Songs like A Child of our Time - Arr. Tippett for unaccompanied chorus / Part 1: Steal Away by Michael Tippett
Based on a tempo of (+/- 10%) and a similar genre
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Richard Strauss
Josephs-Legende, Op. 63, TrV 231: Der Sh...
71 bpm • G Maj • 03:25 • -28.86db
9% Popularity • 7% Danceability • 3% Energy • 33% Liveness
91% Instrumentalness • 3% Positiveness
9% Popularity • 7% Danceability • 3% Energy • 33% Liveness
91% Instrumentalness • 3% Positiveness
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Giacomo Puccini
Tosca, SC 69, Act I: Perché chiuso? - Q...
71 bpm • G# Maj • 07:43 • -25.28db
4% Popularity • 15% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
4% Popularity • 15% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Songs of Travel: Let Beauty awake
71 bpm • C# min • 01:55 • -20.87db
16% Popularity • 30% Danceability • 9% Energy • 8% Liveness
1% Instrumentalness • 11% Positiveness
16% Popularity • 30% Danceability • 9% Energy • 8% Liveness
1% Instrumentalness • 11% Positiveness
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Michael Tippett
The Midsummer Marriage, Act I Scene 4: M...
71 bpm • D Maj • 07:05 • -19.21db
1% Popularity • 18% Danceability • 21% Energy • 89% Liveness
0% Instrumentalness • 9% Positiveness
1% Popularity • 18% Danceability • 21% Energy • 89% Liveness
0% Instrumentalness • 9% Positiveness
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Frank Bridge
The Sea: No. 2 Sea-foam
71 bpm • D# Maj • 02:34 • -29.08db
14% Popularity • 30% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
14% Popularity • 30% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Maurice Duruflé
Requiem, Op. 9: VI. Agnus Dei
70 bpm • C Maj • 03:37 • -34.91db
10% Popularity • 16% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Juan Pablo Fernández Ramos
Sinfonía 39 Simbad el marino: 4. El cem...
71 bpm • A min • 06:56 • -23.46db
10% Popularity • 11% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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George Lloyd
Symphony No. 6: II. Adagio
70 bpm • F min • 06:16 • -35.52db
8% Popularity • 7% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
8% Popularity • 7% Danceability • 1% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Alexander Scriabin
Symphony No. 2 in C minor, Op. 29: II. A...
72 bpm • D# Maj • 09:55 • -13.24db
15% Popularity • 9% Danceability • 29% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 29% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Messa di Gloria: IV. Gratias
72 bpm • C# Maj • 03:40 • -22.16db
13% Popularity • 22% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 4% Positiveness
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Carl Orff
Carmina Burana, Pt. 1: No. 3, Veris leta...
72 bpm • A min • 04:06 • -44.08db
8% Popularity • 7% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 14% Positiveness
8% Popularity • 7% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 14% Positiveness
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Michael Tippett
A Child of our Time / Part 3: "Deep Rive...
70 bpm • E Maj • 03:25 • -20.98db
5% Popularity • 7% Danceability • 15% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
5% Popularity • 7% Danceability • 15% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
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Joseph D. Price
Irish Tune from County Derry "Danny Boy"
70 bpm • E Maj • 06:18 • -31db
7% Popularity • 6% Danceability • 1% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
7% Popularity • 6% Danceability • 1% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
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Karol Szymanowski
Stabat Mater, Op. 53: VI. Chrystus niech...
72 bpm • C# Maj • 04:59 • -32.3db
6% Popularity • 18% Danceability • 2% Energy • 12% Liveness
62% Instrumentalness • 3% Positiveness
6% Popularity • 18% Danceability • 2% Energy • 12% Liveness
62% Instrumentalness • 3% Positiveness
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Matthew Coleridge
Requiem: Lacrimosa
72 bpm • D min • 05:14 • -27.71db
8% Popularity • 13% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
8% Popularity • 13% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Adolphe Adam
La jolie fille de Gand: No. 1 Andantino ...
70 bpm • D Maj • 00:57 • -34.05db
17% Popularity • 33% Danceability • 1% Energy • 14% Liveness
62% Instrumentalness • 21% Positiveness
17% Popularity • 33% Danceability • 1% Energy • 14% Liveness
62% Instrumentalness • 21% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: II. A...
70 bpm • C Maj • 02:30 • -26.62db
10% Popularity • 18% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
10% Popularity • 18% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Michael Tippett
The Rose Lake: IV. The Lake Song Is Echo...
