Songs like A Little Concerto on Themes of Thomas Arne: III. Siciliano by Geoffrey Bush
Based on a tempo of (+/- 10%) and a similar genre
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Geoffrey Bush
A Summer Serenade: IV. Dirge
73 bpm • B min • 03:15 • -21.59db
0% Popularity • 12% Danceability • 15% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 12% Danceability • 15% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Louis Spohr
Clarinet Concerto No. 1 in C Minor, Op. ...
73 bpm • G# Maj • 03:27 • -32db
23% Popularity • 16% Danceability • 0% Energy • 7% Liveness
63% Instrumentalness • 10% Positiveness
23% Popularity • 16% Danceability • 0% Energy • 7% Liveness
63% Instrumentalness • 10% Positiveness
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Erich Wolfgang Korngold
Violin Concerto in D Major, Op. 35, TH. ...
73 bpm • G Maj • 07:57 • -24.35db
11% Popularity • 12% Danceability • 8% Energy • 8% Liveness
19% Instrumentalness • 3% Positiveness
11% Popularity • 12% Danceability • 8% Energy • 8% Liveness
19% Instrumentalness • 3% Positiveness
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Nora Mercz
Variations on 'Non piu mesta' from Rossi...
73 bpm • E Maj • 05:12 • -26.58db
17% Popularity • 29% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 33% Positiveness
17% Popularity • 29% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 33% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 Op. 102 in F Major:...
73 bpm • A# Maj • 07:10 • -15db
22% Popularity • 40% Danceability • 23% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
22% Popularity • 40% Danceability • 23% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Claude Debussy
Danse Sacrée et Danse Profane, L. 103: ...
73 bpm • A Maj • 05:06 • -26.86db
14% Popularity • 18% Danceability • 3% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 3% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Geoffrey Bush
A Little Concerto on Themes of Thomas Ar...
73 bpm • F Maj • 02:05 • -37.04db
0% Popularity • 14% Danceability • 0% Energy • 6% Liveness
41% Instrumentalness • 18% Positiveness
0% Popularity • 14% Danceability • 0% Energy • 6% Liveness
41% Instrumentalness • 18% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: II. Ro...
74 bpm • G# Maj • 04:54 • -26.61db
16% Popularity • 29% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
16% Popularity • 29% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 1: 3. Intermezzo
74 bpm • A# Maj • 02:33 • -30db
34% Popularity • 7% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
34% Popularity • 7% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Ralph Vaughan Williams
Charterhouse Suite: I. Prelude
72 bpm • E min • 01:41 • -20.55db
16% Popularity • 56% Danceability • 19% Energy • 9% Liveness
87% Instrumentalness • 55% Positiveness
16% Popularity • 56% Danceability • 19% Energy • 9% Liveness
87% Instrumentalness • 55% Positiveness
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Gordon Jacob
Cradle Song
72 bpm • F Maj • 02:54 • -34db
22% Popularity • 18% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
22% Popularity • 18% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
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Geoffrey Bush
4 Songs: No. 3, To Electra
74 bpm • D Maj • 02:13 • -25.32db
0% Popularity • 32% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
0% Popularity • 32% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Iván Sztankov
Orfeo ed Euridice, Act II: Dance of the ...
74 bpm • D min • 03:10 • -27.6db
12% Popularity • 9% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
12% Popularity • 9% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande (An...
75 bpm • G Maj • 03:15 • -24.73db
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Fauré / Arr. Auber: Fantaisie, Op. 79
75 bpm • C Maj • 05:20 • -22db
22% Popularity • 26% Danceability • 11% Energy • 9% Liveness
89% Instrumentalness • 25% Positiveness
22% Popularity • 26% Danceability • 11% Energy • 9% Liveness
89% Instrumentalness • 25% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: I. Alle...
75 bpm • D Maj • 08:09 • -20.62db
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
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Paul Reade
Suite from The Victorian Kitchen Garden:...
