Songs like À la fin cette bergère by Antoine Boësset
Based on a tempo of (+/- 10%) and a similar genre
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Henry Purcell
She loves and she confesses (Arr. The Do...
128 bpm • C Maj • 03:32 • -24db
8% Popularity • 38% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 38% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Jean-Philippe Rameau
Rameau: Les Fêtes d'Hébé, Act I: "Je ...
128 bpm • F# Maj • 02:50 • -24.77db
10% Popularity • 23% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 23% Danceability • 5% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Eustache du Caurroy
At The Crossroads... : Fantaisie à 3 su...
128 bpm • D min • 01:47 • -26.52db
14% Popularity • 17% Danceability • 4% Energy • 14% Liveness
88% Instrumentalness • 17% Positiveness
14% Popularity • 17% Danceability • 4% Energy • 14% Liveness
88% Instrumentalness • 17% Positiveness
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Antoine Boësset
À la fin cette bergère
128 bpm • C Maj • 03:57 • -20.86db
16% Popularity • 39% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 44% Positiveness
16% Popularity • 39% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 44% Positiveness
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Giovanni Cesare Netti
Netti: L'Adamiro, Act 2: "Son vecchia, p...
128 bpm • E min • 03:36 • -17.53db
16% Popularity • 24% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
16% Popularity • 24% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Giacomo Carissimi
Jephte: Plorate filii Israel plorate (Ch...
129 bpm • F# Maj • 04:49 • -25db
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Leopold I
Guldnes Leben (Golden Days)
128 bpm • G Maj • 03:03 • -15.65db
8% Popularity • 41% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 41% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Alfred Deller
If Music Be The Food Of Love
129 bpm • D min • 02:38 • -22.62db
25% Popularity • 35% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 35% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Rolf Lislevand
Jacaras
129 bpm • D Maj • 04:26 • -27.95db
12% Popularity • 46% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
12% Popularity • 46% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Antoine Boësset
Ballet des fous et des estropiés de la ...
128 bpm • A# Maj • 02:21 • -27.25db
8% Popularity • 17% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
8% Popularity • 17% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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Antonio Sartorio
Sartorio: Antonino e Pompeiano, Act 3: "...
127 bpm • D Maj • 03:22 • -18.24db
17% Popularity • 44% Danceability • 17% Energy • 11% Liveness
18% Instrumentalness • 55% Positiveness
17% Popularity • 44% Danceability • 17% Energy • 11% Liveness
18% Instrumentalness • 55% Positiveness
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Silvius Leopold Weiss
Lute Sonata No. 11 in D Minor: I. Fantas...
129 bpm • C# min • 01:33 • -29db
28% Popularity • 37% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
28% Popularity • 37% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Girolamo Frescobaldi
Canzona ottava a basso solo "detta l’a...
127 bpm • G min • 03:07 • -22.14db
12% Popularity • 36% Danceability • 18% Energy • 22% Liveness
4% Instrumentalness • 49% Positiveness
12% Popularity • 36% Danceability • 18% Energy • 22% Liveness
4% Instrumentalness • 49% Positiveness
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Giulio Caccini
Amarilli, mia bella (1601)
129 bpm • C# Maj • 05:47 • -22.43db
10% Popularity • 23% Danceability • 3% Energy • 14% Liveness
5% Instrumentalness • 7% Positiveness
10% Popularity • 23% Danceability • 3% Energy • 14% Liveness
5% Instrumentalness • 7% Positiveness
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Giorgio Mainerio
Saltarello della tedesca
129 bpm • D min • 01:38 • -21.36db
10% Popularity • 33% Danceability • 10% Energy • 10% Liveness
10% Instrumentalness • 60% Positiveness
10% Popularity • 33% Danceability • 10% Energy • 10% Liveness
10% Instrumentalness • 60% Positiveness
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John Adson
Adson's Masque
130 bpm • G min • 01:40 • -16.23db
11% Popularity • 31% Danceability • 16% Energy • 13% Liveness
3% Instrumentalness • 38% Positiveness
11% Popularity • 31% Danceability • 16% Energy • 13% Liveness
3% Instrumentalness • 38% Positiveness
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Antonio de Cabezón
Diferencias sobre la Gallarda Milanesa (...
