Songs like 7 Hours Ago by Honeywater
Based on a tempo of (+/- 10%) and a similar genre
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Tow'rs
Girl in Calico
94 bpm • C Maj • 04:43 • -14db
45% Popularity • 43% Danceability • 19% Energy • 8% Liveness
50% Instrumentalness • 4% Positiveness
45% Popularity • 43% Danceability • 19% Energy • 8% Liveness
50% Instrumentalness • 4% Positiveness
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MAGIC GIANT
Window - Acoustic
94 bpm • C Maj • 03:26 • -8.1db
16% Popularity • 59% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 50% Positiveness
16% Popularity • 59% Danceability • 47% Energy • 10% Liveness
1% Instrumentalness • 50% Positiveness
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Peter McPoland
I Love You Too
94 bpm • A# Maj • 03:09 • -18.59db
45% Popularity • 54% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
45% Popularity • 54% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Rusty Clanton
I Love You (But Im Leaving)
94 bpm • F Maj • 03:16 • -15.02db
15% Popularity • 51% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 51% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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The Lumineers
My Eyes
94 bpm • E Maj • 03:36 • -8.34db
52% Popularity • 44% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
52% Popularity • 44% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Miki Ratsula
Somewhere Only We Know
94 bpm • F min • 03:20 • -21.04db
49% Popularity • 70% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
49% Popularity • 70% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Tall Heights
Flash Boom
94 bpm • G Maj • 03:34 • -10.66db
17% Popularity • 60% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 60% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Honeywater
7 Hours Ago
94 bpm • C# Maj • 04:18 • -10.56db
36% Popularity • 40% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 40% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Birdtalker
Free Like a Broken Heart
94 bpm • E min • 03:31 • -6.02db
25% Popularity • 60% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 60% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Hudson Freeman
Warm Me, Winter
93 bpm • D Maj • 04:44 • -16.28db
33% Popularity • 40% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
33% Popularity • 40% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Angus Maude
Blonde Sun
95 bpm • C min • 03:51 • -14db
32% Popularity • 61% Danceability • 21% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
32% Popularity • 61% Danceability • 21% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
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Parekh & Singh
I Love You Baby, I Love You Doll - Londo...
95 bpm • E Maj • 02:51 • -10.42db
19% Popularity • 72% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 72% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Ollie MN
Friendly Dark
95 bpm • B Maj • 03:24 • -16.18db
44% Popularity • 72% Danceability • 13% Energy • 11% Liveness
9% Instrumentalness • 23% Positiveness
44% Popularity • 72% Danceability • 13% Energy • 11% Liveness
9% Instrumentalness • 23% Positiveness
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Cold Weather Company
Wide-Eyed
93 bpm • C# Maj • 04:09 • -7.49db
35% Popularity • 29% Danceability • 40% Energy • 10% Liveness
30% Instrumentalness • 13% Positiveness
35% Popularity • 29% Danceability • 40% Energy • 10% Liveness
30% Instrumentalness • 13% Positiveness
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The Paper Kites
When Our Legs Grew Tall
93 bpm • F Maj • 03:28 • -6.79db
26% Popularity • 48% Danceability • 67% Energy • 7% Liveness
19% Instrumentalness • 70% Positiveness
26% Popularity • 48% Danceability • 67% Energy • 7% Liveness
19% Instrumentalness • 70% Positiveness
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The Happy Fits
Right Through
95 bpm • G Maj • 04:05 • -9.68db
36% Popularity • 71% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
36% Popularity • 71% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Peter McPoland
Eloise
93 bpm • E Maj • 03:01 • -7.66db
40% Popularity • 57% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 57% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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The Daydreamers
Antarctica
95 bpm • G Maj • 03:16 • -11.11db
12% Popularity • 63% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 63% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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John-Robert
Adeline
95 bpm • D Maj • 03:48 • -9.13db
46% Popularity • 61% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
46% Popularity • 61% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Georgia Greene
Lonely for You
95 bpm • D Maj • 03:28 • -10db
