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A Crime
Songs like
A Crime
by
Big Red Machine
Based on a tempo of (+/- 10%) and a similar genre
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Big Red Machine
A Crime
156 bpm • F# min • 02:50 • -4.17db
24% Popularity • 26% Danceability • 90% Energy • 41% Liveness
0% Instrumentalness • 31% Positiveness
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Bright Eyes
Calais to Dover
156 bpm • G Maj • 04:17 • -5.39db
29% Popularity • 32% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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St. Vincent
Down
156 bpm • G Maj • 03:26 • -8.17db
40% Popularity • 71% Danceability • 79% Energy • 60% Liveness
0% Instrumentalness • 96% Positiveness
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Thao
Pure Cinema
156 bpm • F# Maj • 04:29 • -6.6db
19% Popularity • 48% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Julien Baker
Faith Healer
156 bpm • E Maj • 02:54 • -7db
48% Popularity • 40% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Tristen
Complex
156 bpm • F Maj • 03:48 • -9.41db
24% Popularity • 58% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Big Red Machine
June's a River
156 bpm • F min • 04:27 • -13db
38% Popularity • 74% Danceability • 40% Energy • 11% Liveness
76% Instrumentalness • 70% Positiveness
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Fenne Lily
Alapathy
158 bpm • G# Maj • 03:14 • -6.28db
24% Popularity • 55% Danceability • 91% Energy • 7% Liveness
53% Instrumentalness • 97% Positiveness
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Bright Eyes
Mariana Trench
158 bpm • A Maj • 03:41 • -8.19db
33% Popularity • 57% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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The Districts
Velour and Velcro
157 bpm • A# Maj • 03:10 • -6.14db
19% Popularity • 46% Danceability • 92% Energy • 26% Liveness
72% Instrumentalness • 37% Positiveness
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Future Islands
Waking
154 bpm • C Maj • 04:08 • -6.09db
34% Popularity • 53% Danceability • 82% Energy • 8% Liveness
3% Instrumentalness • 47% Positiveness
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Sea Wolf
Forever Nevermore
159 bpm • B min • 04:04 • -8.05db
22% Popularity • 54% Danceability • 71% Energy • 13% Liveness
20% Instrumentalness • 81% Positiveness
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Big Red Machine
Easy to Sabotage
154 bpm • C Maj • 05:50 • -8.55db
28% Popularity • 62% Danceability • 80% Energy • 8% Liveness
6% Instrumentalness • 88% Positiveness
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DeYarmond Edison
Bones
154 bpm • F Maj • 05:24 • -12.68db
39% Popularity • 53% Danceability • 40% Energy • 13% Liveness
1% Instrumentalness • 47% Positiveness
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Fleet Foxes
Featherweight - Acoustic Version
153 bpm • C min • 03:41 • -13.7db
28% Popularity • 48% Danceability • 24% Energy • 13% Liveness
1% Instrumentalness • 37% Positiveness
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Half Waif
Party's Over
153 bpm • C# Maj • 03:23 • -8.55db
19% Popularity • 53% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Broken Social Scene
This House Is On Fire
160 bpm • A# Maj • 04:01 • -11.57db
33% Popularity • 48% Danceability • 45% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
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St. Vincent
The Melting Of The Sun
160 bpm • A# Maj • 04:17 • -10db
43% Popularity • 52% Danceability • 46% Energy • 43% Liveness
0% Instrumentalness • 47% Positiveness
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TORRES
Drive Me
160 bpm • A Maj • 03:38 • -7.58db
19% Popularity • 45% Danceability • 84% Energy • 61% Liveness
0% Instrumentalness • 44% Positiveness
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Bartees Strange
Boomer
160 bpm • A Maj • 03:17 • -3db
33% Popularity • 55% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Fleet Foxes
A Long Way Past The Past
160 bpm • C Maj • 03:59 • -8.95db
38% Popularity • 51% Danceability • 55% Energy • 12% Liveness
3% Instrumentalness • 24% Positiveness
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Tune-Yards
hold yourself.
