Songs like 9696 Dream by 96 Back
Based on a tempo of (+/- 10%) and a similar genre
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96 Back
Matryoshka
145 bpm • E min • 07:07 • -9.96db
1% Popularity • 70% Danceability • 80% Energy • 14% Liveness
83% Instrumentalness • 34% Positiveness
1% Popularity • 70% Danceability • 80% Energy • 14% Liveness
83% Instrumentalness • 34% Positiveness
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Placid Angles
First Blue Sky
145 bpm • F min • 05:09 • -5db
32% Popularity • 61% Danceability • 88% Energy • 11% Liveness
91% Instrumentalness • 87% Positiveness
32% Popularity • 61% Danceability • 88% Energy • 11% Liveness
91% Instrumentalness • 87% Positiveness
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Gacha Bakradze
Endless Tool
145 bpm • C Maj • 04:26 • -8.04db
12% Popularity • 68% Danceability • 82% Energy • 7% Liveness
92% Instrumentalness • 33% Positiveness
12% Popularity • 68% Danceability • 82% Energy • 7% Liveness
92% Instrumentalness • 33% Positiveness
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Barker
Models Of Wellbeing
145 bpm • D min • 06:03 • -15.69db
25% Popularity • 47% Danceability • 66% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
25% Popularity • 47% Danceability • 66% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Patricia
Downlink
145 bpm • C# Maj • 05:50 • -6.44db
13% Popularity • 71% Danceability • 70% Energy • 8% Liveness
85% Instrumentalness • 30% Positiveness
13% Popularity • 71% Danceability • 70% Energy • 8% Liveness
85% Instrumentalness • 30% Positiveness
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gayphextwin
Stable
145 bpm • C# min • 04:08 • -12.46db
12% Popularity • 44% Danceability • 68% Energy • 10% Liveness
91% Instrumentalness • 74% Positiveness
12% Popularity • 44% Danceability • 68% Energy • 10% Liveness
91% Instrumentalness • 74% Positiveness
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96 Back
9696 Dream
145 bpm • C Maj • 04:12 • -15.53db
12% Popularity • 68% Danceability • 51% Energy • 28% Liveness
84% Instrumentalness • 34% Positiveness
12% Popularity • 68% Danceability • 51% Energy • 28% Liveness
84% Instrumentalness • 34% Positiveness
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Huerco S.
Plonk IV
145 bpm • A# Maj • 05:33 • -12.55db
15% Popularity • 75% Danceability • 73% Energy • 7% Liveness
91% Instrumentalness • 51% Positiveness
15% Popularity • 75% Danceability • 73% Energy • 7% Liveness
91% Instrumentalness • 51% Positiveness
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Lorenzo Senni
Discipline of Enthusiasm
145 bpm • C Maj • 04:37 • -7.43db
17% Popularity • 74% Danceability • 54% Energy • 6% Liveness
59% Instrumentalness • 74% Positiveness
17% Popularity • 74% Danceability • 54% Energy • 6% Liveness
59% Instrumentalness • 74% Positiveness
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Batu
Atavism
145 bpm • E min • 04:13 • -9.86db
15% Popularity • 60% Danceability • 88% Energy • 7% Liveness
85% Instrumentalness • 44% Positiveness
15% Popularity • 60% Danceability • 88% Energy • 7% Liveness
85% Instrumentalness • 44% Positiveness
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Qatidiq
145 bpm • A min • 04:12 • -11.94db
12% Popularity • 72% Danceability • 82% Energy • 27% Liveness
51% Instrumentalness • 49% Positiveness
12% Popularity • 72% Danceability • 82% Energy • 27% Liveness
51% Instrumentalness • 49% Positiveness
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Call Super
Eye Flow Wide
146 bpm • A# min • 05:28 • -12.04db
10% Popularity • 66% Danceability • 77% Energy • 12% Liveness
78% Instrumentalness • 89% Positiveness
