Songs like A Bug's Life Suite - From "A Bug's Life"/Score by Randy Newman
Based on a tempo of (+/- 10%) and a similar genre
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The Cast of Peter Pan
On The Rooftop/What's a Kiss/Perturbed P...
113 bpm • F# min • 04:05 • -19.41db
16% Popularity • 39% Danceability • 6% Energy • 10% Liveness
43% Instrumentalness • 15% Positiveness
16% Popularity • 39% Danceability • 6% Energy • 10% Liveness
43% Instrumentalness • 15% Positiveness
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Henry Jackman
First Class
113 bpm • A# Maj • 03:20 • -11db
52% Popularity • 53% Danceability • 49% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
52% Popularity • 53% Danceability • 49% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
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Alan Menken
Transformation
113 bpm • F Maj • 05:49 • -17.07db
43% Popularity • 21% Danceability • 20% Energy • 7% Liveness
31% Instrumentalness • 7% Positiveness
43% Popularity • 21% Danceability • 20% Energy • 7% Liveness
31% Instrumentalness • 7% Positiveness
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Leigh Harline
The Coach to Pleasure Island
113 bpm • A# Maj • 04:45 • -18.16db
19% Popularity • 42% Danceability • 28% Energy • 16% Liveness
73% Instrumentalness • 32% Positiveness
19% Popularity • 42% Danceability • 28% Energy • 16% Liveness
73% Instrumentalness • 32% Positiveness
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George Bruns
The Butler Sneak
113 bpm • A# Maj • 01:31 • -20db
38% Popularity • 57% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 57% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Randy Newman
A Bug's Life Suite
113 bpm • C Maj • 05:12 • -16db
40% Popularity • 27% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
40% Popularity • 27% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
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Thomas Newman
Finding Nemo
113 bpm • F Maj • 01:19 • -22.79db
52% Popularity • 20% Danceability • 9% Energy • 17% Liveness
98% Instrumentalness • 4% Positiveness
52% Popularity • 20% Danceability • 9% Energy • 17% Liveness
98% Instrumentalness • 4% Positiveness
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Philharmonic Wind Orchestra
Hercules
113 bpm • C min • 08:17 • -9db
25% Popularity • 41% Danceability • 61% Energy • 10% Liveness
79% Instrumentalness • 43% Positiveness
25% Popularity • 41% Danceability • 61% Energy • 10% Liveness
79% Instrumentalness • 43% Positiveness
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Carter Burwell
Toys and Stars
113 bpm • F Maj • 01:23 • -18.88db
35% Popularity • 27% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 15% Positiveness
35% Popularity • 27% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 15% Positiveness
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Jan A.P. Kaczmarek
The Play And The Flight - Finding Neverl...
114 bpm • C Maj • 01:21 • -16.37db
36% Popularity • 29% Danceability • 14% Energy • 24% Liveness
63% Instrumentalness • 7% Positiveness
36% Popularity • 29% Danceability • 14% Energy • 24% Liveness
63% Instrumentalness • 7% Positiveness
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Joel McNeely
Zarina Visits Tink
114 bpm • F# min • 01:29 • -16.88db
34% Popularity • 30% Danceability • 19% Energy • 39% Liveness
43% Instrumentalness • 26% Positiveness
34% Popularity • 30% Danceability • 19% Energy • 39% Liveness
43% Instrumentalness • 26% Positiveness
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Marc Shaiman
Lost in a Fog
112 bpm • D Maj • 00:59 • -22.95db
35% Popularity • 25% Danceability • 9% Energy • 12% Liveness
70% Instrumentalness • 3% Positiveness
35% Popularity • 25% Danceability • 9% Energy • 12% Liveness
70% Instrumentalness • 3% Positiveness
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Leigh Harline
Old Geppetto
114 bpm • A Maj • 04:43 • -14.8db
24% Popularity • 32% Danceability • 25% Energy • 20% Liveness
12% Instrumentalness • 14% Positiveness
24% Popularity • 32% Danceability • 25% Energy • 20% Liveness
12% Instrumentalness • 14% Positiveness
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Craig Safan