28% Popularity • 44% Danceability • 25% Energy • 46% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 44% Danceability • 25% Energy • 46% Liveness
0% Instrumentalness • 20% Positiveness
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Adam Melchor
JEWEL
93 bpm • D Maj • 04:01 • -14.28db
38% Popularity • 48% Danceability • 34% Energy • 16% Liveness
30% Instrumentalness • 71% Positiveness
38% Popularity • 48% Danceability • 34% Energy • 16% Liveness
30% Instrumentalness • 71% Positiveness
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Nicholas Podany
For Misha
96 bpm • A# Maj • 03:22 • -11.02db
23% Popularity • 51% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 51% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Mike Mains & The Branches
Briggs
96 bpm • A# Maj • 03:14 • -8db
42% Popularity • 62% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 62% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Jordy Searcy
Just Like Autumn
92 bpm • D Maj • 03:35 • -15db
38% Popularity • 57% Danceability • 24% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
38% Popularity • 57% Danceability • 24% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
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Nova & the Experience
Paper Mache Planes
92 bpm • B min • 04:49 • -10.85db
22% Popularity • 61% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 61% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Cereus Bright
Cereus Bright
96 bpm • E Maj • 04:51 • -16db
28% Popularity • 58% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 58% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Former Belle
I Was Waiting for You
96 bpm • C# Maj • 03:32 • -15.47db
16% Popularity • 62% Danceability • 26% Energy • 18% Liveness
8% Instrumentalness • 59% Positiveness
16% Popularity • 62% Danceability • 26% Energy • 18% Liveness
8% Instrumentalness • 59% Positiveness
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Adam Melchor
Metadata
96 bpm • G Maj • 02:57 • -5.52db
30% Popularity • 47% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 47% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Jon Walker
Sun and Moon
92 bpm • C Maj • 03:22 • -7.44db
29% Popularity • 74% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 74% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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John the Ghost
Sour Grapes
92 bpm • D# Maj • 04:13 • -7.4db
35% Popularity • 59% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 59% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Dom Fera
My Part (Demo)
92 bpm • C Maj • 03:44 • -15.86db
31% Popularity • 79% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 79% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
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Bombadil
Thank You
96 bpm • C Maj • 04:16 • -17.15db
29% Popularity • 29% Danceability • 17% Energy • 9% Liveness
45% Instrumentalness • 46% Positiveness
29% Popularity • 29% Danceability • 17% Energy • 9% Liveness
45% Instrumentalness • 46% Positiveness
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Blue Rain Boots
At The End Of It All
96 bpm • C Maj • 03:35 • -10db
20% Popularity • 51% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 51% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Adam Melchor
Life On Earth?
96 bpm • A# Maj • 02:10 • -6.66db
22% Popularity • 60% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 60% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Boom Forest
Freshly Laundered Linen
96 bpm • D# Maj • 04:25 • -13.64db
37% Popularity • 38% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 38% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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War Is Over
Don't Bring Me Back
97 bpm • D Maj • 03:54 • -10.22db
14% Popularity • 52% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 52% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Rusty Clanton
Youre In My Head
97 bpm • B Maj • 03:53 • -8.43db
16% Popularity • 71% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 71% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Westward the Tide
This Heart I Know
91 bpm • A Maj • 03:50 • -9db
25% Popularity • 49% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 49% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
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The Band CAMINO
I Spend Too Much Time in My Room
97 bpm • A Maj • 04:32 • -7db
34% Popularity • 47% Danceability • 44% Energy • 51% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 47% Danceability • 44% Energy • 51% Liveness
0% Instrumentalness • 15% Positiveness
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Liza Anne
Ireland
91 bpm • C# Maj • 03:03 • -9db
33% Popularity • 56% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 56% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Arms Akimbo
