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À l'Échelle Humaine
Songs like
À l'Échelle Humaine
by
Thom Gossage
Based on a tempo of (+/- 10%) and a similar genre
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Neil Cowley Trio
La Porte
151 bpm • C Maj • 04:21 • -11.5db
13% Popularity • 47% Danceability • 40% Energy • 8% Liveness
87% Instrumentalness • 35% Positiveness
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Anat Fort Trio
First Dance
151 bpm • D Maj • 04:52 • -16.54db
9% Popularity • 34% Danceability • 38% Energy • 35% Liveness
75% Instrumentalness • 35% Positiveness
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Thom Gossage
À l'Échelle Humaine
151 bpm • C Maj • 02:55 • -15.59db
0% Popularity • 38% Danceability • 30% Energy • 9% Liveness
9% Instrumentalness • 23% Positiveness
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João Taubkin
When the Answer Is a Question
150 bpm • G Maj • 07:37 • -16.16db
15% Popularity • 41% Danceability • 29% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
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Joel Goodman
What Dreamers Dream
151 bpm • A min • 07:41 • -8.66db
24% Popularity • 37% Danceability • 59% Energy • 11% Liveness
87% Instrumentalness • 29% Positiveness
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Samora Pinderhughes
Masculinity
152 bpm • D# min • 05:39 • -11.5db
26% Popularity • 37% Danceability • 25% Energy • 11% Liveness
36% Instrumentalness • 20% Positiveness
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Júlio Resende Trio
Airbag
150 bpm • D Maj • 07:32 • -17.53db
9% Popularity • 36% Danceability • 22% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
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Kenny Garrett
Bossa
150 bpm • A# min • 06:22 • -12.84db
27% Popularity • 55% Danceability • 35% Energy • 8% Liveness
81% Instrumentalness • 39% Positiveness
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Mads Hansen
Intermezzo
150 bpm • G min • 01:51 • -15.51db
19% Popularity • 47% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
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Oded Tzur
Tzurkauns
150 bpm • F# Maj • 09:30 • -19.15db
13% Popularity • 39% Danceability • 17% Energy • 12% Liveness
82% Instrumentalness • 36% Positiveness
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Jack DeJohnette
In Movement
152 bpm • C# Maj • 09:21 • -14.58db
14% Popularity • 38% Danceability • 39% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Miguel Zenón
Calle Calma
150 bpm • G# Maj • 04:37 • -14.46db
7% Popularity • 46% Danceability • 22% Energy • 11% Liveness
8% Instrumentalness • 33% Positiveness
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Ari Joshua
Enchanted Forrest
152 bpm • F# Maj • 01:12 • -16db
17% Popularity • 65% Danceability • 35% Energy • 11% Liveness
87% Instrumentalness • 82% Positiveness
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Jean-Michel Pilc
Impressions
150 bpm • G Maj • 04:24 • -17.67db
10% Popularity • 35% Danceability • 41% Energy • 11% Liveness
75% Instrumentalness • 44% Positiveness
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Thomas Markusson
Outro
152 bpm • C Maj • 01:29 • -21.17db
18% Popularity • 43% Danceability • 5% Energy • 6% Liveness
61% Instrumentalness • 11% Positiveness
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Pat Metheny
Fear and Trembling
152 bpm • C# min • 06:56 • -14.18db
15% Popularity • 35% Danceability • 39% Energy • 35% Liveness
52% Instrumentalness • 24% Positiveness
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Rui Hallvares Andrade Paes
Dansanta dansare dansar dansant
152 bpm • C Maj • 05:23 • -17.53db
12% Popularity • 38% Danceability • 23% Energy • 10% Liveness
87% Instrumentalness • 49% Positiveness
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Jacques Loussier Trio
Gnossienne No. 6
150 bpm • C min • 05:22 • -20.18db
16% Popularity • 42% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 46% Positiveness
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MoonMot
Under Construction
150 bpm • G min • 06:14 • -15.65db
7% Popularity • 46% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 30% Positiveness
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Rachel Z