10% Popularity • 66% Danceability • 77% Energy • 12% Liveness
78% Instrumentalness • 89% Positiveness
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96 Back
Wisp
145 bpm • A# min • 02:38 • -15.11db
0% Popularity • 82% Danceability • 43% Energy • 4% Liveness
5% Instrumentalness • 76% Positiveness
0% Popularity • 82% Danceability • 43% Energy • 4% Liveness
5% Instrumentalness • 76% Positiveness
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Parris
Sleepless Comfort
146 bpm • F Maj • 03:03 • -18.54db
17% Popularity • 48% Danceability • 25% Energy • 10% Liveness
88% Instrumentalness • 27% Positiveness
17% Popularity • 48% Danceability • 25% Energy • 10% Liveness
88% Instrumentalness • 27% Positiveness
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Locked Groove
Variation 1
144 bpm • F min • 05:02 • -11.63db
12% Popularity • 69% Danceability • 50% Energy • 8% Liveness
91% Instrumentalness • 43% Positiveness
12% Popularity • 69% Danceability • 50% Energy • 8% Liveness
91% Instrumentalness • 43% Positiveness
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FFT
3 Sided
144 bpm • D# min • 05:12 • -11.97db
7% Popularity • 32% Danceability • 54% Energy • 36% Liveness
72% Instrumentalness • 8% Positiveness
7% Popularity • 32% Danceability • 54% Energy • 36% Liveness
72% Instrumentalness • 8% Positiveness
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Batu
Spectral Hearts
144 bpm • A Maj • 04:14 • -9.43db
14% Popularity • 57% Danceability • 88% Energy • 14% Liveness
87% Instrumentalness • 6% Positiveness
14% Popularity • 57% Danceability • 88% Energy • 14% Liveness
87% Instrumentalness • 6% Positiveness
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Tom VR
Petrichor
144 bpm • G Maj • 03:49 • -9.47db
17% Popularity • 68% Danceability • 93% Energy • 20% Liveness
82% Instrumentalness • 64% Positiveness
17% Popularity • 68% Danceability • 93% Energy • 20% Liveness
82% Instrumentalness • 64% Positiveness
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96 Back
Inclination Fresh
146 bpm • G min • 05:23 • -11.81db
0% Popularity • 69% Danceability • 60% Energy • 7% Liveness
74% Instrumentalness • 27% Positiveness
0% Popularity • 69% Danceability • 60% Energy • 7% Liveness
74% Instrumentalness • 27% Positiveness
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CFCF
Life is Perfecto
147 bpm • C# min • 07:17 • -13db
28% Popularity • 64% Danceability • 57% Energy • 19% Liveness
56% Instrumentalness • 32% Positiveness
28% Popularity • 64% Danceability • 57% Energy • 19% Liveness
56% Instrumentalness • 32% Positiveness
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Giulia Tess
200417 - Ross From Friends Remix
143 bpm • E min • 05:42 • -8.3db
8% Popularity • 67% Danceability • 96% Energy • 7% Liveness
84% Instrumentalness • 54% Positiveness
8% Popularity • 67% Danceability • 96% Energy • 7% Liveness
84% Instrumentalness • 54% Positiveness
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Lone
Visited by Astronauts
142 bpm • C# Maj • 01:53 • -14.89db
19% Popularity • 16% Danceability • 33% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
19% Popularity • 16% Danceability • 33% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
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Joy Orbison
98 Koln
147 bpm • A# min • 02:51 • -16.21db
14% Popularity • 86% Danceability • 52% Energy • 12% Liveness
91% Instrumentalness • 68% Positiveness
14% Popularity • 86% Danceability • 52% Energy • 12% Liveness
91% Instrumentalness • 68% Positiveness
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µ-Ziq
Twangle Frent (Special Request Rework) -...
