Songs like A Dying Plea Vol. 1 by Anti-Flag
Based on a tempo of (+/- 10%) and a similar genre
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BRKN LOVE
Flies In The Honey
167 bpm • G Maj • 03:06 • -5db
30% Popularity • 55% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 55% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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The Composure
Flagpole Sitta
167 bpm • F# Maj • 03:01 • -4.15db
29% Popularity • 42% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 42% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Anti-Flag
A Dying Plea Vol. 1
167 bpm • C Maj • 03:26 • -2.49db
27% Popularity • 36% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 36% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Silverstein
My Disaster (2.0)
167 bpm • D# min • 03:18 • -2.96db
27% Popularity • 36% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 36% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Fire Sale
Dark Hearts
167 bpm • C# min • 03:59 • -3.98db
11% Popularity • 50% Danceability • 99% Energy • 4% Liveness
23% Instrumentalness • 22% Positiveness
11% Popularity • 50% Danceability • 99% Energy • 4% Liveness
23% Instrumentalness • 22% Positiveness
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The Offspring
Hassan Chop
167 bpm • B Maj • 02:20 • -1.55db
37% Popularity • 18% Danceability • 97% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 18% Danceability • 97% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Red City Radio
If You Want Blood (Be My Guest)
167 bpm • G# Maj • 02:58 • -7db
32% Popularity • 48% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
32% Popularity • 48% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Palaye Royale
Massacre, The New American Dream
168 bpm • G min • 03:05 • -4.96db
49% Popularity • 40% Danceability • 97% Energy • 18% Liveness
1% Instrumentalness • 38% Positiveness
49% Popularity • 40% Danceability • 97% Energy • 18% Liveness
1% Instrumentalness • 38% Positiveness
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Useless ID
Live or Die
166 bpm • D min • 03:15 • -3.21db
24% Popularity • 41% Danceability • 98% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 41% Danceability • 98% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Anti-Flag
Unbreakable
166 bpm • G# Maj • 03:08 • -7.22db
22% Popularity • 44% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 44% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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WARGASM (UK)
Gold Gold Gold
168 bpm • A min • 03:10 • -4.86db
29% Popularity • 37% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 37% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Bigwig
A War Inside
165 bpm • B min • 02:10 • -5db
36% Popularity • 42% Danceability • 100% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 42% Danceability • 100% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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DE'WAYNE
Coming Back Home
165 bpm • F# min • 04:14 • -12.25db
6% Popularity • 52% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 12% Positiveness
6% Popularity • 52% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 12% Positiveness
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Mest
Masquerade
169 bpm • C# min • 03:36 • -6.7db
24% Popularity • 40% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 40% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Goldfinger
Careful What You Wish For
165 bpm • D Maj • 02:51 • -5.29db
21% Popularity • 55% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 55% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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Anti-Flag
Don't Let The Bastards Get You Down
169 bpm • D Maj • 02:49 • -7.26db
23% Popularity • 50% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 50% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
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Teenage Bottlerocket
They Call Me Steve
169 bpm • D Maj • 02:20 • -3.14db
41% Popularity • 42% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
41% Popularity • 42% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Direct Hit!
Welcome to Heaven
170 bpm • C# Maj • 04:08 • -6db
17% Popularity • 35% Danceability • 86% Energy • 7% Liveness
10% Instrumentalness • 36% Positiveness
17% Popularity • 35% Danceability • 86% Energy • 7% Liveness
10% Instrumentalness • 36% Positiveness
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DE'WAYNE
Top Man
169 bpm • C Maj • 02:33 • -6.17db
16% Popularity • 68% Danceability • 65% Energy • 8% Liveness
1% Instrumentalness • 48% Positiveness
16% Popularity • 68% Danceability • 65% Energy • 8% Liveness
1% Instrumentalness • 48% Positiveness
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AFI
No Eyes
165 bpm • C# min • 03:33 • -3.48db
26% Popularity • 38% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 38% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Dennis DeYoung
The Last Guitar Hero
170 bpm • G Maj • 04:46 • -4.75db
4% Popularity • 40% Danceability • 87% Energy • 53% Liveness
0% Instrumentalness • 64% Positiveness
4% Popularity • 40% Danceability • 87% Energy • 53% Liveness
0% Instrumentalness • 64% Positiveness
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Fake Names
First Everlasting
170 bpm • A Maj • 02:48 • -4.61db
14% Popularity • 32% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 32% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Death By Horse
Straight Edge
170 bpm • E Maj • 03:30 • -3.63db
28% Popularity • 40% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 40% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
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March
Fear of Roses
170 bpm • C# Maj • 03:10 • -4.57db
18% Popularity • 40% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 40% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Goldfinger
Infinite
170 bpm • G# Maj • 02:25 • -4db
37% Popularity • 46% Danceability • 97% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 46% Danceability • 97% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Useless ID
Same Old Revolution
170 bpm • A Maj • 03:02 • -4db
10% Popularity • 44% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 44% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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The Motorleague
Alone in the Universe
170 bpm • F# Maj • 03:11 • -3.66db
26% Popularity • 33% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 33% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
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Anti-Flag