130 bpm • E Maj • 02:25 • -17db
23% Popularity • 26% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
23% Popularity • 26% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
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Johann Hermann Schein
Corollarium. Canzon à 5
130 bpm • A min • 04:09 • -17.62db
13% Popularity • 24% Danceability • 14% Energy • 11% Liveness
39% Instrumentalness • 11% Positiveness
13% Popularity • 24% Danceability • 14% Energy • 11% Liveness
39% Instrumentalness • 11% Positiveness
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Diego Ortiz
Passamezzo moderno: Recercada tercera
126 bpm • E Maj • 02:06 • -16.31db
9% Popularity • 56% Danceability • 30% Energy • 14% Liveness
51% Instrumentalness • 65% Positiveness
9% Popularity • 56% Danceability • 30% Energy • 14% Liveness
51% Instrumentalness • 65% Positiveness
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Girolamo Frescobaldi
A miei pianti al fine un dì, F7.32
130 bpm • G Maj • 01:27 • -23.58db
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
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Giovanni Paolo Foscarini
Passacalles per l'alfabeto falso e per t...
126 bpm • D Maj • 05:11 • -22db
8% Popularity • 35% Danceability • 13% Energy • 11% Liveness
6% Instrumentalness • 18% Positiveness
8% Popularity • 35% Danceability • 13% Energy • 11% Liveness
6% Instrumentalness • 18% Positiveness
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Alexandre Agricola
De tous bien plaine II (a)
126 bpm • D# min • 01:06 • -14.59db
8% Popularity • 64% Danceability • 37% Energy • 19% Liveness
90% Instrumentalness • 95% Positiveness
8% Popularity • 64% Danceability • 37% Energy • 19% Liveness
90% Instrumentalness • 95% Positiveness
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Andrea Falconieri
Il Spiritillo Brando
126 bpm • G Maj • 01:00 • -19.24db
20% Popularity • 57% Danceability • 15% Energy • 14% Liveness
80% Instrumentalness • 69% Positiveness
20% Popularity • 57% Danceability • 15% Energy • 14% Liveness
80% Instrumentalness • 69% Positiveness
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Antoine Boësset
Airs de cour et de différents auteurs, ...
126 bpm • D Maj • 05:32 • -26.58db
1% Popularity • 36% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
1% Popularity • 36% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Maurizio Cazzati
Balletto Quarto: Adaggio
130 bpm • F# min • 04:00 • -24db
11% Popularity • 26% Danceability • 8% Energy • 8% Liveness
46% Instrumentalness • 8% Positiveness
11% Popularity • 26% Danceability • 8% Energy • 8% Liveness
46% Instrumentalness • 8% Positiveness
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Louis Couperin
Suite in A Minor: III. Courante La Migno...
131 bpm • G# min • 01:34 • -20db
28% Popularity • 31% Danceability • 17% Energy • 8% Liveness
7% Instrumentalness • 51% Positiveness
28% Popularity • 31% Danceability • 17% Energy • 8% Liveness
7% Instrumentalness • 51% Positiveness
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Claudio Monteverdi
Zefiro torna
131 bpm • G Maj • 03:55 • -21.59db
9% Popularity • 23% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 23% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Henry Purcell
Strike the Viol
125 bpm • E Maj • 03:54 • -19.71db
12% Popularity • 52% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 52% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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La Capella Reial De Catalunya
La Folia: Yo Soy la Locura
131 bpm • A min • 02:37 • -23db
18% Popularity • 46% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 46% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Rolf Lislevand
Fandango
131 bpm • C# min • 06:03 • -26.91db
19% Popularity • 38% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 39% Positiveness
19% Popularity • 38% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 39% Positiveness
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Antoine Boësset
Boësset / Arr. Pluhar: Nos esprits libr...