Black Nile
149 bpm • G# Maj • 03:44 • -16.54db
21% Popularity • 35% Danceability • 36% Energy • 13% Liveness
91% Instrumentalness • 51% Positiveness
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Bill Frisell
Dog on a Roof
149 bpm • A min • 06:41 • -16db
13% Popularity • 37% Danceability • 23% Energy • 14% Liveness
66% Instrumentalness • 14% Positiveness
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Hiromi
FIRST NOTE
148 bpm • E min • 07:45 • -10.31db
47% Popularity • 31% Danceability • 68% Energy • 36% Liveness
86% Instrumentalness • 37% Positiveness
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Lucien Johnson
Blue Rain
148 bpm • E Maj • 07:19 • -12.86db
8% Popularity • 41% Danceability • 49% Energy • 10% Liveness
79% Instrumentalness • 48% Positiveness
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Avishai Cohen
Madrid
154 bpm • D min • 05:57 • -13.48db
25% Popularity • 36% Danceability • 35% Energy • 9% Liveness
91% Instrumentalness • 42% Positiveness
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Arne Torvik Trio
Going Home
154 bpm • F min • 04:43 • -17.12db
23% Popularity • 50% Danceability • 26% Energy • 9% Liveness
88% Instrumentalness • 44% Positiveness
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Robert Glasper
Silly Rabbit
154 bpm • C# Maj • 07:20 • -15db
16% Popularity • 45% Danceability • 45% Energy • 41% Liveness
77% Instrumentalness • 46% Positiveness
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Maurizio Minardi
Dangerous Innocence
148 bpm • D# Maj • 03:30 • -16.67db
15% Popularity • 42% Danceability • 40% Energy • 13% Liveness
93% Instrumentalness • 14% Positiveness
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Henri Texier
Standing Ovation (For Mandela)
154 bpm • G Maj • 04:26 • -8.4db
13% Popularity • 52% Danceability • 52% Energy • 9% Liveness
2% Instrumentalness • 62% Positiveness
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Fairly Wired
Skitter
154 bpm • C# Maj • 06:04 • -14.87db
12% Popularity • 40% Danceability • 49% Energy • 13% Liveness
85% Instrumentalness • 36% Positiveness
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Miguel Atwood-Ferguson
Eunoia
155 bpm • C# Maj • 06:12 • -18.16db
15% Popularity • 42% Danceability • 31% Energy • 10% Liveness
81% Instrumentalness • 21% Positiveness
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Mike Casey
Law of Attraction
155 bpm • F min • 04:22 • -15db
11% Popularity • 38% Danceability • 46% Energy • 37% Liveness
86% Instrumentalness • 40% Positiveness
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John Zorn
Idalah-Abal
147 bpm • A min • 07:05 • -12.21db
8% Popularity • 35% Danceability • 34% Energy • 5% Liveness
16% Instrumentalness • 26% Positiveness
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Ingebrigt Håker Flaten
A LA LALA LOVE YOU - For Chicago
146 bpm • D Maj • 05:33 • -8.18db
9% Popularity • 28% Danceability • 72% Energy • 14% Liveness
2% Instrumentalness • 51% Positiveness
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Bill Frisell
Good Dog, Happy Man
146 bpm • C Maj • 03:03 • -13.02db
17% Popularity • 50% Danceability • 50% Energy • 32% Liveness
92% Instrumentalness • 86% Positiveness
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Tigran Hamasyan
Softly, as in a Morning Sunrise
146 bpm • F min • 05:45 • -14.42db
16% Popularity • 33% Danceability • 37% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
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The Greg Foat Group
Riff for Raff
146 bpm • C Maj • 06:03 • -7.96db
8% Popularity • 53% Danceability • 67% Energy • 31% Liveness
88% Instrumentalness • 39% Positiveness
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Ellen Andersson
'S Wonderful
156 bpm • C Maj • 02:46 • -10db
19% Popularity • 40% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Louis Landon
Foxy
156 bpm • F Maj • 02:03 • -21.16db
11% Popularity • 33% Danceability • 18% Energy • 12% Liveness
45% Instrumentalness • 30% Positiveness
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Espen Eriksen Trio
Masaka Tsara
157 bpm • C# Maj • 04:54 • -18.75db
8% Popularity • 44% Danceability • 23% Energy • 10% Liveness
85% Instrumentalness • 27% Positiveness
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Brian Blade & The Fellowship Band