Christian Nationalist
170 bpm • C Maj • 02:44 • -7.95db
36% Popularity • 46% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 46% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Tom Morello
Field Of Tigers
164 bpm • E min • 03:57 • -2.57db
15% Popularity • 38% Danceability • 99% Energy • 37% Liveness
2% Instrumentalness • 16% Positiveness
15% Popularity • 38% Danceability • 99% Energy • 37% Liveness
2% Instrumentalness • 16% Positiveness
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Millencolin
For Yesterday
164 bpm • C Maj • 02:46 • -3.55db
32% Popularity • 46% Danceability • 99% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
32% Popularity • 46% Danceability • 99% Energy • 4% Liveness
0% Instrumentalness • 59% Positiveness
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Goldfinger
Good Guy
170 bpm • C min • 02:35 • -5db
23% Popularity • 35% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 35% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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NOFX
Thatcher Fucked the Kids
170 bpm • G Maj • 03:07 • -6.62db
28% Popularity • 60% Danceability • 87% Energy • 52% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 60% Danceability • 87% Energy • 52% Liveness
0% Instrumentalness • 96% Positiveness
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Ten Foot Pole
Sarcasm Decoder - Acoustic
170 bpm • F# Maj • 03:37 • -5.87db
13% Popularity • 61% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 61% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Doll Skin
Puncha Nazi
170 bpm • B min • 01:53 • -3.64db
21% Popularity • 33% Danceability • 97% Energy • 41% Liveness
17% Instrumentalness • 47% Positiveness
21% Popularity • 33% Danceability • 97% Energy • 41% Liveness
17% Instrumentalness • 47% Positiveness
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Tom Morello
Harlem Hellfighter
164 bpm • E min • 01:59 • -7.29db
27% Popularity • 48% Danceability • 90% Energy • 38% Liveness
3% Instrumentalness • 48% Positiveness
27% Popularity • 48% Danceability • 90% Energy • 38% Liveness
3% Instrumentalness • 48% Positiveness
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Millencolin
Sour Days
170 bpm • A Maj • 03:07 • -3.78db
31% Popularity • 44% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 44% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Fights And Fires
I Want Napalm Death Played at My Funeral
170 bpm • B min • 03:04 • -6.58db
29% Popularity • 47% Danceability • 98% Energy • 10% Liveness
73% Instrumentalness • 43% Positiveness
29% Popularity • 47% Danceability • 98% Energy • 10% Liveness
73% Instrumentalness • 43% Positiveness
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The Interrupters
Gave You Everything
163 bpm • D Maj • 03:07 • -4.01db
51% Popularity • 44% Danceability • 97% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 44% Danceability • 97% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Goldfinger
Get What I Need
163 bpm • D Maj • 03:05 • -3.72db
38% Popularity • 52% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
38% Popularity • 52% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Max Raptor
England Breathes
163 bpm • F min • 03:31 • -5.15db
25% Popularity • 36% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 36% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Tom Morello
Radium Girls
170 bpm • D Maj • 03:49 • -3db
32% Popularity • 46% Danceability • 93% Energy • 27% Liveness
2% Instrumentalness • 48% Positiveness
32% Popularity • 46% Danceability • 93% Energy • 27% Liveness
2% Instrumentalness • 48% Positiveness
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Less Than Jake
Lie to Me
172 bpm • C# min • 03:38 • -3.67db
40% Popularity • 53% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
40% Popularity • 53% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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The Offspring
The Opioid Diaries
172 bpm • A# min • 03:01 • -2.05db
39% Popularity • 37% Danceability • 92% Energy • 3% Liveness
0% Instrumentalness • 63% Positiveness
39% Popularity • 37% Danceability • 92% Energy • 3% Liveness
0% Instrumentalness • 63% Positiveness
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The Interrupters
So Wrong
172 bpm • E Maj • 02:32 • -2.93db
39% Popularity • 37% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 37% Danceability • 98% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
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The Damned Things
Something Good
172 bpm • B min • 03:43 • -6.06db
29% Popularity • 50% Danceability • 97% Energy • 36% Liveness
5% Instrumentalness • 51% Positiveness
29% Popularity • 50% Danceability • 97% Energy • 36% Liveness
5% Instrumentalness • 51% Positiveness
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Ten Foot Pole
Everything Dies
162 bpm • G Maj • 02:09 • -5.68db
16% Popularity • 56% Danceability • 92% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
16% Popularity • 56% Danceability • 92% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
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Strung Out
Under the Western Sky
162 bpm • C# Maj • 03:51 • -6db
23% Popularity • 40% Danceability • 94% Energy • 15% Liveness
22% Instrumentalness • 64% Positiveness
23% Popularity • 40% Danceability • 94% Energy • 15% Liveness
22% Instrumentalness • 64% Positiveness
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Tom Morello
Natural's Not in It
162 bpm • G Maj • 03:18 • -2.65db
16% Popularity • 51% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 51% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Teenage Bottlerocket
Don't Go
162 bpm • B Maj • 02:30 • -3.24db
30% Popularity • 47% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
30% Popularity • 47% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Bloodsucking Zombies from outer Space
Bela Kiss
162 bpm • C# Maj • 03:35 • -4.66db
22% Popularity • 43% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 43% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Sum 41
The People Vs…
172 bpm • E min • 03:19 • -3.67db
37% Popularity • 38% Danceability • 97% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
37% Popularity • 38% Danceability • 97% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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Strike Anywhere
To The World
161 bpm • D Maj • 03:22 • -4.91db
32% Popularity • 30% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 30% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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The Bombpops
Marry. Fuck. Kill.
