Songs like 5 Songs for tenor and piano: 3. Over the bridge by William Lloyd Webber
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Alexander Borodin
String Quartet No. 2 in D Major: III. No...
100 bpm • A Maj • 06:38 • -20.69db
23% Popularity • 26% Danceability • 9% Energy • 8% Liveness
66% Instrumentalness • 10% Positiveness
23% Popularity • 26% Danceability • 9% Energy • 8% Liveness
66% Instrumentalness • 10% Positiveness
► Preview
William Lloyd Webber
5 Songs for tenor and piano: 3. Over the...
100 bpm • G Maj • 02:13 • -31.13db
0% Popularity • 42% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
0% Popularity • 42% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Ralph Vaughan Williams
Charterhouse Suite: Slow Dance
100 bpm • E min • 01:55 • -26.17db
28% Popularity • 18% Danceability • 5% Energy • 24% Liveness
95% Instrumentalness • 14% Positiveness
28% Popularity • 18% Danceability • 5% Energy • 24% Liveness
95% Instrumentalness • 14% Positiveness
► Preview
AntonÃn Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
100 bpm • C min • 03:16 • -19.13db
26% Popularity • 23% Danceability • 12% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
26% Popularity • 23% Danceability • 12% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Herbert Spencer
Underneath the Stars
100 bpm • D# Maj • 03:07 • -23.64db
19% Popularity • 19% Danceability • 10% Energy • 11% Liveness
44% Instrumentalness • 8% Positiveness
19% Popularity • 19% Danceability • 10% Energy • 11% Liveness
44% Instrumentalness • 8% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
100 bpm • D# Maj • 09:33 • -29.92db
21% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
► Preview
Gerald Finzi
Love's Labour's Lost, Op. 28: 1. Soliloq...
99 bpm • C min • 01:43 • -25.6db
32% Popularity • 14% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
32% Popularity • 14% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
► Preview
William Lloyd Webber
The Gardens at Eastwell, "A Late Summer ...
100 bpm • B min • 02:49 • -25.82db
1% Popularity • 20% Danceability • 4% Energy • 8% Liveness
14% Instrumentalness • 4% Positiveness
1% Popularity • 20% Danceability • 4% Energy • 8% Liveness
14% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Clarinet Concerto in A Major, K. 622: II...
99 bpm • D Maj • 06:51 • -23.37db
37% Popularity • 16% Danceability • 2% Energy • 9% Liveness
67% Instrumentalness • 7% Positiveness
37% Popularity • 16% Danceability • 2% Energy • 9% Liveness
67% Instrumentalness • 7% Positiveness
► Preview
Alexander Glazunov
2 Pieces for Cello & Orchestra, Op. 20: ...
99 bpm • D Maj • 02:49 • -19db
21% Popularity • 27% Danceability • 16% Energy • 12% Liveness
96% Instrumentalness • 40% Positiveness
21% Popularity • 27% Danceability • 16% Energy • 12% Liveness
96% Instrumentalness • 40% Positiveness
► Preview
Augusta Holmès
Ludus pro Patria, La Nuit et l'Amour: La...
99 bpm • D# Maj • 05:49 • -25db
10% Popularity • 14% Danceability • 4% Energy • 14% Liveness
79% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 4% Energy • 14% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Samuel Barber
II. Andante
101 bpm • E Maj • 09:28 • -31.16db
5% Popularity • 14% Danceability • 2% Energy • 10% Liveness
33% Instrumentalness • 3% Positiveness
5% Popularity • 14% Danceability • 2% Energy • 10% Liveness
33% Instrumentalness • 3% Positiveness
► Preview
John Farrar
English Pastoral Impressions: I. Spring ...
101 bpm • D# Maj • 04:59 • -31db
25% Popularity • 22% Danceability • 1% Energy • 19% Liveness
78% Instrumentalness • 4% Positiveness
25% Popularity • 22% Danceability • 1% Energy • 19% Liveness
78% Instrumentalness • 4% Positiveness
► Preview
William Lloyd Webber
5 Songs for tenor and piano: 4. The pret...
100 bpm • F min • 01:13 • -29.83db
0% Popularity • 38% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 38% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
Maurice Ravel
Mother Goose: V. The Fairy Garden
101 bpm • C Maj • 03:37 • -29.14db
9% Popularity • 16% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
Symphony No. 3 in F Major, Op. 90: III. ...