75 bpm • A# Maj • 01:23 • -30.62db
20% Popularity • 36% Danceability • 1% Energy • 8% Liveness
65% Instrumentalness • 27% Positiveness
20% Popularity • 36% Danceability • 1% Energy • 8% Liveness
65% Instrumentalness • 27% Positiveness
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Edward Elgar
Serenade for String Orchestra, Op. 20: I...
71 bpm • C Maj • 06:16 • -30.07db
8% Popularity • 7% Danceability • 2% Energy • 6% Liveness
58% Instrumentalness • 3% Positiveness
8% Popularity • 7% Danceability • 2% Energy • 6% Liveness
58% Instrumentalness • 3% Positiveness
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Maurice Ravel
Ma mère l'Oye, M. 60 (Version for Orche...
71 bpm • C Maj • 01:36 • -34db
6% Popularity • 24% Danceability • 1% Energy • 7% Liveness
54% Instrumentalness • 10% Positiveness
6% Popularity • 24% Danceability • 1% Energy • 7% Liveness
54% Instrumentalness • 10% Positiveness
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Dmitri Shostakovich
The Gadfly, Op. 97 (Reconstructed by M. ...
75 bpm • C Maj • 01:46 • -41.21db
16% Popularity • 8% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 8% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Gabriel Fauré
Berceuse, Op. 16
75 bpm • D Maj • 03:33 • -35.11db
36% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
36% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
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Geoffrey Bush
5 Spring Songs: No. 1, Diaphenia
75 bpm • C Maj • 01:59 • -21.56db
0% Popularity • 45% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 45% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Amy Beach
Dreaming, Op. 15 No. 3
75 bpm • F Maj • 06:12 • -28.84db
35% Popularity • 7% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
35% Popularity • 7% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Claude Debussy
Petite suite, L. 65: I. En bateau (Orch....
75 bpm • G Maj • 04:11 • -29.88db
23% Popularity • 17% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Aaron Copland
In Evening Air
70 bpm • C Maj • 02:41 • -30.35db
12% Popularity • 43% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
12% Popularity • 43% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
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Edward Elgar
Elegy, Op. 58
70 bpm • F min • 04:27 • -36.89db
26% Popularity • 6% Danceability • 0% Energy • 6% Liveness
99% Instrumentalness • 3% Positiveness
26% Popularity • 6% Danceability • 0% Energy • 6% Liveness
99% Instrumentalness • 3% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Piano Concerto No. 5 in F ...
76 bpm • C Maj • 05:56 • -14.35db
20% Popularity • 35% Danceability • 36% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
20% Popularity • 35% Danceability • 36% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
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Geoffrey Bush
Consort Music: Finale
76 bpm • G Maj • 01:34 • -15.69db
3% Popularity • 27% Danceability • 15% Energy • 6% Liveness
96% Instrumentalness • 37% Positiveness
3% Popularity • 27% Danceability • 15% Energy • 6% Liveness
96% Instrumentalness • 37% Positiveness
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Samuel Coleridge-Taylor
Othello, Op. 79: IV. The Willow Song
70 bpm • F min • 02:41 • -26db
10% Popularity • 7% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
10% Popularity • 7% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Vincent d'Indy
Karadec Suite, Op. 34: II. Chanson
70 bpm • D# Maj • 02:37 • -29db
30% Popularity • 22% Danceability • 2% Energy • 39% Liveness
88% Instrumentalness • 4% Positiveness
30% Popularity • 22% Danceability • 2% Energy • 39% Liveness
88% Instrumentalness • 4% Positiveness
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Augusta Holmès
Trois petites pièces: Chanson
70 bpm • D Maj • 01:53 • -28.2db
21% Popularity • 32% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
21% Popularity • 32% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: Romanz...
70 bpm • G# Maj • 04:52 • -30.05db
28% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Florence Beatrice Price
Symphony No. 1 in E Minor: IV. Finale. P...
76 bpm • E min • 04:52 • -20.67db
19% Popularity • 24% Danceability • 12% Energy • 22% Liveness
91% Instrumentalness • 26% Positiveness
19% Popularity • 24% Danceability • 12% Energy • 22% Liveness
91% Instrumentalness • 26% Positiveness
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Geoffrey Bush
7 Greek Love Songs: No. 3, A Curse
76 bpm • E Maj • 01:56 • -23.53db
0% Popularity • 50% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 50% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Carl Nielsen
Symphony No. 4, Op. 29 "The Inextinguish...