72 bpm • F# Maj • 02:08 • -29.93db
0% Popularity • 16% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
0% Popularity • 16% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
Sinfonia antartica "Symphony No. 7": I. ...
69 bpm • C Maj • 10:10 • -16.16db
9% Popularity • 9% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Dorothy Howell
Divertissements: III. Three Divertisseme...
69 bpm • C Maj • 03:38 • -14.93db
8% Popularity • 22% Danceability • 23% Energy • 21% Liveness
86% Instrumentalness • 12% Positiveness
8% Popularity • 22% Danceability • 23% Energy • 21% Liveness
86% Instrumentalness • 12% Positiveness
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Edvard Grieg
Before a Southern Convent, Op. 20
73 bpm • F min • 09:24 • -22.55db
7% Popularity • 15% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 15% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Kurt Weill
Lady in the Dark - Symphonic Nocturne (a...
73 bpm • C Maj • 02:39 • -22.76db
11% Popularity • 17% Danceability • 4% Energy • 57% Liveness
89% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 4% Energy • 57% Liveness
89% Instrumentalness • 4% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: II. A...
73 bpm • C Maj • 01:59 • -26.68db
13% Popularity • 17% Danceability • 1% Energy • 33% Liveness
92% Instrumentalness • 7% Positiveness
13% Popularity • 17% Danceability • 1% Energy • 33% Liveness
92% Instrumentalness • 7% Positiveness
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Michael Tippett
A Child of our Time / Part 1: "Is Evil T...
73 bpm • A# Maj • 03:59 • -22.85db
5% Popularity • 9% Danceability • 1% Energy • 8% Liveness
25% Instrumentalness • 6% Positiveness
5% Popularity • 9% Danceability • 1% Energy • 8% Liveness
25% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Elijah, Op. 70: "O Thou, Who Makest" (Re...
73 bpm • E Maj • 03:04 • -15.67db
9% Popularity • 15% Danceability • 24% Energy • 34% Liveness
1% Instrumentalness • 14% Positiveness
9% Popularity • 15% Danceability • 24% Energy • 34% Liveness
1% Instrumentalness • 14% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
69 bpm • F min • 01:08 • -36.69db
13% Popularity • 9% Danceability • 1% Energy • 19% Liveness
39% Instrumentalness • 4% Positiveness
13% Popularity • 9% Danceability • 1% Energy • 19% Liveness
39% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade for Strings in C, Op. 48: 3. El...
69 bpm • D Maj • 09:26 • -23.14db
8% Popularity • 6% Danceability • 8% Energy • 49% Liveness
79% Instrumentalness • 4% Positiveness
8% Popularity • 6% Danceability • 8% Energy • 49% Liveness
79% Instrumentalness • 4% Positiveness
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Jean Sibelius
Maan virsi (Hymn to the Earth), Op. 95
73 bpm • C Maj • 07:43 • -22.76db
11% Popularity • 8% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
11% Popularity • 8% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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George Enescu
2 Romanian Rhapsodies, Op. 11: No. 2 in ...
73 bpm • D Maj • 11:41 • -25.54db
13% Popularity • 10% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Michael Tippett
The Midsummer Marriage, Act I Scene 8: Y...
73 bpm • D Maj • 02:21 • -22.3db
0% Popularity • 32% Danceability • 17% Energy • 66% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 32% Danceability • 17% Energy • 66% Liveness
0% Instrumentalness • 23% Positiveness
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Richard Strauss
Eine Alpensinfonie, Op. 64, TrV 233: VII...
74 bpm • F# Maj • 00:57 • -27.73db
8% Popularity • 20% Danceability • 7% Energy • 21% Liveness
70% Instrumentalness • 22% Positiveness
8% Popularity • 20% Danceability • 7% Energy • 21% Liveness
70% Instrumentalness • 22% Positiveness
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Robert Schumann
Schumann: Symphony No. 3 in E-Flat Major...
74 bpm • G# Maj • 06:46 • -29.07db
1% Popularity • 12% Danceability • 3% Energy • 14% Liveness
75% Instrumentalness • 4% Positiveness
1% Popularity • 12% Danceability • 3% Energy • 14% Liveness
75% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Symphony No. 3 "Kaddish": IIId. Fugue
69 bpm • F min • 04:10 • -19.96db
10% Popularity • 21% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 21% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 6% Positiveness
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Sir Adrian Boult
First Movement Molto Moderato
74 bpm • D Maj • 09:41 • -19.09db
11% Popularity • 7% Danceability • 18% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
11% Popularity • 7% Danceability • 18% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Max Reger
Variation 6: Sostenuto (quasi adagietto)
74 bpm • D Maj • 02:07 • -26db
19% Popularity • 13% Danceability • 6% Energy • 8% Liveness
81% Instrumentalness • 17% Positiveness
19% Popularity • 13% Danceability • 6% Energy • 8% Liveness
81% Instrumentalness • 17% Positiveness
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Michael Tippett
A Child of Our Time: Nos. 26-27. The Col...