142 bpm • F# Maj • 04:31 • -11.67db
23% Popularity • 39% Danceability • 96% Energy • 34% Liveness
89% Instrumentalness • 32% Positiveness
23% Popularity • 39% Danceability • 96% Energy • 34% Liveness
89% Instrumentalness • 32% Positiveness
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96 Back
Typeface 333 - Volruptus Remix
143 bpm • F min • 03:58 • -10.78db
0% Popularity • 76% Danceability • 81% Energy • 16% Liveness
87% Instrumentalness • 39% Positiveness
0% Popularity • 76% Danceability • 81% Energy • 16% Liveness
87% Instrumentalness • 39% Positiveness
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Konduku
Parlama
142 bpm • B min • 08:35 • -12.83db
14% Popularity • 67% Danceability • 92% Energy • 7% Liveness
89% Instrumentalness • 6% Positiveness
14% Popularity • 67% Danceability • 92% Energy • 7% Liveness
89% Instrumentalness • 6% Positiveness
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TSVI
Observe
142 bpm • B Maj • 04:19 • -8.24db
9% Popularity • 65% Danceability • 81% Energy • 15% Liveness
94% Instrumentalness • 71% Positiveness
9% Popularity • 65% Danceability • 81% Energy • 15% Liveness
94% Instrumentalness • 71% Positiveness
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Priori
Think Not
148 bpm • F# Maj • 02:06 • -9.3db
19% Popularity • 72% Danceability • 91% Energy • 9% Liveness
87% Instrumentalness • 81% Positiveness
19% Popularity • 72% Danceability • 91% Energy • 9% Liveness
87% Instrumentalness • 81% Positiveness
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Andrea
Attimo
142 bpm • A# min • 04:44 • -13.53db
8% Popularity • 35% Danceability • 64% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
8% Popularity • 35% Danceability • 64% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
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upsammy
Screaming Colours
141 bpm • G# Maj • 06:13 • -9.21db
9% Popularity • 79% Danceability • 75% Energy • 10% Liveness
93% Instrumentalness • 61% Positiveness
9% Popularity • 79% Danceability • 75% Energy • 10% Liveness
93% Instrumentalness • 61% Positiveness
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96 Back
Knock Out
142 bpm • F# Maj • 05:28 • -10.8db
0% Popularity • 76% Danceability • 92% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
0% Popularity • 76% Danceability • 92% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
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Surgeons Girl
Clouded Temper | Small Steps
149 bpm • A# min • 07:03 • -14.83db
10% Popularity • 48% Danceability • 21% Energy • 15% Liveness
55% Instrumentalness • 15% Positiveness
10% Popularity • 48% Danceability • 21% Energy • 15% Liveness
55% Instrumentalness • 15% Positiveness
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A Grape Dope
Rainbo Locals - Four Tet Remix
141 bpm • F# Maj • 04:25 • -11.16db
10% Popularity • 78% Danceability • 83% Energy • 16% Liveness
85% Instrumentalness • 85% Positiveness
10% Popularity • 78% Danceability • 83% Energy • 16% Liveness
85% Instrumentalness • 85% Positiveness
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Minor Science
Gone Rouge
150 bpm • F# min • 04:29 • -10.96db
13% Popularity • 73% Danceability • 76% Energy • 17% Liveness
89% Instrumentalness • 47% Positiveness
13% Popularity • 73% Danceability • 76% Energy • 17% Liveness
89% Instrumentalness • 47% Positiveness
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MP Productions
Rakatak
150 bpm • D# min • 05:11 • -10.42db
8% Popularity • 71% Danceability • 80% Energy • 8% Liveness
86% Instrumentalness • 35% Positiveness
8% Popularity • 71% Danceability • 80% Energy • 8% Liveness
86% Instrumentalness • 35% Positiveness
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YUF-O
Rebuild, Recharge
150 bpm • D min • 06:56 • -9.75db
13% Popularity • 49% Danceability • 97% Energy • 20% Liveness
