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A Good Man Is Hard To Find
Songs like
A Good Man Is Hard To Find
by
Ted Lewis and His Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Parker Gibbs & Ted Weems Orchestra
She's Got It
120 bpm • E Maj • 02:40 • -15.3db
10% Popularity • 82% Danceability • 25% Energy • 13% Liveness
4% Instrumentalness • 82% Positiveness
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Harry Roy and His Orchestra
Roll Along Covered Wagon
120 bpm • D# Maj • 02:58 • -20.27db
9% Popularity • 79% Danceability • 20% Energy • 20% Liveness
78% Instrumentalness • 88% Positiveness
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Eddie Cantor
If You Knew Susie (Like I Know Susie)
120 bpm • D Maj • 02:51 • -14.63db
22% Popularity • 86% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Jack Hylton & His Orchestra
Happy Days Are Here Again
120 bpm • C Maj • 03:08 • -11.64db
15% Popularity • 81% Danceability • 43% Energy • 27% Liveness
72% Instrumentalness • 86% Positiveness
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Ted Lewis and His Orchestra
A Good Man Is Hard To Find
120 bpm • A# Maj • 02:47 • -24.2db
0% Popularity • 61% Danceability • 4% Energy • 10% Liveness
8% Instrumentalness • 58% Positiveness
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Edwin J. McEnelly's Orchestra
Spanish Shawl
120 bpm • G# min • 03:07 • -13.01db
12% Popularity • 90% Danceability • 28% Energy • 4% Liveness
88% Instrumentalness • 91% Positiveness
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Halfway House Dance Orchestra
I'm In Love
120 bpm • D min • 02:53 • -11.79db
12% Popularity • 76% Danceability • 38% Energy • 10% Liveness
95% Instrumentalness • 96% Positiveness
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Jack Payne Band
My Baby Just Cares for Me
120 bpm • F Maj • 02:49 • -12.09db
20% Popularity • 81% Danceability • 61% Energy • 7% Liveness
18% Instrumentalness • 77% Positiveness
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Kay Kyser
Indian Summer
120 bpm • G# Maj • 02:55 • -12db
5% Popularity • 45% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
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Virginia Liston
I've Got What It Takes
120 bpm • A Maj • 03:18 • -11.23db
9% Popularity • 73% Danceability • 29% Energy • 39% Liveness
72% Instrumentalness • 80% Positiveness
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Rube Bloom
Spring Fever
120 bpm • F Maj • 02:56 • -20.9db
9% Popularity • 62% Danceability • 25% Energy • 38% Liveness
67% Instrumentalness • 78% Positiveness
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Abe Lyman's California Orchestra
Varsity Drag
120 bpm • G# Maj • 02:46 • -12.56db
10% Popularity • 74% Danceability • 40% Energy • 8% Liveness
94% Instrumentalness • 87% Positiveness
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The Washingtonians
Down in Our Alley Blues
120 bpm • F min • 03:00 • -10.45db
12% Popularity • 72% Danceability • 42% Energy • 22% Liveness
86% Instrumentalness • 96% Positiveness
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Count Basie
Jumpin' at the Woodside
120 bpm • G min • 03:05 • -7.11db
11% Popularity • 75% Danceability • 73% Energy • 11% Liveness
86% Instrumentalness • 62% Positiveness
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Harry Archer
There Ain`t No Maybe There In My Baby`s ...
120 bpm • F Maj • 02:39 • -15.45db
14% Popularity • 74% Danceability • 33% Energy • 10% Liveness
5% Instrumentalness • 85% Positiveness
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Billy Jones
She's the Sweetheart of Six Other Guys (...