69 bpm • F Maj • 06:27 • -26db
4% Popularity • 11% Danceability • 3% Energy • 13% Liveness
52% Instrumentalness • 4% Positiveness
4% Popularity • 11% Danceability • 3% Energy • 13% Liveness
52% Instrumentalness • 4% Positiveness
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Ottorino Respighi
3 Corali, P. 167: No. 2, Andante con mot...
74 bpm • G Maj • 01:08 • -38.9db
16% Popularity • 38% Danceability • 0% Energy • 6% Liveness
39% Instrumentalness • 30% Positiveness
16% Popularity • 38% Danceability • 0% Energy • 6% Liveness
39% Instrumentalness • 30% Positiveness
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Cecilia Livingston
Breath Alone: Paula Modersohn-Becker (Ve...
74 bpm • G min • 07:13 • -20.93db
12% Popularity • 17% Danceability • 8% Energy • 6% Liveness
4% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 8% Energy • 6% Liveness
4% Instrumentalness • 4% Positiveness
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Moritz Moszkowski
Piano Concerto in E Major, Op. 59: III. ...
74 bpm • C# min • 06:31 • -27.5db
10% Popularity • 23% Danceability • 10% Energy • 13% Liveness
89% Instrumentalness • 20% Positiveness
10% Popularity • 23% Danceability • 10% Energy • 13% Liveness
89% Instrumentalness • 20% Positiveness
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Charles Koechlin
Pelleas et Melisande, Op. 80 (arr. C. Ko...
74 bpm • G Maj • 04:17 • -26.56db
12% Popularity • 7% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
12% Popularity • 7% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Giuseppe Verdi
Verdi: La traviata, Act 2: "Di Provenza ...
74 bpm • C# Maj • 04:55 • -26.56db
22% Popularity • 7% Danceability • 1% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
22% Popularity • 7% Danceability • 1% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Michael Tippett
Symphony No. 2: IV. Allegro moderato
74 bpm • D min • 09:07 • -22.75db
1% Popularity • 20% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
1% Popularity • 20% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Richard Strauss
Oboe Concerto in D Major, TrV 292: II. A...
68 bpm • A# Maj • 09:16 • -25.36db
8% Popularity • 8% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Erik Satie
Gymnopédie No. 3
75 bpm • A min • 02:44 • -31.42db
8% Popularity • 18% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
8% Popularity • 18% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Paul Hindemith
Die Harmonie der Welt Symphony: II. Musi...
74 bpm • C# Maj • 09:47 • -30.41db
16% Popularity • 7% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
16% Popularity • 7% Danceability • 3% Energy • 11% Liveness
76% Instrumentalness • 3% Positiveness
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Maurice Duruflé
Requiem, Op. 9: VIII. Libera Me
75 bpm • A Maj • 05:06 • -23.81db
9% Popularity • 7% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
9% Popularity • 7% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Heikki Rainio
Resitatiivi, Kolmannen Päivän Aamuna (...
75 bpm • F Maj • 02:56 • -22.47db
8% Popularity • 21% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Michael Tippett
Tippett: Little Music for String Orchest...
74 bpm • G Maj • 03:30 • -22.07db
15% Popularity • 12% Danceability • 9% Energy • 34% Liveness
88% Instrumentalness • 16% Positiveness
15% Popularity • 12% Danceability • 9% Energy • 34% Liveness
88% Instrumentalness • 16% Positiveness
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Igor Stravinsky
Threni, Lamentations of Jeremiah: III. D...
67 bpm • A Maj • 06:42 • -22.74db
9% Popularity • 15% Danceability • 23% Energy • 50% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 15% Danceability • 23% Energy • 50% Liveness
0% Instrumentalness • 9% Positiveness
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Richard Wagner
Wesendonck Lieder, WWV 91 (Arr. Fontanel...
67 bpm • D Maj • 03:51 • -18.65db
12% Popularity • 25% Danceability • 7% Energy • 13% Liveness
4% Instrumentalness • 3% Positiveness
12% Popularity • 25% Danceability • 7% Energy • 13% Liveness
4% Instrumentalness • 3% Positiveness
► Preview
Johannes Brahms
Symphony No. 3 in F Major, Op. 90: IV. A...