131 bpm • D min • 03:54 • -19.53db
14% Popularity • 39% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 39% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Marco Dall'Aquila
Cara cossa: Gagliarda, "La cara cossa"
125 bpm • C Maj • 01:04 • -30db
35% Popularity • 43% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 60% Positiveness
35% Popularity • 43% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 60% Positiveness
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Jacques Champion de Chambonnières
Sarabande Jeunes Zephirs
131 bpm • F Maj • 02:35 • -23db
9% Popularity • 16% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
9% Popularity • 16% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Santiago De Murcia
Folias Gallegas (arr. G. Herreid)
132 bpm • G# Maj • 01:35 • -28db
24% Popularity • 38% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 57% Positiveness
24% Popularity • 38% Danceability • 4% Energy • 12% Liveness
96% Instrumentalness • 57% Positiveness
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Henry Purcell
O dive custos, Z. 504
132 bpm • B min • 07:35 • -24.9db
11% Popularity • 21% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
11% Popularity • 21% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Rinaldo Alessandrini
Déraisonnable beauté: Chaconne
124 bpm • B Maj • 02:47 • -25.87db
24% Popularity • 33% Danceability • 12% Energy • 11% Liveness
54% Instrumentalness • 54% Positiveness
24% Popularity • 33% Danceability • 12% Energy • 11% Liveness
54% Instrumentalness • 54% Positiveness
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Antoine Boësset
Cruel tyran de mes désirs
132 bpm • E Maj • 03:41 • -15.17db
0% Popularity • 30% Danceability • 12% Energy • 33% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 30% Danceability • 12% Energy • 33% Liveness
0% Instrumentalness • 13% Positiveness
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Adam Jarzębski
Jarzebski: Concerto a 3 voci & continuo:...
132 bpm • D Maj • 02:28 • -12.05db
16% Popularity • 47% Danceability • 38% Energy • 8% Liveness
87% Instrumentalness • 44% Positiveness
16% Popularity • 47% Danceability • 38% Energy • 8% Liveness
87% Instrumentalness • 44% Positiveness
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Claudin de Sermisy
Tant que vivrai
124 bpm • G Maj • 01:22 • -32db
33% Popularity • 18% Danceability • 0% Energy • 15% Liveness
98% Instrumentalness • 36% Positiveness
33% Popularity • 18% Danceability • 0% Energy • 15% Liveness
98% Instrumentalness • 36% Positiveness
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Rolf Lislevand
Cumbees
132 bpm • B Maj • 03:26 • -28.09db
10% Popularity • 60% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 52% Positiveness
10% Popularity • 60% Danceability • 17% Energy • 10% Liveness
89% Instrumentalness • 52% Positiveness
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Robert de Visée
Les Sylvains de Mr. Couperin
124 bpm • F# Maj • 04:00 • -27.69db
12% Popularity • 31% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 34% Positiveness
12% Popularity • 31% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 34% Positiveness
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Ennemond Gaultier
Suite in D Minor: VII. La poste
123 bpm • C min • 01:40 • -21.92db
22% Popularity • 37% Danceability • 23% Energy • 12% Liveness
83% Instrumentalness • 77% Positiveness
22% Popularity • 37% Danceability • 23% Energy • 12% Liveness
83% Instrumentalness • 77% Positiveness
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Paul O'Dette
Daniell Batchelar: Mounsier's Almaine (1...
124 bpm • F# Maj • 05:40 • -39.18db
16% Popularity • 29% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 59% Positiveness
16% Popularity • 29% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 59% Positiveness
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Claudio Monteverdi
Madrigali guerrieri: No. 1, Sonnet by an...
123 bpm • G Maj • 09:54 • -18.68db
13% Popularity • 31% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
13% Popularity • 31% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
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Henry Purcell
Fairy Queen, Z. 629: One charming night ...
