Songs like A Change Is Gonna Come by The Last Internationale
Based on a tempo of (+/- 10%) and a similar genre
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The Last Internationale
A Change Is Gonna Come
75 bpm • G min • 04:03 • -8.85db
11% Popularity • 43% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 43% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Blues Pills
Dust
75 bpm • F min • 03:50 • -7.92db
26% Popularity • 46% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 46% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Joanna Connor
Heart Of The Blues
75 bpm • A min • 06:01 • -9db
20% Popularity • 27% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 27% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Mick Flannery
Show Me The Door
76 bpm • A# Maj • 03:38 • -4.41db
8% Popularity • 60% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 60% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Ruthie Foster
Working Woman
76 bpm • D Maj • 04:02 • -3.02db
9% Popularity • 55% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 55% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Kyla Brox
If You See Him
74 bpm • A min • 04:58 • -11.73db
25% Popularity • 60% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 60% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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Black River Delta
Follow You Down
76 bpm • E Maj • 04:04 • -5.05db
30% Popularity • 31% Danceability • 68% Energy • 27% Liveness
1% Instrumentalness • 66% Positiveness
30% Popularity • 31% Danceability • 68% Energy • 27% Liveness
1% Instrumentalness • 66% Positiveness
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Matt Andersen
Ain't No Sunshine
76 bpm • D min • 04:43 • -9.37db
31% Popularity • 71% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 71% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Shemekia Copeland
Apple Pie And A .45
77 bpm • F Maj • 03:45 • -5.32db
16% Popularity • 63% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 63% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Joanne Shaw Taylor
Human
76 bpm • C Maj • 03:21 • -7.35db
36% Popularity • 59% Danceability • 47% Energy • 12% Liveness
54% Instrumentalness • 10% Positiveness
36% Popularity • 59% Danceability • 47% Energy • 12% Liveness
54% Instrumentalness • 10% Positiveness
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The Forest Rangers
A Goodbye
73 bpm • A Maj • 03:51 • -6.8db
19% Popularity • 60% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 60% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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The Last Internationale
Fire
73 bpm • G Maj • 04:09 • -10.2db
13% Popularity • 64% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 64% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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The Damn Truth
Alex
73 bpm • D Maj • 04:18 • -5.81db
7% Popularity • 31% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
7% Popularity • 31% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
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Tony Joe White
Cool Town Woman
73 bpm • G Maj • 05:01 • -19.74db
13% Popularity • 66% Danceability • 8% Energy • 11% Liveness
77% Instrumentalness • 36% Positiveness
13% Popularity • 66% Danceability • 8% Energy • 11% Liveness
77% Instrumentalness • 36% Positiveness
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Amythyst Kiah & Her Chest of Glass
Hangover Blues
77 bpm • F# min • 03:38 • -7.13db
15% Popularity • 62% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 62% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Bones of J.R. Jones
Know My Name
78 bpm • A Maj • 03:16 • -5.99db
38% Popularity • 60% Danceability • 53% Energy • 7% Liveness
1% Instrumentalness • 41% Positiveness
38% Popularity • 60% Danceability • 53% Energy • 7% Liveness
1% Instrumentalness • 41% Positiveness
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Tom Morello: the Nightwatchman
Save the Hammer for the Man
78 bpm • A# min • 05:16 • -6.45db
20% Popularity • 55% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 55% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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The Last Internationale
I'm Going to Live the Life I Sing About ...
78 bpm • A min • 03:37 • -8.6db
20% Popularity • 53% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 53% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Billy Bragg
Why We Build The Wall
72 bpm • A Maj • 03:29 • -8.79db
8% Popularity • 44% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 44% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
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Tony Joe White
Boom Boom
78 bpm • E min • 04:22 • -14db
35% Popularity • 72% Danceability • 30% Energy • 9% Liveness
75% Instrumentalness • 43% Positiveness
35% Popularity • 72% Danceability • 30% Energy • 9% Liveness
75% Instrumentalness • 43% Positiveness
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The Inspector Cluzo
Ideologies
78 bpm • C# min • 03:53 • -7.5db
19% Popularity • 14% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 14% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Kingsborough
Low Down
78 bpm • A Maj • 04:02 • -6.29db
28% Popularity • 55% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 55% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Fantastic Negrito
Bad Guy Necessity - Acoustic
79 bpm • F# Maj • 03:57 • -7.79db
27% Popularity • 76% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 76% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Bror Gunnar Jansson
Ain't No Grave
79 bpm • C Maj • 04:19 • -6.85db
32% Popularity • 50% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 50% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Sass Jordan
You Gotta Move
71 bpm • D Maj • 02:32 • -8.53db
8% Popularity • 70% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 70% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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The Last Internationale
Workers of the World Unite!