173 bpm • D Maj • 02:44 • -4.42db
29% Popularity • 36% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 36% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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KillRadio
Good for Nothing
174 bpm • A# min • 03:32 • -7.52db
13% Popularity • 46% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 46% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 40% Positiveness
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Red City Radio
Show Me on the Doll Where the Music Touc...
160 bpm • C# Maj • 03:04 • -5.73db
34% Popularity • 30% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 30% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Less Than Jake
Keep on Chasing
174 bpm • D Maj • 03:03 • -4.12db
31% Popularity • 48% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 48% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Masked Intruder
I'm Free (at Last)
174 bpm • C# min • 02:10 • -3.31db
22% Popularity • 36% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 36% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Tom Morello
Interstate 80
174 bpm • G Maj • 04:38 • -4.74db
31% Popularity • 36% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 36% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
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The Ataris
All Souls' Day
174 bpm • D Maj • 04:58 • -4.74db
39% Popularity • 34% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
39% Popularity • 34% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Death By Horse
Dear Jim
160 bpm • A min • 04:12 • -3.57db
11% Popularity • 35% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 35% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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Fear No Empire
Revolt
160 bpm • F# Maj • 02:34 • -2.87db
22% Popularity • 49% Danceability • 99% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 49% Danceability • 99% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Mudfight
Baby! Hey!
160 bpm • F# Maj • 01:47 • -3.91db
19% Popularity • 52% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 52% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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DE'WAYNE
TAKE THIS CROWN
160 bpm • B min • 03:35 • -5.38db
31% Popularity • 46% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 46% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Tom Morello
Hold The Line
160 bpm • C# Maj • 03:12 • -6.1db
52% Popularity • 56% Danceability • 93% Energy • 76% Liveness
3% Instrumentalness • 61% Positiveness
52% Popularity • 56% Danceability • 93% Energy • 76% Liveness
3% Instrumentalness • 61% Positiveness
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The Black Pacific
Living With Ghosts
160 bpm • A# min • 03:03 • -5db
37% Popularity • 43% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 43% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
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Death By Horse
Summer's Up
160 bpm • A Maj • 02:36 • -4db
8% Popularity • 33% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 33% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Get Dead
Stickup
160 bpm • C Maj • 03:43 • -5.87db
29% Popularity • 49% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 49% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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AFI
Twisted Tongues
160 bpm • E min • 04:01 • -5.41db
34% Popularity • 18% Danceability • 90% Energy • 12% Liveness
2% Instrumentalness • 24% Positiveness
34% Popularity • 18% Danceability • 90% Energy • 12% Liveness
2% Instrumentalness • 24% Positiveness
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Ten Foot Pole
Can We Stop Trying to Win?