The Last Starfighter: Main Title
114 bpm • D# Maj • 03:15 • -10.74db
25% Popularity • 27% Danceability • 29% Energy • 7% Liveness
94% Instrumentalness • 12% Positiveness
25% Popularity • 27% Danceability • 29% Energy • 7% Liveness
94% Instrumentalness • 12% Positiveness
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Thomas Newman
First Day
114 bpm • A Maj • 01:15 • -18db
41% Popularity • 72% Danceability • 25% Energy • 36% Liveness
54% Instrumentalness • 24% Positiveness
41% Popularity • 72% Danceability • 25% Energy • 36% Liveness
54% Instrumentalness • 24% Positiveness
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Randy Newman
First Day at MU
114 bpm • C# Maj • 04:32 • -13db
23% Popularity • 32% Danceability • 9% Energy • 10% Liveness
34% Instrumentalness • 11% Positiveness
23% Popularity • 32% Danceability • 9% Energy • 10% Liveness
34% Instrumentalness • 11% Positiveness
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Mark Isham
Dolphin Dance
114 bpm • F Maj • 03:01 • -17.27db
11% Popularity • 22% Danceability • 24% Energy • 11% Liveness
97% Instrumentalness • 12% Positiveness
11% Popularity • 22% Danceability • 24% Energy • 11% Liveness
97% Instrumentalness • 12% Positiveness
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Marc Shaiman
Mary Poppins Arrives
114 bpm • F# Maj • 01:41 • -14.99db
32% Popularity • 44% Danceability • 11% Energy • 17% Liveness
22% Instrumentalness • 13% Positiveness
32% Popularity • 44% Danceability • 11% Energy • 17% Liveness
22% Instrumentalness • 13% Positiveness
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Al Hoffman
20,000 Leagues Under the Sea
112 bpm • G Maj • 02:24 • -8.35db
27% Popularity • 42% Danceability • 45% Energy • 32% Liveness
73% Instrumentalness • 43% Positiveness
27% Popularity • 42% Danceability • 45% Energy • 32% Liveness
73% Instrumentalness • 43% Positiveness
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Greg Edmonson
Uncharted, Drake's Fortune: Nate's Theme
115 bpm • F# Maj • 01:52 • -16db
42% Popularity • 20% Danceability • 16% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
42% Popularity • 20% Danceability • 16% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Phil Collins
Tarzan (arr. A. Soldh): Tarzan: 2 Worlds...
111 bpm • D# Maj • 03:08 • -16.15db
33% Popularity • 56% Danceability • 45% Energy • 8% Liveness
95% Instrumentalness • 23% Positiveness
33% Popularity • 56% Danceability • 45% Energy • 8% Liveness
95% Instrumentalness • 23% Positiveness
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Nicholas Hooper
Ginny
111 bpm • E min • 01:30 • -27.74db
47% Popularity • 22% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
47% Popularity • 22% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Michael Kamen
Into The Forest
115 bpm • C# Maj • 03:33 • -13.53db
13% Popularity • 24% Danceability • 26% Energy • 14% Liveness
80% Instrumentalness • 13% Positiveness
13% Popularity • 24% Danceability • 26% Energy • 14% Liveness
80% Instrumentalness • 13% Positiveness
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Basil Poledouris
Main Title & Opening Credits
111 bpm • E min • 03:34 • -17.3db
13% Popularity • 20% Danceability • 19% Energy • 16% Liveness
83% Instrumentalness • 9% Positiveness
13% Popularity • 20% Danceability • 19% Energy • 16% Liveness
83% Instrumentalness • 9% Positiveness
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Randy Newman
Waternoose Is Waiting
116 bpm • G Maj • 03:12 • -12.93db
20% Popularity • 37% Danceability • 18% Energy • 26% Liveness
93% Instrumentalness • 9% Positiveness
20% Popularity • 37% Danceability • 18% Energy • 26% Liveness
93% Instrumentalness • 9% Positiveness
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Paragon Ragtime Orchestra, Rick Benjamin
Old Timers Waltz Medley
110 bpm • A# Maj • 04:27 • -12.86db
34% Popularity • 59% Danceability • 29% Energy • 8% Liveness
85% Instrumentalness • 65% Positiveness
34% Popularity • 59% Danceability • 29% Energy • 8% Liveness
85% Instrumentalness • 65% Positiveness
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Anders Soldh
Mulan (arr. A. Soldh): Mulan: I'll Make ...