101 bpm • C min • 06:31 • -27.73db
41% Popularity • 14% Danceability • 3% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
41% Popularity • 14% Danceability • 3% Energy • 28% Liveness
84% Instrumentalness • 5% Positiveness
► Preview
Edvard Grieg
Grieg: Holberg Suite, Op. 40: II. Saraba...
102 bpm • G Maj • 04:02 • -26.66db
6% Popularity • 16% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
6% Popularity • 16% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Cecil Armstrong Gibbs
Dusk
98 bpm • G Maj • 03:13 • -19.02db
16% Popularity • 14% Danceability • 14% Energy • 23% Liveness
94% Instrumentalness • 4% Positiveness
16% Popularity • 14% Danceability • 14% Energy • 23% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Samuel Barber
Violin Concerto, Op. 14: II. Andante - I...
102 bpm • E Maj • 09:05 • -23.47db
15% Popularity • 16% Danceability • 8% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 8% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
► Preview
William Lloyd Webber
7 Pieces for piano: 2. Song without word...
99 bpm • D Maj • 01:29 • -25.78db
0% Popularity • 35% Danceability • 8% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
0% Popularity • 35% Danceability • 8% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
Ravel: Pavane pour une infante défunte,...
102 bpm • G Maj • 06:08 • -27.3db
28% Popularity • 14% Danceability • 5% Energy • 16% Liveness
96% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 5% Energy • 16% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Alexander Glazunov
Raymonda, Op. 57: Prélude et la Romanes...
102 bpm • E min • 03:46 • -23.66db
37% Popularity • 29% Danceability • 6% Energy • 10% Liveness
71% Instrumentalness • 8% Positiveness
37% Popularity • 29% Danceability • 6% Energy • 10% Liveness
71% Instrumentalness • 8% Positiveness
► Preview
Johan Svendsen
Saeterjentens Sondag
103 bpm • D Maj • 02:45 • -30.11db
11% Popularity • 18% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Julius Klengel
Hymnus for 12 Cellos, Op. 57
102 bpm • G Maj • 05:14 • -20.21db
10% Popularity • 14% Danceability • 12% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
10% Popularity • 14% Danceability • 12% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
► Preview
Philip Lane
Suite Of Cotswold Folk Dances (1978): Co...
97 bpm • D Maj • 02:26 • -22db
18% Popularity • 16% Danceability • 13% Energy • 8% Liveness
90% Instrumentalness • 16% Positiveness
18% Popularity • 16% Danceability • 13% Energy • 8% Liveness
90% Instrumentalness • 16% Positiveness
► Preview
Erich Wolfgang Korngold
Die tote Stadt: Tanzlied des Pierrot (Ar...
97 bpm • C# Maj • 04:19 • -16.78db
14% Popularity • 17% Danceability • 20% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 20% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
Le Tombeau de Couperin, M. 68: V. Menuet...
97 bpm • G Maj • 04:53 • -25.01db
12% Popularity • 19% Danceability • 4% Energy • 6% Liveness
62% Instrumentalness • 6% Positiveness
12% Popularity • 19% Danceability • 4% Energy • 6% Liveness
62% Instrumentalness • 6% Positiveness
► Preview
Gerald Finzi
Five Bagatelles, Op. 23 - Arr. Ashmore, ...
103 bpm • F# Maj • 03:01 • -23.15db
12% Popularity • 17% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 14% Positiveness
12% Popularity • 17% Danceability • 7% Energy • 10% Liveness
80% Instrumentalness • 14% Positiveness
► Preview
AntonÃn Dvořák
Songs My Mother Taught Me, Op. 55 No. 4
96 bpm • D Maj • 02:14 • -30.66db
42% Popularity • 16% Danceability • 1% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
42% Popularity • 16% Danceability • 1% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
► Preview
Queensland Symphony Orchestra
Adagio of Spartacus and Phrygia (The One...
