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A Better Son/Daughter
Songs like
A Better Son/Daughter
by
Rilo Kiley
Based on a tempo of (+/- 10%) and a similar genre
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Tegan and Sara
Living Room
114 bpm • G min • 02:47 • -5.74db
39% Popularity • 71% Danceability • 86% Energy • 43% Liveness
0% Instrumentalness • 27% Positiveness
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Rilo Kiley
A Better Son/Daughter
114 bpm • E Maj • 04:39 • -10.92db
46% Popularity • 48% Danceability • 42% Energy • 18% Liveness
91% Instrumentalness • 5% Positiveness
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The Deadly Syndrome
Wolves in the Garden
114 bpm • G Maj • 05:02 • -8.5db
17% Popularity • 52% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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The Shins
Gone for Good - 2023 Remaster
114 bpm • C Maj • 03:12 • -4.47db
50% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Erin McKeown
The Queer Gospel
114 bpm • C Maj • 03:15 • -8.98db
22% Popularity • 54% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Rock Plaza Central
When We Go, How We Go, Pt. 1
114 bpm • A Maj • 02:25 • -7.46db
12% Popularity • 41% Danceability • 57% Energy • 11% Liveness
67% Instrumentalness • 45% Positiveness
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Neko Case
Margaret vs. Pauline
115 bpm • G Maj • 02:52 • -7.36db
36% Popularity • 46% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Sidney Gish
Presumably Dead Arm (617 Sessions)
114 bpm • A# Maj • 03:34 • -9.46db
49% Popularity • 48% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Yeah Yeah Yeahs
Soft Shock - acoustic
113 bpm • G Maj • 03:25 • -9db
30% Popularity • 51% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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The Good Life
Night And Day
115 bpm • F Maj • 03:29 • -14.36db
22% Popularity • 38% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Kimya Dawson
Fire
113 bpm • G Maj • 03:20 • -9.49db
36% Popularity • 32% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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Erin McKeown
Sugar in a Pie
113 bpm • F min • 02:41 • -10.34db
18% Popularity • 69% Danceability • 45% Energy • 24% Liveness
1% Instrumentalness • 34% Positiveness
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Tilly And The Wall
Lost Girls
115 bpm • C Maj • 04:10 • -7.59db
1% Popularity • 61% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Neko Case
Deep Red Bells
113 bpm • B min • 04:03 • -7.43db
37% Popularity • 38% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Haley Heynderickx
Oom Sha La La
115 bpm • D Maj • 02:57 • -9.18db
54% Popularity • 54% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Rilo Kiley
Breakin' Up
115 bpm • A Maj • 03:37 • -5.23db
36% Popularity • 65% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Fiona Apple F/ Jon Brion And The Punch Brothers
So Sleepy
112 bpm • G Maj • 04:13 • -9.55db
33% Popularity • 79% Danceability • 51% Energy • 9% Liveness
9% Instrumentalness • 55% Positiveness
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Conor Oberst
You Are Your Mother's Child
116 bpm • A Maj • 03:48 • -13.15db
34% Popularity • 61% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Frightened Rabbit
The Modern Leper
112 bpm • D Maj • 03:50 • -4db
23% Popularity • 43% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Angel Olsen
Shut Up Kiss Me
116 bpm • G Maj • 03:22 • -5db
54% Popularity • 38% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Jenny Lewis
You Are What You Love
112 bpm • E Maj • 02:54 • -7db
27% Popularity • 53% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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The New Pornographers
Adventures In Solitude
116 bpm • G Maj • 04:16 • -8.58db
33% Popularity • 69% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Death Cab for Cutie
Title and Registration
116 bpm • A Maj • 03:39 • -10.37db
57% Popularity • 75% Danceability • 55% Energy • 11% Liveness
8% Instrumentalness • 72% Positiveness
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The Weepies
Nobody Knows Me At All
116 bpm • B Maj • 02:00 • -13.04db
44% Popularity • 76% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Better Oblivion Community Center
Dylan Thomas
116 bpm • D Maj • 03:36 • -8db
54% Popularity • 59% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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The Weakerthans
Night Windows
112 bpm • C Maj • 04:35 • -6.94db
27% Popularity • 70% Danceability • 74% Energy • 10% Liveness
8% Instrumentalness • 37% Positiveness
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Jenny Lewis
Run Devil Run
112 bpm • D Maj • 01:08 • -13.57db
22% Popularity • 49% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Nana Grizol
Tambourine - N - Thyme
112 bpm • C Maj • 02:29 • -5.52db
36% Popularity • 49% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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The Finches
O Goettingen!
