Songs like 99.9 F by Suzanne Vega
Based on a tempo of (+/- 10%) and a similar genre
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Carly Simon
Coming Around Again
139 bpm • F Maj • 03:38 • -14.49db
65% Popularity • 60% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
65% Popularity • 60% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Suzanne Vega
Calypso
139 bpm • C Maj • 04:13 • -16.55db
33% Popularity • 33% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
33% Popularity • 33% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Men At Work
Overkill
139 bpm • C# min • 03:49 • -3.99db
66% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
66% Popularity • 65% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Lloyd Cole and the Commotions
Lost Weekend
138 bpm • A Maj • 03:15 • -10.17db
51% Popularity • 59% Danceability • 73% Energy • 9% Liveness
2% Instrumentalness • 78% Positiveness
51% Popularity • 59% Danceability • 73% Energy • 9% Liveness
2% Instrumentalness • 78% Positiveness
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Siouxsie and the Banshees
The Passenger
140 bpm • D min • 05:09 • -4.54db
60% Popularity • 46% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
60% Popularity • 46% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Joe Cocker
Up Where We Belong
140 bpm • D Maj • 03:52 • -11.83db
70% Popularity • 62% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
70% Popularity • 62% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Roxy Music
Oh Yeah!
140 bpm • C Maj • 04:50 • -8.42db
54% Popularity • 61% Danceability • 55% Energy • 14% Liveness
2% Instrumentalness • 54% Positiveness
54% Popularity • 61% Danceability • 55% Energy • 14% Liveness
2% Instrumentalness • 54% Positiveness
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Suzanne Vega
99.9 F
139 bpm • B Maj • 03:16 • -14.2db
35% Popularity • 84% Danceability • 47% Energy • 8% Liveness
54% Instrumentalness • 98% Positiveness
35% Popularity • 84% Danceability • 47% Energy • 8% Liveness
54% Instrumentalness • 98% Positiveness
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Duran Duran
Ordinary World
140 bpm • C# min • 05:40 • -10.17db
74% Popularity • 47% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
74% Popularity • 47% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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The Police
Don't Stand So Close To Me
140 bpm • D Maj • 04:02 • -9.41db
74% Popularity • 80% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
74% Popularity • 80% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
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Crosby, Stills, Nash & Young
Our House
140 bpm • A Maj • 02:59 • -14.6db
69% Popularity • 59% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
69% Popularity • 59% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Alphaville
Forever Young - 2019 Remaster
137 bpm • A min • 03:46 • -9.71db
72% Popularity • 48% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 29% Positiveness
72% Popularity • 48% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 29% Positiveness
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Roxy Music
Avalon
137 bpm • C Maj • 04:16 • -8.64db
66% Popularity • 76% Danceability • 56% Energy • 14% Liveness
62% Instrumentalness • 86% Positiveness
66% Popularity • 76% Danceability • 56% Energy • 14% Liveness
62% Instrumentalness • 86% Positiveness
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Suzanne Vega
No Cheap Thrill
138 bpm • C# Maj • 03:08 • -12.08db
28% Popularity • 72% Danceability • 46% Energy • 11% Liveness
11% Instrumentalness • 76% Positiveness
28% Popularity • 72% Danceability • 46% Energy • 11% Liveness
11% Instrumentalness • 76% Positiveness
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Elton John
Rocket Man (I Think It's Going To Be A L...
