Songs like A Boy Brushed Red Living In Black And White by Underoath
Based on a tempo of (+/- 10%) and a similar genre
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Attack Attack!
The Wretched
170 bpm • G# Maj • 04:05 • -3.02db
36% Popularity • 37% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
36% Popularity • 37% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Hawthorne Heights
Silver Bullet
170 bpm • B Maj • 04:03 • -6.1db
38% Popularity • 56% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 56% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Senses Fail
Can't Be Saved
170 bpm • D Maj • 03:07 • -3.24db
61% Popularity • 33% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
61% Popularity • 33% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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Bad Omens
The Worst In Me
170 bpm • B min • 03:49 • -2.66db
66% Popularity • 43% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
66% Popularity • 43% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
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Dance Gavin Dance
Uneasy Hearts Weigh The Most
170 bpm • F# min • 03:38 • -3.2db
59% Popularity • 55% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
59% Popularity • 55% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Underoath
A Boy Brushed Red Living In Black And Wh...
170 bpm • C# min • 04:28 • -3.6db
61% Popularity • 42% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
61% Popularity • 42% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Emery
The Ponytail Parades
171 bpm • C min • 04:05 • -5.41db
39% Popularity • 23% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 23% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Hawthorne Heights
Ohio Is For Lovers
170 bpm • G# min • 04:04 • -6.87db
64% Popularity • 57% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
64% Popularity • 57% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
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Emarosa
A Toast to the future kids!
170 bpm • G# min • 03:48 • -3.81db
47% Popularity • 33% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 33% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Four Year Strong
It Must Really Suck To Be Four Year Stro...
168 bpm • G Maj • 03:16 • -3.79db
46% Popularity • 25% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 25% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Dance Gavin Dance
Betrayed By The Game
171 bpm • G Maj • 03:10 • -2.83db
57% Popularity • 34% Danceability • 97% Energy • 57% Liveness
0% Instrumentalness • 49% Positiveness
57% Popularity • 34% Danceability • 97% Energy • 57% Liveness
0% Instrumentalness • 49% Positiveness
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Underoath
I'm Content With Losing
168 bpm • C# min • 03:55 • -4db
43% Popularity • 33% Danceability • 98% Energy • 95% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 33% Danceability • 98% Energy • 95% Liveness
0% Instrumentalness • 38% Positiveness
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Emery
Walls
169 bpm • C# min • 03:23 • -5db
48% Popularity • 27% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
48% Popularity • 27% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Hawthorne Heights
Saying Sorry
169 bpm • C# min • 03:07 • -2.2db
55% Popularity • 42% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
55% Popularity • 42% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Taking Back Sunday
There's No 'I' In Team - Remastered
168 bpm • B min • 03:48 • -4db
48% Popularity • 29% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
48% Popularity • 29% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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I Set My Friends On Fire
Things That Rhyme With Orange
168 bpm • F Maj • 03:24 • -3.7db
49% Popularity • 46% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
49% Popularity • 46% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
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Senses Fail
Calling All Cars
168 bpm • D Maj • 03:23 • -3.16db
53% Popularity • 37% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
53% Popularity • 37% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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Bring Me The Horizon
Happy Song
172 bpm • F Maj • 03:59 • -3.41db
68% Popularity • 30% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
68% Popularity • 30% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
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Paramore
Emergency
168 bpm • A Maj • 04:00 • -3.52db
60% Popularity • 42% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
60% Popularity • 42% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Jimmy Eat World
Pain
168 bpm • C min • 03:01 • -3db
61% Popularity • 40% Danceability • 96% Energy • 58% Liveness
0% Instrumentalness • 28% Positiveness
61% Popularity • 40% Danceability • 96% Energy • 58% Liveness
0% Instrumentalness • 28% Positiveness
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The Ghost Inside
Aftermath
172 bpm • F min • 04:58 • -3db
51% Popularity • 30% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
51% Popularity • 30% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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New Found Glory
All Downhill From Here
168 bpm • A Maj • 03:12 • -4.07db
58% Popularity • 43% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
58% Popularity • 43% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Hawthorne Heights
Blue Burns Orange
172 bpm • B min • 03:19 • -6db
38% Popularity • 55% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 55% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Bayside
Sick, Sick, Sick
172 bpm • F# min • 03:34 • -3.34db
45% Popularity • 39% Danceability • 89% Energy • 34% Liveness
2% Instrumentalness • 53% Positiveness
45% Popularity • 39% Danceability • 89% Energy • 34% Liveness
2% Instrumentalness • 53% Positiveness
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The Fall of Troy
F.C.P.R.E.M.I.X.
