Songs like A Beta to My Father's Alpha by Nathaniel Blume
Based on a tempo of (+/- 10%) and a similar genre
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Steve Jablonsky
The Coming of Cybertron
100 bpm • G Maj • 04:58 • -22.64db
25% Popularity • 44% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 44% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Rob Simonsen
Take Your Son to Work Day
100 bpm • D Maj • 01:33 • -17.33db
9% Popularity • 39% Danceability • 14% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
9% Popularity • 39% Danceability • 14% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Ask the Sea - Bonus Track
100 bpm • C# min • 01:59 • -10.78db
13% Popularity • 18% Danceability • 42% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 42% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Dario Marianelli
Saying Goodbye
100 bpm • A Maj • 02:26 • -16.89db
15% Popularity • 13% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 8% Positiveness
15% Popularity • 13% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 8% Positiveness
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Nathaniel Blume
Birdie
100 bpm • D Maj • 01:15 • -18.48db
0% Popularity • 76% Danceability • 53% Energy • 11% Liveness
83% Instrumentalness • 13% Positiveness
0% Popularity • 76% Danceability • 53% Energy • 11% Liveness
83% Instrumentalness • 13% Positiveness
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Alexander Johannes Uitz
Revelation of the Quest
99 bpm • C Maj • 01:01 • -22.93db
20% Popularity • 56% Danceability • 46% Energy • 12% Liveness
81% Instrumentalness • 5% Positiveness
20% Popularity • 56% Danceability • 46% Energy • 12% Liveness
81% Instrumentalness • 5% Positiveness
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Steve Jablonsky
Technodrome Assembles
100 bpm • G Maj • 01:53 • -16.49db
11% Popularity • 34% Danceability • 22% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 34% Danceability • 22% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Rob Simonsen
Plan
101 bpm • G min • 02:10 • -15.65db
9% Popularity • 20% Danceability • 44% Energy • 14% Liveness
87% Instrumentalness • 5% Positiveness
9% Popularity • 20% Danceability • 44% Energy • 14% Liveness
87% Instrumentalness • 5% Positiveness
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2Hooks
Avengers: All in One
102 bpm • D Maj • 02:14 • -10.13db
10% Popularity • 41% Danceability • 47% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
10% Popularity • 41% Danceability • 47% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Dario Marianelli
Bee’s Had Enough
99 bpm • E min • 05:15 • -13.16db
10% Popularity • 16% Danceability • 46% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 46% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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John Debney
Ivan's Metamorphosis
98 bpm • C min • 05:47 • -17.5db
18% Popularity • 13% Danceability • 19% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 19% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Nathaniel Blume
A Beta to My Father's Alpha
100 bpm • A Maj • 01:34 • -18.26db
1% Popularity • 32% Danceability • 32% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
1% Popularity • 32% Danceability • 32% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
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Vino Veritas
Descriptivos
102 bpm • D min • 02:28 • -21.52db
11% Popularity • 46% Danceability • 31% Energy • 8% Liveness
95% Instrumentalness • 17% Positiveness
11% Popularity • 46% Danceability • 31% Energy • 8% Liveness
95% Instrumentalness • 17% Positiveness
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Dan Levy
Sith Apprentice
98 bpm • C min • 02:43 • -18.11db
8% Popularity • 14% Danceability • 28% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
8% Popularity • 14% Danceability • 28% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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John Ottman
Logo Mania
98 bpm • D min • 01:00 • -12.56db
32% Popularity • 45% Danceability • 59% Energy • 10% Liveness
80% Instrumentalness • 35% Positiveness
32% Popularity • 45% Danceability • 59% Energy • 10% Liveness
80% Instrumentalness • 35% Positiveness
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Dario Marianelli
Bee on the Run
102 bpm • A Maj • 02:18 • -11.67db
15% Popularity • 20% Danceability • 64% Energy • 15% Liveness
81% Instrumentalness • 5% Positiveness
15% Popularity • 20% Danceability • 64% Energy • 15% Liveness
81% Instrumentalness • 5% Positiveness
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Frederik Wiedmann
Son of Batman
103 bpm • D# Maj • 00:56 • -14.29db
11% Popularity • 17% Danceability • 61% Energy • 32% Liveness
96% Instrumentalness • 20% Positiveness
11% Popularity • 17% Danceability • 61% Energy • 32% Liveness
96% Instrumentalness • 20% Positiveness
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Nathaniel Blume
The Video From That Night - Alternate Ve...
