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A Desert of Two Sons
Songs like
A Desert of Two Sons
by
Kevin Penkin
Based on a tempo of (+/- 10%) and a similar genre
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Kevin Penkin
A Desert of Two Sons
45 bpm • E min • 01:18 • -14.73db
25% Popularity • 32% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
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藤澤慶昌
ウェントリコスス
53 bpm • C Maj • 02:38 • -18.23db
28% Popularity • 16% Danceability • 9% Energy • 31% Liveness
0% Instrumentalness • 4% Positiveness
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Lorne Balfe
Journey To Neverwinter
53 bpm • D Maj • 01:04 • -13.87db
22% Popularity • 22% Danceability • 45% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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梶浦 由記
in your past
55 bpm • D Maj • 01:37 • -18.7db
41% Popularity • 24% Danceability • 11% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Bear McCreary
Whispered Souls
56 bpm • D min • 04:11 • -24.32db
34% Popularity • 7% Danceability • 12% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Richard Birdsall
Ever-Flowing Rivers
57 bpm • F min • 01:45 • -21.86db
21% Popularity • 15% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Arcane
One Final Proposal
56 bpm • A Maj • 01:27 • -17.79db
19% Popularity • 19% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Maclaine Diemer
The Golden Cave
58 bpm • G min • 03:01 • -23.97db
20% Popularity • 14% Danceability • 6% Energy • 20% Liveness
90% Instrumentalness • 17% Positiveness
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Tumult Kollektiv
Flight at Dusk
59 bpm • A# min • 01:35 • -20.66db
20% Popularity • 22% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Zhenlan Kang
Main Menu
59 bpm • A min • 01:14 • -25.18db
31% Popularity • 13% Danceability • 7% Energy • 7% Liveness
63% Instrumentalness • 3% Positiveness
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KOHTA YAMAMOTO
All of The Freedoms
59 bpm • G min • 04:38 • -12db
36% Popularity • 21% Danceability • 30% Energy • 9% Liveness
80% Instrumentalness • 5% Positiveness
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Shigeru Umebayashi
Tsushima Suite: V. Seiiki
59 bpm • E min • 09:40 • -19.57db
34% Popularity • 9% Danceability • 16% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Bear McCreary
Salvation
60 bpm • D min • 06:48 • -16.55db
33% Popularity • 6% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Maclaine Diemer
The Newly Awakened
60 bpm • G# min • 01:46 • -29.46db
26% Popularity • 42% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Daniel Pemberton
Deet Enters Thra
60 bpm • A min • 02:07 • -30.6db
22% Popularity • 22% Danceability • 2% Energy • 6% Liveness
67% Instrumentalness • 3% Positiveness
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Jesper Kyd
Tour of Venice
60 bpm • C Maj • 03:16 • -19.27db
39% Popularity • 30% Danceability • 17% Energy • 7% Liveness
98% Instrumentalness • 9% Positiveness
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Lorne Balfe
Remembering You
60 bpm • C Maj • 01:08 • -24.37db
15% Popularity • 26% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Paul Edward-Francis
A Proud Father
61 bpm • A min • 01:59 • -15.69db
17% Popularity • 21% Danceability • 25% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Bear McCreary
Return to Lindon
60 bpm • E min • 03:30 • -23.7db
20% Popularity • 6% Danceability • 7% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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NCSOUND
End of Journey
61 bpm • A Maj • 01:59 • -12.28db
17% Popularity • 24% Danceability • 24% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Natalie Holt
Be
62 bpm • C# Maj • 04:58 • -17.88db
22% Popularity • 10% Danceability • 15% Energy • 62% Liveness
90% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Khotun Khan
63 bpm • B min • 04:01 • -18.56db
28% Popularity • 36% Danceability • 18% Energy • 6% Liveness
89% Instrumentalness • 9% Positiveness
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William Ross
The Journey Begins
62 bpm • G# Maj • 02:57 • -19.1db
29% Popularity • 7% Danceability • 11% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Dynamedion
Royal Meadows
63 bpm • E Maj • 00:58 • -18.84db
21% Popularity • 14% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Bear McCreary
Elendil and Isildur
61 bpm • F Maj • 04:16 • -18.93db
34% Popularity • 10% Danceability • 16% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
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Tumult Kollektiv
Distant Lights
63 bpm • D# Maj • 01:33 • -21.63db
23% Popularity • 19% Danceability • 12% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
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柴田真郁
「祈り」
63 bpm • A min • 01:39 • -22db
25% Popularity • 22% Danceability • 3% Energy • 13% Liveness
35% Instrumentalness • 4% Positiveness
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Yoshihiro Ike
寂静
63 bpm • G min • 02:14 • -13db
34% Popularity • 21% Danceability • 24% Energy • 10% Liveness
80% Instrumentalness • 11% Positiveness
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Akira Senju
Happiness ~Requiem from“The Blind Al...