104 bpm • G# Maj • 05:49 • -13.64db
10% Popularity • 17% Danceability • 26% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 26% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Traditional
Deep River
104 bpm • D# Maj • 02:49 • -20.85db
9% Popularity • 15% Danceability • 10% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
9% Popularity • 15% Danceability • 10% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Béla Bartók
Heavenly Romanticism
96 bpm • F Maj • 01:02 • -38db
49% Popularity • 22% Danceability • 0% Energy • 32% Liveness
99% Instrumentalness • 4% Positiveness
49% Popularity • 22% Danceability • 0% Energy • 32% Liveness
99% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Preghiera (Arr. by Fritz Kreisler from P...
104 bpm • C Maj • 05:29 • -21.34db
46% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
46% Popularity • 22% Danceability • 6% Energy • 7% Liveness
49% Instrumentalness • 7% Positiveness
► Preview
Gerald Finzi
Introit, Op. 6
96 bpm • F Maj • 08:34 • -27.19db
22% Popularity • 12% Danceability • 6% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
22% Popularity • 12% Danceability • 6% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
Sir John in Love: Fantasia on Greensleev...
105 bpm • C min • 05:01 • -26db
27% Popularity • 15% Danceability • 8% Energy • 9% Liveness
63% Instrumentalness • 11% Positiveness
27% Popularity • 15% Danceability • 8% Energy • 9% Liveness
63% Instrumentalness • 11% Positiveness
► Preview
AntonÃn Dvořák
Dvořák: From the Bohemian Forest, Op. ...
95 bpm • C# Maj • 06:46 • -20db
28% Popularity • 12% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
28% Popularity • 12% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Florence Beatrice Price
Violin Concerto No. 1 in D Major: II. An...
95 bpm • A# Maj • 05:57 • -21.56db
38% Popularity • 15% Danceability • 8% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
38% Popularity • 15% Danceability • 8% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
► Preview
Riccardo Drigo
Le Corsaire: Pas de Trois - Adagio
95 bpm • G# Maj • 03:35 • -26.35db
13% Popularity • 14% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
13% Popularity • 14% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
William Lloyd Webber
3 Spring Miniatures: II. Willow Song
106 bpm • D min • 03:09 • -31.3db
0% Popularity • 39% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
0% Popularity • 39% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Gerald Finzi
Love's Labour's Lost, Op. 28a: III. Duma...
105 bpm • G min • 01:17 • -25db
46% Popularity • 23% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 34% Positiveness
46% Popularity • 23% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 34% Positiveness
► Preview
John Rutter
Suite: O, Waly Waly
95 bpm • G Maj • 03:53 • -32.5db
21% Popularity • 12% Danceability • 4% Energy • 9% Liveness
68% Instrumentalness • 8% Positiveness
21% Popularity • 12% Danceability • 4% Energy • 9% Liveness
68% Instrumentalness • 8% Positiveness
► Preview
Claudio Monteverdi
Pur ti Miro from 'L'incoronazione di Pop...
95 bpm • A Maj • 03:37 • -20.49db
24% Popularity • 27% Danceability • 4% Energy • 11% Liveness
23% Instrumentalness • 15% Positiveness
24% Popularity • 27% Danceability • 4% Energy • 11% Liveness
23% Instrumentalness • 15% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
95 bpm • D# Maj • 08:43 • -16.03db
17% Popularity • 20% Danceability • 18% Energy • 10% Liveness
38% Instrumentalness • 4% Positiveness
17% Popularity • 20% Danceability • 18% Energy • 10% Liveness
38% Instrumentalness • 4% Positiveness
► Preview
Maria Theresia von Paradis
Sicilienne In E Flat Major - Arr. Hazell
94 bpm • D# Maj • 03:23 • -26.18db
17% Popularity • 14% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
17% Popularity • 14% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
► Preview
César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
► Preview
Leopold Godowsky
Renaissance, Book 2: Sarabande (Lully)
94 bpm • E min • 05:36 • -35db
34% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
34% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Patrick Hawes
Fair Albion
94 bpm • C# Maj • 04:12 • -14db
19% Popularity • 12% Danceability • 22% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
19% Popularity • 12% Danceability • 22% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Water Music Suite No. 1 in F Major, HWV ...