99 bpm • E Maj • 04:00 • -26.06db
1% Popularity • 13% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
1% Popularity • 13% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Alexandre Desplat
Back to Janjira
97 bpm • A Maj • 05:59 • -16.77db
11% Popularity • 30% Danceability • 20% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
11% Popularity • 30% Danceability • 20% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Dominik Scherrer
The Mystery of the Anomalies
103 bpm • D min • 01:31 • -21.26db
12% Popularity • 25% Danceability • 9% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
12% Popularity • 25% Danceability • 9% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
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Marco Beltrami
Moving In
103 bpm • D Maj • 02:36 • -23.04db
9% Popularity • 15% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
9% Popularity • 15% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Dario Marianelli
Optimus Prime’s Message
102 bpm • E min • 02:05 • -15.16db
17% Popularity • 14% Danceability • 45% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
17% Popularity • 14% Danceability • 45% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Blake Neely
Nora's Goodbye
97 bpm • F min • 05:36 • -30.2db
9% Popularity • 18% Danceability • 2% Energy • 21% Liveness
93% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 2% Energy • 21% Liveness
93% Instrumentalness • 4% Positiveness
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Rob Simonsen
Butternut Sippy Cup
97 bpm • F min • 03:52 • -17.47db
8% Popularity • 39% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
8% Popularity • 39% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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Alexandre Desplat
To Q Zone
97 bpm • A min • 02:55 • -22.34db
14% Popularity • 36% Danceability • 6% Energy • 18% Liveness
89% Instrumentalness • 4% Positiveness
14% Popularity • 36% Danceability • 6% Energy • 18% Liveness
89% Instrumentalness • 4% Positiveness
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James Horner
Saving New York
96 bpm • D min • 07:52 • -17.14db
30% Popularity • 13% Danceability • 32% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
30% Popularity • 13% Danceability • 32% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Patrick Doyle
Cookies
96 bpm • D Maj • 01:15 • -17.55db
15% Popularity • 64% Danceability • 28% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
15% Popularity • 64% Danceability • 28% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Dario Marianelli
Cybertron Falls
103 bpm • F Maj • 01:53 • -11db
27% Popularity • 16% Danceability • 72% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
27% Popularity • 16% Danceability • 72% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Joe Kraemer
Good Evening, Mr. Hunt
96 bpm • G min • 02:35 • -24.55db
24% Popularity • 28% Danceability • 5% Energy • 15% Liveness
94% Instrumentalness • 5% Positiveness
24% Popularity • 28% Danceability • 5% Energy • 15% Liveness
94% Instrumentalness • 5% Positiveness
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Alan Silvestri
Orb Of Osuvox
96 bpm • B min • 03:44 • -19.77db
8% Popularity • 34% Danceability • 27% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
8% Popularity • 34% Danceability • 27% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Sneha Khanwalkar
Jedi Fight
104 bpm • A Maj • 01:33 • -13db
7% Popularity • 26% Danceability • 72% Energy • 15% Liveness
84% Instrumentalness • 7% Positiveness
7% Popularity • 26% Danceability • 72% Energy • 15% Liveness
84% Instrumentalness • 7% Positiveness
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Jon Ekstrand
Michael Needs a Lab
96 bpm • C# Maj • 02:19 • -17.9db
7% Popularity • 42% Danceability • 35% Energy • 11% Liveness
69% Instrumentalness • 3% Positiveness
7% Popularity • 42% Danceability • 35% Energy • 11% Liveness
69% Instrumentalness • 3% Positiveness
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Dan Romer
Luckiest Family I Know
96 bpm • B min • 02:10 • -13.77db
17% Popularity • 33% Danceability • 42% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
17% Popularity • 33% Danceability • 42% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Ray D Kim
Light
96 bpm • G Maj • 04:12 • -15.13db
28% Popularity • 15% Danceability • 28% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 28% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Bear McCreary
The Obelisk
104 bpm • G min • 03:56 • -15.63db
11% Popularity • 34% Danceability • 31% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
11% Popularity • 34% Danceability • 31% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Natalie Holt
Alligator Bite