63 bpm • C min • 02:04 • -23db
39% Popularity • 62% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 44% Positiveness
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Lena Raine
An Exalted Lullaby
64 bpm • C min • 04:15 • -23.32db
27% Popularity • 21% Danceability • 6% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Kenichiro Suehiro
YOUR VOICE
64 bpm • F Maj • 03:55 • -17.31db
29% Popularity • 16% Danceability • 17% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
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Jan Valta
The Talmberg Theme
64 bpm • G# Maj • 01:07 • -13db
39% Popularity • 11% Danceability • 28% Energy • 28% Liveness
94% Instrumentalness • 4% Positiveness
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Bear McCreary
The Reach of Your Godhood
65 bpm • G min • 02:37 • -23.08db
32% Popularity • 12% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
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Lorne Balfe
A Parallel Sky
66 bpm • C min • 02:37 • -13.72db
12% Popularity • 24% Danceability • 41% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Akira Senju
Nightfall in Central City ~Fin~
65 bpm • C Maj • 03:16 • -13.09db
21% Popularity • 21% Danceability • 26% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
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Chris Tilton
Nothing Is True
67 bpm • E min • 01:39 • -21.96db
25% Popularity • 18% Danceability • 3% Energy • 22% Liveness
92% Instrumentalness • 4% Positiveness
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Joe Hisaishi
The Land of the Impure
66 bpm • C min • 02:59 • -20.38db
38% Popularity • 22% Danceability • 5% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Junichi Matsumoto
時の横顔
67 bpm • A Maj • 02:00 • -32.17db
34% Popularity • 33% Danceability • 2% Energy • 9% Liveness
9% Instrumentalness • 7% Positiveness
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Mark Griskey
Knights of the Old Republic II - Main Ti...
67 bpm • G# Maj • 02:44 • -15.5db
27% Popularity • 19% Danceability • 21% Energy • 39% Liveness
64% Instrumentalness • 4% Positiveness
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Keiji Inai
The Duel
67 bpm • E min • 03:47 • -11.86db
21% Popularity • 26% Danceability • 48% Energy • 19% Liveness
82% Instrumentalness • 18% Positiveness
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Akira Senju
One is All, All is One
65 bpm • E Maj • 01:39 • -16db
42% Popularity • 17% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Russell Brower
Temple Of The Five Dawns
67 bpm • G Maj • 01:57 • -10.74db
32% Popularity • 24% Danceability • 25% Energy • 44% Liveness
79% Instrumentalness • 13% Positiveness
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chuck e. myers 'sea'
Haven
68 bpm • G Maj • 03:21 • -18.71db
27% Popularity • 21% Danceability • 14% Energy • 11% Liveness
64% Instrumentalness • 3% Positiveness
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Tamiya Terashima
Signs of Dusk
68 bpm • E min • 02:21 • -23.59db
20% Popularity • 16% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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David Buckley
Children of the Endless
68 bpm • D Maj • 04:04 • -25.67db
18% Popularity • 7% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 2% Positiveness
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Kenichiro Suehiro
Grey Waltz
68 bpm • G min • 03:22 • -17.22db
32% Popularity • 7% Danceability • 16% Energy • 17% Liveness
96% Instrumentalness • 5% Positiveness
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Maclaine Diemer
Maguuma Overture
69 bpm • G min • 06:03 • -19.88db
23% Popularity • 7% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Kotaro Nakagawa
Boy from Britannia
69 bpm • A min • 01:15 • -13.65db
34% Popularity • 28% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Theophany
Spirit Guide
69 bpm • G min • 01:08 • -24.74db
27% Popularity • 16% Danceability • 14% Energy • 9% Liveness
36% Instrumentalness • 3% Positiveness
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Kevin Kiner
Rex and Ahsoka Reunited
69 bpm • A# Maj • 01:02 • -9.66db
24% Popularity • 8% Danceability • 23% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Phoenix Glendinning
The Tiffmoor Bluffs
70 bpm • B min • 05:23 • -14.43db
18% Popularity • 12% Danceability • 15% Energy • 6% Liveness
30% Instrumentalness • 16% Positiveness
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Kenichiro Suehiro
Koou
69 bpm • A min • 04:48 • -15.02db
22% Popularity • 18% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Tumult Kollektiv
Albamare (Launch Trailer)
70 bpm • D# Maj • 01:12 • -13.73db
29% Popularity • 20% Danceability • 32% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
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Alexander Horowitz
A Focused Mind
70 bpm • E Maj • 03:00 • -24.69db
30% Popularity • 36% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Arcane
Oasis
70 bpm • F# Maj • 00:58 • -13.45db
18% Popularity • 18% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Piotr Musiał
The Last Flame
70 bpm • F min • 04:40 • -13db
36% Popularity • 12% Danceability • 25% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Akira Senju
Epilogue ~A New Journey~
71 bpm • C Maj • 02:59 • -13db
26% Popularity • 11% Danceability • 25% Energy • 35% Liveness
88% Instrumentalness • 5% Positiveness
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Kevin Penkin
NATURE SEQUENCE. 6TH LAYER.