106 bpm • C# min • 02:13 • -24.2db
37% Popularity • 20% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
37% Popularity • 20% Danceability • 4% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
► Preview
Christian Sinding
Suite im alten Stil, Op. 10: Adagio
94 bpm • A min • 05:57 • -24.79db
10% Popularity • 12% Danceability • 8% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 8% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
► Preview
Archibald James Potter
Rhapsody Under A High Sky
106 bpm • C Maj • 09:38 • -27.25db
16% Popularity • 16% Danceability • 5% Energy • 19% Liveness
64% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 5% Energy • 19% Liveness
64% Instrumentalness • 4% Positiveness
► Preview
Kurt Atterberg
Suite No. 3, Op. 19, No. 1 (version for ...
94 bpm • C# min • 02:33 • -18db
17% Popularity • 16% Danceability • 17% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 17% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
► Preview
AntonÃn Dvořák
Als die alte Mutter mich noch lehrte sin...
107 bpm • A# Maj • 02:10 • -22.79db
21% Popularity • 18% Danceability • 11% Energy • 14% Liveness
80% Instrumentalness • 6% Positiveness
21% Popularity • 18% Danceability • 11% Energy • 14% Liveness
80% Instrumentalness • 6% Positiveness
► Preview
Domenico Zipoli
Elevazione For Cello And Oboe
94 bpm • F Maj • 07:57 • -20db
18% Popularity • 13% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Carl Orff
In trutina from Carmina Burana
93 bpm • D Maj • 02:32 • -23.65db
24% Popularity • 24% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 24% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Serenade for Strings in C Major, Op. 48,...
93 bpm • D Maj • 03:57 • -18.46db
25% Popularity • 25% Danceability • 20% Energy • 40% Liveness
96% Instrumentalness • 30% Positiveness
25% Popularity • 25% Danceability • 20% Energy • 40% Liveness
96% Instrumentalness • 30% Positiveness
► Preview
Gerald Finzi
Romance, Op. 11
93 bpm • G# Maj • 07:34 • -20.97db
16% Popularity • 13% Danceability • 11% Energy • 33% Liveness
79% Instrumentalness • 8% Positiveness
16% Popularity • 13% Danceability • 11% Energy • 33% Liveness
79% Instrumentalness • 8% Positiveness
► Preview
Erich Wolfgang Korngold
Much Ado about Nothing Suite, Op. 11: IV...
108 bpm • C Maj • 02:10 • -27.76db
22% Popularity • 20% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
AntonÃn Dvořák
Symphony No. 9 in E Minor, Op. 95, B. 17...
94 bpm • C# Maj • 05:31 • -28db
24% Popularity • 11% Danceability • 2% Energy • 6% Liveness
68% Instrumentalness • 3% Positiveness
24% Popularity • 11% Danceability • 2% Energy • 6% Liveness
68% Instrumentalness • 3% Positiveness
► Preview
Hans Rott
Suite in B-Flat Major, Nowak 34 (Excerpt...
93 bpm • A# Maj • 02:33 • -25.75db
20% Popularity • 45% Danceability • 21% Energy • 8% Liveness
94% Instrumentalness • 32% Positiveness
20% Popularity • 45% Danceability • 21% Energy • 8% Liveness
94% Instrumentalness • 32% Positiveness
► Preview
John Rutter
Suite Lyrique: 1. Prelude
108 bpm • A min • 03:18 • -24db
27% Popularity • 32% Danceability • 7% Energy • 7% Liveness
75% Instrumentalness • 14% Positiveness
27% Popularity • 32% Danceability • 7% Energy • 7% Liveness
75% Instrumentalness • 14% Positiveness
► Preview
William Walton
Touch Her Soft Lips and Part
93 bpm • B min • 03:58 • -23.2db
23% Popularity • 11% Danceability • 12% Energy • 18% Liveness
15% Instrumentalness • 7% Positiveness
23% Popularity • 11% Danceability • 12% Energy • 18% Liveness
15% Instrumentalness • 7% Positiveness
► Preview
Ottorino Respighi
Suite No. 3, P. 172: III. Siciliana: And...
93 bpm • C min • 03:58 • -23.41db
39% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
39% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
► Preview
Max Bruch
Scottish Fantasy for Violin and Orchestr...