Broken Leg Days
157 bpm • C Maj • 05:20 • -12.08db
27% Popularity • 34% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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Linda Sikhakhane
Umbhedesho
145 bpm • C Maj • 01:43 • -15db
24% Popularity • 49% Danceability • 32% Energy • 11% Liveness
89% Instrumentalness • 62% Positiveness
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Liv Andrea Hauge Trio
Fri flyt
145 bpm • B min • 04:33 • -15.55db
9% Popularity • 42% Danceability • 37% Energy • 8% Liveness
85% Instrumentalness • 25% Positiveness
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Nadav Assaf
The MockingBird
158 bpm • G# Maj • 06:35 • -9.93db
21% Popularity • 49% Danceability • 37% Energy • 12% Liveness
37% Instrumentalness • 31% Positiveness
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Walter Smith III
Opera
144 bpm • E min • 03:42 • -12.71db
15% Popularity • 33% Danceability • 51% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
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McCoy Tyner
I Want To Tell You 'Bout That
145 bpm • A min • 05:16 • -20.17db
14% Popularity • 59% Danceability • 38% Energy • 11% Liveness
86% Instrumentalness • 94% Positiveness
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Nucleus
1916 - The Battle Of Boogaloo
144 bpm • F Maj • 03:06 • -12.67db
15% Popularity • 18% Danceability • 49% Energy • 22% Liveness
11% Instrumentalness • 78% Positiveness
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Keith Jarrett
Straight No Chaser
144 bpm • C min • 10:05 • -18.39db
10% Popularity • 42% Danceability • 42% Energy • 72% Liveness
66% Instrumentalness • 60% Positiveness
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Flow Trio
Glistening
159 bpm • B min • 07:02 • -9.79db
10% Popularity • 31% Danceability • 47% Energy • 8% Liveness
73% Instrumentalness • 32% Positiveness
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John Patitucci
03 Morning Train (Spiritual)
159 bpm • D Maj • 02:00 • -22.03db
16% Popularity • 59% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 51% Positiveness
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Whit Dickey
Blue Threads
143 bpm • C min • 03:30 • -11db
16% Popularity • 37% Danceability • 54% Energy • 10% Liveness
37% Instrumentalness • 58% Positiveness
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Chihiro Yamanaka
ユートピア
143 bpm • F Maj • 03:51 • -11db
28% Popularity • 42% Danceability • 49% Energy • 9% Liveness
67% Instrumentalness • 60% Positiveness
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Tumi Mogorosi
Thokozile Queen Mother
143 bpm • A Maj • 06:12 • -21.04db
9% Popularity • 43% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Erlend Skomsvoll Trio
Post Decision Blues
143 bpm • F min • 06:46 • -19.7db
11% Popularity • 54% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 16% Positiveness
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Ryo Fukui
Speak Low
160 bpm • G# Maj • 05:35 • -14.87db
27% Popularity • 27% Danceability • 59% Energy • 30% Liveness
88% Instrumentalness • 62% Positiveness
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John Patitucci
Soul Of The Bass
143 bpm • F# min • 02:23 • -28.42db
30% Popularity • 55% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 38% Positiveness
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Mátyás Szandai Quartet
Nine Pines
143 bpm • A Maj • 02:58 • -10.63db
17% Popularity • 40% Danceability • 57% Energy • 10% Liveness
58% Instrumentalness • 43% Positiveness
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Linda Sikhakhane
Inner Freedom (revisited)
160 bpm • F Maj • 06:58 • -16.68db
11% Popularity • 28% Danceability • 56% Energy • 11% Liveness
77% Instrumentalness • 56% Positiveness
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Thom Gossage
Sunday In Arnhem
161 bpm • B min • 05:57 • -12.05db
0% Popularity • 44% Danceability • 38% Energy • 21% Liveness
62% Instrumentalness • 54% Positiveness
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McCoy Tyner
Celestial Chant
160 bpm • C Maj • 06:57 • -14.3db
9% Popularity • 38% Danceability • 64% Energy • 4% Liveness
30% Instrumentalness • 51% Positiveness
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Christian Scott aTunde Adjuah
