Songs like A Little Bit Sorry by Johnnyswim
Based on a tempo of (+/- 10%) and a similar genre
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Johnnyswim
A Little Bit Sorry
105 bpm • C Maj • 02:46 • -9.9db
34% Popularity • 76% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
34% Popularity • 76% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Cherry Wee
Happy
105 bpm • C Maj • 03:41 • -8.45db
15% Popularity • 80% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
15% Popularity • 80% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
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Distant Cousins
Angelina
105 bpm • F Maj • 02:31 • -9.5db
30% Popularity • 55% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 55% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Emily Brimlow
Sing to the Moon
105 bpm • E Maj • 03:27 • -7.1db
13% Popularity • 42% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 42% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Wyatt Pike
Because of Me
105 bpm • D Maj • 04:53 • -7.79db
8% Popularity • 35% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 35% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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The Collection
In Love with Your Soul
105 bpm • E Maj • 03:47 • -9.79db
40% Popularity • 60% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 60% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Johnnyswim
Holla Holla Holla
105 bpm • D Maj • 03:43 • -4.75db
21% Popularity • 67% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 67% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Hailey Knox
Hardwired (Acoustic)
104 bpm • D Maj • 03:31 • -10.19db
20% Popularity • 61% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 61% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Micah Lother
Grow Something Beautiful
106 bpm • C# Maj • 03:10 • -12db
31% Popularity • 64% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
31% Popularity • 64% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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Hush Kids
What's Your Hurry
106 bpm • C Maj • 03:55 • -6.34db
21% Popularity • 64% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 64% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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The Brook & The Bluff
Straws - Acoustic
106 bpm • G Maj • 04:11 • -14.02db
21% Popularity • 76% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 76% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Luca Fogale
What I Came Here For
104 bpm • F Maj • 03:09 • -9db
41% Popularity • 58% Danceability • 38% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
41% Popularity • 58% Danceability • 38% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Johnnyswim
Hanging My Heart on You
105 bpm • D# Maj • 03:43 • -8.77db
17% Popularity • 42% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 42% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Upstate
My Heart Is Home
104 bpm • C Maj • 02:21 • -7.1db
31% Popularity • 70% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 70% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Jordy Searcy
Rich
104 bpm • A# Maj • 03:04 • -9.06db
37% Popularity • 65% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 65% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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lighthearted
This Old Car
104 bpm • D Maj • 04:15 • -11.42db
29% Popularity • 54% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
29% Popularity • 54% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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The Ballroom Thieves
Love Is Easy
104 bpm • A Maj • 03:20 • -8.6db
34% Popularity • 70% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 70% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Tyson Motsenbocker
High Line
107 bpm • E Maj • 03:47 • -9.19db
15% Popularity • 55% Danceability • 62% Energy • 10% Liveness
1% Instrumentalness • 54% Positiveness
15% Popularity • 55% Danceability • 62% Energy • 10% Liveness
1% Instrumentalness • 54% Positiveness
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Garrett Jacobs
Have You Ever Seen the Rain
107 bpm • A# Maj • 02:50 • -13.28db
27% Popularity • 67% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 67% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Emma Jayne
Feel Like That
103 bpm • D# Maj • 02:46 • -7.62db
30% Popularity • 80% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 80% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Jordy Searcy
Jealousy
103 bpm • G Maj • 05:20 • -12.91db
15% Popularity • 66% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 66% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Wildwood Kin
Wake Up Sleeper
107 bpm • C# Maj • 04:06 • -11.08db
28% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Johnnyswim
Georgica Pond
103 bpm • G Maj • 04:16 • -11.69db
28% Popularity • 32% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
28% Popularity • 32% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Rhys Lewis
Under The Sun
107 bpm • E Maj • 02:49 • -8db
33% Popularity • 92% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 92% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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NEEDTOBREATHE
Seasons
103 bpm • G Maj • 04:03 • -7db
44% Popularity • 61% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 61% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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David Ryan Harris
Coldplay
103 bpm • C# Maj • 03:59 • -6.26db
22% Popularity • 66% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
22% Popularity • 66% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Marc Scibilia
Rivals
107 bpm • C# Maj • 03:15 • -9.04db
27% Popularity • 61% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 61% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Davie
Roll With Me
103 bpm • C# Maj • 04:20 • -8.34db
36% Popularity • 73% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 73% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Johnnyswim
Villains
107 bpm • F# min • 04:21 • -4.7db
28% Popularity • 60% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 60% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Mosaic
Settled
103 bpm • E Maj • 03:32 • -12db
22% Popularity • 59% Danceability • 39% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
22% Popularity • 59% Danceability • 39% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
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Layup
Right Next To You
103 bpm • D# Maj • 02:33 • -10.32db
48% Popularity • 58% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 58% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Drew Holcomb & The Neighbors
Sing It out Loud
107 bpm • C Maj • 03:53 • -7.63db
27% Popularity • 38% Danceability • 59% Energy • 37% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 38% Danceability • 59% Energy • 37% Liveness
0% Instrumentalness • 14% Positiveness
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Colony House
Looking for Some Light (Acoustic) - Acou...