93 bpm • G# Maj • 06:37 • -15.52db
22% Popularity • 19% Danceability • 18% Energy • 11% Liveness
39% Instrumentalness • 9% Positiveness
22% Popularity • 19% Danceability • 18% Energy • 11% Liveness
39% Instrumentalness • 9% Positiveness
► Preview
Paul Reade
Suite from The Victorian Kitchen Garden:...
93 bpm • A# Maj • 03:13 • -30.78db
16% Popularity • 21% Danceability • 1% Energy • 11% Liveness
40% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 1% Energy • 11% Liveness
40% Instrumentalness • 4% Positiveness
► Preview
Florence Beatrice Price
Symphony No. 4 in D Minor: II. Andante c...
93 bpm • A# Maj • 05:40 • -33db
11% Popularity • 11% Danceability • 1% Energy • 16% Liveness
58% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 1% Energy • 16% Liveness
58% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Mendelssohn: Song Without Words in D Maj...
93 bpm • D Maj • 05:30 • -24.91db
26% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Gustav Holst
St. Paul's Suite, Op. 29, No. 2: II. Ost...
108 bpm • C Maj • 01:59 • -27.02db
33% Popularity • 30% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 25% Positiveness
33% Popularity • 30% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 25% Positiveness
► Preview
AntonÃn Dvořák
Gypsy Songs, Op. 55, B. 104: No. 4, Song...
108 bpm • A min • 01:58 • -29db
37% Popularity • 34% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
37% Popularity • 34% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
String Quartet No. 1 in D Major, Op. 11,...
93 bpm • A# Maj • 09:26 • -23.58db
11% Popularity • 11% Danceability • 7% Energy • 13% Liveness
33% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 7% Energy • 13% Liveness
33% Instrumentalness • 4% Positiveness
► Preview
Johan Svendsen
2 Swedish Folk-Melodies, Op. 27: No. 1 A...
92 bpm • E min • 03:10 • -23.3db
31% Popularity • 12% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
31% Popularity • 12% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Benjamin Godard
Jocelyn, Suite No. 2: Berceuse
92 bpm • F Maj • 05:33 • -33.67db
15% Popularity • 23% Danceability • 2% Energy • 9% Liveness
47% Instrumentalness • 4% Positiveness
15% Popularity • 23% Danceability • 2% Energy • 9% Liveness
47% Instrumentalness • 4% Positiveness
► Preview
Pablo de Sarasate
Nocturne-serenade, Op. 45
108 bpm • A# Maj • 06:23 • -28.7db
28% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
28% Popularity • 23% Danceability • 5% Energy • 6% Liveness
60% Instrumentalness • 9% Positiveness
► Preview
AntonÃn Dvořák
Dvořák: 7 Gipsy Melodies, Op. 55, B. 1...
92 bpm • D Maj • 02:26 • -16.91db
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Georgs Pelēcis
All In The Past (Remembering Oskar Stroc...
109 bpm • D min • 03:24 • -25.26db
10% Popularity • 28% Danceability • 4% Energy • 27% Liveness
1% Instrumentalness • 13% Positiveness
10% Popularity • 28% Danceability • 4% Energy • 27% Liveness
1% Instrumentalness • 13% Positiveness
► Preview
Einojuhani Rautavaara
Deux Sérénades (Written for Hilary Hah...
92 bpm • A min • 07:50 • -25.19db
16% Popularity • 11% Danceability • 8% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 8% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
► Preview
Gerald Finzi
Clear and gentle stream, Op. 17, No. 4 -...
92 bpm • F Maj • 04:30 • -25db
15% Popularity • 17% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 14% Positiveness
15% Popularity • 17% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 14% Positiveness
► Preview
George Frideric Handel
Messiah, HWV 56, Part I: Pastoral Sympho...
92 bpm • C Maj • 03:47 • -29db
51% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
William Grant Still
Suite for Violin and Piano: II. Mother a...
