Songs like A Concert Six Months From Now by FINNEAS
Based on a tempo of (+/- 10%) and a similar genre
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Olivia Dean
Slowly
139 bpm • F Maj • 03:49 • -12.66db
49% Popularity • 48% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
49% Popularity • 48% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Blake Rose
Gone
139 bpm • B min • 03:25 • -6db
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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FINNEAS
A Concert Six Months From Now
139 bpm • G Maj • 03:25 • -10.27db
52% Popularity • 54% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
52% Popularity • 54% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Tom Rosenthal
Call You in the Morning
138 bpm • G Maj • 02:12 • -9.72db
45% Popularity • 73% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
45% Popularity • 73% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
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Cian Ducrot
Crocodiles
139 bpm • G min • 04:00 • -11db
39% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Orla Gartland
Heavy
140 bpm • F Maj • 04:04 • -12.02db
38% Popularity • 64% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
38% Popularity • 64% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Greyson Chance
Palladium
138 bpm • F Maj • 04:07 • -8.4db
35% Popularity • 48% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 48% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Joy Oladokun
sorry isn't good enough
140 bpm • D min • 03:07 • -7.41db
30% Popularity • 63% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 63% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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FINNEAS
American Cliché
138 bpm • B min • 03:23 • -7.6db
47% Popularity • 77% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 77% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Avery Lynch
Out Of Love with You
140 bpm • G# Maj • 03:40 • -9.93db
39% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Abby Cates
saw ur mom at the grocery store
140 bpm • G Maj • 04:13 • -7.88db
29% Popularity • 48% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 48% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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ROSIE
100 Headaches
140 bpm • C# Maj • 02:51 • -9.29db
27% Popularity • 47% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 47% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Tom Rosenthal
Hope - Acoustic
138 bpm • B Maj • 03:43 • -13.44db
45% Popularity • 59% Danceability • 14% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 59% Danceability • 14% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
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Billie Eilish
TV
140 bpm • E min • 04:41 • -15.16db
82% Popularity • 41% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 12% Positiveness
82% Popularity • 41% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 12% Positiveness
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FINNEAS
Naked
140 bpm • G Maj • 02:47 • -4.97db
51% Popularity • 74% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
51% Popularity • 74% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Daya
Montana
138 bpm • D Maj • 03:23 • -7db
42% Popularity • 60% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 60% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Stephen Sanchez
Kayla
138 bpm • G# Maj • 02:55 • -9db
50% Popularity • 41% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
50% Popularity • 41% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Chord Overstreet
What You Need
140 bpm • C Maj • 03:01 • -11.17db
48% Popularity • 52% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
48% Popularity • 52% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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Novo Amor
State Lines
137 bpm • A Maj • 03:28 • -10.62db
75% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
75% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
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Billie Eilish
i love you
137 bpm • C Maj • 04:51 • -18.44db
79% Popularity • 42% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
79% Popularity • 42% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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FINNEAS
The Kids Are All Dying
138 bpm • G Maj • 02:47 • -8.2db
51% Popularity • 73% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
51% Popularity • 73% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Lizzy McAlpine
hate to be lame
137 bpm • A# min • 02:36 • -12.63db
67% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
67% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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ROLE MODEL
rx
141 bpm • E Maj • 03:20 • -15db
36% Popularity • 44% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 44% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Conan Gray
The Story
142 bpm • C Maj • 04:05 • -10.38db
63% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
63% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Harry Styles
Little Freak
142 bpm • D# Maj • 03:22 • -7.72db
75% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
75% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Aquilo
Just A Day
141 bpm • C Maj • 03:25 • -13db
21% Popularity • 32% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 32% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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FINNEAS
A Little Closer (FINNEAS Version)
140 bpm • B Maj • 04:02 • -17.09db
38% Popularity • 37% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 37% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Bastille
No More Bad Days
136 bpm • F# Maj • 03:59 • -9.02db
27% Popularity • 55% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 55% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Hayd
What Did I Do?