120 bpm • E min • 02:53 • -13db
12% Popularity • 72% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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Howard Lanin Orchestra
Don't Wake Me Up Let Me Dream
120 bpm • C Maj • 02:49 • -13.05db
15% Popularity • 83% Danceability • 26% Energy • 9% Liveness
88% Instrumentalness • 92% Positiveness
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Peggy Lee
Not Care In the World
121 bpm • C min • 03:22 • -9.62db
8% Popularity • 82% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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John McCormack
Send Me Away With A Smile
119 bpm • D# min • 02:39 • -11.64db
13% Popularity • 69% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Fletcher Henderson & His Orchestra
Clap Hands, Here Comes Charlie
121 bpm • C Maj • 03:00 • -10.19db
7% Popularity • 83% Danceability • 35% Energy • 13% Liveness
92% Instrumentalness • 68% Positiveness
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Eric Winstone and His Band
I Walked In (With My Eyes Wide Open)
119 bpm • G min • 03:08 • -14.17db
10% Popularity • 56% Danceability • 28% Energy • 15% Liveness
2% Instrumentalness • 75% Positiveness
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Ozzie Nelson and His Orchestra
Subway
121 bpm • F min • 02:40 • -10.98db
8% Popularity • 67% Danceability • 54% Energy • 24% Liveness
88% Instrumentalness • 46% Positiveness
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Bert Lown Orchestra
You're the One I Care for
119 bpm • C# Maj • 03:22 • -16.85db
9% Popularity • 46% Danceability • 11% Energy • 11% Liveness
24% Instrumentalness • 43% Positiveness
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Blue Barron & His Orchestra
Ida, Sweet as Apple Cider
121 bpm • F Maj • 02:13 • -11.11db
8% Popularity • 80% Danceability • 38% Energy • 27% Liveness
2% Instrumentalness • 84% Positiveness
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Sid Peltyn and His Orchestra
Play Me a Frigid Air
119 bpm • F Maj • 02:41 • -11.9db
14% Popularity • 74% Danceability • 39% Energy • 11% Liveness
91% Instrumentalness • 95% Positiveness
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Richard Himber and his Orchestra
Dancing On The Ceiling - Of Thee I Sing
119 bpm • C# Maj • 04:16 • -10.73db
14% Popularity • 46% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Charlie Johnson’s Paradise Ten
Charleston Is The Best Dance After All
119 bpm • A# Maj • 02:51 • -11.25db
10% Popularity • 85% Danceability • 47% Energy • 5% Liveness
85% Instrumentalness • 96% Positiveness
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Jack Hylton & His Orchestra
Life Begins At Oxford Circus
121 bpm • D Maj • 02:21 • -22.95db
20% Popularity • 75% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
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Howard Lanin Orchestra
On a Night Like This
119 bpm • C# min • 02:45 • -16.32db
10% Popularity • 72% Danceability • 22% Energy • 21% Liveness
85% Instrumentalness • 97% Positiveness
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Art Fowler
No Wonder She's a Blushing Bride
119 bpm • G Maj • 02:23 • -11.78db
8% Popularity • 80% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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King Oliver
Showboat Shuffle
121 bpm • D# Maj • 02:55 • -11.47db
8% Popularity • 70% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 79% Positiveness
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Ben Selvin & His Orchestra
Happy Days Are Here Again
119 bpm • C Maj • 03:22 • -12.2db
27% Popularity • 82% Danceability • 26% Energy • 4% Liveness
9% Instrumentalness • 76% Positiveness
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Harold Arlen
How Many Times
122 bpm • F Maj • 02:41 • -8.5db
9% Popularity • 79% Danceability • 48% Energy • 15% Liveness
9% Instrumentalness • 92% Positiveness
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Erskine Tate's Vendome Orchestra
Stomp Off, Let's Go
119 bpm • G# Maj • 02:54 • -13.34db
7% Popularity • 69% Danceability • 48% Energy • 37% Liveness
93% Instrumentalness • 96% Positiveness
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Art Landry And His Orchestra
Camel Walk
122 bpm • A# Maj • 03:07 • -15.55db
15% Popularity • 84% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 85% Positiveness
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Helen Rowland With Ed Kirkeby Orchestra
I've Got To Sing A Torch Song
118 bpm • C# Maj • 02:44 • -11.11db
17% Popularity • 54% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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The Revelers
No Foolin (Recorded 1926)
