Songs like A Good Time With The Blues by Phantom Blues Band
Based on a tempo of (+/- 10%) and a similar genre
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Shemekia Copeland
I Always Get My Man
109 bpm • C# min • 03:49 • -6.83db
32% Popularity • 75% Danceability • 73% Energy • 72% Liveness
0% Instrumentalness • 91% Positiveness
32% Popularity • 75% Danceability • 73% Energy • 72% Liveness
0% Instrumentalness • 91% Positiveness
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Mark May
Sweet Spot
109 bpm • D Maj • 04:54 • -7db
24% Popularity • 64% Danceability • 76% Energy • 7% Liveness
1% Instrumentalness • 63% Positiveness
24% Popularity • 64% Danceability • 76% Energy • 7% Liveness
1% Instrumentalness • 63% Positiveness
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Chris Cain
Born To Play
109 bpm • D Maj • 03:17 • -4.5db
29% Popularity • 44% Danceability • 68% Energy • 61% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 44% Danceability • 68% Energy • 61% Liveness
0% Instrumentalness • 43% Positiveness
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Doyle Bramhall
She's Gone
109 bpm • D Maj • 04:37 • -8.5db
32% Popularity • 62% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
32% Popularity • 62% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
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Phantom Blues Band
I'm Looking For A Miracle
109 bpm • G Maj • 03:52 • -4.1db
3% Popularity • 41% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
3% Popularity • 41% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Ronnie Baker Brooks
Take Me Witcha
109 bpm • A Maj • 04:17 • -10.44db
9% Popularity • 50% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 50% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
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Smokin' Joe Kubek & Bnois King
Sleeping With One Eye Open
109 bpm • F min • 04:20 • -3.6db
27% Popularity • 66% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 66% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Guitar Shorty
Fine Cadillac
109 bpm • B min • 05:51 • -4.59db
21% Popularity • 48% Danceability • 87% Energy • 41% Liveness
1% Instrumentalness • 59% Positiveness
21% Popularity • 48% Danceability • 87% Energy • 41% Liveness
1% Instrumentalness • 59% Positiveness
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A.C. Reed
Big Woman
109 bpm • C Maj • 03:27 • -9.15db
12% Popularity • 59% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 59% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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Nick Moss Band
Choose Wisely
109 bpm • C Maj • 04:04 • -3.27db
18% Popularity • 44% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
18% Popularity • 44% Danceability • 75% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
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Phantom Blues Band
Don't Fight It
109 bpm • F Maj • 03:48 • -6.69db
18% Popularity • 76% Danceability • 72% Energy • 15% Liveness
1% Instrumentalness • 86% Positiveness
18% Popularity • 76% Danceability • 72% Energy • 15% Liveness
1% Instrumentalness • 86% Positiveness
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Lonnie Brooks
Hoodoo She Do
108 bpm • B min • 03:49 • -10.99db
17% Popularity • 63% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 63% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Selwyn Birchwood
Addicted
108 bpm • F Maj • 02:33 • -3db
34% Popularity • 64% Danceability • 94% Energy • 7% Liveness
1% Instrumentalness • 89% Positiveness
34% Popularity • 64% Danceability • 94% Energy • 7% Liveness
1% Instrumentalness • 89% Positiveness
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Carolyn Wonderland
Misunderstood
110 bpm • C Maj • 03:29 • -4db
23% Popularity • 60% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 60% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Smokin' Joe Kubek & Bnois King
Armadillo Blues - Instrumental
110 bpm • A Maj • 04:31 • -5.9db
13% Popularity • 43% Danceability • 72% Energy • 18% Liveness
62% Instrumentalness • 42% Positiveness
13% Popularity • 43% Danceability • 72% Energy • 18% Liveness
62% Instrumentalness • 42% Positiveness
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Karen Lovely
Blues Ain't Far Behind
110 bpm • E min • 03:47 • -5.1db
11% Popularity • 74% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 74% Danceability • 75% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Phantom Blues Band
A Good Time With The Blues
109 bpm • G# Maj • 03:16 • -5.3db
16% Popularity • 66% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 66% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Angela Strehli
Hello My Lover
108 bpm • A# Maj • 03:38 • -7.43db
10% Popularity • 74% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
10% Popularity • 74% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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John Primer
The Gypsy Woman Told Me
110 bpm • C Maj • 03:35 • -4.56db