137 bpm • A# Maj • 04:41 • -9.12db
83% Popularity • 60% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
83% Popularity • 60% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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The Police
Spirits In The Material World
142 bpm • A min • 02:59 • -7.86db
61% Popularity • 83% Danceability • 66% Energy • 3% Liveness
2% Instrumentalness • 86% Positiveness
61% Popularity • 83% Danceability • 66% Energy • 3% Liveness
2% Instrumentalness • 86% Positiveness
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The Rolling Stones
Angie - Remastered 2009
136 bpm • A min • 04:32 • -6.13db
74% Popularity • 43% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
74% Popularity • 43% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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The Cure
Friday I'm In Love
136 bpm • C min • 03:35 • -12.66db
79% Popularity • 53% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
79% Popularity • 53% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Neneh Cherry
Woman
136 bpm • D# min • 04:30 • -8.89db
56% Popularity • 54% Danceability • 54% Energy • 20% Liveness
3% Instrumentalness • 33% Positiveness
56% Popularity • 54% Danceability • 54% Energy • 20% Liveness
3% Instrumentalness • 33% Positiveness
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Suzanne Vega
Tom's Diner - Reprise
138 bpm • A# min • 02:40 • -20.76db
25% Popularity • 57% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
25% Popularity • 57% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Paul Simon
The Boy In the Bubble
136 bpm • D Maj • 03:59 • -7.85db
52% Popularity • 62% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
52% Popularity • 62% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Edie Brickell & New Bohemians
Love Like We Do
136 bpm • G Maj • 03:07 • -11.25db
36% Popularity • 64% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 64% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Kate Bush
The Sensual World - 2018 Remaster
136 bpm • A# Maj • 03:57 • -14db
50% Popularity • 55% Danceability • 55% Energy • 28% Liveness
37% Instrumentalness • 78% Positiveness
50% Popularity • 55% Danceability • 55% Energy • 28% Liveness
37% Instrumentalness • 78% Positiveness
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The Cure
Inbetween Days
143 bpm • A Maj • 02:57 • -6.32db
70% Popularity • 55% Danceability • 84% Energy • 17% Liveness
58% Instrumentalness • 74% Positiveness
70% Popularity • 55% Danceability • 84% Energy • 17% Liveness
58% Instrumentalness • 74% Positiveness
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Blondie
Call Me
143 bpm • D min • 03:32 • -6.71db
77% Popularity • 56% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
77% Popularity • 56% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Suzanne Vega
Gypsy
141 bpm • A Maj • 04:09 • -14.73db
29% Popularity • 50% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 50% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Fleetwood Mac
Go Your Own Way - 2004 Remaster
135 bpm • F Maj • 03:43 • -5.12db
80% Popularity • 58% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
80% Popularity • 58% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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The The
Uncertain Smile
143 bpm • B min • 06:49 • -11.93db
50% Popularity • 60% Danceability • 76% Energy • 10% Liveness
59% Instrumentalness • 84% Positiveness
50% Popularity • 60% Danceability • 76% Energy • 10% Liveness
59% Instrumentalness • 84% Positiveness
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Spandau Ballet
Gold - 2003 Remaster
143 bpm • A# min • 04:50 • -6.12db
63% Popularity • 72% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
63% Popularity • 72% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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The B-52's
Roam
135 bpm • A Maj • 04:55 • -5.55db
58% Popularity • 64% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
58% Popularity • 64% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
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The Cardigans
My Favourite Game
143 bpm • F min • 03:40 • -6.19db
73% Popularity • 59% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
73% Popularity • 59% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Suzanne Vega
Neighborhood Girls
142 bpm • C# Maj • 03:20 • -11.97db
23% Popularity • 66% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 66% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Orchestral Manoeuvres In The Dark
Enola Gay - Remastered 2003
143 bpm • D min • 03:33 • -7.06db
71% Popularity • 56% Danceability • 76% Energy • 8% Liveness
3% Instrumentalness • 93% Positiveness
71% Popularity • 56% Danceability • 76% Energy • 8% Liveness
3% Instrumentalness • 93% Positiveness
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Aimee Mann
Save Me
143 bpm • A# Maj • 04:34 • -10.44db
56% Popularity • 62% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
56% Popularity • 62% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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The Boomtown Rats
I Don't Like Mondays
144 bpm • B Maj • 04:19 • -6.87db
