Songs like A Fool For You by Valerie Wellington
Based on a tempo of (+/- 10%) and a similar genre
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Howlin' Wolf with Steve Winwood: Piano & Organ, Bill Wyman: Bass Guitar, Shaker & Cowbell, Charlie Watts: Drums, Conga & Assorted Percussion
Who's Been Talking?
142 bpm • A min • 03:04 • -8.45db
22% Popularity • 48% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 48% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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John Scofield
I Can't Stop Loving You
142 bpm • F Maj • 04:48 • -11.81db
25% Popularity • 53% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 53% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Mitch Woods
C.C. Rider
142 bpm • G Maj • 05:38 • -7.3db
12% Popularity • 64% Danceability • 29% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 64% Danceability • 29% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Valerie Wellington
A Fool For You
142 bpm • A# Maj • 03:12 • -11.14db
18% Popularity • 53% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 53% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Roomful Of Blues
Every Dog Has Its Day
141 bpm • A min • 02:39 • -3.5db
34% Popularity • 68% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
34% Popularity • 68% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Don Bryant
Is It Over
140 bpm • F# Maj • 04:30 • -6.42db
30% Popularity • 32% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 32% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Rick Estrin & The Nightcats
Resentment File
140 bpm • F min • 05:19 • -2.58db
15% Popularity • 71% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 71% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Son Seals
I Can't Hear Nothing But The Blues
144 bpm • D min • 06:35 • -9.58db
25% Popularity • 45% Danceability • 53% Energy • 28% Liveness
8% Instrumentalness • 74% Positiveness
25% Popularity • 45% Danceability • 53% Energy • 28% Liveness
8% Instrumentalness • 74% Positiveness
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Mighty Sam McClain
Give it Up to Love
139 bpm • A Maj • 04:27 • -15.5db
17% Popularity • 55% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 55% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Valerie Wellington
Whole Lotta Shakin Goin On
140 bpm • G Maj • 03:12 • -12.89db
18% Popularity • 58% Danceability • 60% Energy • 8% Liveness
2% Instrumentalness • 72% Positiveness
18% Popularity • 58% Danceability • 60% Energy • 8% Liveness
2% Instrumentalness • 72% Positiveness
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Billy Price
Love Don't Love Nobody
139 bpm • F Maj • 06:46 • -8.92db
26% Popularity • 49% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 49% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Chris Cain
Trouble Makin' Woman
145 bpm • A min • 07:07 • -9.99db
10% Popularity • 45% Danceability • 48% Energy • 12% Liveness
2% Instrumentalness • 50% Positiveness
10% Popularity • 45% Danceability • 48% Energy • 12% Liveness
2% Instrumentalness • 50% Positiveness
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C.J. Chenier
Louisiana Down Home Blues (aka Down Home...
139 bpm • A# Maj • 03:55 • -10.28db
12% Popularity • 57% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
12% Popularity • 57% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Jimmy Dawkins
Kold Actions
145 bpm • C Maj • 07:17 • -20.88db
34% Popularity • 62% Danceability • 8% Energy • 6% Liveness
5% Instrumentalness • 42% Positiveness
34% Popularity • 62% Danceability • 8% Energy • 6% Liveness
5% Instrumentalness • 42% Positiveness
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Lonnie Brooks
In The Dark
139 bpm • G min • 05:22 • -17db
26% Popularity • 51% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 51% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Eden Brent
Someone To Love
139 bpm • F Maj • 03:17 • -6db
13% Popularity • 69% Danceability • 80% Energy • 8% Liveness
1% Instrumentalness • 68% Positiveness
13% Popularity • 69% Danceability • 80% Energy • 8% Liveness
1% Instrumentalness • 68% Positiveness
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Willie Dixon
Crazy For My Baby
139 bpm • F Maj • 02:51 • -12.59db
20% Popularity • 72% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 72% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Eddie Shaw
Out Of Bad Luck
139 bpm • G Maj • 03:21 • -11.77db
27% Popularity • 66% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 66% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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Nick Moss & The Flip Tops
This Little Voice - Bonus Track
138 bpm • A Maj • 02:18 • -4.01db
10% Popularity • 52% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 52% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Albert Collins
Conversation with Collins
146 bpm • A min • 08:51 • -14.8db
