Songs like 5 Pieces for Orchestra, Op. 10: III. Sehr langsam und äußerst zart by Anton Webern
Based on a tempo of (+/- 10%) and a similar genre
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Luciano Berio
Sequenza III for Female Voice
88 bpm • F min • 08:16 • -24db
8% Popularity • 40% Danceability • 3% Energy • 23% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 40% Danceability • 3% Energy • 23% Liveness
1% Instrumentalness • 4% Positiveness
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Alexander Scriabin
Symphony No. 1 in E Major, Op. 26: I. Le...
88 bpm • E Maj • 07:47 • -31.02db
0% Popularity • 10% Danceability • 2% Energy • 10% Liveness
47% Instrumentalness • 3% Positiveness
0% Popularity • 10% Danceability • 2% Energy • 10% Liveness
47% Instrumentalness • 3% Positiveness
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Maurice Ravel
String Quartet in F Major, M. 35: I. All...
88 bpm • A# Maj • 08:00 • -18db
9% Popularity • 21% Danceability • 20% Energy • 63% Liveness
38% Instrumentalness • 11% Positiveness
9% Popularity • 21% Danceability • 20% Energy • 63% Liveness
38% Instrumentalness • 11% Positiveness
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Krzysztof Penderecki
Sinfonietta No. 2: III. Serenade: Tempo ...
88 bpm • C Maj • 01:51 • -26.66db
10% Popularity • 50% Danceability • 2% Energy • 12% Liveness
26% Instrumentalness • 23% Positiveness
10% Popularity • 50% Danceability • 2% Energy • 12% Liveness
26% Instrumentalness • 23% Positiveness
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Richard Strauss
Eine Alpensinfonie: I. Nacht - Sonnenauf...
88 bpm • A# min • 05:03 • -20.98db
22% Popularity • 9% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
22% Popularity • 9% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Leopold Godowsky
Java Suite: Part I: I. Gamelan
88 bpm • D min • 03:27 • -26db
16% Popularity • 34% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 20% Positiveness
16% Popularity • 34% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 20% Positiveness
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Ottorino Respighi
Fontane di Roma, P. 106: I. La fontana d...
88 bpm • C Maj • 04:01 • -38.18db
17% Popularity • 15% Danceability • 1% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 1% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
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Anton Webern
5 Movements for String Quartet, Op. 5: 1...
88 bpm • G# Maj • 02:22 • -22db
4% Popularity • 32% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
4% Popularity • 32% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Maurice Ravel
String Quartet in F Major: III. Tres Len...
88 bpm • C# Maj • 08:47 • -29.21db
21% Popularity • 18% Danceability • 3% Energy • 13% Liveness
29% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 3% Energy • 13% Liveness
29% Instrumentalness • 4% Positiveness
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Maya Badian
Violin Concerto: III. Sonata
88 bpm • G# Maj • 05:30 • -24db
9% Popularity • 26% Danceability • 16% Energy • 68% Liveness
50% Instrumentalness • 15% Positiveness
9% Popularity • 26% Danceability • 16% Energy • 68% Liveness
50% Instrumentalness • 15% Positiveness
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Leoš Janáček
String Quartet No. 2 'Intimate Pages': S...
88 bpm • C# min • 05:27 • -19.84db
9% Popularity • 22% Danceability • 10% Energy • 8% Liveness
25% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 10% Energy • 8% Liveness
25% Instrumentalness • 4% Positiveness
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Richard Strauss
Ein Heldenleben, Op. 40, TrV 190: VIII. ...
88 bpm • D# Maj • 04:56 • -37.18db
14% Popularity • 9% Danceability • 0% Energy • 10% Liveness
30% Instrumentalness • 3% Positiveness
14% Popularity • 9% Danceability • 0% Energy • 10% Liveness
30% Instrumentalness • 3% Positiveness
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Charles Ives
The Unanswered Question
88 bpm • C Maj • 05:29 • -29db
6% Popularity • 10% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
6% Popularity • 10% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
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Henri Dutilleux
Dutilleux: Sonatina for Flute and Piano:...