142 bpm • F# Maj • 03:35 • -11.87db
48% Popularity • 59% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 59% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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BANNERS
If I Didn't Have You
136 bpm • F Maj • 03:45 • -8db
44% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
44% Popularity • 63% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Lizzy McAlpine
Pancakes for Dinner
142 bpm • B Maj • 03:55 • -11.45db
63% Popularity • 75% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
63% Popularity • 75% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Conan Gray
Little League
142 bpm • E min • 03:14 • -6.42db
57% Popularity • 56% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
57% Popularity • 56% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Lexi Jayde
self sabotage
136 bpm • D Maj • 03:40 • -7.01db
44% Popularity • 58% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 58% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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ROLE MODEL
death wish
136 bpm • E min • 02:40 • -7.67db
43% Popularity • 68% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
43% Popularity • 68% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
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Taylor Swift
this is me trying
136 bpm • A Maj • 03:15 • -9.84db
77% Popularity • 52% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
77% Popularity • 52% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Ben Platt
carefully
135 bpm • C Maj • 04:45 • -8.74db
37% Popularity • 65% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 65% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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FINNEAS
The 90s
135 bpm • F Maj • 03:23 • -11.63db
45% Popularity • 80% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
45% Popularity • 80% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
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girl in red
hornylovesickmess
143 bpm • G# Maj • 02:55 • -9db
54% Popularity • 54% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
54% Popularity • 54% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Lexi Jayde
gentle
135 bpm • F Maj • 03:18 • -7db
40% Popularity • 58% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 58% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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ROSIE
All my favorite songs
135 bpm • C# Maj • 02:56 • -10db
32% Popularity • 55% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 55% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Suriel Hess
Still Something
135 bpm • B Maj • 03:08 • -7.58db
52% Popularity • 70% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
52% Popularity • 70% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Lizzy McAlpine
doomsday
135 bpm • C# Maj • 04:28 • -10db
67% Popularity • 40% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
67% Popularity • 40% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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FINNEAS
Lost My Mind
135 bpm • G min • 02:49 • -11.04db
49% Popularity • 66% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
49% Popularity • 66% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
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Olivia Rodrigo
drivers license
144 bpm • A# Maj • 04:02 • -8.81db
86% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
86% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Tom Odell
Just Another Thing We Don't Talk About
144 bpm • A Maj • 03:39 • -12.86db
51% Popularity • 42% Danceability • 18% Energy • 11% Liveness
6% Instrumentalness • 14% Positiveness
51% Popularity • 42% Danceability • 18% Energy • 11% Liveness
6% Instrumentalness • 14% Positiveness
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Novo Amor
Repeat Until Death
144 bpm • C# Maj • 03:54 • -11.74db
68% Popularity • 23% Danceability • 15% Energy • 15% Liveness
36% Instrumentalness • 9% Positiveness
68% Popularity • 23% Danceability • 15% Energy • 15% Liveness
36% Instrumentalness • 9% Positiveness
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Rachael Jenkins
I Don't Know
144 bpm • D Maj • 03:16 • -14.75db
26% Popularity • 56% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 56% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Griff
Good Stuff
144 bpm • G Maj • 03:13 • -7.48db
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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mehro
the same
144 bpm • F min • 03:24 • -11db
51% Popularity • 58% Danceability • 50% Energy • 10% Liveness
18% Instrumentalness • 31% Positiveness
51% Popularity • 58% Danceability • 50% Energy • 10% Liveness
18% Instrumentalness • 31% Positiveness
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Peter McPoland
News At 9
134 bpm • D# Maj • 03:13 • -6db
43% Popularity • 34% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
43% Popularity • 34% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
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FINNEAS
Break My Heart Again
144 bpm • E min • 03:57 • -14.23db
69% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
69% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Luke Hemmings
Mum
144 bpm • D# Maj • 03:50 • -6.67db
53% Popularity • 33% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
53% Popularity • 33% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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BLÜ EYES
supposed to
134 bpm • D Maj • 02:54 • -6.33db
41% Popularity • 80% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 80% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Harry Styles
Girl Crush - Recorded at Metropolis Stud...
144 bpm • E Maj • 04:03 • -11.73db
66% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
66% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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mehro
chance with you
144 bpm • E min • 03:35 • -8.13db
65% Popularity • 56% Danceability • 49% Energy • 15% Liveness
3% Instrumentalness • 38% Positiveness
65% Popularity • 56% Danceability • 49% Energy • 15% Liveness
3% Instrumentalness • 38% Positiveness
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Wrabel
wish you well
134 bpm • C Maj • 03:02 • -7db
55% Popularity • 57% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
55% Popularity • 57% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Noah Kahan
Anyway
134 bpm • G Maj • 05:12 • -10.69db
63% Popularity • 65% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
63% Popularity • 65% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Sky McCreery
i looked into your eyes
134 bpm • A# Maj • 02:28 • -9.55db
59% Popularity • 48% Danceability • 10% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
59% Popularity • 48% Danceability • 10% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
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Kate Stephenson
Exless
134 bpm • G# Maj • 03:25 • -12.5db
35% Popularity • 51% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 51% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Tom Odell
Flying :))
134 bpm • F# Maj • 02:59 • -15.06db
60% Popularity • 52% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
60% Popularity • 52% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
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FINNEAS
What They'll Say About Us
145 bpm • G min • 03:01 • -13.04db
59% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
59% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Conan Gray
Astronomy
145 bpm • E min • 04:03 • -8.57db
74% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
74% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Gatlin
I Think About You All the Time
145 bpm • A# min • 04:10 • -10db
34% Popularity • 38% Danceability • 46% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
34% Popularity • 38% Danceability • 46% Energy • 16% Liveness
1% Instrumentalness • 20% Positiveness
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Luke Hemmings
Comedown
133 bpm • G Maj • 04:38 • -10.19db
47% Popularity • 46% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 15% Positiveness
47% Popularity • 46% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 15% Positiveness
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Sleeping At Last
Two
133 bpm • E Maj • 04:18 • -9db
56% Popularity • 50% Danceability • 33% Energy • 44% Liveness
0% Instrumentalness • 30% Positiveness
56% Popularity • 50% Danceability • 33% Energy • 44% Liveness
0% Instrumentalness • 30% Positiveness
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Julia Michaels
What A Time
133 bpm • C Maj • 02:53 • -6.18db
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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FINNEAS
What They'll Say About Us (Until The Rib...