77 bpm • C Maj • 04:32 • -36.19db
9% Popularity • 25% Danceability • 1% Energy • 7% Liveness
83% Instrumentalness • 8% Positiveness
9% Popularity • 25% Danceability • 1% Energy • 7% Liveness
83% Instrumentalness • 8% Positiveness
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Alexander Borodin
In the Steppes of Central Asia
69 bpm • A Maj • 07:04 • -30.05db
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
38% Popularity • 7% Danceability • 2% Energy • 17% Liveness
69% Instrumentalness • 4% Positiveness
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Ottorino Respighi
La pentola magica, P. 129: Preludio
69 bpm • E Maj • 01:31 • -31db
37% Popularity • 12% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
37% Popularity • 12% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
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Nikolai Tcherepnin
La Princesse lontaine - Prelude
69 bpm • A Maj • 09:17 • -23.12db
22% Popularity • 17% Danceability • 4% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 4% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
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Florence Beatrice Price
Piano Concerto in One Movement: Adagio c...
77 bpm • D Maj • 06:11 • -27.02db
21% Popularity • 15% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Geoffrey Bush
Lord Arthur Savile's Crime: The Letter f...
69 bpm • A# Maj • 04:55 • -21.14db
0% Popularity • 41% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 41% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Gaetano Donizetti
Clarinet Concerto in B-Flat Major: Andan...
69 bpm • A# min • 04:10 • -25.67db
39% Popularity • 9% Danceability • 1% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
39% Popularity • 9% Danceability • 1% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
69 bpm • E Maj • 06:11 • -29db
27% Popularity • 17% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Jean Sibelius
The Tempest: Suite No. 2, Op. 109: VI. M...
78 bpm • A min • 02:20 • -34db
34% Popularity • 21% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
34% Popularity • 21% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Franz Liszt
3 Concert Études, S. 144: No. 3 in D-Fl...
69 bpm • C# Maj • 05:41 • -25db
39% Popularity • 24% Danceability • 6% Energy • 19% Liveness
94% Instrumentalness • 3% Positiveness
39% Popularity • 24% Danceability • 6% Energy • 19% Liveness
94% Instrumentalness • 3% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: III. Gavotte (All...
78 bpm • G Maj • 03:31 • -21.35db
28% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
28% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
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Geoffrey Bush
A Summer Serenade: VI. Nocturne
76 bpm • C Maj • 03:24 • -28db
0% Popularity • 16% Danceability • 6% Energy • 6% Liveness
27% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 6% Energy • 6% Liveness
27% Instrumentalness • 4% Positiveness
► Preview
Gustav Holst
St. Paul's Suite, Op. 29, No. 2: I. Jig
78 bpm • D min • 03:09 • -15db
26% Popularity • 37% Danceability • 29% Energy • 15% Liveness
90% Instrumentalness • 36% Positiveness
26% Popularity • 37% Danceability • 29% Energy • 15% Liveness
90% Instrumentalness • 36% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 102: No. 3 Presto...
78 bpm • C Maj • 01:18 • -18.86db
23% Popularity • 43% Danceability • 40% Energy • 12% Liveness
74% Instrumentalness • 70% Positiveness
23% Popularity • 43% Danceability • 40% Energy • 12% Liveness
74% Instrumentalness • 70% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
68 bpm • C Maj • 09:52 • -19db
36% Popularity • 37% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
36% Popularity • 37% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
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Gerald Finzi
5 Bagatelles, Op. 23a (Arr. L. Ashmore f...
78 bpm • A# Maj • 01:56 • -25.9db
30% Popularity • 14% Danceability • 4% Energy • 33% Liveness
78% Instrumentalness • 26% Positiveness
30% Popularity • 14% Danceability • 4% Energy • 33% Liveness
78% Instrumentalness • 26% Positiveness
► Preview
Maurice Ravel
Le Tombeau de Couperin, M. 68: I. Prélu...