Devil
97 bpm • D Maj • 03:37 • -10db
30% Popularity • 67% Danceability • 40% Energy • 44% Liveness
1% Instrumentalness • 43% Positiveness
30% Popularity • 67% Danceability • 40% Energy • 44% Liveness
1% Instrumentalness • 43% Positiveness
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The Lumineers
In The Light
98 bpm • A Maj • 03:51 • -9.63db
51% Popularity • 69% Danceability • 41% Energy • 10% Liveness
3% Instrumentalness • 25% Positiveness
51% Popularity • 69% Danceability • 41% Energy • 10% Liveness
3% Instrumentalness • 25% Positiveness
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i said yes
California
98 bpm • F Maj • 04:04 • -8.26db
34% Popularity • 70% Danceability • 37% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 70% Danceability • 37% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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Saint Motel
Happy Accidents
90 bpm • A Maj • 03:03 • -9.57db
49% Popularity • 33% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 33% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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LAUNDRY DAY
Trumpet Boy
98 bpm • F Maj • 04:56 • -9.11db
25% Popularity • 33% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
25% Popularity • 33% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Light Brigade
Anomaly
90 bpm • F Maj • 03:45 • -12.12db
22% Popularity • 53% Danceability • 36% Energy • 10% Liveness
3% Instrumentalness • 30% Positiveness
22% Popularity • 53% Danceability • 36% Energy • 10% Liveness
3% Instrumentalness • 30% Positiveness
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The Oh Hellos
Hello My Old Heart
90 bpm • C Maj • 04:16 • -10.63db
61% Popularity • 56% Danceability • 30% Energy • 9% Liveness
3% Instrumentalness • 30% Positiveness
61% Popularity • 56% Danceability • 30% Energy • 9% Liveness
3% Instrumentalness • 30% Positiveness
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Soul Push
Like Vinyards
90 bpm • E Maj • 03:38 • -9.98db
29% Popularity • 46% Danceability • 40% Energy • 7% Liveness
2% Instrumentalness • 16% Positiveness
29% Popularity • 46% Danceability • 40% Energy • 7% Liveness
2% Instrumentalness • 16% Positiveness
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MyKey
The Beach
90 bpm • D Maj • 03:48 • -8.26db
16% Popularity • 59% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 59% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Jacob Early
Worth My While
90 bpm • A Maj • 04:21 • -5db
26% Popularity • 50% Danceability • 75% Energy • 8% Liveness
22% Instrumentalness • 50% Positiveness
26% Popularity • 50% Danceability • 75% Energy • 8% Liveness
22% Instrumentalness • 50% Positiveness
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Sam Levin
With Love and Compassion
90 bpm • E Maj • 05:40 • -12.08db
20% Popularity • 51% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 51% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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John Mark Nelson
Boy
90 bpm • E Maj • 04:16 • -11.75db
36% Popularity • 64% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
36% Popularity • 64% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Son of Cloud
How to Love You Today
98 bpm • A Maj • 03:50 • -13.58db
33% Popularity • 52% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 52% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Rainbow Kitten Surprise
Black and White
90 bpm • A Maj • 03:06 • -11.21db
47% Popularity • 55% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
47% Popularity • 55% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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The Paper Kites
The Mortal Boy King
90 bpm • D Maj • 05:05 • -10.87db
30% Popularity • 62% Danceability • 32% Energy • 9% Liveness
15% Instrumentalness • 15% Positiveness
30% Popularity • 62% Danceability • 32% Energy • 9% Liveness
15% Instrumentalness • 15% Positiveness
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Rusty Clanton
Colder
98 bpm • D# Maj • 03:36 • -18.45db
31% Popularity • 53% Danceability • 14% Energy • 7% Liveness
3% Instrumentalness • 32% Positiveness
31% Popularity • 53% Danceability • 14% Energy • 7% Liveness
3% Instrumentalness • 32% Positiveness
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The Altogether
Sophie
89 bpm • A# Maj • 04:07 • -10.86db
39% Popularity • 64% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
39% Popularity • 64% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Henry Jamison
Ether Garden
99 bpm • C# Maj • 02:47 • -15.24db
39% Popularity • 60% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 60% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Son of Cloud
How to Love You Today
98 bpm • A Maj • 03:37 • -13.58db