20% Popularity • 66% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 66% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Buddy Whittington
Minor Blues
110 bpm • A min • 04:48 • -5.78db
29% Popularity • 76% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 76% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
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Rick Estrin & The Nightcats
Looking For A Woman
108 bpm • C min • 05:21 • -6.35db
23% Popularity • 87% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
23% Popularity • 87% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Deborah Coleman
Look What You Do To Me
108 bpm • G min • 03:40 • -5.63db
9% Popularity • 71% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 71% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
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Phantom Blues Band
Bad Blood
109 bpm • C Maj • 03:35 • -5.12db
3% Popularity • 71% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
3% Popularity • 71% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Lazy Lester
Strange Things Happen
108 bpm • E Maj • 03:34 • -7.1db
30% Popularity • 57% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 57% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
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Snooky Pryor
Work With Me Annie
110 bpm • A Maj • 04:18 • -7.1db
32% Popularity • 66% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 66% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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The Fabulous Thunderbirds
Smooth
110 bpm • G Maj • 04:09 • -8.17db
17% Popularity • 76% Danceability • 70% Energy • 13% Liveness
2% Instrumentalness • 89% Positiveness
17% Popularity • 76% Danceability • 70% Energy • 13% Liveness
2% Instrumentalness • 89% Positiveness
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Lurrie Bell
Got My Eyes On You
110 bpm • C min • 04:02 • -9.16db
15% Popularity • 71% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 71% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Bob Margolin
Goin' Back Out On The Road
108 bpm • D Maj • 03:15 • -9.96db
18% Popularity • 58% Danceability • 80% Energy • 28% Liveness
4% Instrumentalness • 97% Positiveness
18% Popularity • 58% Danceability • 80% Energy • 28% Liveness
4% Instrumentalness • 97% Positiveness
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Phantom Blues Band
My Aching Back
109 bpm • F min • 03:44 • -7.59db
12% Popularity • 74% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 74% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
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Kai Strauss
One Woman Man
110 bpm • A Maj • 03:02 • -6.06db
10% Popularity • 52% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 52% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Peter Karp
Alabama Town
110 bpm • D Maj • 04:37 • -6.75db
8% Popularity • 67% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 67% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
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Seth Walker
Miss Ann
108 bpm • D Maj • 03:21 • -7.72db
23% Popularity • 65% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 65% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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A.C. Reed
Going To New York
110 bpm • E min • 03:39 • -12.83db
26% Popularity • 71% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
26% Popularity • 71% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
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Lil Ed & The Blues Imperials
I Love My Baby
108 bpm • D Maj • 03:44 • -6.03db
23% Popularity • 55% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 55% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Rusty Zinn
The Chill
110 bpm • D# min • 05:04 • -5.55db
12% Popularity • 57% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 57% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Phantom Blues Band
Look at Granny Run
110 bpm • G Maj • 02:50 • -4.11db
2% Popularity • 65% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
2% Popularity • 65% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Doyle Bramhall
Dimples
110 bpm • C# min • 04:06 • -6.09db
18% Popularity • 52% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 52% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
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Mark Selby
Don't You Throw That Mojo On Me
110 bpm • A Maj • 04:06 • -7db
39% Popularity • 72% Danceability • 77% Energy • 22% Liveness
12% Instrumentalness • 78% Positiveness
39% Popularity • 72% Danceability • 77% Energy • 22% Liveness
12% Instrumentalness • 78% Positiveness
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Billy Boy Arnold
High Fashion Woman
110 bpm • D Maj • 03:18 • -14.47db
22% Popularity • 64% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 64% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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Mark May
Mercury Blues
108 bpm • G Maj • 05:19 • -6db
17% Popularity • 45% Danceability • 74% Energy • 21% Liveness
