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5 Foot 9
Songs like
5 Foot 9
by
Tyler Hubbard
Based on a tempo of (+/- 10%) and a similar genre
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Tyler Hubbard
5 Foot 9
106 bpm • F Maj • 03:09 • -6db
71% Popularity • 60% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Justin Moore
With A Woman You Love
106 bpm • G Maj • 02:47 • -4.65db
62% Popularity • 62% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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Luke Bryan
Country Girl (Shake It For Me)
106 bpm • D Maj • 03:45 • -4.53db
76% Popularity • 64% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Josh Ross
First Taste of Gone
106 bpm • C Maj • 02:52 • -7db
63% Popularity • 65% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Travis Denning
Tank Of Gas And A Radio Song
106 bpm • A Maj • 02:52 • -6.06db
50% Popularity • 64% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Jordan Davis
Tucson Too Late
106 bpm • G Maj • 02:52 • -7.19db
75% Popularity • 66% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Zac Brown Band
Homegrown
105 bpm • F# Maj • 03:25 • -4db
70% Popularity • 71% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Parker McCollum
Handle On You
105 bpm • F# Maj • 03:39 • -3.93db
69% Popularity • 59% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Tenille Arts
Somebody Like That
105 bpm • F# Maj • 03:18 • -5.38db
64% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Scotty McCreery
It Matters To Her
105 bpm • G Maj • 02:51 • -5db
64% Popularity • 52% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Travis Denning
After A Few
107 bpm • A# min • 03:33 • -4.32db
56% Popularity • 62% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Thomas Rhett
Sixteen
107 bpm • C# Maj • 02:58 • -7.03db
61% Popularity • 70% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Jon Pardi
Tequila Little Time
105 bpm • D Maj • 03:27 • -5.08db
61% Popularity • 76% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Dylan Scott
This Town's Been Too Good To Us
105 bpm • B Maj • 03:11 • -7.04db
62% Popularity • 70% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Randy Houser
How Country Feels
105 bpm • G Maj • 03:05 • -3.62db
69% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Mitchell Tenpenny
Bigger Mistakes
105 bpm • B Maj • 02:59 • -4.04db
69% Popularity • 60% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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Jelly Roll
Halfway To Hell
107 bpm • D min • 02:58 • -5.38db
72% Popularity • 50% Danceability • 86% Energy • 95% Liveness
0% Instrumentalness • 44% Positiveness
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HIXTAPE
Turn You Down (HARDY Morgan Wallen, Zakk...
108 bpm • B Maj • 02:34 • -3.38db
69% Popularity • 62% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
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Walker Hayes
AA
104 bpm • E Maj • 03:09 • -5.86db
61% Popularity • 63% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Dylan Scott
Amen To That
108 bpm • F# Maj • 02:52 • -5db
56% Popularity • 57% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Jake Owen
American Country Love Song
104 bpm • G# Maj • 03:19 • -4db
59% Popularity • 53% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Jon Pardi
Head Over Boots
108 bpm • G Maj • 03:22 • -4.47db
74% Popularity • 56% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Eric Church
Springsteen
104 bpm • D Maj • 04:23 • -5.94db
77% Popularity • 69% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Randall King
Burns Like Her
104 bpm • C# Maj • 03:53 • -5.22db
56% Popularity • 62% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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HARDY
BOOTS
104 bpm • D Maj • 03:13 • -3.83db
64% Popularity • 54% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Tyler Hubbard
Park
104 bpm • G Maj • 02:44 • -4.11db
55% Popularity • 60% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Scotty McCreery
You Time
104 bpm • A Maj • 03:12 • -6db
50% Popularity • 55% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Luke Bryan
Rain Is A Good Thing
108 bpm • B min • 02:56 • -4.66db
70% Popularity • 62% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Morgan Wallen
Everything I Love
104 bpm • G# Maj • 03:07 • -3.8db
74% Popularity • 57% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Gabby Barrett
Glory Days
104 bpm • G Maj • 02:42 • -5.22db
49% Popularity • 65% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Sam Hunt
House Party
104 bpm • G# Maj • 03:10 • -5.25db
70% Popularity • 75% Danceability • 86% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
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Chris Janson
All I Need Is You
103 bpm • C# Maj • 02:42 • -6.21db
61% Popularity • 61% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Lee Brice
Hard To Love
103 bpm • A Maj • 03:44 • -6.18db
68% Popularity • 64% Danceability • 72% Energy • 19% Liveness
1% Instrumentalness • 47% Positiveness