96 bpm • D# Maj • 03:11 • -10.78db
20% Popularity • 36% Danceability • 50% Energy • 10% Liveness
76% Instrumentalness • 30% Positiveness
20% Popularity • 36% Danceability • 50% Energy • 10% Liveness
76% Instrumentalness • 30% Positiveness
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Frederik Wiedmann
Hell of a Messenger
105 bpm • D min • 03:59 • -18db
10% Popularity • 16% Danceability • 21% Energy • 11% Liveness
98% Instrumentalness • 7% Positiveness
10% Popularity • 16% Danceability • 21% Energy • 11% Liveness
98% Instrumentalness • 7% Positiveness
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Nathaniel Blume
I'd Appreciate Some Guidelines
105 bpm • D Maj • 02:14 • -24.12db
1% Popularity • 15% Danceability • 9% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
1% Popularity • 15% Danceability • 9% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
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John Ottman
The Magneto Effect
105 bpm • G# Maj • 04:26 • -19.15db
13% Popularity • 24% Danceability • 25% Energy • 20% Liveness
94% Instrumentalness • 3% Positiveness
13% Popularity • 24% Danceability • 25% Energy • 20% Liveness
94% Instrumentalness • 3% Positiveness
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Brandon Campbell
The Drift
105 bpm • C min • 01:33 • -14.98db
9% Popularity • 31% Danceability • 41% Energy • 4% Liveness
93% Instrumentalness • 4% Positiveness
9% Popularity • 31% Danceability • 41% Energy • 4% Liveness
93% Instrumentalness • 4% Positiveness
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Benjamin Wallfisch
All Hands On Deck
95 bpm • C min • 02:05 • -16.76db
10% Popularity • 17% Danceability • 20% Energy • 33% Liveness
91% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 20% Energy • 33% Liveness
91% Instrumentalness • 4% Positiveness
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Bear McCreary
The Rising Tide
95 bpm • C# Maj • 03:46 • -16db
17% Popularity • 28% Danceability • 31% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
17% Popularity • 28% Danceability • 31% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
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Rupert Gregson-Williams
Mera Montage - Bonus Track
95 bpm • C min • 02:04 • -10.71db
16% Popularity • 19% Danceability • 49% Energy • 9% Liveness
79% Instrumentalness • 12% Positiveness
16% Popularity • 19% Danceability • 49% Energy • 9% Liveness
79% Instrumentalness • 12% Positiveness
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Trevor Morris
Victory / I'm Looking at Him
106 bpm • B min • 03:12 • -23db
8% Popularity • 15% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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John Ottman
Saigon - Logan Arrives
105 bpm • C Maj • 04:36 • -21.28db
14% Popularity • 23% Danceability • 17% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
14% Popularity • 23% Danceability • 17% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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Kevin Kiner
Ahsoka Is Ready
106 bpm • D min • 01:13 • -9.23db
27% Popularity • 39% Danceability • 67% Energy • 7% Liveness
92% Instrumentalness • 24% Positiveness
27% Popularity • 39% Danceability • 67% Energy • 7% Liveness
92% Instrumentalness • 24% Positiveness
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Benjamin Wallfisch
Not This Time, Kid
95 bpm • D# Maj • 01:11 • -21.94db
22% Popularity • 18% Danceability • 6% Energy • 12% Liveness
78% Instrumentalness • 12% Positiveness
22% Popularity • 18% Danceability • 6% Energy • 12% Liveness
78% Instrumentalness • 12% Positiveness
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Jeff Russo
The Pressure of Legacy
106 bpm • A# Maj • 01:12 • -15.9db
9% Popularity • 22% Danceability • 24% Energy • 7% Liveness
98% Instrumentalness • 3% Positiveness
9% Popularity • 22% Danceability • 24% Energy • 7% Liveness
98% Instrumentalness • 3% Positiveness
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John Powell
Decrypted
106 bpm • C# Maj • 05:34 • -21.39db
17% Popularity • 31% Danceability • 31% Energy • 14% Liveness
76% Instrumentalness • 3% Positiveness
17% Popularity • 31% Danceability • 31% Energy • 14% Liveness
76% Instrumentalness • 3% Positiveness
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Natalie Holt
Goodbyes
94 bpm • A min • 03:26 • -15.75db
26% Popularity • 34% Danceability • 31% Energy • 35% Liveness
85% Instrumentalness • 4% Positiveness
26% Popularity • 34% Danceability • 31% Energy • 35% Liveness
85% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Swimming Lessons
107 bpm • C Maj • 03:03 • -15.91db
25% Popularity • 16% Danceability • 26% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