92% Instrumentalness • 33% Positiveness
13% Popularity • 49% Danceability • 97% Energy • 20% Liveness
92% Instrumentalness • 33% Positiveness
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96 Back
Crass
142 bpm • F# Maj • 05:04 • -12.92db
2% Popularity • 54% Danceability • 49% Energy • 7% Liveness
36% Instrumentalness • 14% Positiveness
2% Popularity • 54% Danceability • 49% Energy • 7% Liveness
36% Instrumentalness • 14% Positiveness
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Beatrice Dillon
Square Fifths
150 bpm • G# Maj • 04:31 • -12.42db
9% Popularity • 76% Danceability • 68% Energy • 5% Liveness
87% Instrumentalness • 70% Positiveness
9% Popularity • 76% Danceability • 68% Energy • 5% Liveness
87% Instrumentalness • 70% Positiveness
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Healion
Gathering
150 bpm • F# Maj • 04:03 • -12.88db
16% Popularity • 57% Danceability • 88% Energy • 14% Liveness
88% Instrumentalness • 83% Positiveness
16% Popularity • 57% Danceability • 88% Energy • 14% Liveness
88% Instrumentalness • 83% Positiveness
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Batu
Convergence
150 bpm • A# min • 04:23 • -6db
11% Popularity • 69% Danceability • 69% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
11% Popularity • 69% Danceability • 69% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Cryalot
See You Again - 96 Back Remix
150 bpm • C# min • 03:40 • -7.24db
4% Popularity • 41% Danceability • 71% Energy • 20% Liveness
23% Instrumentalness • 13% Positiveness
4% Popularity • 41% Danceability • 71% Energy • 20% Liveness
23% Instrumentalness • 13% Positiveness
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Mount Kimbie
Quartz
150 bpm • G# Maj • 03:26 • -8.45db
20% Popularity • 73% Danceability • 90% Energy • 10% Liveness
91% Instrumentalness • 71% Positiveness
20% Popularity • 73% Danceability • 90% Energy • 10% Liveness
91% Instrumentalness • 71% Positiveness
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96 Back
Excitable, Girl
141 bpm • F# Maj • 05:27 • -13.59db
3% Popularity • 69% Danceability • 68% Energy • 10% Liveness
85% Instrumentalness • 53% Positiveness
3% Popularity • 69% Danceability • 68% Energy • 10% Liveness
85% Instrumentalness • 53% Positiveness
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Beatrice Dillon
Workaround Four
150 bpm • G# min • 05:50 • -17.69db
11% Popularity • 79% Danceability • 39% Energy • 12% Liveness
89% Instrumentalness • 81% Positiveness
11% Popularity • 79% Danceability • 39% Energy • 12% Liveness
89% Instrumentalness • 81% Positiveness
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Patricia
Ibex
140 bpm • C# Maj • 05:09 • -8.78db
10% Popularity • 77% Danceability • 95% Energy • 8% Liveness
88% Instrumentalness • 54% Positiveness
10% Popularity • 77% Danceability • 95% Energy • 8% Liveness
88% Instrumentalness • 54% Positiveness
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Xyla
Now
140 bpm • B min • 04:10 • -14.58db
8% Popularity • 25% Danceability • 39% Energy • 7% Liveness
95% Instrumentalness • 12% Positiveness
8% Popularity • 25% Danceability • 39% Energy • 7% Liveness
95% Instrumentalness • 12% Positiveness
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Whatever The Weather
17°C
140 bpm • F min • 04:02 • -11.08db
20% Popularity • 68% Danceability • 93% Energy • 27% Liveness
61% Instrumentalness • 41% Positiveness
20% Popularity • 68% Danceability • 93% Energy • 27% Liveness
61% Instrumentalness • 41% Positiveness
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Priori
Shkrub
140 bpm • A# Maj • 04:14 • -13.38db
9% Popularity • 57% Danceability • 52% Energy • 8% Liveness
74% Instrumentalness • 20% Positiveness
9% Popularity • 57% Danceability • 52% Energy • 8% Liveness
74% Instrumentalness • 20% Positiveness
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96 Back