133 bpm • D# min • 02:21 • -20.9db
15% Popularity • 44% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
15% Popularity • 44% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
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Rolf Lislevand
Zarambeques O Muecas
133 bpm • C# Maj • 02:50 • -31.94db
12% Popularity • 54% Danceability • 15% Energy • 5% Liveness
8% Instrumentalness • 47% Positiveness
12% Popularity • 54% Danceability • 15% Energy • 5% Liveness
8% Instrumentalness • 47% Positiveness
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Carl Friedrich Abel
Arpeggiata (Prelude)
133 bpm • C# min • 02:27 • -32.7db
26% Popularity • 23% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
26% Popularity • 23% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Monsieur de Sainte-Colombe
Les Couplets
123 bpm • C# min • 09:44 • -33.11db
10% Popularity • 26% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
10% Popularity • 26% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
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Manuel Machado
Dos estrellas le seguen. Romance – à ...
133 bpm • E min • 03:56 • -24db
17% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Gaspar Sanz
Zarabanda Española: Improvisación
123 bpm • C# Maj • 04:18 • -25.36db
8% Popularity • 43% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
8% Popularity • 43% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 30% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: XIII...
123 bpm • F# Maj • 01:16 • -26db
17% Popularity • 26% Danceability • 8% Energy • 10% Liveness
23% Instrumentalness • 8% Positiveness
17% Popularity • 26% Danceability • 8% Energy • 10% Liveness
23% Instrumentalness • 8% Positiveness
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George Frideric Handel
Aminta e Fillide, HWV 83: Aria. Se vago ...
123 bpm • D min • 03:04 • -38.26db
8% Popularity • 32% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 32% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Antoine Boësset
Ballet des fous et des estropiés de la ...
134 bpm • G min • 01:26 • -19.63db
17% Popularity • 48% Danceability • 28% Energy • 10% Liveness
97% Instrumentalness • 78% Positiveness
17% Popularity • 48% Danceability • 28% Energy • 10% Liveness
97% Instrumentalness • 78% Positiveness
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Giovanni Pierluigi da Palestrina
Io son ferito ahi lasso
134 bpm • G min • 06:16 • -26db
13% Popularity • 22% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Stefano Landi
Passacaglia della vita
122 bpm • G# min • 03:52 • -13db
17% Popularity • 45% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 45% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Domenico Zipoli
Beatus vir: IV. Peccator videbit
122 bpm • E Maj • 01:45 • -22.72db
9% Popularity • 23% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 23% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Claudio Monteverdi
Un dolce tormento
134 bpm • C# min • 03:29 • -24.09db
15% Popularity • 33% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 33% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
François Couperin
Pieces de clavecin, Book 2, 6th Ordre: L...
134 bpm • F Maj • 03:53 • -27db
15% Popularity • 29% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 61% Positiveness
15% Popularity • 29% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 61% Positiveness
► Preview
Tarquinio Merula
Hor ch'è tempo di dormire
134 bpm • D min • 09:11 • -19.22db
9% Popularity • 30% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 7% Positiveness
9% Popularity • 30% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 7% Positiveness
► Preview
Andrea Falconieri
Corriente Dicha la Cuella
134 bpm • E Maj • 01:03 • -14.95db
32% Popularity • 70% Danceability • 36% Energy • 8% Liveness
97% Instrumentalness • 52% Positiveness
32% Popularity • 70% Danceability • 36% Energy • 8% Liveness
97% Instrumentalness • 52% Positiveness
► Preview
Thomas Tomkins
Burial Sentences: I Am the Resurrection ...
134 bpm • C# min • 07:51 • -24db
12% Popularity • 16% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Carlo Calvi
Canario
122 bpm • C# Maj • 01:49 • -21.15db
20% Popularity • 68% Danceability • 9% Energy • 9% Liveness
82% Instrumentalness • 42% Positiveness
20% Popularity • 68% Danceability • 9% Energy • 9% Liveness
82% Instrumentalness • 42% Positiveness
► Preview
René Mesangeau
Aria 'Le cure de mole' 114
135 bpm • G# min • 00:45 • -18.42db
0% Popularity • 60% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 40% Positiveness
0% Popularity • 60% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 40% Positiveness
► Preview
Louis Couperin
Suite à 3 violes
135 bpm • C min • 11:40 • -20.3db
8% Popularity • 18% Danceability • 12% Energy • 11% Liveness
76% Instrumentalness • 9% Positiveness
8% Popularity • 18% Danceability • 12% Energy • 11% Liveness
76% Instrumentalness • 9% Positiveness
► Preview
Pierre Passereau
ll est bel et bon, commere, mon mary: Il...