103 bpm • D# Maj • 03:56 • -11.26db
15% Popularity • 51% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 51% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Matt Hartke
Sign Me Up
108 bpm • F# Maj • 03:38 • -7.96db
37% Popularity • 70% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
37% Popularity • 70% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Connor Duermit
Too Young
108 bpm • A# Maj • 03:24 • -6.63db
18% Popularity • 74% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 74% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Marc Scibilia
90's (U.S. Version)
108 bpm • A Maj • 03:11 • -9db
29% Popularity • 70% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 70% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Taylor John Williams
Like The Movies
108 bpm • B Maj • 03:31 • -10.66db
22% Popularity • 36% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 36% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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AHI
Made It Home
108 bpm • G# Maj • 03:51 • -8.41db
28% Popularity • 43% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 43% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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David Ryan Harris
Easy on the Eyes
108 bpm • G# Maj • 02:47 • -6.04db
29% Popularity • 54% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 54% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Taylor Leonhardt
Happy or Whatever
108 bpm • F# Maj • 03:37 • -7.78db
28% Popularity • 74% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 74% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Wilder Woods
Someday Soon
102 bpm • G# Maj • 04:23 • -8db
48% Popularity • 50% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
48% Popularity • 50% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Jess Ray
You and I
109 bpm • D# Maj • 03:53 • -9.09db
18% Popularity • 65% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 65% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Sam Burchfield
Valentine Girl
109 bpm • D Maj • 03:55 • -7db
35% Popularity • 67% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 67% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Desiree Dawson
Just Fine
101 bpm • G Maj • 03:31 • -8.02db
22% Popularity • 72% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 72% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Lee DeWyze
Night and Day
101 bpm • D Maj • 02:27 • -18.42db
27% Popularity • 61% Danceability • 18% Energy • 12% Liveness
4% Instrumentalness • 20% Positiveness
27% Popularity • 61% Danceability • 18% Energy • 12% Liveness
4% Instrumentalness • 20% Positiveness
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Sara Davis Regan
Handmade Thieves
109 bpm • G Maj • 04:33 • -12.87db
14% Popularity • 48% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
14% Popularity • 48% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Birdtalker
Nothing's Right (Acoustic)
101 bpm • G Maj • 03:10 • -11.94db
22% Popularity • 60% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
22% Popularity • 60% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Johnnyswim
Still Wonderful
109 bpm • F Maj • 04:00 • -7.25db
27% Popularity • 36% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 36% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Stephen Day
Staring at a Telephone
110 bpm • B min • 02:30 • -11.29db
28% Popularity • 62% Danceability • 50% Energy • 30% Liveness
1% Instrumentalness • 30% Positiveness
28% Popularity • 62% Danceability • 50% Energy • 30% Liveness
1% Instrumentalness • 30% Positiveness
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LÉON
Better In the Dark
110 bpm • C Maj • 02:39 • -5.34db
33% Popularity • 67% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 67% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Little Chief
Reasons
110 bpm • D# Maj • 04:13 • -9.15db
13% Popularity • 54% Danceability • 77% Energy • 13% Liveness
1% Instrumentalness • 27% Positiveness
13% Popularity • 54% Danceability • 77% Energy • 13% Liveness
1% Instrumentalness • 27% Positiveness
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Jac Thompson
Pull My Chute
100 bpm • C# Maj • 03:02 • -11.75db
21% Popularity • 63% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 63% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Emma Klein
Call It What It Is
100 bpm • E Maj • 03:38 • -6.54db
27% Popularity • 62% Danceability • 47% Energy • 48% Liveness
0% Instrumentalness • 49% Positiveness
27% Popularity • 62% Danceability • 47% Energy • 48% Liveness
0% Instrumentalness • 49% Positiveness
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Johnnyswim
Say Goodnight Instead
100 bpm • G Maj • 04:06 • -9db
24% Popularity • 38% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 38% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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The Light The Heat
Rest of Our Lives
100 bpm • C Maj • 02:54 • -9.31db
53% Popularity • 57% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
53% Popularity • 57% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Champagne Lane
Praying for a Little Rain
100 bpm • D# Maj • 04:08 • -10db
31% Popularity • 62% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 62% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Little Chief
Wildfire
100 bpm • D# Maj • 03:38 • -9.89db
17% Popularity • 60% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 60% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Jordy Searcy
Molly
100 bpm • D# Maj • 03:02 • -12.16db
43% Popularity • 76% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 72% Positiveness
43% Popularity • 76% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 72% Positiveness
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walk in love.