12% Instrumentalness • 76% Positiveness
17% Popularity • 45% Danceability • 74% Energy • 21% Liveness
12% Instrumentalness • 76% Positiveness
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Debbie Davies
I Just Came To Play
111 bpm • A min • 03:33 • -6.38db
22% Popularity • 74% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 74% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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Carolyn Wonderland
Dust My Broom
111 bpm • C Maj • 02:43 • -7.34db
11% Popularity • 51% Danceability • 71% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 51% Danceability • 71% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
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Toronzo Cannon
The Chicago Way
111 bpm • E min • 04:22 • -4.87db
24% Popularity • 56% Danceability • 93% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
24% Popularity • 56% Danceability • 93% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
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Cee Cee James
Blood Red Blues
111 bpm • F Maj • 03:54 • -5db
21% Popularity • 63% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 63% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Rick Estrin & The Nightcats
She Nuts Up
111 bpm • F min • 04:17 • -3.99db
20% Popularity • 79% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 79% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Little Charlie & The Nightcats
Nervous
111 bpm • D Maj • 03:18 • -12.58db
23% Popularity • 65% Danceability • 61% Energy • 9% Liveness
3% Instrumentalness • 81% Positiveness
23% Popularity • 65% Danceability • 61% Energy • 9% Liveness
3% Instrumentalness • 81% Positiveness
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Altered Five Blues Band
Mischief Man
111 bpm • G Maj • 03:18 • -5.72db
28% Popularity • 67% Danceability • 85% Energy • 34% Liveness
2% Instrumentalness • 85% Positiveness
28% Popularity • 67% Danceability • 85% Energy • 34% Liveness
2% Instrumentalness • 85% Positiveness
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Phantom Blues Band
I Only Have Love
111 bpm • C Maj • 03:33 • -4.66db
2% Popularity • 72% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
2% Popularity • 72% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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W.C. Clark
Stronger Than You Need To Be
111 bpm • C Maj • 04:05 • -3.8db
27% Popularity • 69% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 69% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Debbie Davies
So What
111 bpm • G Maj • 04:11 • -9.17db
18% Popularity • 75% Danceability • 52% Energy • 10% Liveness
86% Instrumentalness • 86% Positiveness
18% Popularity • 75% Danceability • 52% Energy • 10% Liveness
86% Instrumentalness • 86% Positiveness
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Rick Estrin & The Nightcats
Zonin'
107 bpm • F Maj • 03:31 • -6db
16% Popularity • 64% Danceability • 61% Energy • 5% Liveness
9% Instrumentalness • 88% Positiveness
16% Popularity • 64% Danceability • 61% Energy • 5% Liveness
9% Instrumentalness • 88% Positiveness
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Rick Vito
My Baby's Hot
111 bpm • A Maj • 03:49 • -5.04db
10% Popularity • 52% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 52% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Kim Wilson
Lowdown
107 bpm • G# Maj • 04:40 • -8.95db
13% Popularity • 64% Danceability • 43% Energy • 7% Liveness
72% Instrumentalness • 66% Positiveness
13% Popularity • 64% Danceability • 43% Energy • 7% Liveness
72% Instrumentalness • 66% Positiveness
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Delbert McClinton & Glen Clark
World of Hurt
106 bpm • A Maj • 03:44 • -9.76db
22% Popularity • 69% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 69% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
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Watermelon Slim
You're the One I Need
112 bpm • F# min • 02:44 • -8db
28% Popularity • 67% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 67% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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B.B. & The Blues Shacks
Keep My Promises
112 bpm • F Maj • 03:10 • -4.65db
8% Popularity • 59% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 59% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Doyle Bramhall
Bird Nest on the Ground
106 bpm • C Maj • 04:24 • -6.84db
34% Popularity • 70% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
34% Popularity • 70% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Dr. Wu'
I Wanna' Love You
112 bpm • A Maj • 03:53 • -6.16db
13% Popularity • 66% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 66% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Lil Ed & The Blues Imperials
Whiskey Flavored Tears
112 bpm • D Maj • 02:50 • -3.03db
28% Popularity • 52% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 52% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Phantom Blues Band