18% Popularity • 66% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 66% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Lacy Gibson
Wish Me Well
138 bpm • C Maj • 02:57 • -15.22db
27% Popularity • 63% Danceability • 76% Energy • 7% Liveness
9% Instrumentalness • 61% Positiveness
27% Popularity • 63% Danceability • 76% Energy • 7% Liveness
9% Instrumentalness • 61% Positiveness
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Curtis Salgado
One Night Only
147 bpm • F Maj • 02:49 • -6.49db
30% Popularity • 53% Danceability • 86% Energy • 30% Liveness
1% Instrumentalness • 89% Positiveness
30% Popularity • 53% Danceability • 86% Energy • 30% Liveness
1% Instrumentalness • 89% Positiveness
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Roomful Of Blues
Time Brings About A Change
137 bpm • F Maj • 05:32 • -8db
11% Popularity • 48% Danceability • 37% Energy • 11% Liveness
7% Instrumentalness • 23% Positiveness
11% Popularity • 48% Danceability • 37% Energy • 11% Liveness
7% Instrumentalness • 23% Positiveness
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Raful Neal
Call Me Baby
137 bpm • C Maj • 03:50 • -8db
13% Popularity • 74% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 74% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Johnny Copeland
Rain
147 bpm • A Maj • 06:03 • -7db
18% Popularity • 53% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 53% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Coco Montoya
I Want To Shout About It
137 bpm • G Maj • 03:39 • -5db
29% Popularity • 61% Danceability • 82% Energy • 32% Liveness
6% Instrumentalness • 51% Positiveness
29% Popularity • 61% Danceability • 82% Energy • 32% Liveness
6% Instrumentalness • 51% Positiveness
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Kelley Hunt
Release and Be Free
137 bpm • D# Maj • 04:24 • -6.99db
28% Popularity • 55% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 55% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Kim Wilson
Tiger Man
137 bpm • G# Maj • 03:40 • -7.56db
17% Popularity • 52% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 52% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Heather Crosse
My Man Called Me
137 bpm • B min • 03:34 • -5.17db
19% Popularity • 66% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 66% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Artie "Blues Boy" White
The More You Lie to Me
137 bpm • A Maj • 03:38 • -4.85db
12% Popularity • 69% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 69% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Fenton Robinson
Country Girl - Remastered
136 bpm • C Maj • 04:52 • -6.15db
34% Popularity • 63% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 63% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Johnny Copeland
Greater Man
136 bpm • G Maj • 04:40 • -15.2db
10% Popularity • 49% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 49% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Ronnie Earl & The Broadcasters
Everyday Kinda Man
148 bpm • C Maj • 04:35 • -8.06db
8% Popularity • 48% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 48% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Katie Webster
Love Deluxe
136 bpm • G Maj • 03:22 • -11db
21% Popularity • 69% Danceability • 53% Energy • 23% Liveness
1% Instrumentalness • 87% Positiveness
21% Popularity • 69% Danceability • 53% Energy • 23% Liveness
1% Instrumentalness • 87% Positiveness
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Barbara Lynn
You Don't Have To Go
136 bpm • A# Maj • 03:22 • -12.27db
11% Popularity • 56% Danceability • 35% Energy • 7% Liveness
1% Instrumentalness • 70% Positiveness
11% Popularity • 56% Danceability • 35% Energy • 7% Liveness
1% Instrumentalness • 70% Positiveness
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Mighty Sam McClain
A Soul That's Been Abused
148 bpm • F Maj • 06:57 • -14.27db
10% Popularity • 48% Danceability • 27% Energy • 29% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 48% Danceability • 27% Energy • 29% Liveness
0% Instrumentalness • 32% Positiveness
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Lazy Lester
Dark End Of The Street
136 bpm • F Maj • 02:56 • -13db
22% Popularity • 52% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 52% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Colin James
Hoodoo Man Blues
136 bpm • A Maj • 02:48 • -6.37db
22% Popularity • 51% Danceability • 68% Energy • 20% Liveness
12% Instrumentalness • 72% Positiveness
22% Popularity • 51% Danceability • 68% Energy • 20% Liveness
12% Instrumentalness • 72% Positiveness
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Lil Ed & The Blues Imperials
Living For Today
149 bpm • C min • 06:50 • -17.2db
5% Popularity • 47% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
5% Popularity • 47% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Rick Estrin & The Nightcats
The Blues Ain't Going Nowhere
135 bpm • G Maj • 05:08 • -4.85db
17% Popularity • 54% Danceability • 90% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