115 bpm • G Maj • 03:03 • -17db
34% Popularity • 56% Danceability • 34% Energy • 12% Liveness
94% Instrumentalness • 44% Positiveness
34% Popularity • 56% Danceability • 34% Energy • 12% Liveness
94% Instrumentalness • 44% Positiveness
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Kevin Kiner
Jedi Eulogy
116 bpm • D# Maj • 01:08 • -9db
52% Popularity • 17% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
52% Popularity • 17% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Nicholas Hooper
The Weasley Stomp
110 bpm • C Maj • 02:49 • -17.86db
41% Popularity • 53% Danceability • 30% Energy • 8% Liveness
92% Instrumentalness • 55% Positiveness
41% Popularity • 53% Danceability • 30% Energy • 8% Liveness
92% Instrumentalness • 55% Positiveness
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Trevor Rabin
So!
110 bpm • G Maj • 01:46 • -12.76db
26% Popularity • 44% Danceability • 32% Energy • 28% Liveness
75% Instrumentalness • 40% Positiveness
26% Popularity • 44% Danceability • 32% Energy • 28% Liveness
75% Instrumentalness • 40% Positiveness
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Joel McNeely
Zarina the Alchemist
110 bpm • C Maj • 01:26 • -16.51db
32% Popularity • 41% Danceability • 18% Energy • 9% Liveness
49% Instrumentalness • 14% Positiveness
32% Popularity • 41% Danceability • 18% Energy • 9% Liveness
49% Instrumentalness • 14% Positiveness
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Randy Newman
Monsters, Inc.
110 bpm • G# Maj • 02:06 • -8.35db
57% Popularity • 68% Danceability • 46% Energy • 14% Liveness
68% Instrumentalness • 85% Positiveness
57% Popularity • 68% Danceability • 46% Energy • 14% Liveness
68% Instrumentalness • 85% Positiveness
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Phil Collins
Brother Bear: On My Way (arr. for orches...
111 bpm • G Maj • 02:51 • -17.24db
37% Popularity • 52% Danceability • 31% Energy • 7% Liveness
82% Instrumentalness • 43% Positiveness
37% Popularity • 52% Danceability • 31% Energy • 7% Liveness
82% Instrumentalness • 43% Positiveness
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The Outatime Orchestra
Back To The Future - Original Score/End ...
110 bpm • C# Maj • 03:17 • -15.5db
47% Popularity • 24% Danceability • 33% Energy • 31% Liveness
8% Instrumentalness • 9% Positiveness
47% Popularity • 24% Danceability • 33% Energy • 31% Liveness
8% Instrumentalness • 9% Positiveness
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Nicholas Hooper
Wizard Wheezes
110 bpm • F Maj • 01:42 • -13.37db
40% Popularity • 69% Danceability • 58% Energy • 24% Liveness
89% Instrumentalness • 70% Positiveness
40% Popularity • 69% Danceability • 58% Energy • 24% Liveness
89% Instrumentalness • 70% Positiveness
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Mark Mancina
Battle of Wills
116 bpm • G min • 03:10 • -17.89db
47% Popularity • 52% Danceability • 23% Energy • 11% Liveness
85% Instrumentalness • 10% Positiveness
47% Popularity • 52% Danceability • 23% Energy • 11% Liveness
85% Instrumentalness • 10% Positiveness
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Trevor Jones
Dinotopia Main Theme
116 bpm • D Maj • 03:25 • -16db
34% Popularity • 17% Danceability • 22% Energy • 15% Liveness
95% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 22% Energy • 15% Liveness
95% Instrumentalness • 4% Positiveness
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Mychael Danna
Hello Arlo
110 bpm • C Maj • 02:49 • -20.21db
30% Popularity • 42% Danceability • 9% Energy • 11% Liveness
14% Instrumentalness • 15% Positiveness
30% Popularity • 42% Danceability • 9% Energy • 11% Liveness
14% Instrumentalness • 15% Positiveness
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Steven Price
The Numbers Build
117 bpm • F# min • 05:04 • -11.49db
24% Popularity • 23% Danceability • 50% Energy • 17% Liveness
98% Instrumentalness • 18% Positiveness
24% Popularity • 23% Danceability • 50% Energy • 17% Liveness
98% Instrumentalness • 18% Positiveness
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Kristen Anderson-Lopez
Mucho más allá - Instrumental
109 bpm • C# Maj • 03:16 • -10.48db
8% Popularity • 34% Danceability • 49% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
8% Popularity • 34% Danceability • 49% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
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Alan Menken
Enchanted Suite
110 bpm • G Maj • 04:32 • -9.57db
43% Popularity • 26% Danceability • 40% Energy • 10% Liveness
63% Instrumentalness • 18% Positiveness
43% Popularity • 26% Danceability • 40% Energy • 10% Liveness
63% Instrumentalness • 18% Positiveness
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Randy Newman
Flik's Return - Score
117 bpm • D# Maj • 01:24 • -23.61db
20% Popularity • 38% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 22% Positiveness
20% Popularity • 38% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 22% Positiveness
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John Debney
Mowgli's Leaving - Elephant Theme
109 bpm • C# min • 03:27 • -21.32db
26% Popularity • 20% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
26% Popularity • 20% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Jerry Livingston
Cinderella: The Work Song (arr. for orch...