Just in Case
112 bpm • E Maj • 04:45 • -5.61db
5% Popularity • 74% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
5% Popularity • 74% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Mark Selby
Sure Hope It Ain't A Train
112 bpm • F Maj • 03:30 • -5db
24% Popularity • 65% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 65% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Joe Louis Walker
Blues Comin' On
112 bpm • E min • 05:55 • -7db
21% Popularity • 70% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 70% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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David Gogo
Blues For Dollface
112 bpm • D Maj • 02:26 • -5.85db
26% Popularity • 59% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 59% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
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Karen Lovely
Molotov Cocktails
112 bpm • F# min • 04:33 • -7db
17% Popularity • 73% Danceability • 51% Energy • 15% Liveness
14% Instrumentalness • 65% Positiveness
17% Popularity • 73% Danceability • 51% Energy • 15% Liveness
14% Instrumentalness • 65% Positiveness
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Mississippi Heat
Goin' Home
106 bpm • F# min • 04:22 • -5db
9% Popularity • 62% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 62% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Phantom Blues Band
So Far From Heaven
112 bpm • G# Maj • 06:00 • -6.39db
2% Popularity • 71% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
2% Popularity • 71% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Hadden Sayers
Lay Down your Worries
106 bpm • B Maj • 03:17 • -6.76db
17% Popularity • 90% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 90% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Seth Walker
Memory Pain
106 bpm • C Maj • 02:34 • -9.29db
22% Popularity • 79% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 79% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Jimmy Thackery And The Drivers
I Still Want To Be Your Man
106 bpm • E Maj • 03:40 • -8.57db
11% Popularity • 70% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 70% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
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Gnola Blues Band
Trouble and Pain
106 bpm • C Maj • 03:44 • -9.82db
21% Popularity • 94% Danceability • 64% Energy • 8% Liveness
3% Instrumentalness • 74% Positiveness
21% Popularity • 94% Danceability • 64% Energy • 8% Liveness
3% Instrumentalness • 74% Positiveness
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Karen Lovely
Blues Is My Business
112 bpm • C Maj • 03:16 • -7.07db
14% Popularity • 90% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
14% Popularity • 90% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Luther "Guitar Junior" Johnson
Somebody Have Mercy
112 bpm • G Maj • 03:05 • -13db
35% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Toronzo Cannon
Insurance
106 bpm • E Maj • 04:34 • -5.52db
21% Popularity • 71% Danceability • 56% Energy • 13% Liveness
1% Instrumentalness • 60% Positiveness
21% Popularity • 71% Danceability • 56% Energy • 13% Liveness
1% Instrumentalness • 60% Positiveness
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Hadden Sayers
Flat Black Automobile
106 bpm • A Maj • 02:42 • -12.69db
14% Popularity • 88% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 88% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Phantom Blues Band
Barnyard Blues
112 bpm • G Maj • 04:01 • -3.47db
3% Popularity • 51% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
3% Popularity • 51% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Guitar Shorty
Story Of My Life
112 bpm • F Maj • 03:13 • -7db
38% Popularity • 73% Danceability • 86% Energy • 54% Liveness
0% Instrumentalness • 85% Positiveness
38% Popularity • 73% Danceability • 86% Energy • 54% Liveness
0% Instrumentalness • 85% Positiveness
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Katie Webster
I'm Bad
112 bpm • E min • 04:36 • -13.56db
22% Popularity • 76% Danceability • 39% Energy • 35% Liveness
13% Instrumentalness • 36% Positiveness
22% Popularity • 76% Danceability • 39% Energy • 35% Liveness
13% Instrumentalness • 36% Positiveness
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The Mannish Boys
Rude Groove
112 bpm • D min • 07:51 • -6.57db
7% Popularity • 51% Danceability • 70% Energy • 22% Liveness
1% Instrumentalness • 45% Positiveness
7% Popularity • 51% Danceability • 70% Energy • 22% Liveness
1% Instrumentalness • 45% Positiveness
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James Armstrong
Saturday Night Women
112 bpm • F min • 03:54 • -4.77db
7% Popularity • 78% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
7% Popularity • 78% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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W.C. Clark
Snatching It Back
106 bpm • D Maj • 03:24 • -6db
17% Popularity • 68% Danceability • 76% Energy • 6% Liveness
1% Instrumentalness • 91% Positiveness