91 bpm • C# min • 07:19 • -18.62db
11% Popularity • 20% Danceability • 17% Energy • 27% Liveness
12% Instrumentalness • 8% Positiveness
11% Popularity • 20% Danceability • 17% Energy • 27% Liveness
12% Instrumentalness • 8% Positiveness
► Preview
Jules Massenet
Thaïs: Méditation
91 bpm • D Maj • 06:01 • -29.86db
29% Popularity • 11% Danceability • 3% Energy • 18% Liveness
47% Instrumentalness • 4% Positiveness
29% Popularity • 11% Danceability • 3% Energy • 18% Liveness
47% Instrumentalness • 4% Positiveness
► Preview
William Lloyd Webber
To the Wicklow Hills
91 bpm • F# min • 02:48 • -27.15db
0% Popularity • 25% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 25% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Clara Schumann
Schumann: 12 Gedichte aus Liebesfrühlin...
91 bpm • C# Maj • 02:08 • -30.66db
29% Popularity • 17% Danceability • 0% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
29% Popularity • 17% Danceability • 0% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Gerald Finzi
Come away, come away death, Op.18, No.1 ...
109 bpm • E min • 03:43 • -24db
13% Popularity • 16% Danceability • 7% Energy • 23% Liveness
13% Instrumentalness • 5% Positiveness
13% Popularity • 16% Danceability • 7% Energy • 23% Liveness
13% Instrumentalness • 5% Positiveness
► Preview
George Martin
Three American Sketches: II. Old Boston
91 bpm • B min • 05:48 • -18.71db
16% Popularity • 13% Danceability • 14% Energy • 13% Liveness
39% Instrumentalness • 9% Positiveness
16% Popularity • 13% Danceability • 14% Energy • 13% Liveness
39% Instrumentalness • 9% Positiveness
► Preview
Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
110 bpm • A min • 05:00 • -32db
38% Popularity • 16% Danceability • 2% Energy • 8% Liveness
22% Instrumentalness • 4% Positiveness
38% Popularity • 16% Danceability • 2% Energy • 8% Liveness
22% Instrumentalness • 4% Positiveness
► Preview
Percy Grainger
Danish Folk-Music Suite: III. The Nighti...
91 bpm • E Maj • 04:40 • -24.23db
8% Popularity • 10% Danceability • 7% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 7% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Gustav Holst
A Moorside Suite, H. 173: Nocturne
91 bpm • B min • 07:05 • -32db
23% Popularity • 15% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
23% Popularity • 15% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
► Preview
Traditional
Nobody Knows the Trouble I've Seen
91 bpm • C# Maj • 03:12 • -24.94db
18% Popularity • 10% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
18% Popularity • 10% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
110 bpm • D# Maj • 08:16 • -25.33db
32% Popularity • 19% Danceability • 8% Energy • 22% Liveness
8% Instrumentalness • 5% Positiveness
32% Popularity • 19% Danceability • 8% Energy • 22% Liveness
8% Instrumentalness • 5% Positiveness
► Preview
Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Andante Cantabile from String Quartet No...
91 bpm • F Maj • 07:57 • -37db
16% Popularity • 10% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
16% Popularity • 10% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
Pavane pour une infante défunte, M. 19 ...
91 bpm • G Maj • 07:09 • -35.82db
43% Popularity • 10% Danceability • 0% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
43% Popularity • 10% Danceability • 0% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
90 bpm • D# Maj • 01:23 • -29db
52% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
52% Popularity • 35% Danceability • 2% Energy • 11% Liveness
81% Instrumentalness • 13% Positiveness
► Preview
Anton Arensky
Piano Trio No. 1 in D Minor, Op. 32: III...
90 bpm • G min • 05:08 • -35db
30% Popularity • 21% Danceability • 1% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
30% Popularity • 21% Danceability • 1% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
► Preview
Edward Elgar
Elegy for Strings, Op. 58
90 bpm • F min • 04:36 • -31.98db
8% Popularity • 10% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 3% Positiveness
8% Popularity • 10% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Jean Françaix
L'Horloge de Flore: 3h - Galant de jour
90 bpm • A min • 03:25 • -27.53db
12% Popularity • 11% Danceability • 6% Energy • 16% Liveness
85% Instrumentalness • 6% Positiveness
12% Popularity • 11% Danceability • 6% Energy • 16% Liveness
85% Instrumentalness • 6% Positiveness
► Preview
Ottorino Respighi
Suite No. 1, P. 109: II. Gagliarda: Alle...
90 bpm • D Maj • 03:34 • -21.17db
24% Popularity • 25% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
24% Popularity • 25% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