117 bpm • G Maj • 02:51 • -20.77db
30% Popularity • 44% Danceability • 15% Energy • 7% Liveness
83% Instrumentalness • 40% Positiveness
30% Popularity • 44% Danceability • 15% Energy • 7% Liveness
83% Instrumentalness • 40% Positiveness
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John Lunn
The Butler And The Housekeeper
109 bpm • F Maj • 02:08 • -20db
29% Popularity • 16% Danceability • 12% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 12% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
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Mark Mancina
The Gorillas
117 bpm • C# Maj • 04:28 • -10.45db
30% Popularity • 30% Danceability • 41% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
30% Popularity • 30% Danceability • 41% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
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Michael Kamen
One Hundred and One Dalmatians (Main Tit...
109 bpm • C Maj • 03:56 • -16.43db
17% Popularity • 33% Danceability • 14% Energy • 27% Liveness
76% Instrumentalness • 8% Positiveness
17% Popularity • 33% Danceability • 14% Energy • 27% Liveness
76% Instrumentalness • 8% Positiveness
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City of Prague Orchestra
The Lion King Orchestral Suite
109 bpm • C Maj • 09:02 • -14.26db
10% Popularity • 22% Danceability • 29% Energy • 7% Liveness
72% Instrumentalness • 12% Positiveness
10% Popularity • 22% Danceability • 29% Energy • 7% Liveness
72% Instrumentalness • 12% Positiveness
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David Newman
Baby Walks
118 bpm • G Maj • 01:34 • -14db
38% Popularity • 20% Danceability • 30% Energy • 11% Liveness
45% Instrumentalness • 9% Positiveness
38% Popularity • 20% Danceability • 30% Energy • 11% Liveness
45% Instrumentalness • 9% Positiveness
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Randy Newman
Seed To Tree - Score
118 bpm • D Maj • 01:01 • -25.09db
23% Popularity • 27% Danceability • 1% Energy • 39% Liveness
53% Instrumentalness • 4% Positiveness
23% Popularity • 27% Danceability • 1% Energy • 39% Liveness
53% Instrumentalness • 4% Positiveness
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Pinar Toprak
I'm All Fired Up
118 bpm • A# Maj • 03:20 • -17.27db
32% Popularity • 18% Danceability • 25% Energy • 12% Liveness
85% Instrumentalness • 3% Positiveness
32% Popularity • 18% Danceability • 25% Energy • 12% Liveness
85% Instrumentalness • 3% Positiveness
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Leonard Rosenman
Star Trek IV: The Voyage Home: End Credi...
108 bpm • G min • 02:49 • -18db
27% Popularity • 20% Danceability • 29% Energy • 19% Liveness
78% Instrumentalness • 17% Positiveness
27% Popularity • 20% Danceability • 29% Energy • 19% Liveness
78% Instrumentalness • 17% Positiveness
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Marc Shaiman
Theme from Mary Poppins Returns
108 bpm • G Maj • 01:38 • -19.62db
37% Popularity • 18% Danceability • 9% Energy • 27% Liveness
86% Instrumentalness • 3% Positiveness
37% Popularity • 18% Danceability • 9% Energy • 27% Liveness
86% Instrumentalness • 3% Positiveness
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Robert B. Sherman
(There'a A) Great Big Beautiful Tomorrow...