160 bpm • F min • 04:50 • -6.81db
24% Popularity • 44% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Hamilton Leithauser
The Other Half
160 bpm • F Maj • 04:29 • -6.83db
11% Popularity • 57% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 64% Positiveness
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Whitney
Hammond Song
152 bpm • D# Maj • 05:00 • -11db
37% Popularity • 49% Danceability • 45% Energy • 10% Liveness
76% Instrumentalness • 56% Positiveness
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Matt Berninger
Walking on a String
151 bpm • B Maj • 04:09 • -11db
41% Popularity • 59% Danceability • 42% Energy • 7% Liveness
24% Instrumentalness • 47% Positiveness
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Typhoon
We're in It
152 bpm • D Maj • 04:36 • -4.43db
26% Popularity • 54% Danceability • 67% Energy • 8% Liveness
2% Instrumentalness • 66% Positiveness
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Fleet Foxes
Featherweight
152 bpm • G min • 03:50 • -13db
45% Popularity • 34% Danceability • 49% Energy • 24% Liveness
6% Instrumentalness • 44% Positiveness
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Willy Mason
Outwit the Devil
162 bpm • B min • 03:04 • -8.1db
15% Popularity • 53% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Danielle Durack
Broken Wings
150 bpm • E Maj • 03:53 • -9.28db
12% Popularity • 36% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Billie Marten
Garden of Eden
150 bpm • F Maj • 03:19 • -8.08db
30% Popularity • 58% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Eve Owen
Mother
150 bpm • G# Maj • 03:15 • -5.39db
13% Popularity • 46% Danceability • 76% Energy • 14% Liveness
82% Instrumentalness • 82% Positiveness
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Future Islands
Plastic Beach
150 bpm • C# min • 03:40 • -6.31db
41% Popularity • 51% Danceability • 80% Energy • 14% Liveness
23% Instrumentalness • 65% Positiveness
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Jack Peñate
Crumbs
149 bpm • D# Maj • 03:45 • -11.43db
10% Popularity • 55% Danceability • 32% Energy • 11% Liveness
22% Instrumentalness • 47% Positiveness
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Hamilton Leithauser
Wack Jack
150 bpm • G Maj • 03:23 • -6.86db
18% Popularity • 59% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Josiah Johnson
False Alarms
149 bpm • E Maj • 06:17 • -8db
14% Popularity • 52% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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La Force
The Tide
149 bpm • G# Maj • 04:20 • -8.34db
25% Popularity • 46% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Hand Habits
More Than Love
149 bpm • G# Maj • 04:01 • -10.84db
33% Popularity • 61% Danceability • 66% Energy • 11% Liveness
46% Instrumentalness • 34% Positiveness
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IAN SWEET
Drink The Lake
164 bpm • C Maj • 03:15 • -6.56db
21% Popularity • 48% Danceability • 76% Energy • 43% Liveness
0% Instrumentalness • 67% Positiveness
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Miss Grit
Impostor
148 bpm • E Maj • 04:25 • -7.08db
21% Popularity • 32% Danceability • 67% Energy • 20% Liveness
22% Instrumentalness • 5% Positiveness
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Wild Pink
Die Outside
148 bpm • E Maj • 04:01 • -8.37db
16% Popularity • 56% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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Land of Talk
A/B Futures
148 bpm • C# min • 03:39 • -8.92db
25% Popularity • 35% Danceability • 68% Energy • 10% Liveness
44% Instrumentalness • 37% Positiveness
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Bartees Strange
Mustang
148 bpm • C# min • 03:53 • -2.37db
25% Popularity • 38% Danceability • 100% Energy • 58% Liveness
0% Instrumentalness • 22% Positiveness
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Eels
Who You Say You Are
148 bpm • F# Maj • 02:55 • -19.53db
19% Popularity • 39% Danceability • 10% Energy • 9% Liveness
3% Instrumentalness • 6% Positiveness
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Craig Finn
Something to Hope For
165 bpm • B Maj • 04:45 • -6.71db
28% Popularity • 53% Danceability • 80% Energy • 11% Liveness
1% Instrumentalness • 72% Positiveness
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Fleet Foxes
Cradling Mother, Cradling Woman
165 bpm • D# Maj • 05:10 • -10.08db
29% Popularity • 36% Danceability • 75% Energy • 33% Liveness
41% Instrumentalness • 57% Positiveness
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Fenne Lily
To Be A Woman Pt. 2
148 bpm • F min • 03:15 • -7.96db
17% Popularity • 51% Danceability • 63% Energy • 9% Liveness
9% Instrumentalness • 44% Positiveness
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Perfume Genius
Nothing At All
147 bpm • A# min • 04:27 • -6.27db
29% Popularity • 41% Danceability • 82% Energy • 53% Liveness
8% Instrumentalness • 34% Positiveness
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Wye Oak