Don't Die
150 bpm • A# min • 04:49 • -11.19db
0% Popularity • 60% Danceability • 45% Energy • 10% Liveness
83% Instrumentalness • 37% Positiveness
0% Popularity • 60% Danceability • 45% Energy • 10% Liveness
83% Instrumentalness • 37% Positiveness
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Beatrice Dillon
Workaround Eight
150 bpm • C# Maj • 04:26 • -16.98db
10% Popularity • 76% Danceability • 58% Energy • 9% Liveness
90% Instrumentalness • 95% Positiveness
10% Popularity • 76% Danceability • 58% Energy • 9% Liveness
90% Instrumentalness • 95% Positiveness
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downstairs J
Viewing Space
140 bpm • C# Maj • 06:40 • -9.01db
9% Popularity • 75% Danceability • 73% Energy • 14% Liveness
66% Instrumentalness • 64% Positiveness
9% Popularity • 75% Danceability • 73% Energy • 14% Liveness
66% Instrumentalness • 64% Positiveness
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Lone
Mouth of God
140 bpm • D Maj • 04:52 • -8.77db
17% Popularity • 57% Danceability • 98% Energy • 9% Liveness
84% Instrumentalness • 64% Positiveness
17% Popularity • 57% Danceability • 98% Energy • 9% Liveness
84% Instrumentalness • 64% Positiveness
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EOD
Swurlk (snarlfingercroak mix)
140 bpm • C min • 05:21 • -7.77db
23% Popularity • 66% Danceability • 74% Energy • 12% Liveness
88% Instrumentalness • 36% Positiveness
23% Popularity • 66% Danceability • 74% Energy • 12% Liveness
88% Instrumentalness • 36% Positiveness
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Barker
Maximum Utility
140 bpm • A min • 07:25 • -8.4db
13% Popularity • 75% Danceability • 99% Energy • 7% Liveness
87% Instrumentalness • 97% Positiveness
13% Popularity • 75% Danceability • 99% Energy • 7% Liveness
87% Instrumentalness • 97% Positiveness
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SW.
Untitled A1
140 bpm • E Maj • 03:41 • -13db
33% Popularity • 49% Danceability • 58% Energy • 10% Liveness
90% Instrumentalness • 55% Positiveness
33% Popularity • 49% Danceability • 58% Energy • 10% Liveness
90% Instrumentalness • 55% Positiveness
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Gramrcy
Sea in Air
140 bpm • C# Maj • 05:35 • -10.59db
9% Popularity • 61% Danceability • 78% Energy • 10% Liveness
87% Instrumentalness • 39% Positiveness
9% Popularity • 61% Danceability • 78% Energy • 10% Liveness
87% Instrumentalness • 39% Positiveness
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Asa Tone
IIII
140 bpm • B Maj • 03:18 • -11.65db
9% Popularity • 75% Danceability • 55% Energy • 14% Liveness
28% Instrumentalness • 75% Positiveness
9% Popularity • 75% Danceability • 55% Energy • 14% Liveness
28% Instrumentalness • 75% Positiveness
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LAZA
Vale Da Lua
140 bpm • F min • 03:33 • -11db
24% Popularity • 60% Danceability • 50% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
24% Popularity • 60% Danceability • 50% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Placid Angles
Beauty Begins With Us
140 bpm • F# Maj • 05:38 • -10.62db
14% Popularity • 50% Danceability • 90% Energy • 9% Liveness
86% Instrumentalness • 30% Positiveness
14% Popularity • 50% Danceability • 90% Energy • 9% Liveness
86% Instrumentalness • 30% Positiveness
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Barker
Utility
140 bpm • G Maj • 04:30 • -12db
35% Popularity • 76% Danceability • 77% Energy • 9% Liveness
88% Instrumentalness • 20% Positiveness
35% Popularity • 76% Danceability • 77% Energy • 9% Liveness
88% Instrumentalness • 20% Positiveness
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96 Back
Half a Reach
140 bpm • A# Maj • 05:37 • -9.12db
4% Popularity • 51% Danceability • 58% Energy • 13% Liveness
81% Instrumentalness • 39% Positiveness