88 bpm • A# min • 01:17 • -25db
24% Popularity • 28% Danceability • 7% Energy • 38% Liveness
94% Instrumentalness • 7% Positiveness
24% Popularity • 28% Danceability • 7% Energy • 38% Liveness
94% Instrumentalness • 7% Positiveness
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Amy Beach
Piano Quintet in F-Sharp Minor, Op. 67: ...
89 bpm • C# Maj • 09:26 • -23db
9% Popularity • 15% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
9% Popularity • 15% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Anton Webern
3 Songs, Op. 18: Erlosung
87 bpm • G# Maj • 01:16 • -24.44db
4% Popularity • 40% Danceability • 7% Energy • 60% Liveness
8% Instrumentalness • 8% Positiveness
4% Popularity • 40% Danceability • 7% Energy • 60% Liveness
8% Instrumentalness • 8% Positiveness
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Anders Hillborg
11 Gates: No. 10. Seafloor Meditation (W...
89 bpm • F Maj • 01:45 • -43db
8% Popularity • 24% Danceability • 0% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 24% Danceability • 0% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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Lili Boulanger
D'un soir triste
87 bpm • C Maj • 10:41 • -23db
12% Popularity • 13% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
12% Popularity • 13% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Claude Debussy
Première Rapsodie, L. 116
87 bpm • F# Maj • 08:12 • -25.8db
8% Popularity • 20% Danceability • 3% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 3% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Piano Trio No. 2 in E Minor, Op. 67: I. ...
87 bpm • C Maj • 08:01 • -23db
16% Popularity • 29% Danceability • 4% Energy • 26% Liveness
0% Instrumentalness • 6% Positiveness
16% Popularity • 29% Danceability • 4% Energy • 26% Liveness
0% Instrumentalness • 6% Positiveness
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Alban Berg
Violin Concerto "To the Memory of an Ang...
89 bpm • C Maj • 11:30 • -25db
11% Popularity • 13% Danceability • 8% Energy • 11% Liveness
24% Instrumentalness • 4% Positiveness
11% Popularity • 13% Danceability • 8% Energy • 11% Liveness
24% Instrumentalness • 4% Positiveness
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Anton Webern
5 Movements for String Quartet, Op. 5: 2...
87 bpm • C# Maj • 02:30 • -45.77db
3% Popularity • 9% Danceability • 0% Energy • 5% Liveness
6% Instrumentalness • 3% Positiveness
3% Popularity • 9% Danceability • 0% Energy • 5% Liveness
6% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Aleko: Intermezzo
90 bpm • A# Maj • 01:54 • -32.72db
43% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
43% Popularity • 19% Danceability • 2% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
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David Abramovitz
Reves
89 bpm • G min • 01:25 • -30.1db
29% Popularity • 27% Danceability • 2% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 27% Danceability • 2% Energy • 5% Liveness
0% Instrumentalness • 15% Positiveness
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Richard Wagner
Tristan und Isolde, Act I: Prelude
86 bpm • A Maj • 10:33 • -22.77db
33% Popularity • 9% Danceability • 6% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
33% Popularity • 9% Danceability • 6% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
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Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: III...
86 bpm • A# min • 03:05 • -24.24db
24% Popularity • 18% Danceability • 5% Energy • 12% Liveness
53% Instrumentalness • 4% Positiveness
24% Popularity • 18% Danceability • 5% Energy • 12% Liveness
53% Instrumentalness • 4% Positiveness
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Alban Berg
String Quartet, Op. 3: I. Langsam
87 bpm • G Maj • 10:14 • -18.3db
8% Popularity • 20% Danceability • 10% Energy • 26% Liveness
57% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 10% Energy • 26% Liveness
57% Instrumentalness • 4% Positiveness
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Charles Koechlin
Pelleas et Melisande, Op. 80 (arr. C. Ko...
90 bpm • G Maj • 02:41 • -30.3db
17% Popularity • 10% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
17% Popularity • 10% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
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Edward Elgar
Variations on an Original Theme Enigma, ...