71 bpm • C# min • 04:06 • -11.51db
23% Popularity • 49% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 49% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Curse of Lono
Valentine
79 bpm • B Maj • 03:00 • -8.12db
10% Popularity • 57% Danceability • 55% Energy • 49% Liveness
15% Instrumentalness • 26% Positiveness
10% Popularity • 57% Danceability • 55% Energy • 49% Liveness
15% Instrumentalness • 26% Positiveness
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Hopetoun Brown
Hate I Don't Love You
80 bpm • D# min • 03:38 • -7.83db
13% Popularity • 50% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 50% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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The Inspector Cluzo
Globalisation Blues Unplugged
70 bpm • F# Maj • 03:50 • -10.48db
12% Popularity • 46% Danceability • 46% Energy • 8% Liveness
3% Instrumentalness • 60% Positiveness
12% Popularity • 46% Danceability • 46% Energy • 8% Liveness
3% Instrumentalness • 60% Positiveness
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A Murder in Mississippi
The Bones of John Jones
80 bpm • C# min • 03:59 • -7.73db
11% Popularity • 54% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 54% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Thunderpussy
Young & Pure
80 bpm • A Maj • 06:16 • -8.66db
10% Popularity • 61% Danceability • 56% Energy • 8% Liveness
9% Instrumentalness • 20% Positiveness
10% Popularity • 61% Danceability • 56% Energy • 8% Liveness
9% Instrumentalness • 20% Positiveness
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Beaux Gris Gris & The Apocalypse
Don't Let the Bastards Drag You Down
70 bpm • F Maj • 04:15 • -7.19db
8% Popularity • 52% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 52% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Nikki Hill
Just Can't Trust You
80 bpm • F min • 03:07 • -7.95db
11% Popularity • 44% Danceability • 68% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
11% Popularity • 44% Danceability • 68% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
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Kaz Hawkins
Better Days
80 bpm • B Maj • 03:08 • -7.73db
24% Popularity • 48% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 48% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Ben Harper
No Mercy In This Land
80 bpm • F Maj • 03:45 • -17db
29% Popularity • 62% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 62% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Ida Mae
My Girl is a Heartbreak (OurVinyl Sessio...
80 bpm • A min • 04:06 • -7.57db
24% Popularity • 61% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 61% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Ten Years After
Up in Smoke
70 bpm • F Maj • 06:13 • -11.09db
16% Popularity • 55% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 55% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Willy DeVille
18 Hammers - 2 Meter Session
81 bpm • D Maj • 03:05 • -11.73db
14% Popularity • 65% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 65% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
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Ian Siegal
Jacob's Ladder
81 bpm • E min • 03:59 • -10.73db
10% Popularity • 69% Danceability • 40% Energy • 9% Liveness
22% Instrumentalness • 39% Positiveness
10% Popularity • 69% Danceability • 40% Energy • 9% Liveness
22% Instrumentalness • 39% Positiveness
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The Forest Rangers
Man In the Moment
81 bpm • C Maj • 03:00 • -12.45db
16% Popularity • 52% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
16% Popularity • 52% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
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The Last Internationale
Deportees
81 bpm • G Maj • 04:13 • -5.94db
12% Popularity • 53% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 53% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Jake La Botz
They're Coming for Me
81 bpm • F# min • 03:06 • -8.23db
12% Popularity • 69% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 69% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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The Cold Stares
Angeline
82 bpm • A# min • 03:38 • -16.04db
12% Popularity • 34% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
12% Popularity • 34% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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The Byson Family
Only Love Can Live
82 bpm • A# Maj • 03:32 • -5.64db
10% Popularity • 56% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 56% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Luke Winslow-King
I'm Glad Trouble Don't Last Always
82 bpm • D Maj • 04:17 • -7.12db
48% Popularity • 58% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
48% Popularity • 58% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
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Fantastic Negrito
Plastic Hamburgers
82 bpm • A Maj • 03:37 • -6.61db
43% Popularity • 63% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 63% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Kathi McDonald
Heart Attack and Vine
82 bpm • A min • 05:54 • -7.95db
12% Popularity • 59% Danceability • 46% Energy • 63% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 59% Danceability • 46% Energy • 63% Liveness
0% Instrumentalness • 44% Positiveness
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Eilen Jewell
You Know My Love
82 bpm • D Maj • 04:24 • -6.71db
17% Popularity • 41% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 41% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Pristine
Derek
83 bpm • A# min • 03:49 • -5.53db
10% Popularity • 42% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
10% Popularity • 42% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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The Inspector Cluzo