4% Popularity • 51% Danceability • 58% Energy • 13% Liveness
81% Instrumentalness • 39% Positiveness
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Simo Cell
Caged in Aly's Body
140 bpm • C# Maj • 04:34 • -8.08db
12% Popularity • 63% Danceability • 86% Energy • 14% Liveness
77% Instrumentalness • 13% Positiveness
12% Popularity • 63% Danceability • 86% Energy • 14% Liveness
77% Instrumentalness • 13% Positiveness
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Shackleton
Blood on My Hands
140 bpm • F# min • 07:30 • -10.32db
21% Popularity • 77% Danceability • 60% Energy • 28% Liveness
84% Instrumentalness • 19% Positiveness
21% Popularity • 77% Danceability • 60% Energy • 28% Liveness
84% Instrumentalness • 19% Positiveness
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Asa Tone
II
140 bpm • F# Maj • 03:12 • -15.54db
10% Popularity • 63% Danceability • 49% Energy • 11% Liveness
74% Instrumentalness • 56% Positiveness
10% Popularity • 63% Danceability • 49% Energy • 11% Liveness
74% Instrumentalness • 56% Positiveness
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Hiro Kone
Reciprocal capture
140 bpm • C# Maj • 05:40 • -10.15db
8% Popularity • 35% Danceability • 89% Energy • 26% Liveness
84% Instrumentalness • 27% Positiveness
8% Popularity • 35% Danceability • 89% Energy • 26% Liveness
84% Instrumentalness • 27% Positiveness
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Placid Angles
Vent
151 bpm • F min • 06:19 • -8db
25% Popularity • 47% Danceability • 86% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
25% Popularity • 47% Danceability • 86% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
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96 Back
Tab Play
151 bpm • C# Maj • 04:42 • -10.53db
1% Popularity • 75% Danceability • 95% Energy • 4% Liveness
90% Instrumentalness • 56% Positiveness
1% Popularity • 75% Danceability • 95% Energy • 4% Liveness
90% Instrumentalness • 56% Positiveness
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The Detroit Escalator Co.
Gratiot
138 bpm • A min • 04:17 • -8.59db
14% Popularity • 61% Danceability • 77% Energy • 43% Liveness
86% Instrumentalness • 8% Positiveness
14% Popularity • 61% Danceability • 77% Energy • 43% Liveness
86% Instrumentalness • 8% Positiveness
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Brainwaltzera
Nessova (96 Back Remix)
139 bpm • C min • 06:34 • -12.79db
0% Popularity • 59% Danceability • 69% Energy • 12% Liveness
80% Instrumentalness • 62% Positiveness
0% Popularity • 59% Danceability • 69% Energy • 12% Liveness
80% Instrumentalness • 62% Positiveness
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Andrea
LS September
152 bpm • G min • 05:12 • -8.42db
9% Popularity • 60% Danceability • 65% Energy • 12% Liveness
84% Instrumentalness • 18% Positiveness
9% Popularity • 60% Danceability • 65% Energy • 12% Liveness
84% Instrumentalness • 18% Positiveness
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Floating Points
Environments
152 bpm • B min • 04:45 • -10.91db
31% Popularity • 37% Danceability • 88% Energy • 36% Liveness
86% Instrumentalness • 10% Positiveness
31% Popularity • 37% Danceability • 88% Energy • 36% Liveness
86% Instrumentalness • 10% Positiveness
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Barker
Posmean
138 bpm • A min • 03:54 • -13.12db
29% Popularity • 76% Danceability • 70% Energy • 13% Liveness
76% Instrumentalness • 56% Positiveness
29% Popularity • 76% Danceability • 70% Energy • 13% Liveness
76% Instrumentalness • 56% Positiveness
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96 Back
Wrong Warp
139 bpm • D min • 04:51 • -11.31db
0% Popularity • 71% Danceability • 54% Energy • 14% Liveness
10% Instrumentalness • 13% Positiveness
0% Popularity • 71% Danceability • 54% Energy • 14% Liveness
10% Instrumentalness • 13% Positiveness