17% Popularity • 54% Danceability • 90% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
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Magic Slim & The Teardrops
Crazy Woman
149 bpm • C# min • 05:48 • -5db
32% Popularity • 43% Danceability • 60% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
32% Popularity • 43% Danceability • 60% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
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Zakiya Hooker
New Orleans Rain
135 bpm • C Maj • 04:54 • -12.4db
9% Popularity • 64% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 64% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Lazy Lester
Rooster Blues
135 bpm • A Maj • 03:02 • -7db
20% Popularity • 44% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 44% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Johnny Copeland
Every Dog's Got His Day
135 bpm • C Maj • 04:54 • -7.89db
15% Popularity • 54% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 54% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Snooks Eaglin
I'm Slippin' In
135 bpm • C Maj • 02:51 • -9.05db
17% Popularity • 76% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 76% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Floyd Dixon
Hey, Bartender
135 bpm • A# Maj • 03:25 • -6db
35% Popularity • 54% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
35% Popularity • 54% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Alberta Adams
Doctor Blues
134 bpm • G# Maj • 04:28 • -2.9db
20% Popularity • 58% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 58% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Kim Wilson
Baby Please Don't Lie to Me
134 bpm • C# Maj • 03:02 • -9.91db
10% Popularity • 60% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 60% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
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Albert Collins
If Trouble Was Money
134 bpm • G Maj • 08:00 • -13.5db
20% Popularity • 53% Danceability • 41% Energy • 93% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 53% Danceability • 41% Energy • 93% Liveness
0% Instrumentalness • 37% Positiveness
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Deitra Farr
Taking The Long Way Home
151 bpm • F Maj • 06:52 • -8.62db
15% Popularity • 45% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 45% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
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W.C. Clark
I Want To Do Everything For You
134 bpm • D Maj • 02:30 • -4db
28% Popularity • 70% Danceability • 81% Energy • 43% Liveness
0% Instrumentalness • 97% Positiveness
28% Popularity • 70% Danceability • 81% Energy • 43% Liveness
0% Instrumentalness • 97% Positiveness
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Big Walter Horton
Sugar Mama
151 bpm • A Maj • 03:16 • -12db
22% Popularity • 40% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 40% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Sons of the Blues
Have You Ever Loved A Woman
151 bpm • G min • 06:10 • -16.39db
8% Popularity • 51% Danceability • 21% Energy • 51% Liveness
1% Instrumentalness • 27% Positiveness
8% Popularity • 51% Danceability • 21% Energy • 51% Liveness
1% Instrumentalness • 27% Positiveness
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Professor Longhair
Cry To Me - Remastered
133 bpm • A# Maj • 03:37 • -7.37db
24% Popularity • 66% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 91% Positiveness
24% Popularity • 66% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 91% Positiveness
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Sue Foley
The Ice Queen
151 bpm • E min • 06:23 • -8.37db
31% Popularity • 49% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 49% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Duke Robillard
The Mood Room
152 bpm • C Maj • 02:57 • -7.87db
16% Popularity • 57% Danceability • 51% Energy • 16% Liveness
2% Instrumentalness • 74% Positiveness
16% Popularity • 57% Danceability • 51% Energy • 16% Liveness
2% Instrumentalness • 74% Positiveness
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Eddie Shaw
It's Alright
133 bpm • G Maj • 02:52 • -9.35db
28% Popularity • 68% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 68% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Kim Wilson
Don't Bite the Hand That Feeds You
132 bpm • C min • 04:16 • -7.8db
13% Popularity • 62% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 62% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Michael Burks
Don't Let It Be A Dream
132 bpm • B min • 05:36 • -7.97db
30% Popularity • 57% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 57% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Mavis Staples
There's A Devil On The Loose
132 bpm • B min • 03:34 • -9.28db
13% Popularity • 67% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 67% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Zuzu Bollin
Why Don't You Eat Where You Slept Last N...