116 bpm • G Maj • 04:57 • -10.83db
9% Popularity • 81% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Mirah
Sweepstakes Prize
111 bpm • A Maj • 04:49 • -9.51db
29% Popularity • 50% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Mal Blum
Cool Party
116 bpm • A Maj • 04:17 • -7.83db
24% Popularity • 55% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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The Weakerthans
Left And Leaving
117 bpm • B Maj • 04:45 • -10db
36% Popularity • 59% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Dan Bern
Jerusalem
111 bpm • G# Maj • 03:44 • -9.91db
32% Popularity • 51% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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The New Pornographers
Go Places
117 bpm • C Maj • 04:32 • -8.02db
29% Popularity • 60% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
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DeVotchKa
Queen Of The Surface Streets
111 bpm • D Maj • 05:30 • -6.77db
36% Popularity • 63% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Tegan and Sara
I Know I Know I Know
117 bpm • G# Maj • 03:44 • -6.08db
42% Popularity • 72% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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The Magnetic Fields
I Don't Believe You
117 bpm • C# Maj • 03:39 • -6db
34% Popularity • 63% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Rilo Kiley
Silver Lining
117 bpm • G Maj • 03:36 • -4.99db
51% Popularity • 71% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Casiotone For The Painfully Alone
Optimist vs. the Silent Alarm (When the ...
117 bpm • C Maj • 01:51 • -9db
27% Popularity • 62% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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Laura Stevenson
The Hole
117 bpm • D# Maj • 02:45 • -8.78db
16% Popularity • 58% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 59% Positiveness
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Saintseneca
Only The Young Die Good
111 bpm • B Maj • 03:35 • -10.83db
30% Popularity • 40% Danceability • 39% Energy • 12% Liveness
9% Instrumentalness • 29% Positiveness
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Mal Blum
Watercolors
111 bpm • C Maj • 05:54 • -10.71db
24% Popularity • 64% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Regina Spektor
Ode to Divorce
118 bpm • A# Maj • 03:42 • -13.1db
34% Popularity • 54% Danceability • 15% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
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Rilo Kiley
I Never
111 bpm • A Maj • 04:31 • -3db
33% Popularity • 33% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 14% Positiveness
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Laura Marling
Devil's Spoke
118 bpm • D Maj • 03:38 • -9db
46% Popularity • 45% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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The Shins
Pink Bullets - 2023 Remaster
111 bpm • G min • 03:52 • -8.92db
45% Popularity • 51% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Mirah
Mt. St. Helens
118 bpm • G Maj • 04:05 • -11.09db
20% Popularity • 48% Danceability • 31% Energy • 11% Liveness
2% Instrumentalness • 19% Positiveness
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John K. Samson
Virtute at Rest
110 bpm • C# Maj • 01:35 • -13.15db
29% Popularity • 65% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Regina Spektor
Sailor Song - 2005 Remaster
110 bpm • C Maj • 03:14 • -10.3db
14% Popularity • 51% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Rilo Kiley
It's a Hit
117 bpm • C Maj • 04:28 • -5.5db
34% Popularity • 52% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Tilly And The Wall
Freest Man
118 bpm • C Maj • 04:33 • -8.04db
0% Popularity • 70% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Neko Case
Middle Cyclone
110 bpm • G# Maj • 03:05 • -13.98db
32% Popularity • 68% Danceability • 17% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
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Mirah
Engine Heart
110 bpm • C# min • 02:35 • -9.78db
29% Popularity • 76% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 94% Positiveness
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The Blow
"Come On Petunia"
110 bpm • F# Maj • 03:46 • -7.72db
27% Popularity • 89% Danceability • 55% Energy • 10% Liveness
9% Instrumentalness • 79% Positiveness
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The Antlers
Two
110 bpm • A Maj • 05:55 • -10.16db
36% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Okkervil River
Lost Coastlines
110 bpm • A Maj • 05:31 • -5db
44% Popularity • 54% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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The Prettiots
Suicide Hotline
118 bpm • D Maj • 03:50 • -8.48db
27% Popularity • 50% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Rilo Kiley
A Man / Me / Then Jim
118 bpm • D Maj • 05:22 • -7.35db
28% Popularity • 61% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Metric
Help I'm Alive
118 bpm • F min • 04:46 • -4.55db
63% Popularity • 57% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Anaïs Mitchell
1984
118 bpm • A min • 02:57 • -12.63db
17% Popularity • 65% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Carrie Elkin
Absolute Lithops Effect
119 bpm • G Maj • 03:05 • -10.58db
18% Popularity • 51% Danceability • 25% Energy • 11% Liveness
4% Instrumentalness • 28% Positiveness
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Regina Spektor
Grand Hotel
109 bpm • C Maj • 03:04 • -10.36db
34% Popularity • 39% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Angel Olsen
Unfucktheworld
119 bpm • C Maj • 02:05 • -13db
56% Popularity • 55% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
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David Bazan
Hard To Be
109 bpm • C# min • 06:23 • -8.47db
24% Popularity • 60% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Mal Blum
Better Go
109 bpm • A# Maj • 03:13 • -7.33db
42% Popularity • 68% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Ingrid Michaelson
Die Alone
109 bpm • G Maj • 04:21 • -6.72db
29% Popularity • 56% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Kimya Dawson
Driving Driving Driving
119 bpm • E min • 06:12 • -10.54db
25% Popularity • 46% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Regina Spektor
One More Time with Feeling
119 bpm • C Maj • 03:57 • -10db
35% Popularity • 81% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Better Oblivion Community Center
Sleepwalkin'
119 bpm • C# min • 03:12 • -7.51db
46% Popularity • 40% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Neko Case
Hold On, Hold On
119 bpm • F min • 02:46 • -5.02db
50% Popularity • 47% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 43% Positiveness
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Rilo Kiley
Ripchord
119 bpm • D Maj • 02:04 • -8.18db
31% Popularity • 67% Danceability • 39% Energy • 13% Liveness
74% Instrumentalness • 54% Positiveness
► Preview
The Shins
The Past and Pending - 2021 Remaster
120 bpm • A Maj • 05:25 • -11.37db
47% Popularity • 59% Danceability • 34% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
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Margot & The Nuclear So And So's
A Journalist Falls In Love With Deathrow...