118 bpm • F Maj • 02:08 • -15.23db
22% Popularity • 41% Danceability • 25% Energy • 12% Liveness
82% Instrumentalness • 80% Positiveness
22% Popularity • 41% Danceability • 25% Energy • 12% Liveness
82% Instrumentalness • 80% Positiveness
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Trevor Rabin
Preparation Montage
108 bpm • C Maj • 04:53 • -17.91db
25% Popularity • 60% Danceability • 41% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
25% Popularity • 60% Danceability • 41% Energy • 10% Liveness
91% Instrumentalness • 16% Positiveness
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Randy Newman
Flik Leaves - Score
108 bpm • G Maj • 02:37 • -15.06db
26% Popularity • 24% Danceability • 12% Energy • 31% Liveness
69% Instrumentalness • 21% Positiveness
26% Popularity • 24% Danceability • 12% Energy • 31% Liveness
69% Instrumentalness • 21% Positiveness
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Alan Menken
Grandmother Willow
108 bpm • C Maj • 01:27 • -29db
45% Popularity • 28% Danceability • 3% Energy • 15% Liveness
82% Instrumentalness • 10% Positiveness
45% Popularity • 28% Danceability • 3% Energy • 15% Liveness
82% Instrumentalness • 10% Positiveness
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Rachel Portman
Streets of London
108 bpm • C Maj • 02:00 • -15.1db
22% Popularity • 21% Danceability • 15% Energy • 10% Liveness
83% Instrumentalness • 5% Positiveness
22% Popularity • 21% Danceability • 15% Energy • 10% Liveness
83% Instrumentalness • 5% Positiveness
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Hans Zimmer
Under the Stars
107 bpm • G Maj • 03:45 • -20.81db
53% Popularity • 29% Danceability • 16% Energy • 12% Liveness
56% Instrumentalness • 11% Positiveness
53% Popularity • 29% Danceability • 16% Energy • 12% Liveness
56% Instrumentalness • 11% Positiveness
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Philharmonic Wind Orchestra
Aladdin
119 bpm • C Maj • 09:17 • -10.49db
22% Popularity • 33% Danceability • 41% Energy • 9% Liveness
61% Instrumentalness • 32% Positiveness
22% Popularity • 33% Danceability • 41% Energy • 9% Liveness
61% Instrumentalness • 32% Positiveness
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Trevor Rabin
Library of Congress
108 bpm • F Maj • 02:27 • -24db
33% Popularity • 64% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 36% Positiveness
33% Popularity • 64% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 36% Positiveness
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Randy Newman
Oh, Celia!
119 bpm • C Maj • 01:07 • -15.91db
30% Popularity • 45% Danceability • 13% Energy • 41% Liveness
77% Instrumentalness • 41% Positiveness
30% Popularity • 45% Danceability • 13% Energy • 41% Liveness
77% Instrumentalness • 41% Positiveness
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David Newman
Giving Back The Baby
119 bpm • E min • 06:26 • -14db
31% Popularity • 22% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Kristen Anderson-Lopez
In Summer - Instrumental Karaoke
107 bpm • F Maj • 01:47 • -14.31db
38% Popularity • 59% Danceability • 9% Energy • 54% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 59% Danceability • 9% Energy • 54% Liveness
0% Instrumentalness • 41% Positiveness
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George Bruns
Tell Him
119 bpm • C min • 02:15 • -22.71db
37% Popularity • 26% Danceability • 7% Energy • 17% Liveness
86% Instrumentalness • 4% Positiveness
37% Popularity • 26% Danceability • 7% Energy • 17% Liveness
86% Instrumentalness • 4% Positiveness
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Joel McNeely
Fairy Dusted Festival
119 bpm • D# Maj • 02:59 • -7db
31% Popularity • 24% Danceability • 43% Energy • 19% Liveness
94% Instrumentalness • 9% Positiveness
31% Popularity • 24% Danceability • 43% Energy • 19% Liveness
94% Instrumentalness • 9% Positiveness
► Preview
Trevor Rabin
City of Gold
118 bpm • G Maj • 02:13 • -11db
32% Popularity • 18% Danceability • 30% Energy • 19% Liveness
95% Instrumentalness • 4% Positiveness
32% Popularity • 18% Danceability • 30% Energy • 19% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Mychael Danna
Run With the Herd
120 bpm • D Maj • 03:51 • -13.9db
27% Popularity • 24% Danceability • 30% Energy • 8% Liveness
87% Instrumentalness • 17% Positiveness
27% Popularity • 24% Danceability • 30% Energy • 8% Liveness
87% Instrumentalness • 17% Positiveness
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M83
Raven Rock
120 bpm • F min • 04:33 • -17db
34% Popularity • 18% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
34% Popularity • 18% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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The Cast of 101 Dalmatians
Overture (101 Dalmatians Animated) - Ori...