90 bpm • G min • 01:00 • -27.83db
21% Popularity • 57% Danceability • 17% Energy • 6% Liveness
82% Instrumentalness • 39% Positiveness
21% Popularity • 57% Danceability • 17% Energy • 6% Liveness
82% Instrumentalness • 39% Positiveness
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BĂ©la BartĂłk
String Quartet No. 1, Sz. 40: I. Lento
86 bpm • C# Maj • 09:06 • -27db
9% Popularity • 14% Danceability • 6% Energy • 26% Liveness
36% Instrumentalness • 3% Positiveness
9% Popularity • 14% Danceability • 6% Energy • 26% Liveness
36% Instrumentalness • 3% Positiveness
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Maurice Ravel
Piece en forme de habanera (arr. A. Hoer...
90 bpm • G min • 03:12 • -32.84db
25% Popularity • 15% Danceability • 2% Energy • 10% Liveness
10% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 2% Energy • 10% Liveness
10% Instrumentalness • 4% Positiveness
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Claude Debussy
Nocturnes, L.91: I. Nuages
90 bpm • C Maj • 06:15 • -38db
19% Popularity • 10% Danceability • 1% Energy • 7% Liveness
59% Instrumentalness • 3% Positiveness
19% Popularity • 10% Danceability • 1% Energy • 7% Liveness
59% Instrumentalness • 3% Positiveness
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Alfred Schnittke
Concerto Grosso No. 3: 1. Allegro
90 bpm • C min • 02:39 • -19.07db
16% Popularity • 26% Danceability • 29% Energy • 9% Liveness
66% Instrumentalness • 18% Positiveness
16% Popularity • 26% Danceability • 29% Energy • 9% Liveness
66% Instrumentalness • 18% Positiveness
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Kaija Saariaho
Sept papillons: Papillons I
86 bpm • D Maj • 01:24 • -30.36db
12% Popularity • 26% Danceability • 13% Energy • 18% Liveness
82% Instrumentalness • 4% Positiveness
12% Popularity • 26% Danceability • 13% Energy • 18% Liveness
82% Instrumentalness • 4% Positiveness
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Alban Berg
Piano Sonata, Op. 1
86 bpm • B min • 12:23 • -24.36db
10% Popularity • 28% Danceability • 3% Energy • 5% Liveness
91% Instrumentalness • 3% Positiveness
10% Popularity • 28% Danceability • 3% Energy • 5% Liveness
91% Instrumentalness • 3% Positiveness
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BĂ©la BartĂłk
BartĂłk: String Quartet No. 1 in A Minor...
86 bpm • G# Maj • 09:05 • -25db
14% Popularity • 17% Danceability • 4% Energy • 30% Liveness
81% Instrumentalness • 3% Positiveness
14% Popularity • 17% Danceability • 4% Energy • 30% Liveness
81% Instrumentalness • 3% Positiveness
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Anton Webern
6 Pieces for Large Orchestra, Op. 6: V. ...
86 bpm • C min • 02:28 • -35.99db
0% Popularity • 9% Danceability • 6% Energy • 14% Liveness
2% Instrumentalness • 6% Positiveness
0% Popularity • 9% Danceability • 6% Energy • 14% Liveness
2% Instrumentalness • 6% Positiveness
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Richard Strauss
Alpensymphonie, Op. 64: Nacht (II)
86 bpm • A# min • 02:24 • -39.37db
9% Popularity • 9% Danceability • 0% Energy • 23% Liveness
90% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 0% Energy • 23% Liveness
90% Instrumentalness • 3% Positiveness
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Krzysztof Penderecki
Viola Concerto: Vivace -
90 bpm • A min • 03:03 • -19db
7% Popularity • 41% Danceability • 23% Energy • 31% Liveness
88% Instrumentalness • 45% Positiveness
7% Popularity • 41% Danceability • 23% Energy • 31% Liveness
88% Instrumentalness • 45% Positiveness
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György Ligeti
Ligeti: Romanian Concerto: I. Andantino
91 bpm • C Maj • 03:01 • -30.21db
10% Popularity • 16% Danceability • 2% Energy • 35% Liveness
95% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 2% Energy • 35% Liveness
95% Instrumentalness • 4% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: V. Dance under t...
85 bpm • A# Maj • 01:59 • -42.87db
38% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
38% Popularity • 20% Danceability • 0% Energy • 44% Liveness
2% Instrumentalness • 8% Positiveness
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Igor Stravinsky
Concerto in E-Flat Major, "Dumbarton Oak...