Little Girl & The Whistlin Train
68 bpm • G# min • 04:24 • -12db
36% Popularity • 55% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 55% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Colman
Hawks
83 bpm • B min • 03:10 • -6.14db
9% Popularity • 61% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 61% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Elles Bailey
Waiting Game
83 bpm • C Maj • 04:35 • -5.68db
16% Popularity • 49% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 49% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
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Shemekia Copeland
Clotilda's On Fire
84 bpm • C# min • 04:26 • -5db
33% Popularity • 60% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 60% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Ghalia Volt
Meet You Down the Road
83 bpm • G Maj • 04:37 • -7db
14% Popularity • 32% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 32% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Reef
Don't Go Changing Your Mind
84 bpm • G Maj • 03:49 • -4.59db
13% Popularity • 57% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 57% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Jack Broadbent
Holdin'
67 bpm • D Maj • 03:44 • -12.93db
17% Popularity • 53% Danceability • 17% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 53% Danceability • 17% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
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Danielle Nicole
I'm Going Home
84 bpm • A# min • 04:24 • -7db
31% Popularity • 57% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 57% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Elles Bailey
Same Flame
83 bpm • G Maj • 03:23 • -5.24db
17% Popularity • 58% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 58% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Joanne Shaw Taylor
Reckless Heart
85 bpm • B min • 04:28 • -9db
22% Popularity • 62% Danceability • 55% Energy • 11% Liveness
7% Instrumentalness • 41% Positiveness
22% Popularity • 62% Danceability • 55% Energy • 11% Liveness
7% Instrumentalness • 41% Positiveness
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The Last Internationale
Mean Mistreatin' Mama
86 bpm • G Maj • 03:35 • -7.83db
9% Popularity • 35% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 35% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Grayson Capps
Ike
86 bpm • G Maj • 05:29 • -11.66db
14% Popularity • 53% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 53% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Fun Lovin' Criminals
Mary Jane's Last Dance
86 bpm • G Maj • 05:01 • -7db
27% Popularity • 52% Danceability • 83% Energy • 3% Liveness
1% Instrumentalness • 60% Positiveness
27% Popularity • 52% Danceability • 83% Energy • 3% Liveness
1% Instrumentalness • 60% Positiveness
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Danielle Nicole
Save Me
86 bpm • F min • 04:35 • -6db
44% Popularity • 59% Danceability • 68% Energy • 17% Liveness
1% Instrumentalness • 72% Positiveness
44% Popularity • 59% Danceability • 68% Energy • 17% Liveness
1% Instrumentalness • 72% Positiveness
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Tami Neilson
Miss Jones
86 bpm • B min • 02:30 • -7db
2% Popularity • 70% Danceability • 74% Energy • 40% Liveness
0% Instrumentalness • 80% Positiveness
2% Popularity • 70% Danceability • 74% Energy • 40% Liveness
0% Instrumentalness • 80% Positiveness
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Elles Bailey
Medicine Man - Acoustic
86 bpm • D Maj • 03:26 • -8db
40% Popularity • 64% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
40% Popularity • 64% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Dan Owen
Little Red Rooster
86 bpm • G Maj • 03:21 • -5.54db
31% Popularity • 22% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 22% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Jeffrey Foucault
Rico
87 bpm • G Maj • 04:12 • -9.47db
19% Popularity • 70% Danceability • 49% Energy • 14% Liveness
2% Instrumentalness • 52% Positiveness
19% Popularity • 70% Danceability • 49% Energy • 14% Liveness
2% Instrumentalness • 52% Positiveness
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Blues Pills
River
87 bpm • F min • 04:23 • -5.56db
25% Popularity • 21% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 21% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Tom Morello: the Nightwatchman
The King of Hell
88 bpm • C# Maj • 03:14 • -8.31db
16% Popularity • 57% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
16% Popularity • 57% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Mike Andersen
No Time to Slow Down
88 bpm • C Maj • 03:28 • -8.16db
37% Popularity • 77% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 77% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Billy F Gibbons
My Baby She Rocks
88 bpm • A Maj • 03:49 • -3.3db
32% Popularity • 57% Danceability • 89% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 57% Danceability • 89% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
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Triggerfinger
I'll Be Home
88 bpm • G Maj • 02:44 • -8.12db
14% Popularity • 34% Danceability • 48% Energy • 12% Liveness
58% Instrumentalness • 21% Positiveness
14% Popularity • 34% Danceability • 48% Energy • 12% Liveness
58% Instrumentalness • 21% Positiveness
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Ben Miller Band
Lighthouse
88 bpm • G Maj • 04:34 • -10.99db
9% Popularity • 38% Danceability • 24% Energy • 9% Liveness
5% Instrumentalness • 34% Positiveness
9% Popularity • 38% Danceability • 24% Energy • 9% Liveness
5% Instrumentalness • 34% Positiveness
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Blues Pills
The River
88 bpm • F min • 03:19 • -5.29db
19% Popularity • 41% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 41% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Danielle Nicole