168 bpm • A min • 03:57 • -5.53db
56% Popularity • 23% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
56% Popularity • 23% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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I Set My Friends On Fire
ASL
168 bpm • G min • 02:42 • -5db
37% Popularity • 52% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
37% Popularity • 52% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Yellowcard
Lights And Sounds
168 bpm • B min • 03:28 • -3.68db
62% Popularity • 34% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
62% Popularity • 34% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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From First To Last
Note to Self
172 bpm • E min • 03:53 • -5db
51% Popularity • 21% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
51% Popularity • 21% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Underoath
Down, Set, Go
172 bpm • F# min • 03:44 • -4.16db
44% Popularity • 39% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 39% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
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Taking Back Sunday
Error Operator
167 bpm • D# min • 02:51 • -4db
46% Popularity • 38% Danceability • 94% Energy • 11% Liveness
1% Instrumentalness • 51% Positiveness
46% Popularity • 38% Danceability • 94% Energy • 11% Liveness
1% Instrumentalness • 51% Positiveness
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Sugarcult
Memory
167 bpm • C# Maj • 03:46 • -3.89db
65% Popularity • 45% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
65% Popularity • 45% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Breaking Benjamin
The Diary of Jane - Single Version
167 bpm • A# min • 03:20 • -4.44db
74% Popularity • 39% Danceability • 96% Energy • 11% Liveness
4% Instrumentalness • 27% Positiveness
74% Popularity • 39% Danceability • 96% Energy • 11% Liveness
4% Instrumentalness • 27% Positiveness
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Chunk! No, Captain Chunk!
The Other Line
167 bpm • C# min • 03:29 • -3.75db
46% Popularity • 39% Danceability • 93% Energy • 19% Liveness
46% Instrumentalness • 38% Positiveness
46% Popularity • 39% Danceability • 93% Energy • 19% Liveness
46% Instrumentalness • 38% Positiveness
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Hawthorne Heights
The Transition
167 bpm • C# min • 04:04 • -6.15db
38% Popularity • 48% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 48% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Underoath
The Impact Of Reason
173 bpm • G Maj • 03:23 • -3.36db
45% Popularity • 31% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
45% Popularity • 31% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Taking Back Sunday
Set Phasers To Stun
167 bpm • C# min • 03:03 • -3.89db
49% Popularity • 50% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
49% Popularity • 50% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Beartooth
Hated
167 bpm • G# Maj • 03:31 • -4db
58% Popularity • 46% Danceability • 99% Energy • 45% Liveness
0% Instrumentalness • 46% Positiveness
58% Popularity • 46% Danceability • 99% Energy • 45% Liveness
0% Instrumentalness • 46% Positiveness
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Coheed and Cambria
A Favor House Atlantic
166 bpm • E Maj • 03:54 • -5db
58% Popularity • 29% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 29% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Yellowcard
Ocean Avenue
174 bpm • F# min • 03:18 • -3.75db
73% Popularity • 49% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
73% Popularity • 49% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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The Almost
Southern Weather
174 bpm • D Maj • 03:28 • -3.45db
41% Popularity • 35% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
41% Popularity • 35% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
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Underoath
Anyone Can Dig A Hole But It Takes A Rea...