120 bpm • D# Maj • 03:09 • -10.57db
17% Popularity • 52% Danceability • 32% Energy • 18% Liveness
7% Instrumentalness • 75% Positiveness
17% Popularity • 52% Danceability • 32% Energy • 18% Liveness
7% Instrumentalness • 75% Positiveness
► Preview
Kristen Anderson-Lopez
Hacer las cosas bien - Instrumental
107 bpm • C min • 03:36 • -19.51db
5% Popularity • 16% Danceability • 7% Energy • 47% Liveness
27% Instrumentalness • 4% Positiveness
5% Popularity • 16% Danceability • 7% Energy • 47% Liveness
27% Instrumentalness • 4% Positiveness
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George Bruns
Pirate Overture
120 bpm • F Maj • 03:06 • -18db
36% Popularity • 67% Danceability • 4% Energy • 29% Liveness
81% Instrumentalness • 72% Positiveness
36% Popularity • 67% Danceability • 4% Energy • 29% Liveness
81% Instrumentalness • 72% Positiveness
► Preview
Trevor Rabin
Ben
119 bpm • C Maj • 04:03 • -18.05db
42% Popularity • 17% Danceability • 15% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 17% Danceability • 15% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Burkhard Dallwitz
It's a Life
120 bpm • E Maj • 01:29 • -22db
35% Popularity • 42% Danceability • 16% Energy • 48% Liveness
96% Instrumentalness • 14% Positiveness
35% Popularity • 42% Danceability • 16% Energy • 48% Liveness
96% Instrumentalness • 14% Positiveness
► Preview
Michael Kamen
You Can Fix Yourself?
106 bpm • F Maj • 01:20 • -21.2db
24% Popularity • 46% Danceability • 12% Energy • 16% Liveness
95% Instrumentalness • 33% Positiveness
24% Popularity • 46% Danceability • 12% Energy • 16% Liveness
95% Instrumentalness • 33% Positiveness
► Preview
The Cast of 101 Dalmatians
Puppies Everywhere - Original
120 bpm • D# Maj • 02:02 • -12db
25% Popularity • 56% Danceability • 34% Energy • 10% Liveness
12% Instrumentalness • 43% Positiveness
25% Popularity • 56% Danceability • 34% Energy • 10% Liveness
12% Instrumentalness • 43% Positiveness
► Preview
Germaine Franco
Abre Los Ojos
120 bpm • C min • 03:16 • -16.38db
51% Popularity • 24% Danceability • 11% Energy • 13% Liveness
93% Instrumentalness • 6% Positiveness
51% Popularity • 24% Danceability • 11% Energy • 13% Liveness
93% Instrumentalness • 6% Positiveness
► Preview
Dave Grusin
They're Here And Skull Cave Chase
120 bpm • A# min • 03:03 • -12.03db
15% Popularity • 40% Danceability • 26% Energy • 13% Liveness
72% Instrumentalness • 15% Positiveness
15% Popularity • 40% Danceability • 26% Energy • 13% Liveness
72% Instrumentalness • 15% Positiveness
► Preview
Oliver Wallace
Circus Parade
120 bpm • D# min • 02:03 • -12db
34% Popularity • 84% Danceability • 50% Energy • 42% Liveness
96% Instrumentalness • 98% Positiveness
34% Popularity • 84% Danceability • 50% Energy • 42% Liveness
96% Instrumentalness • 98% Positiveness
► Preview
Trevor Rabin
Page 47
120 bpm • D min • 02:39 • -11.81db
45% Popularity • 23% Danceability • 34% Energy • 33% Liveness
36% Instrumentalness • 7% Positiveness
45% Popularity • 23% Danceability • 34% Energy • 33% Liveness
36% Instrumentalness • 7% Positiveness
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Randy Newman
McQueen and Sally
120 bpm • D Maj • 01:59 • -13.99db
50% Popularity • 40% Danceability • 28% Energy • 15% Liveness
82% Instrumentalness • 15% Positiveness
50% Popularity • 40% Danceability • 28% Energy • 15% Liveness
82% Instrumentalness • 15% Positiveness
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George Bruns
A Cottage in the Woods
120 bpm • G# Maj • 03:27 • -20db
33% Popularity • 57% Danceability • 7% Energy • 14% Liveness
60% Instrumentalness • 20% Positiveness
33% Popularity • 57% Danceability • 7% Energy • 14% Liveness
60% Instrumentalness • 20% Positiveness
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London Pops Orchestra
Some Day My Prince Will Come
106 bpm • F Maj • 02:50 • -16.22db
21% Popularity • 19% Danceability • 21% Energy • 30% Liveness
94% Instrumentalness • 6% Positiveness
21% Popularity • 19% Danceability • 21% Energy • 30% Liveness
94% Instrumentalness • 6% Positiveness
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Nicholas Hooper
Flight of the Order of the Phoenix
106 bpm • D Maj • 01:31 • -16db
48% Popularity • 28% Danceability • 53% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
48% Popularity • 28% Danceability • 53% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Milo Paulus
The Long Day Closes: III. The Day at Res...