22% Popularity • 52% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 52% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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The Greeting Committee
Hands Down
99 bpm • E Maj • 04:17 • -7.12db
53% Popularity • 43% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
53% Popularity • 43% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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Julianna Zachariou
Subway Song
89 bpm • C Maj • 03:38 • -8.62db
40% Popularity • 68% Danceability • 24% Energy • 11% Liveness
1% Instrumentalness • 37% Positiveness
40% Popularity • 68% Danceability • 24% Energy • 11% Liveness
1% Instrumentalness • 37% Positiveness
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The Paper Kites
Woodland
89 bpm • C Maj • 03:51 • -9.5db
52% Popularity • 55% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
52% Popularity • 55% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Sure Sure
Information Machine
89 bpm • F# Maj • 02:19 • -12.7db
20% Popularity • 59% Danceability • 22% Energy • 27% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 59% Danceability • 22% Energy • 27% Liveness
0% Instrumentalness • 21% Positiveness
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Felix Rabito
Stay Away
89 bpm • D min • 03:53 • -8db
24% Popularity • 63% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 63% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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dodie
Intertwined
89 bpm • G Maj • 03:11 • -20.93db
42% Popularity • 43% Danceability • 13% Energy • 12% Liveness
22% Instrumentalness • 8% Positiveness
42% Popularity • 43% Danceability • 13% Energy • 12% Liveness
22% Instrumentalness • 8% Positiveness
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John Mark Nelson
A Place of My Own
89 bpm • E Maj • 04:20 • -13.71db
19% Popularity • 40% Danceability • 34% Energy • 10% Liveness
27% Instrumentalness • 32% Positiveness
19% Popularity • 40% Danceability • 34% Energy • 10% Liveness
27% Instrumentalness • 32% Positiveness
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The Lumineers
Left For Denver
89 bpm • F Maj • 03:16 • -11.78db
37% Popularity • 74% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 74% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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The Paper Kites
A Silent Cause
89 bpm • B Maj • 04:23 • -15.84db
28% Popularity • 46% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
28% Popularity • 46% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
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Little Chief
Shiloh
100 bpm • D Maj • 03:31 • -10.58db
24% Popularity • 58% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 58% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Charlie Allen
Five Twenty Seven
88 bpm • E min • 02:15 • -12db
12% Popularity • 48% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 48% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Alexis Harte
No Wrong Way Home
100 bpm • C Maj • 04:44 • -13.66db
19% Popularity • 52% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 52% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Henry Jamison
Bright and Future
100 bpm • G# Maj • 02:47 • -8.24db
19% Popularity • 58% Danceability • 31% Energy • 11% Liveness
45% Instrumentalness • 27% Positiveness
19% Popularity • 58% Danceability • 31% Energy • 11% Liveness
45% Instrumentalness • 27% Positiveness
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Hippo Campus
Bambi - Recorded at Spotify Studios NYC
88 bpm • G# Maj • 03:22 • -7.1db
22% Popularity • 60% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 60% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Valley Maker
The Mission
88 bpm • C# Maj • 03:40 • -7.42db
20% Popularity • 42% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 42% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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The Collection
Entropy
88 bpm • A Maj • 03:36 • -9.55db
20% Popularity • 47% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 47% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Rusty Clanton
Anything
88 bpm • B Maj • 03:41 • -17.3db
22% Popularity • 64% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 64% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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From Indian Lakes
When You're Around
88 bpm • F Maj • 03:13 • -14.06db
23% Popularity • 68% Danceability • 33% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
23% Popularity • 68% Danceability • 33% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
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Molly Bush
Warmer State
88 bpm • G Maj • 03:12 • -7.09db
14% Popularity • 35% Danceability • 26% Energy • 14% Liveness
9% Instrumentalness • 7% Positiveness