174 bpm • A# Maj • 03:16 • -4db
34% Popularity • 16% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 16% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
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Scary Kids Scaring Kids
The Deep End
174 bpm • G# min • 04:12 • -4.22db
40% Popularity • 38% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 38% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
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The Devil Wears Prada
Sacrifice
174 bpm • G# min • 04:07 • -4db
49% Popularity • 21% Danceability • 96% Energy • 54% Liveness
0% Instrumentalness • 21% Positiveness
49% Popularity • 21% Danceability • 96% Energy • 54% Liveness
0% Instrumentalness • 21% Positiveness
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From First To Last
Make War
174 bpm • G Maj • 03:23 • -4.23db
42% Popularity • 45% Danceability • 92% Energy • 48% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 45% Danceability • 92% Energy • 48% Liveness
0% Instrumentalness • 28% Positiveness
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Saosin
Bury Your Head
166 bpm • F# min • 03:34 • -3.87db
43% Popularity • 32% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 32% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Alesana
The Artist
174 bpm • D min • 03:46 • -3db
42% Popularity • 26% Danceability • 98% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
42% Popularity • 26% Danceability • 98% Energy • 23% Liveness
0% Instrumentalness • 47% Positiveness
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Thrice
The Artist In The Ambulance
175 bpm • F min • 03:39 • -4.1db
58% Popularity • 52% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
58% Popularity • 52% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Underoath
The Created Void
165 bpm • A min • 04:02 • -5.2db
28% Popularity • 27% Danceability • 89% Energy • 12% Liveness
21% Instrumentalness • 13% Positiveness
28% Popularity • 27% Danceability • 89% Energy • 12% Liveness
21% Instrumentalness • 13% Positiveness
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Confide
Such Great Heights
175 bpm • F Maj • 04:24 • -4.6db
38% Popularity • 28% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
38% Popularity • 28% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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From First To Last
Two As One
174 bpm • C# Maj • 03:20 • -2db
34% Popularity • 34% Danceability • 100% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 34% Danceability • 100% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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As I Lay Dying
The Darkest Nights
175 bpm • G# Maj • 03:51 • -4.26db
48% Popularity • 37% Danceability • 98% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
48% Popularity • 37% Danceability • 98% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Chiodos
Caves
165 bpm • F Maj • 03:39 • -2db
38% Popularity • 26% Danceability • 97% Energy • 47% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 26% Danceability • 97% Energy • 47% Liveness
0% Instrumentalness • 35% Positiveness
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Sleeping With Sirens
The Bomb Dot Com V2.0
165 bpm • G Maj • 03:31 • -4.88db
55% Popularity • 41% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
55% Popularity • 41% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Underoath
On My Teeth
165 bpm • C# Maj • 03:10 • -4.22db
42% Popularity • 41% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
42% Popularity • 41% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 13% Positiveness
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Scary Kids Scaring Kids
Holding On
165 bpm • G# min • 04:21 • -5db
47% Popularity • 42% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 42% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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From First To Last
Ride The Wings Of Pestilence
165 bpm • G Maj • 04:27 • -4.23db
44% Popularity • 29% Danceability • 89% Energy • 68% Liveness
0% Instrumentalness • 19% Positiveness
44% Popularity • 29% Danceability • 89% Energy • 68% Liveness
0% Instrumentalness • 19% Positiveness
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As I Lay Dying
Forever
175 bpm • G# Maj • 04:42 • -4.35db
45% Popularity • 29% Danceability • 100% Energy • 11% Liveness
2% Instrumentalness • 27% Positiveness
45% Popularity • 29% Danceability • 100% Energy • 11% Liveness
2% Instrumentalness • 27% Positiveness
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Thirty Seconds To Mars
Attack
175 bpm • F min • 03:08 • -1.89db
67% Popularity • 33% Danceability • 88% Energy • 77% Liveness
0% Instrumentalness • 28% Positiveness
67% Popularity • 33% Danceability • 88% Energy • 77% Liveness
0% Instrumentalness • 28% Positiveness
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Escape the Fate
Something
175 bpm • A# min • 03:37 • -5.81db