71 bpm • A# Maj • 02:35 • -15.58db
28% Popularity • 14% Danceability • 23% Energy • 7% Liveness
79% Instrumentalness • 14% Positiveness
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Tumult Kollektiv
Drywood
70 bpm • A min • 02:06 • -19.43db
29% Popularity • 23% Danceability • 12% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
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Jason Graves
Dear Reader
71 bpm • D Maj • 05:51 • -22.06db
30% Popularity • 7% Danceability • 6% Energy • 12% Liveness
67% Instrumentalness • 4% Positiveness
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Trevor Morris
I'm Trevor Belmont
71 bpm • E min • 01:00 • -18.29db
23% Popularity • 16% Danceability • 12% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
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Kevin Kiner
Padmé
71 bpm • E Maj • 01:39 • -11.72db
35% Popularity • 21% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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James Hannigan
Memories of Guthix
71 bpm • A Maj • 02:34 • -23.84db
28% Popularity • 16% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Kevin Penkin
Cartridge Tears, become the White Whistl...
71 bpm • G# Maj • 03:16 • -17.98db
28% Popularity • 24% Danceability • 10% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
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chuck e. myers 'sea'
Miriam's Memory
71 bpm • G Maj • 03:41 • -26.11db
34% Popularity • 23% Danceability • 4% Energy • 18% Liveness
43% Instrumentalness • 3% Positiveness
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Critical Role
Tea with the Pansophical
71 bpm • G Maj • 02:58 • -18.05db
30% Popularity • 18% Danceability • 14% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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梶浦 由記
at our parting
72 bpm • D min • 01:25 • -24.42db
47% Popularity • 33% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 22% Positiveness
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Arcane
A Story of Opposites
72 bpm • E Maj • 01:47 • -20db
29% Popularity • 6% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Kotaro Nakagawa
Passing Each Other
72 bpm • F Maj • 01:35 • -28.73db
39% Popularity • 26% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Kevin Penkin
A Flock of X-Wings Descend Into a Mounta...
71 bpm • E min • 02:15 • -17.02db
21% Popularity • 10% Danceability • 10% Energy • 24% Liveness
51% Instrumentalness • 4% Positiveness
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chuck e. myers 'sea'
Fig's Search
72 bpm • G Maj • 03:10 • -15.08db
31% Popularity • 7% Danceability • 31% Energy • 35% Liveness
89% Instrumentalness • 3% Positiveness
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Akira Senju
A Soldier's Honor
72 bpm • G# Maj • 02:13 • -13.98db
28% Popularity • 21% Danceability • 28% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
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梶浦 由記
I was just a child
72 bpm • D min • 01:32 • -30.9db
39% Popularity • 30% Danceability • 0% Energy • 9% Liveness
97% Instrumentalness • 16% Positiveness
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Tumult Kollektiv
Serene Blue
72 bpm • A# min • 01:33 • -20.75db
34% Popularity • 17% Danceability • 14% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
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Jeff Russo
Molly's Hunger (Owl)
72 bpm • G min • 01:40 • -25db
21% Popularity • 7% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
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Edo Guidotti
Valley Of The Four Winds
72 bpm • C min • 05:32 • -15.11db
31% Popularity • 15% Danceability • 22% Energy • 11% Liveness
44% Instrumentalness • 7% Positiveness
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Nobuaki Nobusawa
比屋定の決意
73 bpm • A# Maj • 01:50 • -17db
27% Popularity • 19% Danceability • 17% Energy • 10% Liveness
78% Instrumentalness • 6% Positiveness
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Russell Shaw
Festival Of Roses
73 bpm • G# Maj • 02:32 • -25db
33% Popularity • 19% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
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Jack Dalton
The Bridge Between Worlds
73 bpm • D# Maj • 02:27 • -18.1db