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Ella Langley
Paint The Town Blue
110 bpm • C# Maj • 03:05 • -3.44db
59% Popularity • 63% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Jon Pardi
Last Night Lonely
103 bpm • F# Maj • 03:02 • -2.84db
72% Popularity • 65% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Dustin Lynch
Stars Like Confetti
110 bpm • A# Maj • 03:14 • -3.06db
67% Popularity • 62% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Chris Young
Aw Naw
110 bpm • D Maj • 03:08 • -3.75db
62% Popularity • 65% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Luke Bryan
That's My Kind Of Night
110 bpm • G Maj • 03:10 • -2.91db
74% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Brett Eldredge
Beat of the Music
110 bpm • A Maj • 02:59 • -4.13db
60% Popularity • 63% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Cody Johnson
Me and My Kind
110 bpm • D Maj • 02:36 • -3.43db
76% Popularity • 59% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Nate Smith
Whiskey On You
110 bpm • G# Maj • 03:03 • -5.2db
71% Popularity • 47% Danceability • 75% Energy • 12% Liveness
2% Instrumentalness • 57% Positiveness
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Restless Road
Bar Friends
110 bpm • D Maj • 03:06 • -4.5db
39% Popularity • 54% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Tyler Hubbard
Leave Me Alone
110 bpm • G# min • 03:38 • -5db
34% Popularity • 58% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Luke Combs
The Kind of Love We Make
102 bpm • C# Maj • 03:44 • -4.13db
78% Popularity • 61% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Old Dominion
Hotel Key
102 bpm • B Maj • 02:46 • -5.09db
66% Popularity • 76% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Chris Young
Famous Friends
102 bpm • F# Maj • 02:46 • -2.92db
67% Popularity • 54% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Thomas Rhett
Beer Can’t Fix
111 bpm • G Maj • 03:29 • -4.07db
70% Popularity • 71% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Luke Bryan
I Don't Want This Night To End
112 bpm • A min • 03:39 • -4.02db
73% Popularity • 62% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Mitchell Tenpenny
Breaking My Heart
112 bpm • C# min • 03:40 • -4.86db
61% Popularity • 66% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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LOCASH
I Love This Life
112 bpm • D Maj • 03:28 • -3db
37% Popularity • 59% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Old Dominion
Snapback
101 bpm • F Maj • 03:26 • -3.58db
63% Popularity • 69% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Warren Zeiders
Pretty Little Poison
112 bpm • C# Maj • 03:38 • -4.16db
76% Popularity • 49% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Thomas Rhett
Half Of Me
112 bpm • G Maj • 03:03 • -5.06db
69% Popularity • 57% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Kane Brown
One Mississippi
100 bpm • C Maj • 03:34 • -5.81db
57% Popularity • 46% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Jordan Davis
Take It From Me
100 bpm • A# Maj • 02:54 • -3.14db
69% Popularity • 59% Danceability • 89% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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Tyler Hubbard
Me For Me
100 bpm • F# Maj • 02:54 • -5.84db
57% Popularity • 66% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Corey Kent
Something's Gonna Kill Me
113 bpm • E min • 03:03 • -5.77db
69% Popularity • 66% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Eric Church
Drink In My Hand
113 bpm • C Maj • 03:11 • -4.45db
73% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Thomas Rhett
Look What God Gave Her
113 bpm • D Maj • 02:48 • -3.97db
68% Popularity • 74% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Dylan Scott
What He'll Never Have
113 bpm • F# Maj • 02:33 • -4.47db
76% Popularity • 49% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Kane Brown
Thank God
100 bpm • D# Maj • 02:54 • -8.74db
74% Popularity • 74% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Luke Combs
Does To Me
113 bpm • C Maj • 03:43 • -4.9db
68% Popularity • 62% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Tyler Hubbard
Inside And Out
100 bpm • D# Maj • 03:05 • -7db
51% Popularity • 57% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Scotty McCreery
Cab In A Solo
99 bpm • F Maj • 03:45 • -6.69db
68% Popularity • 57% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
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Sam Hunt
Body Like A Back Road
99 bpm • F Maj • 02:42 • -7.44db
72% Popularity • 74% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Mitchell Tenpenny
To Us It Did
114 bpm • C Maj • 02:45 • -4.76db
50% Popularity • 69% Danceability • 84% Energy • 2% Liveness
0% Instrumentalness • 46% Positiveness
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Restless Road
Sundown Somewhere
114 bpm • B Maj • 02:42 • -4.13db
53% Popularity • 61% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Eric Church
Hell Of A View