63% Popularity • 46% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
63% Popularity • 46% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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David Bowie
China Girl - 2002 Remaster
134 bpm • G Maj • 04:17 • -10.09db
52% Popularity • 65% Danceability • 63% Energy • 11% Liveness
3% Instrumentalness • 87% Positiveness
52% Popularity • 65% Danceability • 63% Energy • 11% Liveness
3% Instrumentalness • 87% Positiveness
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Ultravox
Dancing with Tears in My Eyes
144 bpm • A Maj • 04:04 • -8.12db
66% Popularity • 59% Danceability • 91% Energy • 60% Liveness
0% Instrumentalness • 93% Positiveness
66% Popularity • 59% Danceability • 91% Energy • 60% Liveness
0% Instrumentalness • 93% Positiveness
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Suzanne Vega
Left Of Center
143 bpm • B min • 03:35 • -13db
38% Popularity • 65% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 65% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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The Connells
'74-'75
144 bpm • B Maj • 04:38 • -9.17db
66% Popularity • 53% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
66% Popularity • 53% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Aztec Camera
Somewhere in My Heart
134 bpm • C Maj • 04:01 • -9.53db
55% Popularity • 64% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
55% Popularity • 64% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Soft Cell
Tainted Love
144 bpm • C min • 02:33 • -8.28db
81% Popularity • 50% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
81% Popularity • 50% Danceability • 50% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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David Bowie
China Girl - 2018 Remaster
134 bpm • E min • 05:33 • -7.87db
61% Popularity • 65% Danceability • 70% Energy • 12% Liveness
7% Instrumentalness • 83% Positiveness
61% Popularity • 65% Danceability • 70% Energy • 12% Liveness
7% Instrumentalness • 83% Positiveness
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10cc
I'm Not In Love
134 bpm • E Maj • 06:06 • -15.7db
71% Popularity • 40% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
71% Popularity • 40% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
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Suzanne Vega
Calypso
135 bpm • C Maj • 03:45 • -12.11db
13% Popularity • 60% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 60% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Fine Young Cannibals
Johnny Come Home
134 bpm • A# Maj • 03:35 • -7.56db
56% Popularity • 78% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
56% Popularity • 78% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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The B-52's
Love Shack
134 bpm • F min • 05:20 • -6.79db
72% Popularity • 70% Danceability • 80% Energy • 70% Liveness
0% Instrumentalness • 90% Positiveness
72% Popularity • 70% Danceability • 80% Energy • 70% Liveness
0% Instrumentalness • 90% Positiveness
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Lou Reed
Perfect Day
145 bpm • A# Maj • 03:45 • -12.49db
69% Popularity • 40% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
69% Popularity • 40% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Propaganda
Duel
145 bpm • F min • 04:42 • -7.75db
56% Popularity • 68% Danceability • 83% Energy • 11% Liveness
44% Instrumentalness • 56% Positiveness
56% Popularity • 68% Danceability • 83% Energy • 11% Liveness
44% Instrumentalness • 56% Positiveness
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The Stranglers
Always The Sun - Sunny Side Up Mix
133 bpm • D Maj • 04:03 • -4.15db
55% Popularity • 56% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 80% Positiveness
55% Popularity • 56% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 80% Positiveness
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Suzanne Vega
The Queen and the Soldier
143 bpm • D Maj • 05:02 • -11.92db
14% Popularity • 51% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 51% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Kristin Hersh
Your Ghost
145 bpm • G Maj • 03:16 • -14.15db
45% Popularity • 44% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 44% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Grace Jones
I've Seen That Face Before (Libertango)
133 bpm • A min • 04:30 • -9db
50% Popularity • 81% Danceability • 62% Energy • 6% Liveness
18% Instrumentalness • 96% Positiveness
50% Popularity • 81% Danceability • 62% Energy • 6% Liveness
18% Instrumentalness • 96% Positiveness
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Pulp
Disco 2000
133 bpm • G min • 04:33 • -7.58db
64% Popularity • 56% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
64% Popularity • 56% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Leonard Cohen
Dance Me to the End of Love
133 bpm • G min • 04:40 • -11.88db
63% Popularity • 59% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
63% Popularity • 59% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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The Waterboys
A Girl Called Johnny - 2002 Remaster
133 bpm • A min • 03:57 • -4db