120 bpm • C Maj • 03:36 • -11.96db
9% Popularity • 57% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 14% Positiveness
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Regina Spektor
Older and Taller
120 bpm • C# Maj • 03:56 • -7.83db
33% Popularity • 44% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Cloud Cult
Journey of the Featherless
120 bpm • D Maj • 03:06 • -7.64db
27% Popularity • 70% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Aimee Mann
Stuck in the Past
120 bpm • G Maj • 03:33 • -9.33db
27% Popularity • 69% Danceability • 32% Energy • 9% Liveness
4% Instrumentalness • 34% Positiveness
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Rilo Kiley
The Execution Of All Things
120 bpm • E Maj • 04:13 • -8.15db
42% Popularity • 58% Danceability • 64% Energy • 7% Liveness
17% Instrumentalness • 20% Positiveness
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Laura Marling
My Manic And I
120 bpm • F min • 03:56 • -10.93db
40% Popularity • 69% Danceability • 29% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
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The Shins
Girl Inform Me - 2021 Remaster
120 bpm • A Maj • 02:20 • -5.53db
46% Popularity • 60% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Fiona Apple
Under The Table
120 bpm • C Maj • 03:21 • -8.14db
55% Popularity • 64% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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The Magnetic Fields
Andrew in Drag
120 bpm • C Maj • 02:12 • -6.28db
46% Popularity • 68% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Cloud Cult
Good Friend
120 bpm • G Maj • 03:45 • -8.13db
19% Popularity • 64% Danceability • 71% Energy • 60% Liveness
0% Instrumentalness • 48% Positiveness
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Frightened Rabbit
The Twist
120 bpm • G Maj • 03:32 • -6.88db
19% Popularity • 64% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
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Lost In The Trees
Song for the Painter
108 bpm • C Maj • 03:20 • -11db
20% Popularity • 71% Danceability • 34% Energy • 18% Liveness
1% Instrumentalness • 34% Positiveness
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Kimya Dawson
So Nice So Smart
108 bpm • E Maj • 02:45 • -16.16db
46% Popularity • 49% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Kishi Bashi
Bright Whites
108 bpm • G Maj • 04:13 • -7.06db
39% Popularity • 56% Danceability • 86% Energy • 40% Liveness
0% Instrumentalness • 59% Positiveness
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Aimee Mann
Patient Zero
108 bpm • A Maj • 03:41 • -9.63db
31% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Cloud Cult
Pretty Voice
120 bpm • D Maj • 03:45 • -9.58db
30% Popularity • 52% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Jeffrey Lewis
Back When I Was 4
120 bpm • D Maj • 04:43 • -15db
31% Popularity • 58% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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Mary Epworth
Long Gone
120 bpm • F Maj • 03:48 • -3.58db
20% Popularity • 42% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Rilo Kiley
Let Me Back In
120 bpm • A Maj • 04:23 • -10db
28% Popularity • 48% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Jenny Lewis
It Wasn't Me
108 bpm • G Maj • 04:12 • -13.54db
12% Popularity • 45% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Sufjan Stevens
Romulus
121 bpm • E Maj • 04:41 • -16.92db
45% Popularity • 72% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Cloud Cult
No One Said It Would Be Easy
120 bpm • A Maj • 03:33 • -6db
31% Popularity • 56% Danceability • 93% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Belle and Sebastian
Expectations
121 bpm • B min • 03:34 • -13.3db
47% Popularity • 51% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Hop Along
Waitress
121 bpm • B Maj • 03:33 • -6.54db
34% Popularity • 47% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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The New Pornographers
Myriad Harbour
108 bpm • G Maj • 04:00 • -6db
40% Popularity • 68% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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The Format
Dog Problems
108 bpm • C Maj • 04:11 • -8db
36% Popularity • 45% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Fruit Bats
When U Love Somebody
121 bpm • G Maj • 04:31 • -6.37db
58% Popularity • 72% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 59% Positiveness
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Laura Marling
Crawled Out Of The Sea (Interlude)
121 bpm • G Maj • 01:16 • -8.1db
41% Popularity • 41% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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A Better Son/Daughter