99 bpm • F Maj • 02:55 • -6.76db
71% Popularity • 69% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 92% Positiveness
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Tyler Hubbard
Way Home
113 bpm • D Maj • 03:09 • -6db
43% Popularity • 62% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Dustin Lynch
Party Mode
114 bpm • A# min • 03:31 • -2.75db
55% Popularity • 62% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Matt Stell
Breakin' in Boots
114 bpm • C Maj • 02:35 • -4.24db
68% Popularity • 59% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Cody Johnson
Dance Her Home
114 bpm • C Maj • 02:54 • -3.77db
72% Popularity • 67% Danceability • 89% Energy • 69% Liveness
0% Instrumentalness • 89% Positiveness
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Mitchell Tenpenny
We Got History
98 bpm • C Maj • 03:23 • -6.33db
67% Popularity • 63% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Eli Young Band
Love Ain't
98 bpm • B Maj • 03:07 • -4.67db
63% Popularity • 60% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Tyler Hubbard
By The Way
99 bpm • G Maj • 02:33 • -5.77db
36% Popularity • 64% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Sam Hunt
23
98 bpm • D# Maj • 02:59 • -5.14db
68% Popularity • 64% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Travis Denning
Dirt Road Down
98 bpm • G# Maj • 02:45 • -4.64db
55% Popularity • 54% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Warren Zeiders
Some Whiskey
98 bpm • C Maj • 03:03 • -4.69db
60% Popularity • 58% Danceability • 85% Energy • 10% Liveness
1% Instrumentalness • 50% Positiveness
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Cody Johnson
The Painter
98 bpm • D Maj • 03:31 • -5.77db
75% Popularity • 51% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Muscadine Bloodline
Me On You
98 bpm • B min • 02:47 • -5db
68% Popularity • 72% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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Tyler Hubbard
Night Like That
114 bpm • G Maj • 02:39 • -4.74db
40% Popularity • 63% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Kameron Marlowe
Burn 'Em All
115 bpm • B min • 03:06 • -4.89db
55% Popularity • 65% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Dylan Scott
Good Times Go By Too Fast
115 bpm • F Maj • 02:49 • -5.22db
76% Popularity • 66% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Cole Swindell
Flatliner
115 bpm • C Maj • 02:57 • -3.3db
62% Popularity • 56% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Dierks Bentley
Gold
115 bpm • C# Maj • 02:47 • -4db
65% Popularity • 68% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Luke Bryan
Kiss Tomorrow Goodbye
115 bpm • F min • 03:23 • -3db
71% Popularity • 57% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Tyler Hubbard
Tough
98 bpm • F Maj • 03:06 • -5db
46% Popularity • 57% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Morgan Wallen
Chasin' You
97 bpm • G Maj • 03:25 • -5.79db
80% Popularity • 63% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Kane Brown
Homesick
97 bpm • G# Maj • 03:25 • -8.82db
64% Popularity • 70% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 41% Positiveness
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Ian Munsick
Long Live Cowgirls
97 bpm • A# Maj • 03:05 • -5.98db
63% Popularity • 52% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
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Old Dominion
I Should Have Married You
97 bpm • A# Maj • 02:43 • -6.13db
49% Popularity • 63% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
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John Morgan
Friends Like That
97 bpm • F# Maj • 03:06 • -4.95db
58% Popularity • 64% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Tyler Hubbard
Dancin’ In The Country
115 bpm • G Maj • 02:59 • -5db
74% Popularity • 66% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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MacKenzie Porter
Pickup
97 bpm • C# Maj • 02:48 • -3.97db
42% Popularity • 61% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Priscilla Block
My Bar
97 bpm • B Maj • 03:13 • -3db
52% Popularity • 62% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Jon Pardi
Heartache On The Dance Floor
116 bpm • A Maj • 03:25 • -4.31db
74% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Dylan Scott
New Truck
97 bpm • C# Maj • 02:54 • -5.86db
59% Popularity • 53% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Kane Brown
I Can Feel It
116 bpm • D# min • 02:43 • -5.82db
73% Popularity • 53% Danceability • 87% Energy • 3% Liveness
1% Instrumentalness • 55% Positiveness
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Tyler Hubbard
Dancin' In The Country (Demo - Keith Urb...
115 bpm • G Maj • 02:46 • -6db
42% Popularity • 64% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Luke Combs
Where the Wild Things Are
117 bpm • D# Maj • 03:59 • -4.87db
86% Popularity • 71% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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5 Foot 9