67 bpm • F Maj • 01:50 • -26.57db
11% Popularity • 20% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
11% Popularity • 20% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
► Preview
Gabriel Fauré
Requiem, Op. 48: II. Offertory
75 bpm • D Maj • 08:09 • -34db
13% Popularity • 8% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
13% Popularity • 8% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Gioachino Rossini
Petite messe solennelle: VIII. Gloria. Q...
67 bpm • F min • 06:37 • -21.83db
9% Popularity • 21% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 21% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Michael Tippett
Suite from 'New Year': XII. Ringing in t...
74 bpm • D min • 01:07 • -16.22db
0% Popularity • 28% Danceability • 52% Energy • 47% Liveness
97% Instrumentalness • 22% Positiveness
0% Popularity • 28% Danceability • 52% Energy • 47% Liveness
97% Instrumentalness • 22% Positiveness
► Preview
Karol Szymanowski
Stabat Mater, Op. 53: IV. Spraw, niech p...
75 bpm • G# Maj • 02:52 • -36.76db
7% Popularity • 7% Danceability • 3% Energy • 9% Liveness
62% Instrumentalness • 3% Positiveness
7% Popularity • 7% Danceability • 3% Energy • 9% Liveness
62% Instrumentalness • 3% Positiveness
► Preview
Philip Yoo
Dream Outro
67 bpm • A Maj • 01:37 • -23.86db
15% Popularity • 18% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Sergei Prokofiev
Prokofiev: Symphony No. 4 in C Major, Op...
67 bpm • C Maj • 07:14 • -28.82db
7% Popularity • 7% Danceability • 4% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
7% Popularity • 7% Danceability • 4% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Benjamin Britten
Spring Symphony, Op. 44, Part II: Waters...
66 bpm • F min • 02:44 • -32.28db
12% Popularity • 21% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
12% Popularity • 21% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Antonín Dvořák
Mass in D Major, Op. 86, B. 175: II. Glo...
66 bpm • G Maj • 08:08 • -20.34db
8% Popularity • 10% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Michael Tippett
A Child of our Time, Part II: A Spiritua...
67 bpm • F Maj • 02:30 • -21.66db
23% Popularity • 10% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
23% Popularity • 10% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Alexander Glazunov
Raymonda, Act III: Variation for female ...
76 bpm • B Maj • 02:44 • -27.1db
13% Popularity • 18% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
13% Popularity • 18% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
William Walton
2 Pieces for Strings, C. 50j : No. 2, To...
76 bpm • C Maj • 01:27 • -38.45db
23% Popularity • 21% Danceability • 2% Energy • 10% Liveness
99% Instrumentalness • 6% Positiveness
23% Popularity • 21% Danceability • 2% Energy • 10% Liveness
99% Instrumentalness • 6% Positiveness
► Preview
Béla Bartók
Romanian Folk Dances, Sz. 68: No. 3, Pe ...
76 bpm • B min • 01:06 • -30.79db
8% Popularity • 48% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
8% Popularity • 48% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
12 Songs, Op. 21: VII. Zdes' Khorosho (O...
76 bpm • A Maj • 02:34 • -26.6db
10% Popularity • 7% Danceability • 2% Energy • 6% Liveness
94% Instrumentalness • 3% Positiveness
10% Popularity • 7% Danceability • 2% Energy • 6% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Edward Elgar
The Dream of Gerontius, Op. 38: No. 3, "...
66 bpm • C min • 02:12 • -39.85db
9% Popularity • 15% Danceability • 0% Energy • 11% Liveness
51% Instrumentalness • 10% Positiveness
9% Popularity • 15% Danceability • 0% Energy • 11% Liveness
51% Instrumentalness • 10% Positiveness
► Preview
Michael Tippett
Five Negro Spirituals from "A Child of o...
67 bpm • G min • 01:18 • -24.51db
0% Popularity • 26% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 26% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Ottorino Respighi
Fountains of Rome, P. 106: II. The Trito...
66 bpm • C Maj • 02:43 • -18.51db
11% Popularity • 19% Danceability • 9% Energy • 7% Liveness
35% Instrumentalness • 3% Positiveness
11% Popularity • 19% Danceability • 9% Energy • 7% Liveness
35% Instrumentalness • 3% Positiveness
► Preview
Dr. Jeffrey Thompson
The Planets Suite: Neptune, The Mystic
66 bpm • G# min • 08:15 • -35.43db
13% Popularity • 6% Danceability • 3% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
13% Popularity • 6% Danceability • 3% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
Béla Bartók
Romanian Folk Dances, Sz. 68: No. 4, Buc...