132 bpm • A# Maj • 02:54 • -16.3db
32% Popularity • 61% Danceability • 40% Energy • 8% Liveness
68% Instrumentalness • 82% Positiveness
32% Popularity • 61% Danceability • 40% Energy • 8% Liveness
68% Instrumentalness • 82% Positiveness
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Luther Johnson
They Call Me the Popcorn Man
132 bpm • E Maj • 03:55 • -12.93db
25% Popularity • 79% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
25% Popularity • 79% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Jimmy McCracklin
Think
132 bpm • C Maj • 02:33 • -11.46db
9% Popularity • 46% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 46% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
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Taj Mahal
Hello Josephine
131 bpm • D# Maj • 04:48 • -5.24db
12% Popularity • 73% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 73% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Michael Burks
Feel Like Going Home
132 bpm • G# Maj • 05:39 • -6.09db
19% Popularity • 36% Danceability • 45% Energy • 10% Liveness
82% Instrumentalness • 16% Positiveness
19% Popularity • 36% Danceability • 45% Energy • 10% Liveness
82% Instrumentalness • 16% Positiveness
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Freddy King
See See Baby
131 bpm • F min • 02:15 • -11.04db
22% Popularity • 59% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 59% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Sugar Blue
Get Your Hand Out Of My Pocket
154 bpm • D# Maj • 07:52 • -8.78db
9% Popularity • 35% Danceability • 48% Energy • 87% Liveness
1% Instrumentalness • 47% Positiveness
9% Popularity • 35% Danceability • 48% Energy • 87% Liveness
1% Instrumentalness • 47% Positiveness
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Katie Webster
It's Mighty Hard
130 bpm • A# Maj • 06:30 • -14.54db
27% Popularity • 51% Danceability • 27% Energy • 21% Liveness
11% Instrumentalness • 14% Positiveness
27% Popularity • 51% Danceability • 27% Energy • 21% Liveness
11% Instrumentalness • 14% Positiveness
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Deb Ryder
Love Is Gone
130 bpm • A# min • 04:48 • -9.73db
17% Popularity • 52% Danceability • 37% Energy • 14% Liveness
1% Instrumentalness • 34% Positiveness
17% Popularity • 52% Danceability • 37% Energy • 14% Liveness
1% Instrumentalness • 34% Positiveness
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Sista Monica
You're Only Good For One Thang Baby
130 bpm • A# Maj • 03:28 • -4.23db
27% Popularity • 63% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 63% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Rick Hollander
Little Angel
130 bpm • F Maj • 05:07 • -12db
14% Popularity • 66% Danceability • 48% Energy • 27% Liveness
18% Instrumentalness • 66% Positiveness
14% Popularity • 66% Danceability • 48% Energy • 27% Liveness
18% Instrumentalness • 66% Positiveness
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Mighty Sam McClain
What You Want Me to Do
129 bpm • B min • 04:50 • -13.82db
8% Popularity • 64% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 64% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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The Charles Ford Band
Blue and Lonesome
156 bpm • A# min • 08:27 • -20.48db
19% Popularity • 41% Danceability • 11% Energy • 10% Liveness
15% Instrumentalness • 35% Positiveness
19% Popularity • 41% Danceability • 11% Energy • 10% Liveness
15% Instrumentalness • 35% Positiveness
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Ronnie EarlThe Broadcasters
Change Is Gonna Come
129 bpm • A# Maj • 06:02 • -4.82db
27% Popularity • 43% Danceability • 59% Energy • 11% Liveness
3% Instrumentalness • 28% Positiveness
27% Popularity • 43% Danceability • 59% Energy • 11% Liveness
3% Instrumentalness • 28% Positiveness
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Eden Brent
Later Than You Think
129 bpm • C Maj • 03:35 • -9db
14% Popularity • 67% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 67% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Professor Longhair
It's My Fault, Darling - Remastered
156 bpm • C Maj • 04:54 • -5.5db
20% Popularity • 48% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 48% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Albert Collins
My Mind Is Trying To Leave Me
157 bpm • G Maj • 07:36 • -18.23db
13% Popularity • 47% Danceability • 15% Energy • 5% Liveness
2% Instrumentalness • 39% Positiveness
13% Popularity • 47% Danceability • 15% Energy • 5% Liveness
2% Instrumentalness • 39% Positiveness
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Mighty Mo Rodgers
No Regrets
128 bpm • A# min • 04:57 • -7db
25% Popularity • 61% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 61% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
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Johnny Copeland
Catch Up With The Blues
128 bpm • F min • 05:01 • -8.9db
16% Popularity • 63% Danceability • 82% Energy • 11% Liveness
6% Instrumentalness • 68% Positiveness