91 bpm • D# Maj • 04:14 • -21.48db
18% Popularity • 55% Danceability • 17% Energy • 12% Liveness
95% Instrumentalness • 50% Positiveness
18% Popularity • 55% Danceability • 17% Energy • 12% Liveness
95% Instrumentalness • 50% Positiveness
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Anton Webern
Quartet, Op. 22: I. Sehr massig
86 bpm • C min • 02:55 • -33db
4% Popularity • 41% Danceability • 0% Energy • 13% Liveness
1% Instrumentalness • 22% Positiveness
4% Popularity • 41% Danceability • 0% Energy • 13% Liveness
1% Instrumentalness • 22% Positiveness
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Alfred Schnittke
Schnittke: String Quartet No. 3: I. Anda...
85 bpm • G Maj • 05:56 • -21.27db
8% Popularity • 16% Danceability • 6% Energy • 10% Liveness
57% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 6% Energy • 10% Liveness
57% Instrumentalness • 3% Positiveness
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Krzysztof Penderecki
Serenade: I. Passacaglia
85 bpm • G Maj • 02:55 • -19db
10% Popularity • 14% Danceability • 5% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 5% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
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Toru Takemitsu
Ame no ki sobyo II (Rain Tree Sketch II)...
85 bpm • F# min • 04:15 • -32db
7% Popularity • 44% Danceability • 1% Energy • 7% Liveness
85% Instrumentalness • 5% Positiveness
7% Popularity • 44% Danceability • 1% Energy • 7% Liveness
85% Instrumentalness • 5% Positiveness
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Alexander Scriabin
Piano Sonata No. 1 in F minor, Op. 6: 1....
85 bpm • F min • 06:34 • -19.84db
3% Popularity • 27% Danceability • 20% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
3% Popularity • 27% Danceability • 20% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
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Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
85 bpm • G min • 03:14 • -45.37db
25% Popularity • 8% Danceability • 0% Energy • 22% Liveness
77% Instrumentalness • 4% Positiveness
25% Popularity • 8% Danceability • 0% Energy • 22% Liveness
77% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
String Quartet No. 14 in F-Sharp Major, ...
85 bpm • D Maj • 09:53 • -23.26db
7% Popularity • 23% Danceability • 2% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
7% Popularity • 23% Danceability • 2% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
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Anton Webern
Fünf Sätze für Streichquartett, Op. 5...
91 bpm • C Maj • 02:47 • -37.7db
0% Popularity • 20% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 3% Positiveness
0% Popularity • 20% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 3% Positiveness
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Paul Hindemith
Symphonic Metamorphosis of Themes by Car...
91 bpm • F min • 04:01 • -29.86db
23% Popularity • 21% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
23% Popularity • 21% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
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Darius Milhaud
Suite, Op. 157b: III. Jeu
85 bpm • D Maj • 01:38 • -14.96db
13% Popularity • 46% Danceability • 14% Energy • 10% Liveness
38% Instrumentalness • 64% Positiveness
13% Popularity • 46% Danceability • 14% Energy • 10% Liveness
38% Instrumentalness • 64% Positiveness
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Leoš Janáček
String Quartet No. 1, JW vii/8 "Kreutzer...
85 bpm • E Maj • 04:03 • -20db
8% Popularity • 19% Danceability • 15% Energy • 21% Liveness
82% Instrumentalness • 7% Positiveness
8% Popularity • 19% Danceability • 15% Energy • 21% Liveness
82% Instrumentalness • 7% Positiveness
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Igor Stravinsky
Orpheus: Scene I: Lento sostenuto
85 bpm • C Maj • 02:20 • -43.64db
12% Popularity • 15% Danceability • 0% Energy • 9% Liveness
69% Instrumentalness • 9% Positiveness
12% Popularity • 15% Danceability • 0% Energy • 9% Liveness
69% Instrumentalness • 9% Positiveness
► Preview
Einojuhani Rautavaara
Cantus arcticus, Op. 61, "Concerto for B...