145 bpm • C Maj • 03:32 • -4.43db
22% Popularity • 60% Danceability • 72% Energy • 37% Liveness
11% Instrumentalness • 50% Positiveness
22% Popularity • 60% Danceability • 72% Energy • 37% Liveness
11% Instrumentalness • 50% Positiveness
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Ben Kessler
Cruise Control
146 bpm • F Maj • 02:39 • -8.42db
31% Popularity • 40% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 40% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
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Clinton Kane
KEEP IT TO YOURSELF
132 bpm • C Maj • 02:54 • -7.04db
43% Popularity • 49% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 49% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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mehro
parasite
132 bpm • G Maj • 02:37 • -10.96db
41% Popularity • 60% Danceability • 52% Energy • 14% Liveness
2% Instrumentalness • 39% Positiveness
41% Popularity • 60% Danceability • 52% Energy • 14% Liveness
2% Instrumentalness • 39% Positiveness
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Luz
permanent +1
132 bpm • B Maj • 03:32 • -12.29db
36% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Halsey
Ya'aburnee
132 bpm • G Maj • 03:08 • -13.58db
45% Popularity • 72% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
45% Popularity • 72% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Alec Benjamin
The Way You Felt
132 bpm • C Maj • 03:03 • -6.93db
60% Popularity • 87% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
60% Popularity • 87% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Labrinth
I’m Tired - Bonus Track
132 bpm • C min • 03:07 • -10.62db
59% Popularity • 38% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
59% Popularity • 38% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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ella jane
Thief
147 bpm • D Maj • 03:26 • -9.97db
24% Popularity • 58% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 58% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
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Chance Peña
Up, Up & Away
132 bpm • A min • 02:00 • -12.33db
57% Popularity • 66% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
57% Popularity • 66% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Sleeping At Last
Already Gone
131 bpm • D# Maj • 04:03 • -10db
68% Popularity • 42% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
68% Popularity • 42% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Luke Hemmings
Bloodline
131 bpm • A# Maj • 02:04 • -16.49db
50% Popularity • 50% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
50% Popularity • 50% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Lizzy McAlpine
ceilings
148 bpm • A Maj • 03:02 • -11.76db
83% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
83% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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ROLE MODEL
neverletyougo
147 bpm • G# Maj • 02:58 • -10.41db
51% Popularity • 79% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
51% Popularity • 79% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Delaney Bailey
Oh Love
148 bpm • G# Maj • 02:45 • -14.92db
45% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
45% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Conan Gray
Yours
130 bpm • D Maj • 03:24 • -8.87db
64% Popularity • 52% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
64% Popularity • 52% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Matt Maeson
Nelsonwood Lane
148 bpm • G Maj • 04:28 • -13db
37% Popularity • 33% Danceability • 25% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
37% Popularity • 33% Danceability • 25% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
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Kings Elliot
Dancing Alone
130 bpm • D Maj • 03:00 • -11.69db
27% Popularity • 70% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 70% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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FINNEAS
I Don't Miss You at All
148 bpm • C# min • 02:08 • -7.57db
56% Popularity • 84% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
56% Popularity • 84% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Griff
Earl Grey Tea
130 bpm • C# min • 02:47 • -6.53db
46% Popularity • 65% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
46% Popularity • 65% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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flora cash
A good childhood
130 bpm • E min • 03:27 • -6db
34% Popularity • 74% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 74% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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mehro
perfume
130 bpm • D Maj • 02:29 • -7.09db
56% Popularity • 68% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 70% Positiveness
56% Popularity • 68% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 70% Positiveness
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Isaac Dunbar
intimate moments
130 bpm • D Maj • 03:30 • -6.21db
39% Popularity • 52% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 52% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Sara Kays
When You Look at Me
130 bpm • D Maj • 02:50 • -10.71db
40% Popularity • 64% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
40% Popularity • 64% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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FINNEAS
Angel
130 bpm • F Maj • 05:11 • -12.53db
54% Popularity • 54% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
54% Popularity • 54% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
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Abe Parker
Empty House
130 bpm • D Maj • 02:57 • -9.75db
40% Popularity • 63% Danceability • 39% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 63% Danceability • 39% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
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Natalie Madigan
Remember Why You Fell in Love
130 bpm • B Maj • 04:25 • -10.76db
37% Popularity • 55% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
37% Popularity • 55% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Billie Eilish
Your Power
130 bpm • A min • 04:05 • -14.03db
73% Popularity • 63% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
73% Popularity • 63% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
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James Smith
District Line
149 bpm • F# Maj • 03:28 • -15db
29% Popularity • 53% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 53% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Clinton Kane
remember the mornings
149 bpm • C Maj • 03:22 • -5.66db
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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FINNEAS
Luck Pusher
130 bpm • A Maj • 02:43 • -12.19db
36% Popularity • 62% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 62% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Anson Seabra
That's Us
129 bpm • A# Maj • 04:30 • -15.4db
58% Popularity • 62% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
58% Popularity • 62% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