16% Popularity • 63% Danceability • 82% Energy • 11% Liveness
6% Instrumentalness • 68% Positiveness
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Jimmy Rogers
Rock With You Baby
128 bpm • A# Maj • 04:12 • -11.08db
20% Popularity • 57% Danceability • 55% Energy • 47% Liveness
40% Instrumentalness • 57% Positiveness
20% Popularity • 57% Danceability • 55% Energy • 47% Liveness
40% Instrumentalness • 57% Positiveness
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Earl King
Let's Make A Better World
128 bpm • A Maj • 03:05 • -7.35db
16% Popularity • 88% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 88% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Queen Sylvia Embry
Blues This Morning
127 bpm • G Maj • 02:08 • -12db
29% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 70% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Debbie Davies
It's All Blues
127 bpm • A Maj • 03:36 • -8db
17% Popularity • 78% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 78% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
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Hubert Sumlin
Broke and Hungry
159 bpm • F Maj • 05:51 • -11.15db
30% Popularity • 60% Danceability • 38% Energy • 16% Liveness
5% Instrumentalness • 48% Positiveness
30% Popularity • 60% Danceability • 38% Energy • 16% Liveness
5% Instrumentalness • 48% Positiveness
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Tinsley Ellis
Should I Have Lied
159 bpm • C Maj • 04:03 • -9.09db
14% Popularity • 54% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 29% Positiveness
14% Popularity • 54% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 29% Positiveness
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Magic Slim & The Teardrops
Please Don't Dog Me
159 bpm • C Maj • 06:51 • -8.54db
14% Popularity • 50% Danceability • 46% Energy • 28% Liveness
19% Instrumentalness • 53% Positiveness
14% Popularity • 50% Danceability • 46% Energy • 28% Liveness
19% Instrumentalness • 53% Positiveness
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Pee Wee Crayton
Every Night
159 bpm • G# Maj • 02:50 • -14db
22% Popularity • 45% Danceability • 61% Energy • 9% Liveness
8% Instrumentalness • 79% Positiveness
22% Popularity • 45% Danceability • 61% Energy • 9% Liveness
8% Instrumentalness • 79% Positiveness
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Johnny Adams
Not Trustworthy (A Lyin' Woman)
127 bpm • F Maj • 03:39 • -11.35db
9% Popularity • 70% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 70% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Debbie Davies
I Wonder Why (You're So Mean To Me)
127 bpm • G Maj • 04:21 • -8db
13% Popularity • 72% Danceability • 84% Energy • 13% Liveness
1% Instrumentalness • 87% Positiveness
13% Popularity • 72% Danceability • 84% Energy • 13% Liveness
1% Instrumentalness • 87% Positiveness
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Johnny B. Moore
Lonesome Blues
160 bpm • C Maj • 07:23 • -14.28db
28% Popularity • 44% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 44% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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A.C. Reed
I Can't Go This Way
126 bpm • A min • 04:05 • -9db
28% Popularity • 73% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 73% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Sista Monica Parker
I Don't Want To Hurt You Baby
160 bpm • F min • 06:31 • -8.75db
15% Popularity • 41% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 41% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Samantha Fish
Who's Been Talking
126 bpm • B min • 03:22 • -5db
21% Popularity • 56% Danceability • 75% Energy • 70% Liveness
1% Instrumentalness • 80% Positiveness
21% Popularity • 56% Danceability • 75% Energy • 70% Liveness
1% Instrumentalness • 80% Positiveness
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Toronzo Cannon
Fine Seasoned Woman
126 bpm • D# min • 03:29 • -5db
20% Popularity • 66% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 66% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Michael Burks
Make It Rain
126 bpm • G min • 06:59 • -7db
37% Popularity • 59% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 59% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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William Clarke
Drinking By Myself
160 bpm • C Maj • 05:47 • -14.71db
26% Popularity • 49% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 49% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Lazy Lester
Sugar Coates Love
126 bpm • A Maj • 05:52 • -6.54db
13% Popularity • 65% Danceability • 85% Energy • 84% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 65% Danceability • 85% Energy • 84% Liveness
0% Instrumentalness • 84% Positiveness
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Magic Slim & The Teardrops
Jealous Man
161 bpm • C# min • 03:11 • -5.12db
8% Popularity • 45% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 45% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