135 bpm • C min • 01:01 • -18db
21% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
► Preview
Domenico Zipoli
Beatus vir: II. Exortum est
135 bpm • C# min • 01:36 • -25db
18% Popularity • 18% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Claude Goudimel
Psaume 128: Bienheureux est quiconque
135 bpm • G min • 01:26 • -19db
25% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Marco Uccellini
Sonate, arie et correnti, Op. 3: No. 5, ...
135 bpm • C# Maj • 03:58 • -18.86db
13% Popularity • 40% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 40% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
Henry Purcell
Oedipus, Z.583 (arr. Richard Boothby): I...
135 bpm • D# min • 03:52 • -23.71db
9% Popularity • 25% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
9% Popularity • 25% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
► Preview
Pietro Paolo Cappellini
Cappellini: Raccolta di Ariette: Chi vuo...
135 bpm • D min • 02:36 • -14.58db
19% Popularity • 46% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 46% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
► Preview
Robert de Visée
Chaconne en sol majeur
121 bpm • F# Maj • 06:56 • -25.89db
13% Popularity • 39% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 27% Positiveness
13% Popularity • 39% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 27% Positiveness
► Preview
Heinrich Schütz
Da pacem, Domine, SWV 465
135 bpm • A min • 05:50 • -13.08db
18% Popularity • 22% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
18% Popularity • 22% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Barbara Strozzi
Arie a voce sola, Op. 8: Che si può far...
121 bpm • D min • 12:10 • -16.95db
7% Popularity • 28% Danceability • 12% Energy • 12% Liveness
25% Instrumentalness • 5% Positiveness
7% Popularity • 28% Danceability • 12% Energy • 12% Liveness
25% Instrumentalness • 5% Positiveness
► Preview
Thomas Morley
The Second Dirge Anthem: Man That Is Bor...
135 bpm • G# min • 05:31 • -21.31db
10% Popularity • 16% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
► Preview
Diego Ortiz
Passamezzo moderno: Recercada secunda
121 bpm • B Maj • 01:44 • -16db
18% Popularity • 70% Danceability • 29% Energy • 10% Liveness
97% Instrumentalness • 93% Positiveness
18% Popularity • 70% Danceability • 29% Energy • 10% Liveness
97% Instrumentalness • 93% Positiveness
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Gabriele Usper
Sonata a 4
136 bpm • C# Maj • 04:01 • -21.42db
13% Popularity • 27% Danceability • 10% Energy • 8% Liveness
75% Instrumentalness • 20% Positiveness
13% Popularity • 27% Danceability • 10% Energy • 8% Liveness
75% Instrumentalness • 20% Positiveness
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Guillaume Dufay
Isorhythmic Motets: Nuper rosarum flores
136 bpm • D min • 05:44 • -20db
13% Popularity • 18% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Pierre Attaingnant
Bransle de Poictou
136 bpm • E Maj • 03:01 • -22.86db
13% Popularity • 44% Danceability • 14% Energy • 13% Liveness
93% Instrumentalness • 78% Positiveness
13% Popularity • 44% Danceability • 14% Energy • 13% Liveness
93% Instrumentalness • 78% Positiveness
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Antoine Boësset
La Princesse de Clèves: La magnificence...
121 bpm • C# min • 01:34 • -38.35db
0% Popularity • 58% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
0% Popularity • 58% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Dietrich Buxtehude
Mit Fried und Freud ich fahr dahin, BuxW...
136 bpm • C Maj • 07:15 • -29db
12% Popularity • 16% Danceability • 4% Energy • 13% Liveness
31% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 4% Energy • 13% Liveness
31% Instrumentalness • 4% Positiveness
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Rolf Lislevand
Folias Españolas
120 bpm • B Maj • 02:12 • -25db
15% Popularity • 41% Danceability • 6% Energy • 26% Liveness
82% Instrumentalness • 67% Positiveness
15% Popularity • 41% Danceability • 6% Energy • 26% Liveness
82% Instrumentalness • 67% Positiveness
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Claudio Monteverdi
Scherzi musicali: Damigella tutta bella,...