25% Popularity • 16% Danceability • 26% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Marco Beltrami
Take the Hit
93 bpm • G# Maj • 01:29 • -17.84db
14% Popularity • 20% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Blake Neely
Nora
93 bpm • C Maj • 04:37 • -22.08db
7% Popularity • 18% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
7% Popularity • 18% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Benjamin Wallfisch
Batdoneon
93 bpm • A# Maj • 00:56 • -9.94db
18% Popularity • 34% Danceability • 87% Energy • 5% Liveness
94% Instrumentalness • 5% Positiveness
18% Popularity • 34% Danceability • 87% Energy • 5% Liveness
94% Instrumentalness • 5% Positiveness
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Matthew Margeson
We Three Kings
107 bpm • F Maj • 03:06 • -15.24db
16% Popularity • 38% Danceability • 32% Energy • 24% Liveness
66% Instrumentalness • 4% Positiveness
16% Popularity • 38% Danceability • 32% Energy • 24% Liveness
66% Instrumentalness • 4% Positiveness
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Jeff Danna
Aja Encounters the Omen
93 bpm • G Maj • 02:00 • -12.49db
9% Popularity • 31% Danceability • 55% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
9% Popularity • 31% Danceability • 55% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
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Mark Mothersbaugh
Running Short on Options
108 bpm • G# Maj • 02:46 • -15.57db
18% Popularity • 18% Danceability • 29% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 29% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Marco Beltrami
Zombies In Coach
108 bpm • E Maj • 03:43 • -14.05db
14% Popularity • 27% Danceability • 63% Energy • 8% Liveness
69% Instrumentalness • 7% Positiveness
14% Popularity • 27% Danceability • 63% Energy • 8% Liveness
69% Instrumentalness • 7% Positiveness
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John Ottman
Saving the Future
108 bpm • A# Maj • 05:03 • -15.83db
8% Popularity • 19% Danceability • 42% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 42% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Vino Veritas
Roles De Batalla
108 bpm • C# min • 02:06 • -24.03db
11% Popularity • 57% Danceability • 27% Energy • 18% Liveness
70% Instrumentalness • 27% Positiveness
11% Popularity • 57% Danceability • 27% Energy • 18% Liveness
70% Instrumentalness • 27% Positiveness
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Alexander Johannes Uitz
Pleasures of Victory
108 bpm • C min • 01:22 • -20.78db
18% Popularity • 58% Danceability • 33% Energy • 12% Liveness
88% Instrumentalness • 73% Positiveness
18% Popularity • 58% Danceability • 33% Energy • 12% Liveness
88% Instrumentalness • 73% Positiveness
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CARLOS FERNÁNDEZ LÓPEZ
African Adventure
92 bpm • A# Maj • 03:03 • -18.12db
8% Popularity • 11% Danceability • 11% Energy • 12% Liveness
75% Instrumentalness • 6% Positiveness
8% Popularity • 11% Danceability • 11% Energy • 12% Liveness
75% Instrumentalness • 6% Positiveness
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Alan Silvestri
One Way Trip
92 bpm • F Maj • 05:50 • -15.28db
24% Popularity • 15% Danceability • 36% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 36% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
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Benjamin Wallfisch
The Dark Flash
108 bpm • C# Maj • 02:08 • -13.14db
12% Popularity • 16% Danceability • 26% Energy • 20% Liveness
55% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 26% Energy • 20% Liveness
55% Instrumentalness • 4% Positiveness
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AKIRA HONDA
Enigma's Pulse
108 bpm • E min • 05:23 • -21.26db
16% Popularity • 58% Danceability • 43% Energy • 12% Liveness
79% Instrumentalness • 62% Positiveness
16% Popularity • 58% Danceability • 43% Energy • 12% Liveness
79% Instrumentalness • 62% Positiveness
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Nathaniel Blume
Eyeless Eddie
108 bpm • C# Maj • 01:45 • -12.11db
0% Popularity • 43% Danceability • 65% Energy • 17% Liveness
94% Instrumentalness • 8% Positiveness
0% Popularity • 43% Danceability • 65% Energy • 17% Liveness
94% Instrumentalness • 8% Positiveness
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Nick Arundel
The Lion's Den
92 bpm • A Maj • 03:10 • -26.91db
15% Popularity • 11% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
15% Popularity • 11% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Patrick Doyle
Golden Gate Bridge
92 bpm • B Maj • 05:21 • -16.83db
10% Popularity • 21% Danceability • 50% Energy • 16% Liveness
82% Instrumentalness • 16% Positiveness
10% Popularity • 21% Danceability • 50% Energy • 16% Liveness
82% Instrumentalness • 16% Positiveness