66 bpm • D min • 01:35 • -28.17db
13% Popularity • 25% Danceability • 3% Energy • 26% Liveness
3% Instrumentalness • 6% Positiveness
13% Popularity • 25% Danceability • 3% Energy • 26% Liveness
3% Instrumentalness • 6% Positiveness
► Preview
Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492, Act IV: Aria....
77 bpm • F Maj • 03:04 • -23.99db
22% Popularity • 24% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
22% Popularity • 24% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Benjamin Britten
The Young Person's Guide to the Orchestr...
66 bpm • C Maj • 03:10 • -32.42db
19% Popularity • 26% Danceability • 1% Energy • 8% Liveness
37% Instrumentalness • 4% Positiveness
19% Popularity • 26% Danceability • 1% Energy • 8% Liveness
37% Instrumentalness • 4% Positiveness
► Preview
Michael Tippett
Tippett: Concerto for Double String Orch...
76 bpm • E min • 09:02 • -24.34db
14% Popularity • 7% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 3% Positiveness
14% Popularity • 7% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 3% Positiveness
► Preview
Joseph Canteloube
Chants d'Auvergne, Vol. 1: No. 1. Pastou...
77 bpm • A min • 03:19 • -19.72db
9% Popularity • 23% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 23% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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KNOXVILLETRACKZ
HFTEPX
65 bpm • D min • 01:04 • -47.34db
14% Popularity • 12% Danceability • 0% Energy • 9% Liveness
100% Instrumentalness • 32% Positiveness
14% Popularity • 12% Danceability • 0% Energy • 9% Liveness
100% Instrumentalness • 32% Positiveness
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Sir Adrian Boult
Fourth Movement Moderato Maestoso
77 bpm • D Maj • 06:20 • -22db
10% Popularity • 7% Danceability • 9% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
10% Popularity • 7% Danceability • 9% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Ottorino Respighi
I Fontani di Roma, P. 106: II. La fontan...
77 bpm • C Maj • 02:17 • -13.35db
8% Popularity • 36% Danceability • 22% Energy • 11% Liveness
70% Instrumentalness • 6% Positiveness
8% Popularity • 36% Danceability • 22% Energy • 11% Liveness
70% Instrumentalness • 6% Positiveness
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Joose Vähäsöyrinki
Resitatiivi, Kun Jeesus Oli Vangittu
77 bpm • G Maj • 04:13 • -21db
10% Popularity • 23% Danceability • 13% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
10% Popularity • 23% Danceability • 13% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
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Michael Tippett
A Child of Our Time: No. 29. General Ens...
66 bpm • E min • 04:38 • -24.79db
4% Popularity • 6% Danceability • 9% Energy • 13% Liveness
80% Instrumentalness • 4% Positiveness
4% Popularity • 6% Danceability • 9% Energy • 13% Liveness
80% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: No. 7...
65 bpm • E Maj • 05:39 • -25.78db
12% Popularity • 6% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
12% Popularity • 6% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Alexander Scriabin
Symphony No. 2 in C minor, Op. 29: V. Ma...
78 bpm • C Maj • 08:28 • -12.36db
14% Popularity • 12% Danceability • 25% Energy • 14% Liveness
84% Instrumentalness • 6% Positiveness
14% Popularity • 12% Danceability • 25% Energy • 14% Liveness
84% Instrumentalness • 6% Positiveness
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Jean Sibelius
Sibelius: Symphony No. 7 in C Major, Op....
78 bpm • C Maj • 06:49 • -21.18db
9% Popularity • 8% Danceability • 21% Energy • 68% Liveness
91% Instrumentalness • 5% Positiveness
9% Popularity • 8% Danceability • 21% Energy • 68% Liveness
91% Instrumentalness • 5% Positiveness
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Richard Wagner
Wesendonck Lieder, WWV 91 (Arr. Fontanel...
65 bpm • D# Maj • 03:04 • -21.63db
14% Popularity • 15% Danceability • 7% Energy • 12% Liveness
15% Instrumentalness • 5% Positiveness
14% Popularity • 15% Danceability • 7% Energy • 12% Liveness
15% Instrumentalness • 5% Positiveness
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Benjamin Britten
Spring Symphony, Op. 44, Part III: When ...