85 bpm • C# Maj • 07:29 • -21.88db
17% Popularity • 9% Danceability • 25% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 9% Danceability • 25% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Dmitri Shostakovich
Preludes and Fugues for Piano, Op. 87: P...
92 bpm • A min • 02:29 • -34.6db
8% Popularity • 36% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
8% Popularity • 36% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
► Preview
BĂ©la BartĂłk
Music for Strings, Percussion and Celest...
85 bpm • A# min • 06:33 • -28.41db
18% Popularity • 8% Danceability • 1% Energy • 8% Liveness
55% Instrumentalness • 3% Positiveness
18% Popularity • 8% Danceability • 1% Energy • 8% Liveness
55% Instrumentalness • 3% Positiveness
► Preview
Alban Berg
KlavierstĂĽck in B Minor
92 bpm • B min • 01:00 • -24.64db
29% Popularity • 37% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
29% Popularity • 37% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
► Preview
Sergei Rachmaninoff
Cello Sonata in G Minor, Op. 19: II. All...
92 bpm • G# Maj • 06:25 • -25.69db
27% Popularity • 24% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
27% Popularity • 24% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
► Preview
Franz Schubert
6 German Dances, D. 820 (arr. A. Webern)...
84 bpm • A# Maj • 02:27 • -34db
2% Popularity • 12% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
2% Popularity • 12% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
► Preview
Lili Boulanger
D'un soir triste
84 bpm • C Maj • 10:36 • -26.3db
8% Popularity • 8% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Trio Puelli
Quatro Peças Sintéticas: Lento - Tenso
84 bpm • G# Maj • 01:07 • -22.17db
7% Popularity • 24% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
7% Popularity • 24% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Claude Debussy
Préludes / Book 1, L.117: 1. Danseuses ...
92 bpm • F Maj • 03:04 • -31db
20% Popularity • 52% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
20% Popularity • 52% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
► Preview
Igor Stravinsky
Symphony in 3 Movements: I. Allegro
84 bpm • G Maj • 09:56 • -23.44db
12% Popularity • 32% Danceability • 5% Energy • 12% Liveness
85% Instrumentalness • 6% Positiveness
12% Popularity • 32% Danceability • 5% Energy • 12% Liveness
85% Instrumentalness • 6% Positiveness
► Preview
Olivier Messiaen
Thème et variations: I. Thème. Modér�...
84 bpm • C min • 01:50 • -32.26db
11% Popularity • 12% Danceability • 2% Energy • 10% Liveness
71% Instrumentalness • 3% Positiveness
11% Popularity • 12% Danceability • 2% Energy • 10% Liveness
71% Instrumentalness • 3% Positiveness
► Preview
John Cage
Sonatas and Interludes for Prepared Pian...
92 bpm • B min • 01:51 • -33.95db
32% Popularity • 29% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
32% Popularity • 29% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
► Preview
Alfred Schnittke
Concerto Grosso No. 5: I. Allegretto - L...
84 bpm • G Maj • 07:45 • -24.48db
0% Popularity • 27% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
0% Popularity • 27% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
► Preview
Anton Webern
Fünf Sätze für Streichquartett, Op. 5...
92 bpm • F min • 04:12 • -37.26db
0% Popularity • 17% Danceability • 1% Energy • 6% Liveness
3% Instrumentalness • 3% Positiveness
0% Popularity • 17% Danceability • 1% Energy • 6% Liveness
3% Instrumentalness • 3% Positiveness
► Preview
Arnold Schoenberg
String Quartet No. 2, Op. 10: III. Litan...
84 bpm • F# Maj • 05:30 • -18.8db
8% Popularity • 17% Danceability • 13% Energy • 12% Liveness
4% Instrumentalness • 3% Positiveness
8% Popularity • 17% Danceability • 13% Energy • 12% Liveness
4% Instrumentalness • 3% Positiveness
► Preview
Karol Szymanowski
Mythes, Trois Poèmes, Op. 30: 1. La fon...
84 bpm • G# min • 05:39 • -28.16db
8% Popularity • 11% Danceability • 3% Energy • 5% Liveness
2% Instrumentalness • 3% Positiveness
8% Popularity • 11% Danceability • 3% Energy • 5% Liveness
2% Instrumentalness • 3% Positiveness
► Preview
Maurice Ravel
Daphnis et Chloé, M. 57 / Première par...