122 bpm • D# Maj • 03:03 • -14db
12% Popularity • 88% Danceability • 22% Energy • 37% Liveness
0% Instrumentalness • 71% Positiveness
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Bennie Moten's Kansas City Orchestra
Moten's Stomp
122 bpm • D# Maj • 03:02 • -11db
9% Popularity • 83% Danceability • 51% Energy • 15% Liveness
90% Instrumentalness • 96% Positiveness
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Howard Lanin Orchestra
When Eyes Af Blue Are Foolin' You
118 bpm • A Maj • 02:48 • -13.03db
9% Popularity • 66% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 90% Positiveness
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Eddie Cantor
No No Nora
118 bpm • D# Maj • 03:07 • -11.93db
13% Popularity • 79% Danceability • 19% Energy • 14% Liveness
3% Instrumentalness • 68% Positiveness
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Eubie Blake & His Shuffle Along Orchestra
Bandana Days
118 bpm • C# min • 03:21 • -12db
13% Popularity • 73% Danceability • 42% Energy • 14% Liveness
92% Instrumentalness • 48% Positiveness
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Harry James
I've Heard That Song Before
122 bpm • F Maj • 03:02 • -6.68db
9% Popularity • 71% Danceability • 34% Energy • 9% Liveness
66% Instrumentalness • 76% Positiveness
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Ted Lewis
Keep Sweeping the Cobwebs off the Moon
118 bpm • E min • 03:02 • -8.28db
8% Popularity • 68% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Ray McKinley
Hard Hearted Hannah
118 bpm • G# Maj • 03:17 • -14.39db
16% Popularity • 74% Danceability • 27% Energy • 39% Liveness
0% Instrumentalness • 66% Positiveness
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Ray Noble & His Orchestra
Make Yourself A Happiness Pie
118 bpm • C min • 03:13 • -21.25db
11% Popularity • 68% Danceability • 9% Energy • 13% Liveness
41% Instrumentalness • 68% Positiveness
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Irving Aaronson and His Commanders
I'm Just Wild About Animal Crackers
122 bpm • F Maj • 02:47 • -13.65db
8% Popularity • 81% Danceability • 28% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
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Eddie Cantor
Makin' Whoopee
118 bpm • G Maj • 03:08 • -10db
12% Popularity • 56% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
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Frank Crumit
I Married the Bootlegger's Daughter
118 bpm • A# min • 02:51 • -11db
9% Popularity • 92% Danceability • 27% Energy • 18% Liveness
32% Instrumentalness • 66% Positiveness
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Fletcher Henderson & His Orchestra
Clarinet Marmalade - 1927 version
123 bpm • F Maj • 02:48 • -11db
9% Popularity • 82% Danceability • 30% Energy • 6% Liveness
91% Instrumentalness • 97% Positiveness
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Esther Walker
Whisper, Sh! (Recorded October 1926)
123 bpm • A# Maj • 02:54 • -15db
11% Popularity • 73% Danceability • 22% Energy • 15% Liveness
69% Instrumentalness • 64% Positiveness
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Ipana Troubadours
(Give Me) A Night in June
117 bpm • F Maj • 02:49 • -10.44db
11% Popularity • 82% Danceability • 40% Energy • 25% Liveness
69% Instrumentalness • 92% Positiveness
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Miami Society Orchestra
Back in Your Own Back Yard
117 bpm • G# Maj • 02:52 • -10db
7% Popularity • 79% Danceability • 37% Energy • 10% Liveness
94% Instrumentalness • 96% Positiveness
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Eddie Cantor
If You Knew Susie
123 bpm • D Maj • 02:49 • -7db
6% Popularity • 86% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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Sam Lanin and The Ipana Troubadours
Jig Walk
117 bpm • D# Maj • 02:40 • -11.94db
11% Popularity • 89% Danceability • 28% Energy • 8% Liveness
52% Instrumentalness • 90% Positiveness
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Joe Loss & His Orchestra
Till The Lights Of London Shine Again
117 bpm • C Maj • 03:17 • -19db
20% Popularity • 34% Danceability • 11% Energy • 19% Liveness
90% Instrumentalness • 36% Positiveness
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Phil Ohman
Manhattan
117 bpm • G min • 02:43 • -12.83db
10% Popularity • 70% Danceability • 29% Energy • 14% Liveness
3% Instrumentalness • 77% Positiveness
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Emmett Miller
Right or Wrong
117 bpm • F# Maj • 03:13 • -19db
8% Popularity • 71% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Ben Selvin & His Orchestra
Baby Face