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William Ross
Overcoming the Past
109 bpm • D# Maj • 04:28 • -16db
31% Popularity • 16% Danceability • 10% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
31% Popularity • 16% Danceability • 10% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
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Torin Borrowdale
Fear Monster
109 bpm • F min • 02:03 • -18.39db
7% Popularity • 41% Danceability • 21% Energy • 6% Liveness
87% Instrumentalness • 5% Positiveness
7% Popularity • 41% Danceability • 21% Energy • 6% Liveness
87% Instrumentalness • 5% Positiveness
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Alexander Johannes Uitz
Horns of Destiny
109 bpm • C Maj • 01:23 • -21.52db
14% Popularity • 61% Danceability • 34% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
14% Popularity • 61% Danceability • 34% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Frederik Wiedmann
Inevitable
92 bpm • G# Maj • 04:06 • -16.04db
8% Popularity • 14% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
8% Popularity • 14% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Benjamin Wallfisch
Worlds Collide - Superman Version
91 bpm • G# Maj • 02:31 • -11.34db
18% Popularity • 17% Danceability • 44% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 44% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Stephen Barton
Legacies
91 bpm • G Maj • 03:15 • -17.72db
17% Popularity • 10% Danceability • 18% Energy • 20% Liveness
79% Instrumentalness • 4% Positiveness
17% Popularity • 10% Danceability • 18% Energy • 20% Liveness
79% Instrumentalness • 4% Positiveness
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Michael Giacchino
Ode To Vengeance
110 bpm • C min • 06:29 • -16.11db
7% Popularity • 26% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
7% Popularity • 26% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Nathaniel Blume
We're the Same
110 bpm • C min • 01:16 • -18.36db
16% Popularity • 28% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
16% Popularity • 28% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Christopher Lennertz
Maureen Flies
91 bpm • D min • 01:12 • -22.21db
10% Popularity • 18% Danceability • 15% Energy • 18% Liveness
95% Instrumentalness • 5% Positiveness
10% Popularity • 18% Danceability • 15% Energy • 18% Liveness
95% Instrumentalness • 5% Positiveness
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Frederik Wiedmann
Fear of Heights
92 bpm • D Maj • 03:02 • -20.76db
9% Popularity • 18% Danceability • 17% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 17% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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Dan Romer
The First Son of Krypton
91 bpm • F Maj • 03:52 • -16.5db
10% Popularity • 12% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 10% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Patricia Jackson
Celestial Dreams
110 bpm • F Maj • 02:18 • -25.28db
9% Popularity • 50% Danceability • 46% Energy • 11% Liveness
84% Instrumentalness • 43% Positiveness
9% Popularity • 50% Danceability • 46% Energy • 11% Liveness
84% Instrumentalness • 43% Positiveness
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AKIRA HONDA
Infernal Ascension
91 bpm • G min • 05:15 • -21.17db
16% Popularity • 36% Danceability • 26% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
16% Popularity • 36% Danceability • 26% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
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Nathaniel Blume
Classic Couvade Syndrome
110 bpm • D# Maj • 01:41 • -26.62db
1% Popularity • 57% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 8% Positiveness
1% Popularity • 57% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 8% Positiveness
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Montalegni
Duel
110 bpm • C# Maj • 02:27 • -22.89db
11% Popularity • 50% Danceability • 38% Energy • 11% Liveness
70% Instrumentalness • 19% Positiveness
11% Popularity • 50% Danceability • 38% Energy • 11% Liveness
70% Instrumentalness • 19% Positiveness
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EDO ZENITH
Arimetrio
110 bpm • B min • 02:27 • -21.73db
12% Popularity • 60% Danceability • 37% Energy • 11% Liveness
81% Instrumentalness • 43% Positiveness
12% Popularity • 60% Danceability • 37% Energy • 11% Liveness
81% Instrumentalness • 43% Positiveness
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Brandon Campbell
Mind Heist
110 bpm • F Maj • 03:34 • -16.97db
7% Popularity • 19% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
7% Popularity • 19% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Robert Charles Corley
Time is Collapsing One Year Anniversary ...