48% Popularity • 40% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 40% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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A Skylit Drive
Wires And The Concept Of Breathing
165 bpm • A# Maj • 02:30 • -3db
44% Popularity • 26% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
44% Popularity • 26% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
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Stick To Your Guns
Amber
165 bpm • A# Maj • 03:34 • -3db
42% Popularity • 42% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
42% Popularity • 42% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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From First To Last
Secrets Don't Make Friends
175 bpm • D min • 04:01 • -3.77db
36% Popularity • 29% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
36% Popularity • 29% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
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Underoath
A Moment Suspended In Time
176 bpm • D min • 03:59 • -2.14db
43% Popularity • 25% Danceability • 100% Energy • 54% Liveness
0% Instrumentalness • 4% Positiveness
43% Popularity • 25% Danceability • 100% Energy • 54% Liveness
0% Instrumentalness • 4% Positiveness
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Circa Survive
Get Out
164 bpm • A min • 03:04 • -4.29db
52% Popularity • 21% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 21% Positiveness
52% Popularity • 21% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 21% Positiveness
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Sleeping With Sirens
Do It Now Remember It Later
176 bpm • C# Maj • 03:23 • -3.2db
58% Popularity • 42% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
58% Popularity • 42% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Armor For Sleep
Remember To Feel Real
164 bpm • E min • 03:21 • -5.4db
41% Popularity • 34% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
41% Popularity • 34% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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Issues
The Worst of Them
176 bpm • B min • 03:36 • -3.51db
44% Popularity • 48% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
44% Popularity • 48% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Emery
Studying Politics
164 bpm • A# min • 03:30 • -5.47db
44% Popularity • 45% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
44% Popularity • 45% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Senses Fail
Buried a Lie
163 bpm • D Maj • 02:59 • -5.31db
53% Popularity • 49% Danceability • 87% Energy • 52% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 49% Danceability • 87% Energy • 52% Liveness
0% Instrumentalness • 53% Positiveness
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Killswitch Engage
My Curse
177 bpm • A# min • 04:04 • -2.91db
69% Popularity • 20% Danceability • 96% Energy • 26% Liveness
1% Instrumentalness • 21% Positiveness
69% Popularity • 20% Danceability • 96% Energy • 26% Liveness
1% Instrumentalness • 21% Positiveness
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Underoath
There Could Be Nothing After This
177 bpm • D min • 03:26 • -2.8db
37% Popularity • 33% Danceability • 99% Energy • 37% Liveness
0% Instrumentalness • 8% Positiveness
37% Popularity • 33% Danceability • 99% Energy • 37% Liveness
0% Instrumentalness • 8% Positiveness
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Hawthorne Heights
We Are So Last Year
177 bpm • C# min • 02:57 • -3.11db
39% Popularity • 48% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 48% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Chiodos
3 AM
163 bpm • G Maj • 03:35 • -4.41db
46% Popularity • 38% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
46% Popularity • 38% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
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Four Year Strong
Heroes Get Remembered, Legends Never Die
163 bpm • D Maj • 03:35 • -4.06db
46% Popularity • 43% Danceability • 97% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 43% Danceability • 97% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Escape the Fate
Ashley
177 bpm • F Maj • 03:27 • -5.72db
53% Popularity • 27% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
53% Popularity • 27% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
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From Autumn To Ashes
Daylight Slaving
177 bpm • A min • 03:38 • -5.82db
35% Popularity • 17% Danceability • 93% Energy • 31% Liveness
71% Instrumentalness • 20% Positiveness
35% Popularity • 17% Danceability • 93% Energy • 31% Liveness
71% Instrumentalness • 20% Positiveness
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Underoath
A Fault Line, A Fault Of Mine
177 bpm • A min • 03:21 • -5.01db
35% Popularity • 14% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 14% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Armor For Sleep
Dream to Make Believe
163 bpm • A min • 03:01 • -4.04db