46% Popularity • 56% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 56% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Suzanne Vega
Undertow
135 bpm • A# Maj • 03:26 • -15.58db
28% Popularity • 52% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 52% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Kate Bush
Hounds Of Love
146 bpm • F Maj • 03:03 • -13.99db
58% Popularity • 55% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
58% Popularity • 55% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Joan Armatrading
Me Myself I
132 bpm • E Maj • 03:17 • -15.37db
40% Popularity • 63% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
40% Popularity • 63% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Pulp
Common People - Full Length Version
145 bpm • C Maj • 05:51 • -9.03db
69% Popularity • 31% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
69% Popularity • 31% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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The Police
Walking On The Moon
146 bpm • C Maj • 05:00 • -12.78db
68% Popularity • 51% Danceability • 34% Energy • 21% Liveness
2% Instrumentalness • 27% Positiveness
68% Popularity • 51% Danceability • 34% Energy • 21% Liveness
2% Instrumentalness • 27% Positiveness
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Blondie
Sunday Girl - Remastered 2001
146 bpm • A Maj • 03:05 • -7db
50% Popularity • 62% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
50% Popularity • 62% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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Suzanne Vega
Tom's Diner
134 bpm • F# Maj • 02:09 • -22db
52% Popularity • 70% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
52% Popularity • 70% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Seal
Kiss from a Rose
132 bpm • A# min • 04:48 • -7.11db
75% Popularity • 58% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
75% Popularity • 58% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
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The The
Slow Emotion Replay
131 bpm • F Maj • 03:54 • -2.13db
46% Popularity • 62% Danceability • 96% Energy • 17% Liveness
10% Instrumentalness • 85% Positiveness
46% Popularity • 62% Danceability • 96% Energy • 17% Liveness
10% Instrumentalness • 85% Positiveness
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The Buggles
Video Killed The Radio Star
131 bpm • C# Maj • 04:12 • -11.55db
72% Popularity • 68% Danceability • 68% Energy • 20% Liveness
1% Instrumentalness • 25% Positiveness
72% Popularity • 68% Danceability • 68% Energy • 20% Liveness
1% Instrumentalness • 25% Positiveness
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Cyndi Lauper
I Drove All Night
131 bpm • G# Maj • 04:11 • -10.64db
62% Popularity • 70% Danceability • 71% Energy • 58% Liveness
0% Instrumentalness • 77% Positiveness
62% Popularity • 70% Danceability • 71% Energy • 58% Liveness
0% Instrumentalness • 77% Positiveness
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Genesis
Invisible Touch - 2007 Remaster
131 bpm • C Maj • 03:28 • -6.85db
72% Popularity • 62% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
72% Popularity • 62% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Suzanne Vega
Night Vision
134 bpm • B min • 02:48 • -19.75db
32% Popularity • 53% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 53% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Bryan Ferry
Slave To Love
148 bpm • D Maj • 04:26 • -5.9db
70% Popularity • 66% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
70% Popularity • 66% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Prefab Sprout
Cars and Girls
131 bpm • A min • 04:25 • -11db
48% Popularity • 71% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
48% Popularity • 71% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Paul Young
Come Back and Stay - 2008 Remastered
131 bpm • F# min • 04:24 • -7.99db
57% Popularity • 62% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
57% Popularity • 62% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 80% Positiveness
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The Cranberries
I Can't Be With You
131 bpm • A# Maj • 03:07 • -10.43db
60% Popularity • 47% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
60% Popularity • 47% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Tanita Tikaram
Cathedral Song
131 bpm • A Maj • 02:53 • -16.63db
51% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Suzanne Vega
Ironbound/Fancy Poultry
132 bpm • A min • 05:01 • -10.72db
17% Popularity • 43% Danceability • 47% Energy • 15% Liveness
57% Instrumentalness • 37% Positiveness
17% Popularity • 43% Danceability • 47% Energy • 15% Liveness
57% Instrumentalness • 37% Positiveness
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Lloyd Cole and the Commotions
Perfect Skin
131 bpm • G Maj • 03:16 • -10db
49% Popularity • 60% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
49% Popularity • 60% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Cyndi Lauper
Time After Time
130 bpm • C Maj • 04:01 • -9.21db
84% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
84% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Jennifer Warnes
First We Take Manhattan - Digitally Rema...