117 bpm • C Maj • 03:04 • -3.64db
17% Popularity • 71% Danceability • 40% Energy • 12% Liveness
73% Instrumentalness • 90% Positiveness
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Ted Lewis and His Orchestra
Moonlight Madness
117 bpm • F min • 03:27 • -16.76db
0% Popularity • 67% Danceability • 20% Energy • 19% Liveness
5% Instrumentalness • 51% Positiveness
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Isham Jones And His Orchestra
The Original Charleston
117 bpm • D min • 02:44 • -11db
18% Popularity • 60% Danceability • 41% Energy • 19% Liveness
92% Instrumentalness • 74% Positiveness
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Alberta Hunter
I'm Hard To Satisfy
123 bpm • F min • 02:45 • -10.76db
5% Popularity • 73% Danceability • 31% Energy • 34% Liveness
5% Instrumentalness • 80% Positiveness
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Ted Lewis
Jungle Blues
123 bpm • G# Maj • 02:49 • -12db
3% Popularity • 72% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 71% Positiveness
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New Orleans Rhythm Kings
Maple Leaf
117 bpm • G Maj • 02:34 • -6.72db
8% Popularity • 52% Danceability • 63% Energy • 25% Liveness
88% Instrumentalness • 92% Positiveness
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Johnny Marvin
Angel
117 bpm • C Maj • 02:28 • -9db
9% Popularity • 75% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Geraldo & His Orchestra
We Must All Stick Together
117 bpm • E min • 03:09 • -14.12db
25% Popularity • 92% Danceability • 26% Energy • 6% Liveness
7% Instrumentalness • 81% Positiveness
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B.A. Rolfe & His Lucky Strike Orchestra
Hello Sweetie
117 bpm • A Maj • 02:55 • -7db
11% Popularity • 83% Danceability • 52% Energy • 26% Liveness
18% Instrumentalness • 87% Positiveness
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Alice Babs
Exactly Like You
117 bpm • G Maj • 02:24 • -19.19db
7% Popularity • 75% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Don Redman
I Wanna Be Loved (01-05-34)
116 bpm • G Maj • 02:58 • -8.29db
3% Popularity • 68% Danceability • 34% Energy • 25% Liveness
3% Instrumentalness • 61% Positiveness
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Ted Lewis and His Orchestra
Someday Sweetheart
116 bpm • C Maj • 03:28 • -27.4db
0% Popularity • 51% Danceability • 5% Energy • 13% Liveness
29% Instrumentalness • 43% Positiveness
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Bennie Moten
Moten Stomp
124 bpm • E Maj • 02:58 • -9db
14% Popularity • 78% Danceability • 67% Energy • 23% Liveness
84% Instrumentalness • 96% Positiveness
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Charlie Barnet & His Orchestra
Swing Street Strut
116 bpm • G min • 02:47 • -10.63db
16% Popularity • 70% Danceability • 52% Energy • 36% Liveness
39% Instrumentalness • 72% Positiveness
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Mamie Smith
You Can Have Him, I Don't Want Him, Didn...
124 bpm • A Maj • 03:02 • -9.58db
7% Popularity • 63% Danceability • 32% Energy • 42% Liveness
10% Instrumentalness • 59% Positiveness
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Jane Green
Momma Goes Where Papa Goes or Papa Don't...
116 bpm • F Maj • 03:30 • -13.03db
14% Popularity • 71% Danceability • 10% Energy • 20% Liveness
4% Instrumentalness • 36% Positiveness
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George E. Lee & His Orchestra
If I Could Be with You One Hour Tonight
124 bpm • F Maj • 03:28 • -14.9db
10% Popularity • 76% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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The Three Keys
Song of the Islands
116 bpm • A Maj • 02:58 • -12.88db
8% Popularity • 71% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Ace Brigode & His Fourteen Virginians
Yes Sir, That's My Baby
124 bpm • D# Maj • 03:02 • -10.71db
10% Popularity • 88% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 98% Positiveness
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Blue Barron & His Orchestra
Bluebirds in the Moonlight
116 bpm • F min • 02:45 • -11.01db
19% Popularity • 84% Danceability • 40% Energy • 4% Liveness
10% Instrumentalness • 88% Positiveness
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Hal Kemp And His Orchestra
The Eyes Of Texas
115 bpm • G Maj • 03:15 • -14.2db
12% Popularity • 74% Danceability • 25% Energy • 12% Liveness
4% Instrumentalness • 86% Positiveness
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Eddie Lang
Good Little, Bad Little You
115 bpm • G Maj • 02:42 • -16db
7% Popularity • 82% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Bert Firman Orchestra