Poison The Well
89 bpm • D Maj • 03:34 • -7db
19% Popularity • 67% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 67% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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Tami Neilson
Holy Moses
89 bpm • G Maj • 03:10 • -2db
26% Popularity • 61% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 61% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Dom Martin
Easy Way Out
90 bpm • G Maj • 04:58 • -14.25db
9% Popularity • 29% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 29% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Luke Winslow-King
No More Crying Today
90 bpm • F Maj • 05:12 • -8.63db
16% Popularity • 57% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 57% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Layla Zoe
They Lie
90 bpm • E Maj • 05:54 • -5.3db
9% Popularity • 64% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 64% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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The Temperance Movement
Love and Devotion
90 bpm • C Maj • 03:23 • -4db
36% Popularity • 44% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 44% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
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Ben Harper
Nothing At All
91 bpm • G min • 03:37 • -13.88db
21% Popularity • 50% Danceability • 23% Energy • 10% Liveness
2% Instrumentalness • 14% Positiveness
21% Popularity • 50% Danceability • 23% Energy • 10% Liveness
2% Instrumentalness • 14% Positiveness
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Jonah Tolchin
Where The Hell Are All Of My Friends
91 bpm • D Maj • 03:13 • -18db
20% Popularity • 49% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 49% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Black River Delta
Rodeo
91 bpm • C Maj • 03:27 • -9.8db
26% Popularity • 25% Danceability • 69% Energy • 34% Liveness
1% Instrumentalness • 50% Positiveness
26% Popularity • 25% Danceability • 69% Energy • 34% Liveness
1% Instrumentalness • 50% Positiveness
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DeWolff
Northpole Blues
92 bpm • F# Maj • 02:00 • -10.35db
25% Popularity • 55% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
25% Popularity • 55% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Ann Wilson
I Am The Highway
92 bpm • B min • 04:55 • -5.81db
13% Popularity • 54% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 54% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Kaz Hawkins
Get Ready
93 bpm • G Maj • 04:15 • -7.06db
15% Popularity • 32% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 32% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 35% Positiveness
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Fantastic Negrito
The Shadows
94 bpm • A min • 03:34 • -5.97db
18% Popularity • 65% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
18% Popularity • 65% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Nikki Hill
Poisoning the Well
94 bpm • E min • 03:54 • -8.32db
11% Popularity • 48% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 48% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Marianne Faithfull
It's All Over Now, Baby Blue (Re-recorde...
94 bpm • A# Maj • 05:01 • -8.4db
18% Popularity • 51% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 51% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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The Grand East
Kiss the Devil
94 bpm • E Maj • 05:15 • -5db
27% Popularity • 53% Danceability • 80% Energy • 23% Liveness
7% Instrumentalness • 63% Positiveness
27% Popularity • 53% Danceability • 80% Energy • 23% Liveness
7% Instrumentalness • 63% Positiveness
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The Picturebooks
Wardance
94 bpm • G# Maj • 03:04 • -8.03db
15% Popularity • 42% Danceability • 76% Energy • 12% Liveness
94% Instrumentalness • 17% Positiveness
15% Popularity • 42% Danceability • 76% Energy • 12% Liveness
94% Instrumentalness • 17% Positiveness
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The Rolling Stones
Little Rain
94 bpm • D Maj • 03:32 • -6.89db
30% Popularity • 43% Danceability • 38% Energy • 10% Liveness
5% Instrumentalness • 17% Positiveness
30% Popularity • 43% Danceability • 38% Energy • 10% Liveness
5% Instrumentalness • 17% Positiveness
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Robert Plant
The May Queen
94 bpm • C Maj • 04:14 • -7.24db
33% Popularity • 35% Danceability • 71% Energy • 12% Liveness
32% Instrumentalness • 68% Positiveness
33% Popularity • 35% Danceability • 71% Energy • 12% Liveness
32% Instrumentalness • 68% Positiveness
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Duff McKagan
Chip Away
95 bpm • D# Maj • 03:21 • -7.31db
21% Popularity • 52% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 52% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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Morgan James
Reckless Abandon
95 bpm • E min • 03:22 • -4.32db
14% Popularity • 77% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 77% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Sari Schorr
Where Did You Sleep Last Night (In the P...
95 bpm • F# min • 03:27 • -9.04db
10% Popularity • 24% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 24% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Kaz Hawkins
I Saw a Man
95 bpm • A# Maj • 03:38 • -10.94db
17% Popularity • 51% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 51% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Ben Harper
When Love Is Not Enough
95 bpm • G Maj • 04:08 • -14.71db
23% Popularity • 53% Danceability • 13% Energy • 12% Liveness
3% Instrumentalness • 19% Positiveness
23% Popularity • 53% Danceability • 13% Energy • 12% Liveness
3% Instrumentalness • 19% Positiveness