78 bpm • E min • 03:22 • -24db
14% Popularity • 23% Danceability • 9% Energy • 18% Liveness
92% Instrumentalness • 18% Positiveness
14% Popularity • 23% Danceability • 9% Energy • 18% Liveness
92% Instrumentalness • 18% Positiveness
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Geoffrey Bush
Lord Arthur Savile's Crime: I Gazed Arou...
70 bpm • C# Maj • 04:35 • -23.32db
0% Popularity • 50% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 50% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Claude Debussy
La mer, L. 109: III. Dialogue of the Win...
78 bpm • C# Maj • 08:08 • -21db
25% Popularity • 10% Danceability • 21% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
25% Popularity • 10% Danceability • 21% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Rebecca Clarke
Lullaby on an Ancient Irish Tune
68 bpm • C# Maj • 02:37 • -37db
24% Popularity • 10% Danceability • 0% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
24% Popularity • 10% Danceability • 0% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
► Preview
Francis Poulenc
Les biches Suite, FP 36b: I. Rondeau
79 bpm • C Maj • 03:19 • -20db
28% Popularity • 46% Danceability • 11% Energy • 4% Liveness
85% Instrumentalness • 28% Positiveness
28% Popularity • 46% Danceability • 11% Energy • 4% Liveness
85% Instrumentalness • 28% Positiveness
► Preview
Alexander Borodin
Piano Quintet in C Minor: I. Andante
68 bpm • C min • 04:27 • -23.19db
39% Popularity • 24% Danceability • 6% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
39% Popularity • 24% Danceability • 6% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: I. Largo e maestos...
79 bpm • E Maj • 09:53 • -20.55db
35% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 10% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Geoffrey Bush
Lord Arthur Savile's Crime: To Ease the ...
69 bpm • C# Maj • 05:45 • -25.69db
0% Popularity • 27% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 27% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
La mer, L. 109: I. From Dawn Till Noon o...
68 bpm • F# min • 08:59 • -26db
15% Popularity • 16% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
John Ireland
A Downland Suite (Arr. for String Orches...
79 bpm • D# Maj • 06:04 • -27db
8% Popularity • 7% Danceability • 5% Energy • 16% Liveness
73% Instrumentalness • 4% Positiveness
8% Popularity • 7% Danceability • 5% Energy • 16% Liveness
73% Instrumentalness • 4% Positiveness
► Preview
Franz Liszt
Liszt: Lieder aus Franz Schubert's "Schw...
67 bpm • D Maj • 06:07 • -27.76db
33% Popularity • 32% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
33% Popularity • 32% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Dame Ethel Smyth
The Wreckers: Overture
79 bpm • D Maj • 09:21 • -18.79db
15% Popularity • 19% Danceability • 17% Energy • 28% Liveness
63% Instrumentalness • 8% Positiveness
15% Popularity • 19% Danceability • 17% Energy • 28% Liveness
63% Instrumentalness • 8% Positiveness
► Preview
Louise Farrenc
Nonet in E-Flat Major, Op. 38: III. Sche...
79 bpm • C Maj • 05:07 • -25db
45% Popularity • 39% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
45% Popularity • 39% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
► Preview
Geoffrey Bush
Trumpet March for Organ
77 bpm • D Maj • 05:33 • -19.24db
0% Popularity • 10% Danceability • 19% Energy • 33% Liveness
93% Instrumentalness • 9% Positiveness
0% Popularity • 10% Danceability • 19% Energy • 33% Liveness
93% Instrumentalness • 9% Positiveness
► Preview
Fritz Kreisler
3 Old Viennese Dances: No. 2, Liebesleid...
79 bpm • A min • 03:40 • -25.96db
48% Popularity • 23% Danceability • 9% Energy • 13% Liveness
59% Instrumentalness • 14% Positiveness
48% Popularity • 23% Danceability • 9% Energy • 13% Liveness
59% Instrumentalness • 14% Positiveness
► Preview
AntonÃn Dvořák
Symphony No. 8 in G Major, Op. 88, B. 16...