Half a Double Man
166 bpm • F Maj • 03:59 • -6.06db
8% Popularity • 20% Danceability • 63% Energy • 15% Liveness
2% Instrumentalness • 45% Positiveness
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Matt Berninger
One More Second - Future Islands Remix
166 bpm • E Maj • 04:09 • -10.64db
28% Popularity • 52% Danceability • 59% Energy • 11% Liveness
91% Instrumentalness • 35% Positiveness
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Kurt Vile
Run Run Run - Radio Edit
146 bpm • D Maj • 04:04 • -6.34db
20% Popularity • 31% Danceability • 67% Energy • 9% Liveness
49% Instrumentalness • 26% Positiveness
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Volcano Choir
Comrade
146 bpm • G Maj • 04:34 • -8.96db
42% Popularity • 51% Danceability • 44% Energy • 9% Liveness
81% Instrumentalness • 34% Positiveness
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Fenne Lily
Birthday
166 bpm • G# Maj • 04:30 • -8.78db
27% Popularity • 28% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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Sufjan Stevens
Cimmerian Shade
146 bpm • A# Maj • 04:19 • -13.64db
35% Popularity • 48% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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LUMP
We Cannot Resist
146 bpm • C# Maj • 04:45 • -11db
23% Popularity • 70% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Perfume Genius
Jason
146 bpm • C# Maj • 03:05 • -7.6db
39% Popularity • 34% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Eve Owen
So Still For You
145 bpm • A Maj • 02:10 • -7.24db
21% Popularity • 52% Danceability • 54% Energy • 28% Liveness
3% Instrumentalness • 51% Positiveness
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Hamilton Leithauser
Isabella
168 bpm • A Maj • 04:13 • -5db
27% Popularity • 50% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Fleet Foxes
Young Man's Game
145 bpm • D Maj • 03:11 • -8.44db
32% Popularity • 52% Danceability • 69% Energy • 60% Liveness
27% Instrumentalness • 56% Positiveness
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Big Red Machine
Renegade - Pop Version
168 bpm • C Maj • 03:51 • -7.27db
54% Popularity • 34% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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LUMP
We Cannot Resist - Edit
146 bpm • C# Maj • 03:13 • -9.77db
21% Popularity • 72% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Skullcrusher
Lift
168 bpm • G Maj • 03:47 • -9db
28% Popularity • 28% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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Dirty Projectors
No Studying
168 bpm • A Maj • 02:28 • -6.92db
14% Popularity • 70% Danceability • 73% Energy • 14% Liveness
4% Instrumentalness • 38% Positiveness
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Hamilton Leithauser
Isabella
168 bpm • A Maj • 04:09 • -7.28db
26% Popularity • 50% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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The Staves
Failure
169 bpm • D Maj • 04:07 • -7.7db
35% Popularity • 35% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Big Red Machine
Renegade
168 bpm • C Maj • 04:14 • -8.14db
72% Popularity • 53% Danceability • 71% Energy • 9% Liveness
2% Instrumentalness • 58% Positiveness
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Ben Howard
Sorry Kid
169 bpm • D min • 04:59 • -7.28db
31% Popularity • 59% Danceability • 68% Energy • 8% Liveness
10% Instrumentalness • 83% Positiveness
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Matt Berninger
European Son
144 bpm • D Maj • 05:26 • -8.27db
24% Popularity • 53% Danceability • 61% Energy • 19% Liveness
13% Instrumentalness • 50% Positiveness
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Nana Adjoa
She's Stronger
144 bpm • F# min • 03:23 • -9.97db
16% Popularity • 69% Danceability • 54% Energy • 10% Liveness
19% Instrumentalness • 79% Positiveness
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Bartees Strange
Stone Meadows
144 bpm • C min • 03:50 • -3.34db
17% Popularity • 30% Danceability • 80% Energy • 14% Liveness
2% Instrumentalness • 15% Positiveness
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The Staves
Best Friend
144 bpm • C Maj • 04:24 • -8.54db
29% Popularity • 49% Danceability • 63% Energy • 9% Liveness
3% Instrumentalness • 16% Positiveness
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Wye Oak
Fear of Heights
144 bpm • A# Maj • 03:34 • -8.58db
18% Popularity • 41% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 39% Positiveness
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Ben Howard
Sorry Kid - Edit
169 bpm • D min • 04:08 • -6.88db
43% Popularity • 59% Danceability • 72% Energy • 9% Liveness
2% Instrumentalness • 74% Positiveness
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Joshua Burnside
War on Everything
144 bpm • D# Maj • 03:39 • -6.19db
15% Popularity • 38% Danceability • 74% Energy • 16% Liveness
10% Instrumentalness • 49% Positiveness