78 bpm • F min • 02:37 • -26.54db
11% Popularity • 42% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 42% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Michael Tippett
A Child of Our Time: Nos. 3-5. Scene, Is...
77 bpm • F Maj • 06:03 • -24.98db
6% Popularity • 15% Danceability • 2% Energy • 40% Liveness
0% Instrumentalness • 4% Positiveness
6% Popularity • 15% Danceability • 2% Energy • 40% Liveness
0% Instrumentalness • 4% Positiveness
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Franz Schubert
Schubert: Rosamunde, Op. 26, D. 797: Ent...
78 bpm • A# Maj • 06:53 • -21.28db
31% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
31% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Edward Elgar
The Dream of Gerontius, Op. 38, Pt. 1: R...
78 bpm • C min • 03:57 • -26.69db
6% Popularity • 12% Danceability • 6% Energy • 15% Liveness
15% Instrumentalness • 9% Positiveness
6% Popularity • 12% Danceability • 6% Energy • 15% Liveness
15% Instrumentalness • 9% Positiveness
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Frank Bridge
The Sea: No. 3 Moonlight
78 bpm • E min • 06:11 • -28.69db
8% Popularity • 7% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
8% Popularity • 7% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Richard Wagner
Akt I: Durch Mitleid wissend
78 bpm • G# Maj • 07:57 • -30.2db
12% Popularity • 7% Danceability • 3% Energy • 10% Liveness
51% Instrumentalness • 3% Positiveness
12% Popularity • 7% Danceability • 3% Energy • 10% Liveness
51% Instrumentalness • 3% Positiveness
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Celso Garrido-Lecca
Danzas Populares Andinas: No. 4, Andante
78 bpm • E min • 03:29 • -31.12db
12% Popularity • 8% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
12% Popularity • 8% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Michael Tippett
The Midsummer Marriage, Act I Scene 8: S...
77 bpm • C Maj • 03:50 • -17.81db
0% Popularity • 27% Danceability • 20% Energy • 71% Liveness
0% Instrumentalness • 6% Positiveness
0% Popularity • 27% Danceability • 20% Energy • 71% Liveness
0% Instrumentalness • 6% Positiveness
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![弦楽のためのアダージョ (バーバー)[式後の音楽] cover art](https://i.scdn.co/image/ab67616d00001e02c19974b0329a3839c77a7459)
ソフィア交響楽団
弦楽のためのアダージョ (バ�...
78 bpm • A# min • 06:51 • -22.66db
10% Popularity • 7% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
10% Popularity • 7% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Edward Elgar
The Music Makers, Op. 69: I. Introductio...
78 bpm • D# Maj • 03:30 • -22.53db
10% Popularity • 7% Danceability • 6% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
10% Popularity • 7% Danceability • 6% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Eric Coates
Springtime Suite: Noonday Song
64 bpm • C min • 04:31 • -27.74db
1% Popularity • 6% Danceability • 5% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
1% Popularity • 6% Danceability • 5% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Richard Strauss
Josephs-Legende, Op. 63, TrV 231: Allegr...
64 bpm • D Maj • 01:12 • -14.57db
11% Popularity • 24% Danceability • 34% Energy • 49% Liveness
99% Instrumentalness • 10% Positiveness
11% Popularity • 24% Danceability • 34% Energy • 49% Liveness
99% Instrumentalness • 10% Positiveness
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Pietro Mascagni
Cavalleria Rusticana: Preludio e Sicilia...
79 bpm • F Maj • 07:14 • -25.14db
9% Popularity • 11% Danceability • 6% Energy • 36% Liveness
9% Instrumentalness • 6% Positiveness
9% Popularity • 11% Danceability • 6% Energy • 36% Liveness
9% Instrumentalness • 6% Positiveness
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Michael Tippett
A Child of our Time / Part 2: "They Took...
78 bpm • G Maj • 02:03 • -19.36db
3% Popularity • 25% Danceability • 16% Energy • 10% Liveness
22% Instrumentalness • 8% Positiveness
3% Popularity • 25% Danceability • 16% Energy • 10% Liveness
22% Instrumentalness • 8% Positiveness
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William Walton
Walton: Henry V: Passacaglia "Death of F...
79 bpm • E min • 02:55 • -27.29db
20% Popularity • 18% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Edward Elgar
The Music Makers, Op. 69: IV. We, in the...
79 bpm • F Maj • 04:17 • -20.02db
8% Popularity • 8% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
8% Popularity • 8% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