92 bpm • B min • 03:21 • -23.3db
28% Popularity • 11% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
28% Popularity • 11% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Benjamin Britten
Suite for Violin and Piano, Op. 6: IV. L...
92 bpm • F min • 05:23 • -30.83db
8% Popularity • 16% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Pierre Boulez
Douze Notations Pour Piano (1945): Hiér...
84 bpm • G Maj • 01:01 • -24.86db
12% Popularity • 53% Danceability • 0% Energy • 8% Liveness
17% Instrumentalness • 33% Positiveness
12% Popularity • 53% Danceability • 0% Energy • 8% Liveness
17% Instrumentalness • 33% Positiveness
► Preview
Ottorino Respighi
Pines Of Rome, P. 141: 3. The Pines Of T...
84 bpm • E Maj • 06:48 • -31.27db
21% Popularity • 8% Danceability • 4% Energy • 7% Liveness
57% Instrumentalness • 4% Positiveness
21% Popularity • 8% Danceability • 4% Energy • 7% Liveness
57% Instrumentalness • 4% Positiveness
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Arnold Schoenberg
Suite for Piano, Op. 25: VI. Gigue
84 bpm • F Maj • 02:31 • -23db
5% Popularity • 28% Danceability • 18% Energy • 31% Liveness
91% Instrumentalness • 44% Positiveness
5% Popularity • 28% Danceability • 18% Energy • 31% Liveness
91% Instrumentalness • 44% Positiveness
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Francis Poulenc
Concerto for 2 Pianos and Orchestra in D...
92 bpm • A# Maj • 04:54 • -25db
12% Popularity • 25% Danceability • 5% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
12% Popularity • 25% Danceability • 5% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
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Richard Strauss
Don Quixote, Op. 35, TrV 184: Introducti...
92 bpm • D Maj • 06:20 • -23.4db
13% Popularity • 15% Danceability • 5% Energy • 7% Liveness
78% Instrumentalness • 6% Positiveness
13% Popularity • 15% Danceability • 5% Energy • 7% Liveness
78% Instrumentalness • 6% Positiveness
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Alban Berg
4 Gesänge, Op. 2: II. Schlafend trägt ...
84 bpm • A# Maj • 01:04 • -22db
10% Popularity • 22% Danceability • 11% Energy • 10% Liveness
32% Instrumentalness • 3% Positiveness
10% Popularity • 22% Danceability • 11% Energy • 10% Liveness
32% Instrumentalness • 3% Positiveness
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Claude Debussy
Nocturnes, CD 98: III. Sirènes
93 bpm • F# Maj • 09:47 • -24.89db
20% Popularity • 11% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
20% Popularity • 11% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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Anton Webern
3 Traditional Rhymes, Op. 17: Armer Sund...
93 bpm • G# Maj • 00:46 • -25.19db
5% Popularity • 46% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
5% Popularity • 46% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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Benjamin Britten
Peter Grimes: 4 Sea Interludes, Op. 33a:...
84 bpm • D# Maj • 04:26 • -31db
12% Popularity • 8% Danceability • 0% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
12% Popularity • 8% Danceability • 0% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
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Olivier Messiaen
Turangalîla Symphonie: 7. Turangalîla ...
84 bpm • D min • 04:10 • -27db
10% Popularity • 31% Danceability • 11% Energy • 14% Liveness
3% Instrumentalness • 15% Positiveness
10% Popularity • 31% Danceability • 11% Energy • 14% Liveness
3% Instrumentalness • 15% Positiveness
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Alfred Schnittke
Concerto grosso no.1 (1976-77): 1. Prelu...