Best Day With You
111 bpm • G# Maj • 03:43 • -10db
26% Popularity • 33% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 33% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Johnnyswim
Running
110 bpm • C Maj • 02:52 • -3.61db
28% Popularity • 51% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 51% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Theo Katzman
Good to Be Alone - Audiotree Live Versio...
111 bpm • A# Maj • 03:40 • -15.55db
11% Popularity • 56% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 56% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Toby Johnson
Isla
111 bpm • F# Maj • 03:11 • -12db
33% Popularity • 76% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 76% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 73% Positiveness
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Grace Potter
We'll Be Alright
99 bpm • D Maj • 03:53 • -7db
30% Popularity • 38% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 38% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Graham Colton
Safe and Sound
99 bpm • D Maj • 03:35 • -15.49db
21% Popularity • 48% Danceability • 31% Energy • 24% Liveness
11% Instrumentalness • 24% Positiveness
21% Popularity • 48% Danceability • 31% Energy • 24% Liveness
11% Instrumentalness • 24% Positiveness
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Nina Soro
Have It Your Way
112 bpm • E Maj • 04:25 • -8.58db
33% Popularity • 62% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
33% Popularity • 62% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Johnnyswim
The Last Time
100 bpm • G min • 03:04 • -10.42db
18% Popularity • 79% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
18% Popularity • 79% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Falcon
Young Love
112 bpm • G# Maj • 02:43 • -10.23db
24% Popularity • 73% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 73% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Anderson East
House Is a Building
112 bpm • B Maj • 03:31 • -7.95db
28% Popularity • 35% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 35% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Son of Cloud
How to Love You Today
98 bpm • A Maj • 03:50 • -13.58db
32% Popularity • 52% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 52% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Hailey Knox
Hardwired
98 bpm • D Maj • 03:28 • -8.26db
29% Popularity • 61% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 61% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Doc Robinson
Mt Hood
112 bpm • G Maj • 04:49 • -18.11db
28% Popularity • 36% Danceability • 19% Energy • 14% Liveness
21% Instrumentalness • 38% Positiveness
28% Popularity • 36% Danceability • 19% Energy • 14% Liveness
21% Instrumentalness • 38% Positiveness
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Johnnyswim
Take a Number
100 bpm • D min • 03:00 • -6.15db
23% Popularity • 65% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 65% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Nathan Angelo
Til I'm Ninety Nine
98 bpm • A Maj • 04:28 • -9.33db
39% Popularity • 67% Danceability • 48% Energy • 11% Liveness
3% Instrumentalness • 45% Positiveness
39% Popularity • 67% Danceability • 48% Energy • 11% Liveness
3% Instrumentalness • 45% Positiveness
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AHI
Breakin' Ground
98 bpm • A# Maj • 03:04 • -6db
29% Popularity • 64% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
29% Popularity • 64% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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LÉON
In a Stranger's Arms
98 bpm • A Maj • 03:21 • -7.52db
54% Popularity • 50% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 50% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Wild Rivers
Small Talk
113 bpm • D Maj • 02:46 • -8.57db
54% Popularity • 85% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
54% Popularity • 85% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Shawn McDonald
Oregon
113 bpm • D Maj • 03:30 • -10.12db
26% Popularity • 45% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
26% Popularity • 45% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Johnnyswim
Annie
99 bpm • E Maj • 04:30 • -9db
34% Popularity • 59% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
34% Popularity • 59% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Emily Brimlow
Nickel
113 bpm • A Maj • 03:38 • -10.56db
18% Popularity • 66% Danceability • 50% Energy • 62% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 66% Danceability • 50% Energy • 62% Liveness