160 bpm • C# Maj • 02:51 • -6.85db
19% Popularity • 50% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 50% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Tom Morello
Save Our Souls
160 bpm • E min • 02:36 • -3.73db
26% Popularity • 43% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 43% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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The Bombpops
Outta Hand
175 bpm • B min • 03:24 • -2.52db
28% Popularity • 40% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 40% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Salem
DRACULADS
175 bpm • F# min • 02:17 • -2.74db
27% Popularity • 36% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 36% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Alkaline Trio
Radio Violence
175 bpm • D Maj • 03:06 • -5.96db
22% Popularity • 31% Danceability • 91% Energy • 7% Liveness
3% Instrumentalness • 54% Positiveness
22% Popularity • 31% Danceability • 91% Energy • 7% Liveness
3% Instrumentalness • 54% Positiveness
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Rollercoaster X
Standing in Line
175 bpm • G Maj • 03:10 • -11db
8% Popularity • 43% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
8% Popularity • 43% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Ignite
On the Ropes
175 bpm • A min • 02:29 • -1.83db
27% Popularity • 41% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 41% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Pennywise
All Or Nothing
175 bpm • F# min • 02:29 • -3.85db
40% Popularity • 43% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
40% Popularity • 43% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
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My Perfect End
Radio Love
175 bpm • B Maj • 03:03 • -1.72db
8% Popularity • 48% Danceability • 99% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 48% Danceability • 99% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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DE'WAYNE
Stains
175 bpm • C# Maj • 02:07 • -6.14db
20% Popularity • 55% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 55% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Anti-Flag
No Allegiance To A Flag
175 bpm • G# Maj • 02:01 • -3.13db
18% Popularity • 30% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 30% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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H2O
Like A Prayer
159 bpm • D min • 02:56 • -5db
31% Popularity • 31% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 31% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Less Than Jake
Dear Me
159 bpm • F Maj • 03:17 • -4.45db
19% Popularity • 38% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
19% Popularity • 38% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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Love Letter
The United States of Amnesiacs
175 bpm • F# min • 03:50 • -6.61db
18% Popularity • 39% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 39% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Senses Fail
Attitude
176 bpm • D Maj • 01:32 • -3.37db
8% Popularity • 45% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 45% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Masked Intruder
All of My Love
159 bpm • D Maj • 02:20 • -3.16db
17% Popularity • 42% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 42% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 79% Positiveness
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Tom Morello
Let’s Get The Party Started
176 bpm • F# Maj • 03:32 • -3.97db
59% Popularity • 34% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
59% Popularity • 34% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Jake Clemons
Consumption Town
158 bpm • G Maj • 03:45 • -5.75db
3% Popularity • 33% Danceability • 81% Energy • 22% Liveness
1% Instrumentalness • 36% Positiveness
3% Popularity • 33% Danceability • 81% Energy • 22% Liveness
1% Instrumentalness • 36% Positiveness
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Goldfinger
Who's Laughing Now
176 bpm • C# min • 02:42 • -3.73db
35% Popularity • 46% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 46% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Sum 41
Black Eyes
176 bpm • D Maj • 03:12 • -4.48db
26% Popularity • 20% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 20% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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Point North
Brand New Vision
158 bpm • B Maj • 03:35 • -3.28db
30% Popularity • 45% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 45% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Anti-Flag
Resistance Frequencies
158 bpm • C# Maj • 02:52 • -8.66db
18% Popularity • 52% Danceability • 94% Energy • 93% Liveness
0% Instrumentalness • 31% Positiveness
18% Popularity • 52% Danceability • 94% Energy • 93% Liveness
0% Instrumentalness • 31% Positiveness
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Tom Morello
Lucky One
176 bpm • E Maj • 03:32 • -5.51db
13% Popularity • 48% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 48% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Against Me!
White People for Peace
158 bpm • G# Maj • 03:31 • -2db
42% Popularity • 42% Danceability • 99% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 42% Danceability • 99% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Templeton Pek
Nowhere to Hide
158 bpm • G# min • 02:58 • -3.92db
21% Popularity • 42% Danceability • 97% Energy • 22% Liveness
1% Instrumentalness • 58% Positiveness
21% Popularity • 42% Danceability • 97% Energy • 22% Liveness
1% Instrumentalness • 58% Positiveness
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A Wilhelm Scream
GIMMETHESHAKES
177 bpm • F Maj • 02:21 • -4.96db
34% Popularity • 32% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 32% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
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The Used
Darkness Bleeds, FOTF
158 bpm • F Maj • 04:01 • -4.44db
24% Popularity • 38% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 38% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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AFI
Escape From Los Angeles
177 bpm • F# Maj • 03:24 • -3.91db
29% Popularity • 41% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 41% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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The Menzingers
Strangers Forever
157 bpm • D# Maj • 03:01 • -4.25db
40% Popularity • 45% Danceability • 98% Energy • 38% Liveness
0% Instrumentalness • 76% Positiveness
40% Popularity • 45% Danceability • 98% Energy • 38% Liveness
0% Instrumentalness • 76% Positiveness
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Boysetsfire
Foundations To Burn
178 bpm • C Maj • 03:46 • -3.92db
30% Popularity • 48% Danceability • 93% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 48% Danceability • 93% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