Who They Wish I Was
141 bpm • F# min • 05:42 • -15.06db
12% Popularity • 50% Danceability • 43% Energy • 14% Liveness
88% Instrumentalness • 53% Positiveness
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Tony Glausi
natalia
141 bpm • D Maj • 06:30 • -17.69db
11% Popularity • 38% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
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Tigran Hamasyan
Tragicomédie
141 bpm • D min • 03:28 • -12.97db
10% Popularity • 30% Danceability • 51% Energy • 19% Liveness
88% Instrumentalness • 29% Positiveness
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Rafal Sarnecki
Quantum Chromodynamics
140 bpm • E Maj • 05:50 • -14.44db
7% Popularity • 54% Danceability • 33% Energy • 8% Liveness
86% Instrumentalness • 33% Positiveness
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Wolfgang Muthspiel
Father And Sun
140 bpm • A min • 08:14 • -19.52db
15% Popularity • 44% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 45% Positiveness
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Chris Potter
The Dreamer Is The Dream
140 bpm • D min • 08:18 • -19db
8% Popularity • 37% Danceability • 12% Energy • 9% Liveness
38% Instrumentalness • 27% Positiveness
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Adrien Varachaud Quartet
Everyone in Unison
140 bpm • A min • 05:38 • -16.73db
8% Popularity • 49% Danceability • 22% Energy • 12% Liveness
12% Instrumentalness • 13% Positiveness
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Wajdi Riahi
Hymn to Stambeli
140 bpm • C Maj • 07:43 • -16.11db
10% Popularity • 40% Danceability • 46% Energy • 9% Liveness
93% Instrumentalness • 63% Positiveness
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John Zorn
Sanasanah
139 bpm • G Maj • 08:34 • -13.3db
11% Popularity • 34% Danceability • 35% Energy • 10% Liveness
45% Instrumentalness • 11% Positiveness
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Anat Fort Trio
Two and a Half Continents
164 bpm • D# Maj • 01:38 • -15.98db
15% Popularity • 37% Danceability • 35% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
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Thom Gossage
Red Hook
139 bpm • G Maj • 13:06 • -16.82db
0% Popularity • 41% Danceability • 21% Energy • 33% Liveness
57% Instrumentalness • 10% Positiveness
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Tobias Stavngaard
Skylla
139 bpm • G Maj • 07:37 • -19.44db
25% Popularity • 44% Danceability • 14% Energy • 21% Liveness
80% Instrumentalness • 10% Positiveness
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Charles Lloyd
Desolation Sound
138 bpm • C Maj • 03:19 • -21db
24% Popularity • 41% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Immanuel Wilkins
Part 2. Saudade
138 bpm • E min • 07:24 • -9.18db
16% Popularity • 38% Danceability • 53% Energy • 64% Liveness
45% Instrumentalness • 21% Positiveness
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Kat Edmonson
Charade
138 bpm • C Maj • 04:19 • -13.91db
13% Popularity • 66% Danceability • 26% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
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Anthony Fung
Let Us Not Forget To Be Kind
138 bpm • F Maj • 05:38 • -12.03db
36% Popularity • 38% Danceability • 21% Energy • 26% Liveness
1% Instrumentalness • 15% Positiveness
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Thom Gossage
Tread Softly
139 bpm • F# Maj • 01:59 • -13.19db
0% Popularity • 58% Danceability • 13% Energy • 11% Liveness
23% Instrumentalness • 26% Positiveness
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Kendrick Scott
We Shall By Any Means
137 bpm • D Maj • 01:12 • -33.95db
22% Popularity • 52% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Patrick Bartley Trio
Civilization S
166 bpm • D Maj • 07:11 • -11.99db
8% Popularity • 38% Danceability • 40% Energy • 11% Liveness
81% Instrumentalness • 35% Positiveness
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Tarek Yamani
Lamma Bada Yatathanna
137 bpm • D# Maj • 05:05 • -13.55db
18% Popularity • 41% Danceability • 43% Energy • 11% Liveness
93% Instrumentalness • 44% Positiveness
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Liv Andrea Hauge Trio
Gullregn