110 bpm • G Maj • 04:24 • -19.24db
13% Popularity • 21% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
13% Popularity • 21% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Sin Recompensas
Referencias
110 bpm • C min • 02:03 • -21.31db
11% Popularity • 67% Danceability • 31% Energy • 11% Liveness
76% Instrumentalness • 35% Positiveness
11% Popularity • 67% Danceability • 31% Energy • 11% Liveness
76% Instrumentalness • 35% Positiveness
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Dan Romer
You Destroyed My Whole Planet
91 bpm • D# Maj • 02:59 • -21.12db
7% Popularity • 30% Danceability • 24% Energy • 8% Liveness
83% Instrumentalness • 3% Positiveness
7% Popularity • 30% Danceability • 24% Energy • 8% Liveness
83% Instrumentalness • 3% Positiveness
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Andrew Lockington
Tsunami
110 bpm • A Maj • 02:46 • -11.84db
10% Popularity • 26% Danceability • 82% Energy • 6% Liveness
89% Instrumentalness • 4% Positiveness
10% Popularity • 26% Danceability • 82% Energy • 6% Liveness
89% Instrumentalness • 4% Positiveness
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Nathaniel Blume
Put Me on Speaker
110 bpm • E min • 01:09 • -27.79db
0% Popularity • 62% Danceability • 19% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
0% Popularity • 62% Danceability • 19% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Laura Karpman
Guardians
91 bpm • C Maj • 02:33 • -9.22db
14% Popularity • 17% Danceability • 39% Energy • 8% Liveness
85% Instrumentalness • 10% Positiveness
14% Popularity • 17% Danceability • 39% Energy • 8% Liveness
85% Instrumentalness • 10% Positiveness
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Robert Charles Corley
Time is Collapsing
110 bpm • G Maj • 04:25 • -18.14db
14% Popularity • 34% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
14% Popularity • 34% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Michael Giacchino
Monkey to the City
111 bpm • C Maj • 01:16 • -16.96db
14% Popularity • 40% Danceability • 25% Energy • 9% Liveness
95% Instrumentalness • 13% Positiveness
14% Popularity • 40% Danceability • 25% Energy • 9% Liveness
95% Instrumentalness • 13% Positiveness
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Vino Veritas
Errores Graves
111 bpm • F Maj • 02:05 • -24.71db
16% Popularity • 48% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 22% Positiveness
16% Popularity • 48% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 22% Positiveness
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Marco Beltrami
He Did Not Taste Good
90 bpm • E min • 02:17 • -13.81db
7% Popularity • 35% Danceability • 64% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
7% Popularity • 35% Danceability • 64% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Nathaniel Blume
Seriously Aggressive Texting
111 bpm • D Maj • 01:00 • -32db
0% Popularity • 39% Danceability • 2% Energy • 14% Liveness
53% Instrumentalness • 10% Positiveness
0% Popularity • 39% Danceability • 2% Energy • 14% Liveness
53% Instrumentalness • 10% Positiveness
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Benjamin Wallfisch
Cyclonic Diversion
90 bpm • G# Maj • 02:29 • -10.03db
12% Popularity • 14% Danceability • 63% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
12% Popularity • 14% Danceability • 63% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Floki
Ring The Bells
90 bpm • C Maj • 01:54 • -20.22db
23% Popularity • 72% Danceability • 41% Energy • 10% Liveness
78% Instrumentalness • 63% Positiveness
23% Popularity • 72% Danceability • 41% Energy • 10% Liveness
78% Instrumentalness • 63% Positiveness