14% Popularity • 35% Danceability • 26% Energy • 14% Liveness
9% Instrumentalness • 7% Positiveness
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Nat & Alex Wolff
Passing Through
101 bpm • D Maj • 03:42 • -7.75db
22% Popularity • 75% Danceability • 43% Energy • 11% Liveness
4% Instrumentalness • 46% Positiveness
22% Popularity • 75% Danceability • 43% Energy • 11% Liveness
4% Instrumentalness • 46% Positiveness
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Birdtalker
Nothing's Right (Acoustic)
101 bpm • G Maj • 03:10 • -11.94db
22% Popularity • 60% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
22% Popularity • 60% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Tyson Motsenbocker
Almira
101 bpm • D Maj • 04:10 • -14.45db
20% Popularity • 46% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 46% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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The Paper Kites
Halcyon
101 bpm • D Maj • 03:59 • -13.64db
44% Popularity • 63% Danceability • 38% Energy • 8% Liveness
16% Instrumentalness • 20% Positiveness
44% Popularity • 63% Danceability • 38% Energy • 8% Liveness
16% Instrumentalness • 20% Positiveness
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Rusty Clanton
Married in the Morning
101 bpm • G Maj • 04:09 • -7.32db
16% Popularity • 40% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 40% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Boom Forest
No Lion
101 bpm • B Maj • 03:10 • -12.22db
19% Popularity • 34% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 34% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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SondorBlue
The Moon and You
87 bpm • E min • 04:39 • -7db
24% Popularity • 32% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 32% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Nataly Dawn
Maybe a Love Song
87 bpm • E min • 03:00 • -18.88db
21% Popularity • 52% Danceability • 11% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 52% Danceability • 11% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Good Luck Finding Iris
Christopher Robin
102 bpm • G Maj • 04:44 • -11.34db
30% Popularity • 56% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 56% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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The Paper Kites
Leopold Street
87 bpm • D Maj • 03:26 • -9.95db
33% Popularity • 54% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 54% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Brotherkenzie
Little Rabbit
102 bpm • G Maj • 02:23 • -8.12db
21% Popularity • 72% Danceability • 44% Energy • 10% Liveness
4% Instrumentalness • 54% Positiveness
21% Popularity • 72% Danceability • 44% Energy • 10% Liveness
4% Instrumentalness • 54% Positiveness
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Amber Run
The Weight
87 bpm • A Maj • 04:07 • -13.63db
28% Popularity • 31% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 31% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Adam Melchor
The Last Song On Earth
102 bpm • D Maj • 03:53 • -8db
29% Popularity • 43% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 43% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
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Atta Boy
Out of Sorts
102 bpm • E Maj • 03:42 • -8.37db
32% Popularity • 52% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
32% Popularity • 52% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
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Darlingside
My Gal, My Guy
102 bpm • A# Maj • 05:30 • -9.22db
22% Popularity • 50% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 50% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Tyler Lyle
Ditchdigger
86 bpm • C Maj • 05:13 • -6db
32% Popularity • 56% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 56% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Jordy Searcy
Love & War in Your Twenties
103 bpm • D Maj • 04:10 • -9.69db
66% Popularity • 74% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
66% Popularity • 74% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Rusty Clanton
All My Favorite Places
86 bpm • G Maj • 03:58 • -15db
24% Popularity • 47% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 47% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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The Nebulous
I'll Follow You into the Dark
103 bpm • D# Maj • 03:20 • -15.3db
29% Popularity • 40% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 40% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Lord Huron
Until the Night Turns
103 bpm • E Maj • 03:47 • -7db
41% Popularity • 54% Danceability • 89% Energy • 21% Liveness
31% Instrumentalness • 52% Positiveness
41% Popularity • 54% Danceability • 89% Energy • 21% Liveness
31% Instrumentalness • 52% Positiveness