137 bpm • G# Maj • 03:40 • -16.84db
13% Popularity • 54% Danceability • 30% Energy • 12% Liveness
84% Instrumentalness • 57% Positiveness
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Booker Little
Man Of Words - Remastered
136 bpm • F min • 04:51 • -16.19db
26% Popularity • 36% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Thom Gossage
February
138 bpm • G min • 06:57 • -11.11db
0% Popularity • 51% Danceability • 34% Energy • 10% Liveness
17% Instrumentalness • 38% Positiveness
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Thomas Fonnesbæk
I'm on Fire
168 bpm • C# min • 05:05 • -17.76db
8% Popularity • 39% Danceability • 34% Energy • 12% Liveness
92% Instrumentalness • 83% Positiveness
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Wajdi Riahi
Hroub
135 bpm • C min • 02:06 • -15.95db
25% Popularity • 22% Danceability • 42% Energy • 10% Liveness
95% Instrumentalness • 81% Positiveness
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McCoy Tyner
Search For Peace
135 bpm • C Maj • 07:31 • -12.37db
13% Popularity • 35% Danceability • 48% Energy • 12% Liveness
86% Instrumentalness • 15% Positiveness
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Carsten Dahl
The Prayer
135 bpm • F min • 08:34 • -13.1db
12% Popularity • 41% Danceability • 44% Energy • 12% Liveness
80% Instrumentalness • 47% Positiveness
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Christian McBride
Moonchild
135 bpm • G# Maj • 04:44 • -19.99db
12% Popularity • 36% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Thom Gossage
Onus
135 bpm • A Maj • 10:43 • -12.07db
0% Popularity • 45% Danceability • 42% Energy • 10% Liveness
57% Instrumentalness • 28% Positiveness
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Wojtek Mazolewski Quintet
Paris
135 bpm • B min • 04:58 • -22.47db
17% Popularity • 41% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 28% Positiveness
► Preview
Tomasz Stanko Quintet
Amsterdam Avenue
135 bpm • C# min • 06:11 • -16.59db
11% Popularity • 44% Danceability • 3% Energy • 31% Liveness
67% Instrumentalness • 11% Positiveness
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Jacky Terrasson
Mirror
135 bpm • F# Maj • 01:49 • -14.06db
25% Popularity • 42% Danceability • 46% Energy • 10% Liveness
75% Instrumentalness • 44% Positiveness
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World's End Girlfriend
Night Floater
135 bpm • D# min • 02:51 • -17.9db
8% Popularity • 39% Danceability • 4% Energy • 12% Liveness
5% Instrumentalness • 22% Positiveness
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Julian Lage
Heart Is A Drum
135 bpm • D min • 03:31 • -13db
30% Popularity • 45% Danceability • 34% Energy • 15% Liveness
94% Instrumentalness • 42% Positiveness
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谭飞洁
花枝招展
134 bpm • G min • 01:16 • -12.66db
10% Popularity • 41% Danceability • 21% Energy • 13% Liveness
92% Instrumentalness • 28% Positiveness
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Airelle Besson
Wild Animals
170 bpm • G# Maj • 03:54 • -15.6db
21% Popularity • 48% Danceability • 29% Energy • 10% Liveness
69% Instrumentalness • 13% Positiveness
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Joe Melnicove
Monday Night II
134 bpm • B min • 01:09 • -11.71db
13% Popularity • 21% Danceability • 34% Energy • 14% Liveness
2% Instrumentalness • 13% Positiveness
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Espen Eriksen Trio
1974
134 bpm • D# Maj • 08:42 • -12.03db
13% Popularity • 54% Danceability • 48% Energy • 13% Liveness
88% Instrumentalness • 24% Positiveness
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Freddie Colonal
Sinking Fears
134 bpm • G min • 01:52 • -22.33db
13% Popularity • 32% Danceability • 4% Energy • 10% Liveness
77% Instrumentalness • 33% Positiveness
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Gard Nilssen Acoustic Unity
Dreignau
134 bpm • G min • 03:14 • -18.42db
11% Popularity • 55% Danceability • 24% Energy • 13% Liveness
87% Instrumentalness • 43% Positiveness
► Preview
Jacky Terrasson
Fun Keys
171 bpm • G# Maj • 02:26 • -13.02db
10% Popularity • 52% Danceability • 23% Energy • 13% Liveness
92% Instrumentalness • 31% Positiveness
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À l'Échelle Humaine