136 bpm • A# Maj • 02:55 • -19db
11% Popularity • 45% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 45% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Antonio Bertali
Ciacona in C Major
120 bpm • B Maj • 09:04 • -20db
12% Popularity • 42% Danceability • 16% Energy • 12% Liveness
62% Instrumentalness • 31% Positiveness
12% Popularity • 42% Danceability • 16% Energy • 12% Liveness
62% Instrumentalness • 31% Positiveness
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Girolamo Fantini
All'imperio d'Amore: 1. Toccata "La Renu...
137 bpm • D Maj • 01:47 • -14db
14% Popularity • 38% Danceability • 40% Energy • 83% Liveness
50% Instrumentalness • 13% Positiveness
14% Popularity • 38% Danceability • 40% Energy • 83% Liveness
50% Instrumentalness • 13% Positiveness
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Antoine Boësset
Se vedessi le piaghe
137 bpm • B Maj • 03:20 • -20.57db
0% Popularity • 27% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 27% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Guillaume Dufay
Se la face ay pale
120 bpm • D# Maj • 02:28 • -18db
25% Popularity • 23% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 46% Positiveness
25% Popularity • 23% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 46% Positiveness
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Nicola Matteis
The False Consonances of Musick, Aria I
137 bpm • F# Maj • 01:21 • -28.47db
30% Popularity • 47% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 65% Positiveness
30% Popularity • 47% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 65% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": III....
120 bpm • E Maj • 02:05 • -20db
15% Popularity • 66% Danceability • 23% Energy • 15% Liveness
14% Instrumentalness • 91% Positiveness
15% Popularity • 66% Danceability • 23% Energy • 15% Liveness
14% Instrumentalness • 91% Positiveness
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Pavel Josef Vejvanovsky
Intrada (Arrangement)
119 bpm • G Maj • 04:13 • -11.72db
10% Popularity • 55% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 55% Positiveness
10% Popularity • 55% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 55% Positiveness
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Anónimo
Pasión: Vere Languóres. Alto Solo.
119 bpm • A Maj • 03:21 • -14.78db
16% Popularity • 37% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
16% Popularity • 37% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
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Johann Caspar Kerll
Missa pro defunctis: II. Kyrie
138 bpm • F Maj • 02:01 • -18.24db
21% Popularity • 15% Danceability • 14% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 14% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Antoine Boësset
Una musiqua
138 bpm • G Maj • 04:09 • -21.05db
9% Popularity • 34% Danceability • 16% Energy • 11% Liveness
48% Instrumentalness • 50% Positiveness
9% Popularity • 34% Danceability • 16% Energy • 11% Liveness
48% Instrumentalness • 50% Positiveness
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Marco Dall'Aquila
La traditora: Saltarello, "La traditora"
138 bpm • A# Maj • 02:18 • -35db
33% Popularity • 35% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
33% Popularity • 35% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Paolo Pandolfo
Anchor che col partire'
138 bpm • A min • 03:40 • -16db
15% Popularity • 20% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 20% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Henry Purcell
Strike the viol
119 bpm • C# min • 02:03 • -19db
9% Popularity • 60% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 60% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Orlande de Lassus
Si du malheur
138 bpm • D# min • 02:52 • -31db
29% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
29% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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Johann Walter
Christ lag in Todesbanden
138 bpm • D min • 01:12 • -29.1db
35% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
35% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Antoine Boësset
Airs de cour mis en tablature de luth: O...
119 bpm • C# min • 02:02 • -33.26db
0% Popularity • 44% Danceability • 2% Energy • 13% Liveness
93% Instrumentalness • 21% Positiveness
0% Popularity • 44% Danceability • 2% Energy • 13% Liveness
93% Instrumentalness • 21% Positiveness
![Sonata sesta for violino solo: VI. Allegro [2] cover art](https://i.scdn.co/image/ab67616d00001e02327a8ecd78d1bd9a98479fdf)