0% Instrumentalness • 42% Positiveness
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Morningsiders
How Good It Is
113 bpm • C Maj • 03:14 • -6db
53% Popularity • 65% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
53% Popularity • 65% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Stephen Day
Hey Lady
97 bpm • D# Maj • 03:50 • -7.65db
46% Popularity • 78% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
46% Popularity • 78% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Ezra Jordan
Lonely Now
97 bpm • A# min • 03:32 • -7.4db
17% Popularity • 72% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 72% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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The Light The Heat
It's Our Time
97 bpm • D Maj • 03:41 • -9db
41% Popularity • 68% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 68% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Johnnyswim
Summertime Romance
98 bpm • D# Maj • 05:04 • -8.14db
36% Popularity • 62% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 62% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Wyn Starks
Circles
97 bpm • B min • 02:47 • -6.68db
35% Popularity • 65% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
35% Popularity • 65% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Marc Scibilia
Legends
97 bpm • A# min • 02:37 • -13.27db
23% Popularity • 56% Danceability • 49% Energy • 13% Liveness
20% Instrumentalness • 12% Positiveness
23% Popularity • 56% Danceability • 49% Energy • 13% Liveness
20% Instrumentalness • 12% Positiveness
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Janelle Kroll
Ivy - Recorded at Spotify Studios NYC
114 bpm • B min • 04:22 • -10db
24% Popularity • 65% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 65% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Matt Hartke
Goodbye Belongs to You
114 bpm • E Maj • 03:33 • -8db
35% Popularity • 61% Danceability • 60% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
35% Popularity • 61% Danceability • 60% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
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Okay Mann
It Won't Be Long
114 bpm • D# Maj • 03:48 • -12db
33% Popularity • 64% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 64% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Johnnyswim
Devastating
98 bpm • F Maj • 04:23 • -7.21db
27% Popularity • 43% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 43% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Layup
What You Mean To Me
114 bpm • G Maj • 02:36 • -10.63db
46% Popularity • 67% Danceability • 37% Energy • 15% Liveness
2% Instrumentalness • 35% Positiveness
46% Popularity • 67% Danceability • 37% Energy • 15% Liveness
2% Instrumentalness • 35% Positiveness
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Matoma
Keep It Simple - Acoustic
114 bpm • A Maj • 02:36 • -10.93db
33% Popularity • 75% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 75% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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NEEDTOBREATHE
Forever on Your Side
114 bpm • A# Maj • 04:54 • -5db
46% Popularity • 51% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
46% Popularity • 51% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Ed Patrick
Love on the Weekend
114 bpm • A Maj • 03:13 • -14db
42% Popularity • 71% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
42% Popularity • 71% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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The Collection
Carolina Coast
97 bpm • F Maj • 03:16 • -9.99db
26% Popularity • 45% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 45% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Johnnyswim
(Interlude: Luna)
113 bpm • F Maj • 01:18 • -13.07db
15% Popularity • 50% Danceability • 32% Energy • 11% Liveness
21% Instrumentalness • 12% Positiveness
15% Popularity • 50% Danceability • 32% Energy • 11% Liveness
21% Instrumentalness • 12% Positiveness
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Lizzy LeBleu
Tennessee
114 bpm • F# Maj • 05:54 • -12.39db
30% Popularity • 48% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 48% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Tyson Motsenbocker
The Last Summer
96 bpm • C Maj • 04:20 • -9.41db
13% Popularity • 66% Danceability • 54% Energy • 12% Liveness
84% Instrumentalness • 37% Positiveness
13% Popularity • 66% Danceability • 54% Energy • 12% Liveness
84% Instrumentalness • 37% Positiveness