106 bpm • A Maj • 02:02 • -28.46db
12% Popularity • 19% Danceability • 1% Energy • 12% Liveness
47% Instrumentalness • 7% Positiveness
12% Popularity • 19% Danceability • 1% Energy • 12% Liveness
47% Instrumentalness • 7% Positiveness
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Andrew Lockington
Journey Theme
106 bpm • G min • 01:14 • -19db
25% Popularity • 33% Danceability • 27% Energy • 14% Liveness
96% Instrumentalness • 22% Positiveness
25% Popularity • 33% Danceability • 27% Energy • 14% Liveness
96% Instrumentalness • 22% Positiveness
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Randy Newman
Fairy Tale/Going Home
106 bpm • F Maj • 04:17 • -20.62db
32% Popularity • 19% Danceability • 9% Energy • 17% Liveness
29% Instrumentalness • 6% Positiveness
32% Popularity • 19% Danceability • 9% Energy • 17% Liveness
29% Instrumentalness • 6% Positiveness
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Riders In The Sky
Woody's Roundup
106 bpm • E min • 01:53 • -7.76db
41% Popularity • 93% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
41% Popularity • 93% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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George Bruns
The Archery Affair
120 bpm • G Maj • 01:53 • -9db
42% Popularity • 74% Danceability • 39% Energy • 18% Liveness
87% Instrumentalness • 64% Positiveness
42% Popularity • 74% Danceability • 39% Energy • 18% Liveness
87% Instrumentalness • 64% Positiveness
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London Pops Orchestra
Part of Your World
106 bpm • C Maj • 04:04 • -16.05db
21% Popularity • 33% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
21% Popularity • 33% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
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Heitor Pereira
Star Light-Star Bright
121 bpm • G# Maj • 01:19 • -17.94db
35% Popularity • 28% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
35% Popularity • 28% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Dan Romer
Go Find Out for Me
105 bpm • A# Maj • 01:39 • -9.78db
42% Popularity • 24% Danceability • 32% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
42% Popularity • 24% Danceability • 32% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
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John Ottman
Saving the World
121 bpm • E min • 03:10 • -12.07db
16% Popularity • 20% Danceability • 44% Energy • 14% Liveness
88% Instrumentalness • 8% Positiveness
16% Popularity • 20% Danceability • 44% Energy • 14% Liveness
88% Instrumentalness • 8% Positiveness
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Michael Kamen
The Last Giant Piece
105 bpm • F Maj • 01:44 • -15db
19% Popularity • 42% Danceability • 15% Energy • 48% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 42% Danceability • 15% Energy • 48% Liveness
0% Instrumentalness • 16% Positiveness
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Leigh Harline
Off to School
122 bpm • A# Maj • 04:18 • -15.38db
23% Popularity • 38% Danceability • 17% Energy • 25% Liveness
83% Instrumentalness • 30% Positiveness
23% Popularity • 38% Danceability • 17% Energy • 25% Liveness
83% Instrumentalness • 30% Positiveness
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London Pops Orchestra
Be Our Guest
106 bpm • G Maj • 04:08 • -15db
26% Popularity • 27% Danceability • 20% Energy • 36% Liveness
70% Instrumentalness • 24% Positiveness
26% Popularity • 27% Danceability • 20% Energy • 36% Liveness
70% Instrumentalness • 24% Positiveness
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Alan Menken
Farewell
105 bpm • D# Maj • 04:47 • -18.89db
44% Popularity • 15% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
44% Popularity • 15% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
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David Newman
Opening Travel Music
105 bpm • A Maj • 01:17 • -6.98db
41% Popularity • 60% Danceability • 74% Energy • 11% Liveness
74% Instrumentalness • 80% Positiveness
41% Popularity • 60% Danceability • 74% Energy • 11% Liveness
74% Instrumentalness • 80% Positiveness