39% Popularity • 47% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 47% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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blessthefall
What's Left Of Me
163 bpm • G min • 03:30 • -3.14db
41% Popularity • 13% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
41% Popularity • 13% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Thursday
Understanding In A Car Crash
163 bpm • F Maj • 04:24 • -5db
52% Popularity • 40% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 40% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Brand New
Jude Law And A Semester Abroad
178 bpm • G# Maj • 03:42 • -3.37db
49% Popularity • 43% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
49% Popularity • 43% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Sleeping With Sirens
A Trophy Fathers Trophy Son
178 bpm • E min • 03:42 • -3.39db
59% Popularity • 19% Danceability • 95% Energy • 54% Liveness
0% Instrumentalness • 33% Positiveness
59% Popularity • 19% Danceability • 95% Energy • 54% Liveness
0% Instrumentalness • 33% Positiveness
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Underoath
Everyone Looks So Good From Here
178 bpm • D Maj • 02:56 • -2db
35% Popularity • 16% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 9% Positiveness
35% Popularity • 16% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 9% Positiveness
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Killswitch Engage
My Last Serenade
178 bpm • D# Maj • 04:13 • -5db
51% Popularity • 44% Danceability • 94% Energy • 12% Liveness
4% Instrumentalness • 14% Positiveness
51% Popularity • 44% Danceability • 94% Energy • 12% Liveness
4% Instrumentalness • 14% Positiveness
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The Devil Wears Prada
Still Fly
178 bpm • D min • 04:55 • -4.46db
45% Popularity • 36% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 36% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 20% Positiveness
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Motionless In White
Immaculate Misconception
162 bpm • A# min • 03:54 • -4.29db
49% Popularity • 19% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 19% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Bullet For My Valentine
Tears Don't Fall
162 bpm • G min • 05:48 • -3.35db
65% Popularity • 21% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
65% Popularity • 21% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Pierce The Veil
Circles
162 bpm • D Maj • 03:44 • -3.1db
64% Popularity • 48% Danceability • 98% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
64% Popularity • 48% Danceability • 98% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Thursday
Signals Over The Air
162 bpm • A min • 04:10 • -3.39db
42% Popularity • 43% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
42% Popularity • 43% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
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Paramore
Pressure
162 bpm • D Maj • 03:05 • -3.79db
63% Popularity • 51% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
63% Popularity • 51% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Hawthorne Heights
Life On Standby
162 bpm • E min • 04:13 • -7.49db
28% Popularity • 48% Danceability • 68% Energy • 7% Liveness
17% Instrumentalness • 35% Positiveness
28% Popularity • 48% Danceability • 68% Energy • 7% Liveness
17% Instrumentalness • 35% Positiveness
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Dance Gavin Dance
Inspire The Liars
179 bpm • G min • 04:35 • -3.07db
54% Popularity • 15% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
54% Popularity • 15% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Mayday Parade
Jersey
162 bpm • A# min • 03:29 • -4.37db
55% Popularity • 38% Danceability • 89% Energy • 53% Liveness
0% Instrumentalness • 32% Positiveness
55% Popularity • 38% Danceability • 89% Energy • 53% Liveness
0% Instrumentalness • 32% Positiveness
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Motion City Soundtrack
Everything Is Alright
161 bpm • G# Maj • 03:27 • -3.87db
60% Popularity • 44% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
60% Popularity • 44% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Yellowcard
Breathing
180 bpm • E min • 03:38 • -4db
61% Popularity • 38% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
61% Popularity • 38% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Pierce The Veil
Dive In
161 bpm • D# min • 04:52 • -3.8db
59% Popularity • 34% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
59% Popularity • 34% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
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Hawthorne Heights
Pens And Needles
161 bpm • C# min • 03:15 • -2db
45% Popularity • 57% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
45% Popularity • 57% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Saosin
Lost Symphonies
180 bpm • D min • 02:55 • -3.06db
44% Popularity • 20% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
44% Popularity • 20% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