93 bpm • C min • 04:58 • -21db
9% Popularity • 17% Danceability • 2% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 2% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
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Krzysztof Penderecki
Serenade: II. Larghetto
83 bpm • C min • 06:50 • -20.32db
8% Popularity • 8% Danceability • 9% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 9% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Claude Debussy
Nocturnes, CD 98: I. Nuages
83 bpm • C Maj • 06:21 • -35db
27% Popularity • 17% Danceability • 1% Energy • 29% Liveness
88% Instrumentalness • 3% Positiveness
27% Popularity • 17% Danceability • 1% Energy • 29% Liveness
88% Instrumentalness • 3% Positiveness
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Anton Webern
6 Pieces for Large Orchestra, Op. 6: IV....
93 bpm • A# min • 04:36 • -25.76db
0% Popularity • 11% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
0% Popularity • 11% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: II. Longa...
94 bpm • D min • 01:40 • -30db
38% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
38% Popularity • 14% Danceability • 1% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Ăśmit ArmaÄźan
Three Doors (II) - Concert Performance
94 bpm • D# Maj • 01:50 • -16.11db
11% Popularity • 62% Danceability • 17% Energy • 34% Liveness
47% Instrumentalness • 40% Positiveness
11% Popularity • 62% Danceability • 17% Energy • 34% Liveness
47% Instrumentalness • 40% Positiveness
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Gabriel Fauré
Fauré: String Quartet in E Minor, Op. 1...
83 bpm • G Maj • 07:42 • -19.44db
3% Popularity • 24% Danceability • 12% Energy • 10% Liveness
72% Instrumentalness • 13% Positiveness
3% Popularity • 24% Danceability • 12% Energy • 10% Liveness
72% Instrumentalness • 13% Positiveness
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Arnold Schoenberg
Gurrelieder, Pt. 1: No. 1, Orchestral Pr...
83 bpm • D# Maj • 06:50 • -30db
17% Popularity • 8% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
17% Popularity • 8% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Claude Debussy
Morceau de concours, L. 117 (Arr. For Ce...
93 bpm • C# Maj • 00:55 • -24.15db
8% Popularity • 55% Danceability • 6% Energy • 9% Liveness
78% Instrumentalness • 17% Positiveness
8% Popularity • 55% Danceability • 6% Energy • 9% Liveness
78% Instrumentalness • 17% Positiveness
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Anton Webern
Variations for Orchestra, Op. 30
83 bpm • A# Maj • 07:02 • -27.42db
1% Popularity • 24% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
1% Popularity • 24% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Francis Poulenc
Sonata for Four Hands, FP 8: I. Prelude
83 bpm • C min • 02:01 • -20.4db
17% Popularity • 57% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
17% Popularity • 57% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
► Preview
Igor Stravinsky
The Rite of Spring: Part Two: The Sacrif...
82 bpm • C# min • 03:41 • -37.59db
25% Popularity • 17% Danceability • 0% Energy • 10% Liveness
29% Instrumentalness • 4% Positiveness
25% Popularity • 17% Danceability • 0% Energy • 10% Liveness
29% Instrumentalness • 4% Positiveness
► Preview
György Ligeti
Violin Concerto: III. Intermezzo
82 bpm • A# Maj • 02:31 • -24db
14% Popularity • 22% Danceability • 10% Energy • 43% Liveness
74% Instrumentalness • 12% Positiveness
14% Popularity • 22% Danceability • 10% Energy • 43% Liveness
74% Instrumentalness • 12% Positiveness
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Pierre Boulez
RĂ©pons: Section 1
82 bpm • G# min • 02:58 • -20.75db
14% Popularity • 29% Danceability • 29% Energy • 33% Liveness
79% Instrumentalness • 4% Positiveness
14% Popularity • 29% Danceability • 29% Energy • 33% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Leoš Janáček
String Quartet No. 2, JW 7/13 "Intimate ...
94 bpm • G# min • 07:38 • -17db
7% Popularity • 26% Danceability • 14% Energy • 6% Liveness
47% Instrumentalness • 6% Positiveness
7% Popularity • 26% Danceability • 14% Energy • 6% Liveness
47% Instrumentalness • 6% Positiveness
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Anton Webern
Two Pieces for Cello and Piano (1899 Ver...
93 bpm • G Maj • 02:40 • -30db
18% Popularity • 19% Danceability • 2% Energy • 7% Liveness
97% Instrumentalness • 5% Positiveness
18% Popularity • 19% Danceability • 2% Energy • 7% Liveness
97% Instrumentalness • 5% Positiveness