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Kishi Bashi
Early Morning Breeze
169 bpm • E Maj • 04:16 • -13db
28% Popularity • 39% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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A Blaze of Feather
Half an Eye
144 bpm • D Maj • 04:29 • -8.03db
9% Popularity • 58% Danceability • 76% Energy • 17% Liveness
8% Instrumentalness • 67% Positiveness
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Fenne Lily
Berlin
143 bpm • G# Maj • 03:39 • -9.88db
40% Popularity • 52% Danceability • 36% Energy • 12% Liveness
82% Instrumentalness • 29% Positiveness
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The National
Available - 2021 Remaster
143 bpm • C# min • 03:19 • -4.04db
25% Popularity • 33% Danceability • 93% Energy • 25% Liveness
90% Instrumentalness • 24% Positiveness
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Ben Howard
Sage That She Was Burning
144 bpm • C min • 04:17 • -7.84db
29% Popularity • 61% Danceability • 74% Energy • 8% Liveness
32% Instrumentalness • 26% Positiveness
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Middle Kids
Questions
170 bpm • C Maj • 02:53 • -6db
36% Popularity • 39% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Flyte
Everyone's A Winner
143 bpm • A Maj • 03:29 • -9.15db
48% Popularity • 59% Danceability • 36% Energy • 15% Liveness
1% Instrumentalness • 51% Positiveness
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Big Red Machine
New Auburn
170 bpm • A Maj • 03:24 • -13db
32% Popularity • 35% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Half Waif
Swimmer
143 bpm • F min • 03:08 • -8.15db
15% Popularity • 53% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Waxahatchee
St. Cloud
170 bpm • E Maj • 04:41 • -15.61db
37% Popularity • 29% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Peter Bjorn and John
Season Of Defiance
143 bpm • D Maj • 04:12 • -5.87db
15% Popularity • 47% Danceability • 72% Energy • 16% Liveness
29% Instrumentalness • 88% Positiveness
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Wye Oak
Electricity
171 bpm • F Maj • 04:34 • -8.34db
12% Popularity • 16% Danceability • 84% Energy • 32% Liveness
45% Instrumentalness • 33% Positiveness
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Kiwi jr.
Cooler Returns
171 bpm • A Maj • 03:53 • -7.15db
22% Popularity • 47% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Big Red Machine
OMBD
142 bpm • B min • 07:42 • -7.27db
26% Popularity • 65% Danceability • 68% Energy • 7% Liveness
62% Instrumentalness • 44% Positiveness
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Matt Berninger
The End
142 bpm • C min • 04:26 • -6.59db
22% Popularity • 52% Danceability • 63% Energy • 14% Liveness
9% Instrumentalness • 47% Positiveness
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Flyte
Losing You
142 bpm • C# Maj • 03:18 • -7.85db
45% Popularity • 63% Danceability • 67% Energy • 12% Liveness
2% Instrumentalness • 92% Positiveness
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Better Oblivion Community Center
Little Trouble
142 bpm • F Maj • 02:54 • -5.42db
43% Popularity • 57% Danceability • 76% Energy • 41% Liveness
0% Instrumentalness • 58% Positiveness
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Skullcrusher
Storm in Summer
172 bpm • D# Maj • 04:20 • -6db
26% Popularity • 39% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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The Shins
The Great Divide - Flipped
172 bpm • G Maj • 04:01 • -6.11db
24% Popularity • 42% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Big Red Machine
Air Stryp
142 bpm • C Maj • 02:03 • -9.81db
25% Popularity • 32% Danceability • 70% Energy • 11% Liveness
25% Instrumentalness • 35% Positiveness
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The Dodos
The Surface
172 bpm • G# Maj • 03:32 • -8.65db
11% Popularity • 65% Danceability • 76% Energy • 14% Liveness
5% Instrumentalness • 77% Positiveness
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Bartees Strange
Far
141 bpm • A# min • 04:10 • -9.54db
16% Popularity • 47% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Anaïs Mitchell
Wedding Song
172 bpm • F Maj • 03:18 • -8.68db
37% Popularity • 50% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Laura Veirs
Freedom Feeling
141 bpm • G# Maj • 03:19 • -12.62db
15% Popularity • 42% Danceability • 26% Energy • 11% Liveness
31% Instrumentalness • 19% Positiveness
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The Shins
The Great Divide
172 bpm • C Maj • 04:00 • -5.47db
31% Popularity • 34% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Bright Eyes
Dance and Sing
141 bpm • G Maj • 04:30 • -6.68db
31% Popularity • 41% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Lightning Bug
The Right Thing Is Hard To Do
140 bpm • E Maj • 03:46 • -9.95db
26% Popularity • 41% Danceability • 44% Energy • 13% Liveness
6% Instrumentalness • 27% Positiveness
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A Crime