28% Popularity • 9% Danceability • 14% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
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Kara Talve
Elasmosaurus
73 bpm • C Maj • 04:53 • -19.41db
16% Popularity • 11% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Kotaro Nakagawa
The Ruins as They Were
73 bpm • A Maj • 01:51 • -14.26db
30% Popularity • 22% Danceability • 21% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Kevin Penkin
You talk too much
74 bpm • G Maj • 01:43 • -33.82db
30% Popularity • 57% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
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Marcin Przybyłowicz
King Bran's Final Voyage
74 bpm • D min • 02:12 • -19.77db
46% Popularity • 6% Danceability • 20% Energy • 58% Liveness
92% Instrumentalness • 4% Positiveness
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Nobuaki Nobusawa
比屋定とサリエリ
74 bpm • G min • 01:38 • -24.28db
42% Popularity • 32% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Arcane
The Flashback
74 bpm • E min • 02:19 • -17db
24% Popularity • 14% Danceability • 15% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
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David Buckley
The Houses of Secrets & Mysteries
74 bpm • C Maj • 05:20 • -26db
22% Popularity • 7% Danceability • 4% Energy • 11% Liveness
83% Instrumentalness • 3% Positiveness
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chuck e. myers 'sea'
Overture to the Unwritten
74 bpm • C Maj • 05:00 • -12.91db
41% Popularity • 22% Danceability • 34% Energy • 7% Liveness
75% Instrumentalness • 4% Positiveness
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Matthias Wolf
Dreaming of the North-West-Passage (The ...
74 bpm • D Maj • 02:34 • -27.82db
14% Popularity • 23% Danceability • 1% Energy • 10% Liveness
60% Instrumentalness • 4% Positiveness
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Dynamedion
The Burning
75 bpm • D# Maj • 01:02 • -16.42db
16% Popularity • 45% Danceability • 31% Energy • 11% Liveness
89% Instrumentalness • 55% Positiveness
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Nicholas Britell
Manifesto
75 bpm • C# min • 02:13 • -19.3db
30% Popularity • 6% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Arcane
Some Mysteries Are Better Left Unsolved
74 bpm • C min • 01:47 • -26.11db
23% Popularity • 20% Danceability • 4% Energy • 31% Liveness
91% Instrumentalness • 7% Positiveness
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藤澤慶昌
メインテーマ
75 bpm • A# Maj • 01:56 • -14.6db
42% Popularity • 17% Danceability • 13% Energy • 30% Liveness
4% Instrumentalness • 6% Positiveness
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J Scott Rakozy
The Four Houses
75 bpm • C Maj • 04:08 • -17.53db
30% Popularity • 17% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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小畑貴裕
ウーゴ冒険記
75 bpm • A# Maj • 01:56 • -17.32db
31% Popularity • 11% Danceability • 11% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Bear McCreary
Pull of the Light
75 bpm • D min • 01:44 • -25.9db
39% Popularity • 13% Danceability • 6% Energy • 5% Liveness
77% Instrumentalness • 4% Positiveness
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Nicholas Britell
Andor (Main Title Theme) - Episode 5
75 bpm • F# min • 01:08 • -17.55db
31% Popularity • 30% Danceability • 27% Energy • 11% Liveness
96% Instrumentalness • 12% Positiveness
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Arcane
Promise Me
75 bpm • D min • 01:46 • -21db
20% Popularity • 7% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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藤澤慶昌
ロキシーからの贈り物
75 bpm • F Maj • 02:25 • -14db
27% Popularity • 35% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
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J Scott Rakozy
Soaring over Hogwarts
76 bpm • C Maj • 03:29 • -13.43db
34% Popularity • 13% Danceability • 27% Energy • 15% Liveness
96% Instrumentalness • 5% Positiveness
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柴田真郁
「ワンダの死」
76 bpm • F# min • 02:23 • -17.67db
23% Popularity • 15% Danceability • 20% Energy • 67% Liveness
44% Instrumentalness • 5% Positiveness
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A Desert of Two Sons