability • 93% Energy • 12% Liveness
86% Instrumentalness • 27% Positiveness
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Jake Kaufman
Strike the Earth! (Plains of Passage)
180 bpm • C Maj • 03:44 • -2.21db
38% Popularity • 40% Danceability • 100% Energy • 15% Liveness
84% Instrumentalness • 65% Positiveness
38% Popularity • 40% Danceability • 100% Energy • 15% Liveness
84% Instrumentalness • 65% Positiveness
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Alec Holowka
Finding Bea
153 bpm • C# min • 02:23 • -13.65db
23% Popularity • 48% Danceability • 48% Energy • 9% Liveness
88% Instrumentalness • 42% Positiveness
23% Popularity • 48% Danceability • 48% Energy • 9% Liveness
88% Instrumentalness • 42% Positiveness
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Mudeth
Terminal Lucidity (Delirium)
153 bpm • G min • 04:32 • -9db
26% Popularity • 39% Danceability • 93% Energy • 31% Liveness
86% Instrumentalness • 34% Positiveness
26% Popularity • 39% Danceability • 93% Energy • 31% Liveness
86% Instrumentalness • 34% Positiveness
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Tettix
Rogue Legacy Returns
152 bpm • D min • 01:28 • -5.38db
1% Popularity • 50% Danceability • 95% Energy • 25% Liveness
87% Instrumentalness • 35% Positiveness
1% Popularity • 50% Danceability • 95% Energy • 25% Liveness
87% Instrumentalness • 35% Positiveness
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Deniz Akbulut
Hack Your Way!
152 bpm • F min • 01:48 • -8.39db
16% Popularity • 43% Danceability • 97% Energy • 82% Liveness
92% Instrumentalness • 65% Positiveness
16% Popularity • 43% Danceability • 97% Energy • 82% Liveness
92% Instrumentalness • 65% Positiveness
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Peter McConnell
The Wild Bull Run / El Odio
152 bpm • F# min • 01:37 • -15.1db
17% Popularity • 65% Danceability • 36% Energy • 11% Liveness
92% Instrumentalness • 27% Positiveness
17% Popularity • 65% Danceability • 36% Energy • 11% Liveness
92% Instrumentalness • 27% Positiveness
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Jake Kaufman
The Rival (Black Knight First Battle)
180 bpm • G min • 02:52 • -2.77db
25% Popularity • 36% Danceability • 100% Energy • 26% Liveness
93% Instrumentalness • 32% Positiveness
25% Popularity • 36% Danceability • 100% Energy • 26% Liveness
93% Instrumentalness • 32% Positiveness
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Nightmargin
IT'S TIME TO FIGHT CRIME
152 bpm • C# Maj • 01:30 • -13db
30% Popularity • 41% Danceability • 61% Energy • 53% Liveness
88% Instrumentalness • 9% Positiveness
30% Popularity • 41% Danceability • 61% Energy • 53% Liveness
88% Instrumentalness • 9% Positiveness
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Christa Lee
Celestial Resort - Good Karma Mix
183 bpm • C Maj • 03:45 • -6.47db
40% Popularity • 17% Danceability • 88% Energy • 9% Liveness
89% Instrumentalness • 42% Positiveness
40% Popularity • 17% Danceability • 88% Energy • 9% Liveness
89% Instrumentalness • 42% Positiveness
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ClascyJitto
Oregano Mirage
183 bpm • C min • 02:26 • -8.71db
41% Popularity • 41% Danceability • 93% Energy • 18% Liveness
92% Instrumentalness • 53% Positiveness
41% Popularity • 41% Danceability • 93% Energy • 18% Liveness
92% Instrumentalness • 53% Positiveness