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Verraco
NRG Remains
138 bpm • F# Maj • 02:56 • -9.3db
12% Popularity • 65% Danceability • 79% Energy • 35% Liveness
51% Instrumentalness • 19% Positiveness
12% Popularity • 65% Danceability • 79% Energy • 35% Liveness
51% Instrumentalness • 19% Positiveness
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Two Shell
LabBabyâ„¢
138 bpm • C# Maj • 04:39 • -13.12db
9% Popularity • 76% Danceability • 48% Energy • 12% Liveness
88% Instrumentalness • 19% Positiveness
9% Popularity • 76% Danceability • 48% Energy • 12% Liveness
88% Instrumentalness • 19% Positiveness
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Bot1500
Chartreuse 8
138 bpm • E min • 06:07 • -6.91db
13% Popularity • 58% Danceability • 80% Energy • 29% Liveness
72% Instrumentalness • 35% Positiveness
13% Popularity • 58% Danceability • 80% Energy • 29% Liveness
72% Instrumentalness • 35% Positiveness
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Ike
Stone Diviner
138 bpm • A min • 05:48 • -10.03db
10% Popularity • 78% Danceability • 87% Energy • 7% Liveness
89% Instrumentalness • 33% Positiveness
10% Popularity • 78% Danceability • 87% Energy • 7% Liveness
89% Instrumentalness • 33% Positiveness
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Text Chunk
Virtual Resonator Dream
153 bpm • A# min • 07:10 • -8.12db
6% Popularity • 69% Danceability • 98% Energy • 8% Liveness
72% Instrumentalness • 35% Positiveness
6% Popularity • 69% Danceability • 98% Energy • 8% Liveness
72% Instrumentalness • 35% Positiveness
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96 Back
Seize
138 bpm • G min • 04:24 • -11.38db
1% Popularity • 60% Danceability • 60% Energy • 9% Liveness
87% Instrumentalness • 42% Positiveness
1% Popularity • 60% Danceability • 60% Energy • 9% Liveness
87% Instrumentalness • 42% Positiveness
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Public Adamu Show
137 bpm • C Maj • 04:40 • -14.65db
10% Popularity • 68% Danceability • 93% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
10% Popularity • 68% Danceability • 93% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Two Shell
Soft Core
137 bpm • C# Maj • 06:14 • -10.32db
13% Popularity • 74% Danceability • 71% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
13% Popularity • 74% Danceability • 71% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
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Paranoid London
The State Of That
137 bpm • G# Maj • 07:07 • -8.77db
15% Popularity • 62% Danceability • 84% Energy • 7% Liveness
61% Instrumentalness • 8% Positiveness
15% Popularity • 62% Danceability • 84% Energy • 7% Liveness
61% Instrumentalness • 8% Positiveness
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Skee Mask
Lil DB Tool
154 bpm • C# Maj • 05:41 • -10.33db
28% Popularity • 51% Danceability • 81% Energy • 68% Liveness
88% Instrumentalness • 32% Positiveness
28% Popularity • 51% Danceability • 81% Energy • 68% Liveness
88% Instrumentalness • 32% Positiveness
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Andrea
Backdrops
154 bpm • E min • 04:11 • -8.48db
8% Popularity • 44% Danceability • 97% Energy • 16% Liveness
88% Instrumentalness • 44% Positiveness
8% Popularity • 44% Danceability • 97% Energy • 16% Liveness
88% Instrumentalness • 44% Positiveness
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96 Back
Cross This Heart
138 bpm • C# Maj • 05:56 • -6.65db
3% Popularity • 77% Danceability • 80% Energy • 34% Liveness
36% Instrumentalness • 73% Positiveness
3% Popularity • 77% Danceability • 80% Energy • 34% Liveness
36% Instrumentalness • 73% Positiveness
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Barker
Cascade Effect
136 bpm • C Maj • 06:57 • -11.42db
20% Popularity • 42% Danceability • 80% Energy • 8% Liveness
73% Instrumentalness • 21% Positiveness