17% Popularity • 68% Danceability • 76% Energy • 6% Liveness
1% Instrumentalness • 91% Positiveness
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Delbert McClinton & Glen Clark
Oughta Know
113 bpm • G Maj • 03:09 • -10db
33% Popularity • 78% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 78% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Kirk Fletcher
Bad Boy
106 bpm • D Maj • 03:56 • -5db
14% Popularity • 59% Danceability • 68% Energy • 9% Liveness
50% Instrumentalness • 53% Positiveness
14% Popularity • 59% Danceability • 68% Energy • 9% Liveness
50% Instrumentalness • 53% Positiveness
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Jimmy Thackery And The Drivers
Grab The Rafters
106 bpm • C Maj • 04:02 • -5.48db
13% Popularity • 53% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 53% Danceability • 81% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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Rick Vito
She's Just Too Fine
113 bpm • C# min • 02:50 • -5.92db
9% Popularity • 43% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 43% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Angela Strehli
Big Town Playboy
105 bpm • A Maj • 03:45 • -14.31db
17% Popularity • 30% Danceability • 62% Energy • 55% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 30% Danceability • 62% Energy • 55% Liveness
0% Instrumentalness • 80% Positiveness
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Larry Garner
Shut It Down
113 bpm • A Maj • 09:16 • -10db
12% Popularity • 56% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 56% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Peter Karp
Chance of Rain
105 bpm • C Maj • 03:35 • -8.53db
20% Popularity • 86% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 86% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Lil Ed & The Blues Imperials
Giving Up On Your Love
113 bpm • C min • 03:39 • -3.2db
35% Popularity • 63% Danceability • 72% Energy • 11% Liveness
1% Instrumentalness • 63% Positiveness
35% Popularity • 63% Danceability • 72% Energy • 11% Liveness
1% Instrumentalness • 63% Positiveness
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Little Charlie & The Nightcats
Hurry Up And Wait
113 bpm • G Maj • 03:45 • -12.08db
25% Popularity • 71% Danceability • 49% Energy • 4% Liveness
1% Instrumentalness • 93% Positiveness
25% Popularity • 71% Danceability • 49% Energy • 4% Liveness
1% Instrumentalness • 93% Positiveness
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Nick Moss Band
Tell Me There's Nothing Wrong
105 bpm • G Maj • 03:13 • -3.85db
24% Popularity • 59% Danceability • 84% Energy • 14% Liveness
4% Instrumentalness • 86% Positiveness
24% Popularity • 59% Danceability • 84% Energy • 14% Liveness
4% Instrumentalness • 86% Positiveness
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Phantom Blues Band
A Fool for You
105 bpm • A# Maj • 03:51 • -6.11db
1% Popularity • 59% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
1% Popularity • 59% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Jimmy Thackery And The Drivers
Blues For Sale
113 bpm • F Maj • 04:31 • -9db
15% Popularity • 66% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 66% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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Eddy Clearwater
A Good Leavin' Alone
105 bpm • G Maj • 04:12 • -2.59db
16% Popularity • 51% Danceability • 90% Energy • 63% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 51% Danceability • 90% Energy • 63% Liveness
0% Instrumentalness • 80% Positiveness
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Mississippi Heat
Chicago Is My Home
113 bpm • A Maj • 04:49 • -4db
20% Popularity • 74% Danceability • 78% Energy • 7% Liveness
16% Instrumentalness • 69% Positiveness
20% Popularity • 74% Danceability • 78% Energy • 7% Liveness
16% Instrumentalness • 69% Positiveness
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Smokin' Joe Kubek & Bnois King
Got You Out Of My Blood
114 bpm • E Maj • 03:57 • -2.86db
29% Popularity • 69% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
29% Popularity • 69% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
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Debbie Davies
Holdin' Court
114 bpm • A# min • 03:52 • -9.35db
28% Popularity • 67% Danceability • 53% Energy • 33% Liveness
61% Instrumentalness • 94% Positiveness
28% Popularity • 67% Danceability • 53% Energy • 33% Liveness
61% Instrumentalness • 94% Positiveness
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Phantom Blues Band
I'm Just Your Fool
105 bpm • D Maj • 02:48 • -6.83db
18% Popularity • 70% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 70% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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Jimmy Thackery
Love to Ride
114 bpm • A Maj • 04:38 • -10.74db
15% Popularity • 74% Danceability • 60% Energy • 10% Liveness
28% Instrumentalness • 70% Positiveness
15% Popularity • 74% Danceability • 60% Energy • 10% Liveness
28% Instrumentalness • 70% Positiveness