130 bpm • G min • 03:46 • -9db
49% Popularity • 76% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
49% Popularity • 76% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Martika
Toy Soldiers
130 bpm • C# min • 04:47 • -6.41db
62% Popularity • 51% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
62% Popularity • 51% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Prefab Sprout
The King of Rock 'N' Roll
130 bpm • F min • 04:22 • -9.07db
44% Popularity • 82% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
44% Popularity • 82% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Suzanne Vega
Solitude Standing
146 bpm • B min • 04:49 • -12.99db
39% Popularity • 57% Danceability • 63% Energy • 7% Liveness
24% Instrumentalness • 94% Positiveness
39% Popularity • 57% Danceability • 63% Energy • 7% Liveness
24% Instrumentalness • 94% Positiveness
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Joan Baez
Diamonds And Rust
130 bpm • F min • 04:46 • -12.15db
59% Popularity • 51% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
59% Popularity • 51% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Tanita Tikaram
World Outside Your Window
130 bpm • E Maj • 04:54 • -12.1db
37% Popularity • 74% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 74% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Bruce Springsteen
Dancing In the Dark
149 bpm • C# min • 04:01 • -5.64db
83% Popularity • 53% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
83% Popularity • 53% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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INXS
Mystify
129 bpm • A min • 03:17 • -5.66db
65% Popularity • 60% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
65% Popularity • 60% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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George Harrison
Got My Mind Set on You
149 bpm • E Maj • 03:54 • -7.16db
75% Popularity • 76% Danceability • 85% Energy • 49% Liveness
0% Instrumentalness • 96% Positiveness
75% Popularity • 76% Danceability • 85% Energy • 49% Liveness
0% Instrumentalness • 96% Positiveness
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Suzanne Vega
Small Blue Thing
131 bpm • G# Maj • 03:54 • -16.98db
37% Popularity • 39% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 39% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Fine Young Cannibals
Suspicious Minds
129 bpm • G Maj • 03:57 • -4.74db
53% Popularity • 40% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
53% Popularity • 40% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Paula Cole
Where Have All the Cowboys Gone?
129 bpm • B min • 04:23 • -6.18db
51% Popularity • 59% Danceability • 83% Energy • 45% Liveness
0% Instrumentalness • 62% Positiveness
51% Popularity • 59% Danceability • 83% Energy • 45% Liveness
0% Instrumentalness • 62% Positiveness
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Philip Bailey
Easy Lover
129 bpm • C# Maj • 05:05 • -5.08db
72% Popularity • 74% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
72% Popularity • 74% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Morcheeba
The Sea
150 bpm • B min • 05:47 • -7.59db
59% Popularity • 54% Danceability • 76% Energy • 5% Liveness
11% Instrumentalness • 25% Positiveness
59% Popularity • 54% Danceability • 76% Energy • 5% Liveness
11% Instrumentalness • 25% Positiveness
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This Mortal Coil
Song To The Siren - Remastered
129 bpm • A# Maj • 03:31 • -13db
54% Popularity • 22% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
54% Popularity • 22% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Suzanne Vega
When Heroes Go Down
131 bpm • F# Maj • 01:54 • -9.14db
27% Popularity • 63% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 63% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Mike Oldfield
Moonlight Shadow
129 bpm • E Maj • 03:38 • -8.36db
68% Popularity • 61% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
68% Popularity • 61% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Simon & Garfunkel
Scarborough Fair / Canticle
129 bpm • D Maj • 03:10 • -15.63db
62% Popularity • 34% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
62% Popularity • 34% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The Cranberries
Dreams
129 bpm • E Maj • 04:31 • -13.09db
81% Popularity • 55% Danceability • 64% Energy • 42% Liveness
0% Instrumentalness • 51% Positiveness
81% Popularity • 55% Danceability • 64% Energy • 42% Liveness
0% Instrumentalness • 51% Positiveness
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Roxy Music
More Than This
129 bpm • F# Maj • 04:30 • -7.81db
70% Popularity • 65% Danceability • 67% Energy • 14% Liveness
5% Instrumentalness • 76% Positiveness
70% Popularity • 65% Danceability • 67% Energy • 14% Liveness
5% Instrumentalness • 76% Positiveness
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Paul Simon
You Can Call Me Al
128 bpm • F Maj • 04:40 • -8.12db
77% Popularity • 78% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
77% Popularity • 78% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
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Suzanne Vega
The Queen And The Soldier
148 bpm • D Maj • 04:48 • -15.9db
37% Popularity • 36% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 36% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