Charleston Charley
115 bpm • A# Maj • 02:34 • -12db
27% Popularity • 81% Danceability • 39% Energy • 5% Liveness
68% Instrumentalness • 98% Positiveness
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Duke Ellington
Tiger Rag
115 bpm • D Maj • 02:50 • -8.98db
15% Popularity • 84% Danceability • 54% Energy • 7% Liveness
82% Instrumentalness • 93% Positiveness
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Billy Jones
Ma! He's Making Eyes at Me
115 bpm • D# Maj • 03:07 • -11.83db
8% Popularity • 61% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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Ted Lewis
There's A New Day Comin'
125 bpm • G# Maj • 02:54 • -15.27db
8% Popularity • 81% Danceability • 30% Energy • 13% Liveness
72% Instrumentalness • 92% Positiveness
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Jack Hylton & His Orchestra
Egyptian Ella
125 bpm • G min • 02:51 • -8.62db
19% Popularity • 81% Danceability • 56% Energy • 20% Liveness
20% Instrumentalness • 92% Positiveness
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Gracie Fields
Donkey Serenade
115 bpm • A# Maj • 02:34 • -11.26db
19% Popularity • 44% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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The Chicago Footwarmers
Lady Love
125 bpm • A# Maj • 02:46 • -9.81db
3% Popularity • 70% Danceability • 42% Energy • 24% Liveness
94% Instrumentalness • 96% Positiveness
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Carmen Cavallaro & His Orchestra
Just One Of Those Things
125 bpm • C Maj • 02:35 • -12.65db
15% Popularity • 61% Danceability • 39% Energy • 6% Liveness
86% Instrumentalness • 70% Positiveness
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Puritan Dance Orchestra
Who's Who Are You?
115 bpm • A# Maj • 02:44 • -10.3db
9% Popularity • 73% Danceability • 45% Energy • 10% Liveness
88% Instrumentalness • 96% Positiveness
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Harry James
Every Day of My Life
115 bpm • G min • 02:55 • -12.06db
9% Popularity • 39% Danceability • 24% Energy • 14% Liveness
14% Instrumentalness • 23% Positiveness
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Irving Aaronson and His Commanders
An' Furthermore
115 bpm • D# Maj • 02:59 • -10db
16% Popularity • 80% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Ray Noble & His Orchestra
Dreaming a Dream
126 bpm • F min • 03:02 • -19.15db
10% Popularity • 51% Danceability • 7% Energy • 12% Liveness
58% Instrumentalness • 21% Positiveness
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Lee Wiley
You Turned The Tables On Me
115 bpm • C# Maj • 02:47 • -19.16db
27% Popularity • 66% Danceability • 8% Energy • 39% Liveness
0% Instrumentalness • 61% Positiveness
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Whitey Kaufman and His Orchestra
Paddlin' Madelin' Home
126 bpm • E Maj • 03:20 • -10.26db
0% Popularity • 80% Danceability • 43% Energy • 40% Liveness
72% Instrumentalness • 95% Positiveness
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Jack Hylton & His Orchestra
Who
126 bpm • D# Maj • 03:12 • -12db
10% Popularity • 62% Danceability • 55% Energy • 46% Liveness
68% Instrumentalness • 81% Positiveness
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Mills Blue Rhythm Band
St. Louis Wiggle Rhythm
126 bpm • F Maj • 02:54 • -9.33db
9% Popularity • 64% Danceability • 49% Energy • 13% Liveness
52% Instrumentalness • 92% Positiveness
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Irving Aaronson and His Commanders
Hard to Get Gertie
115 bpm • F Maj • 02:43 • -10.62db
9% Popularity • 75% Danceability • 34% Energy • 15% Liveness
80% Instrumentalness • 96% Positiveness
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Anson Weeks & His Orchestra
Rain, Rain, Go Away
114 bpm • G Maj • 02:05 • -17db
9% Popularity • 85% Danceability • 32% Energy • 10% Liveness
55% Instrumentalness • 93% Positiveness
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Phil Spitalny's Music
I Want to Meander in the Meadow
126 bpm • C# Maj • 02:46 • -12db
10% Popularity • 70% Danceability • 55% Energy • 6% Liveness
32% Instrumentalness • 81% Positiveness
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Fletcher Henderson & His Orchestra
Copenhagen
114 bpm • A# Maj • 02:50 • -11db
10% Popularity • 67% Danceability • 46% Energy • 71% Liveness
60% Instrumentalness • 66% Positiveness
► Preview
Ed Lang & His Orchestra
Bugle Call Rag
114 bpm • A# Maj • 03:01 • -10.25db
10% Popularity • 80% Danceability • 60% Energy • 8% Liveness
90% Instrumentalness • 92% Positiveness
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A Good Man Is Hard To Find