20% Popularity • 42% Danceability • 80% Energy • 8% Liveness
73% Instrumentalness • 21% Positiveness
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Minor Science
Polyglottal
136 bpm • C# min • 03:50 • -11.32db
10% Popularity • 64% Danceability • 77% Energy • 21% Liveness
83% Instrumentalness • 68% Positiveness
10% Popularity • 64% Danceability • 77% Energy • 21% Liveness
83% Instrumentalness • 68% Positiveness
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Leon Vynehall
Sugar Slip (The Lick)
136 bpm • C# Maj • 07:29 • -10.45db
15% Popularity • 90% Danceability • 48% Energy • 65% Liveness
64% Instrumentalness • 54% Positiveness
15% Popularity • 90% Danceability • 48% Energy • 65% Liveness
64% Instrumentalness • 54% Positiveness
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Two Shell
Speedrun
136 bpm • F min • 05:03 • -11.01db
11% Popularity • 74% Danceability • 80% Energy • 31% Liveness
90% Instrumentalness • 74% Positiveness
11% Popularity • 74% Danceability • 80% Energy • 31% Liveness
90% Instrumentalness • 74% Positiveness
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Burial
Space Cadet
136 bpm • A# min • 09:29 • -9.25db
20% Popularity • 42% Danceability • 92% Energy • 10% Liveness
37% Instrumentalness • 43% Positiveness
20% Popularity • 42% Danceability • 92% Energy • 10% Liveness
37% Instrumentalness • 43% Positiveness
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96 Back
Celsius Loss
138 bpm • C# Maj • 05:11 • -10.77db
2% Popularity • 62% Danceability • 77% Energy • 12% Liveness
86% Instrumentalness • 34% Positiveness
2% Popularity • 62% Danceability • 77% Energy • 12% Liveness
86% Instrumentalness • 34% Positiveness
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CN
Anubis - Mixed
155 bpm • E min • 07:32 • -10.71db
11% Popularity • 52% Danceability • 73% Energy • 41% Liveness
94% Instrumentalness • 34% Positiveness
11% Popularity • 52% Danceability • 73% Energy • 41% Liveness
94% Instrumentalness • 34% Positiveness
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Ludwig A.F.
Blackbird
155 bpm • G# Maj • 04:24 • -7.66db
21% Popularity • 70% Danceability • 73% Energy • 12% Liveness
88% Instrumentalness • 78% Positiveness
21% Popularity • 70% Danceability • 73% Energy • 12% Liveness
88% Instrumentalness • 78% Positiveness
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Ike
Petale
155 bpm • B min • 04:24 • -10.6db
15% Popularity • 68% Danceability • 62% Energy • 6% Liveness
82% Instrumentalness • 6% Positiveness
15% Popularity • 68% Danceability • 62% Energy • 6% Liveness
82% Instrumentalness • 6% Positiveness
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Yushh
Look Mum No Hands
155 bpm • A# min • 06:01 • -10.06db
8% Popularity • 72% Danceability • 67% Energy • 38% Liveness
81% Instrumentalness • 50% Positiveness
8% Popularity • 72% Danceability • 67% Energy • 38% Liveness
81% Instrumentalness • 50% Positiveness
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Quirke
Sample Devon
155 bpm • C# Maj • 05:32 • -11db
11% Popularity • 51% Danceability • 88% Energy • 10% Liveness
87% Instrumentalness • 14% Positiveness
11% Popularity • 51% Danceability • 88% Energy • 10% Liveness
87% Instrumentalness • 14% Positiveness
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96 Back
Syrup
138 bpm • C# Maj • 05:16 • -14.38db
3% Popularity • 71% Danceability • 32% Energy • 11% Liveness
5% Instrumentalness • 28% Positiveness
3% Popularity • 71% Danceability • 32% Energy • 11% Liveness
5% Instrumentalness • 28% Positiveness
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Ploy
Unit 18
155 bpm • E min • 04:11 • -6.76db
10% Popularity • 67% Danceability • 84% Energy • 12% Liveness
66% Instrumentalness • 37% Positiveness
10% Popularity • 67% Danceability • 84% Energy • 12% Liveness
66% Instrumentalness • 37% Positiveness