79 bpm • G min • 05:50 • -23db
29% Popularity • 14% Danceability • 9% Energy • 36% Liveness
95% Instrumentalness • 34% Positiveness
29% Popularity • 14% Danceability • 9% Energy • 36% Liveness
95% Instrumentalness • 34% Positiveness
► Preview
Edward Elgar
Enigma Variations, Op. 36: Var. 9. Adagi...
79 bpm • D# Maj • 06:07 • -23.83db
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
Peter Warlock
Capriol Suite: II. Pavane
80 bpm • D min • 01:59 • -25.37db
13% Popularity • 14% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
13% Popularity • 14% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Gustav Holst
Brook Green Suite, H. 190: I. Prelude. A...
67 bpm • C Maj • 01:57 • -27db
35% Popularity • 10% Danceability • 8% Energy • 8% Liveness
85% Instrumentalness • 12% Positiveness
35% Popularity • 10% Danceability • 8% Energy • 8% Liveness
85% Instrumentalness • 12% Positiveness
► Preview
Geoffrey Bush
Trumpet Concerto: I. Toccata (Live)
68 bpm • C min • 07:06 • -20.34db
0% Popularity • 35% Danceability • 13% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
0% Popularity • 35% Danceability • 13% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Gerald Finzi
Five Bagatelles, Op. 23 - Arr. Ashmore, ...
80 bpm • A# Maj • 02:05 • -24.38db
12% Popularity • 8% Danceability • 5% Energy • 32% Liveness
72% Instrumentalness • 27% Positiveness
12% Popularity • 8% Danceability • 5% Energy • 32% Liveness
72% Instrumentalness • 27% Positiveness
► Preview
Felix Mendelssohn
Piano Concerto No. 1 in G Minor, Op. 25,...
80 bpm • G# Maj • 07:23 • -19db
32% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
32% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
► Preview
Edward Elgar
Chanson de nuit, Op.15 No.1
80 bpm • G Maj • 04:32 • -28db
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
► Preview
AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22:...
80 bpm • E Maj • 04:45 • -22.64db
4% Popularity • 14% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
4% Popularity • 14% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29, No. 2: IV. Fin...
80 bpm • C Maj • 03:20 • -16.25db
26% Popularity • 31% Danceability • 32% Energy • 8% Liveness
89% Instrumentalness • 31% Positiveness
26% Popularity • 31% Danceability • 32% Energy • 8% Liveness
89% Instrumentalness • 31% Positiveness
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Geoffrey Bush
Lord Arthur Savile's Crime: And Now I Wa...
80 bpm • G min • 04:29 • -24.28db
0% Popularity • 42% Danceability • 7% Energy • 68% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 42% Danceability • 7% Energy • 68% Liveness
0% Instrumentalness • 23% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
80 bpm • C# Maj • 10:10 • -31db
31% Popularity • 7% Danceability • 2% Energy • 18% Liveness
80% Instrumentalness • 3% Positiveness
31% Popularity • 7% Danceability • 2% Energy • 18% Liveness
80% Instrumentalness • 3% Positiveness
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César Franck
Prélude, fugue et variation in B Minor,...
66 bpm • D Maj • 03:43 • -33.59db
20% Popularity • 38% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 22% Positiveness
20% Popularity • 38% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 22% Positiveness
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Paul Reade
Suite from The Victorian Kitchen Garden:...
66 bpm • G min • 02:15 • -38db
12% Popularity • 21% Danceability • 0% Energy • 8% Liveness
85% Instrumentalness • 6% Positiveness
12% Popularity • 21% Danceability • 0% Energy • 8% Liveness
85% Instrumentalness • 6% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
81 bpm • A Maj • 01:08 • -19db
61% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
61% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
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Edward Elgar
Serenade in E Minor, Op. 20: I. Allegro ...
81 bpm • E min • 03:30 • -19.15db
10% Popularity • 30% Danceability • 9% Energy • 9% Liveness
85% Instrumentalness • 11% Positiveness
10% Popularity • 30% Danceability • 9% Energy • 9% Liveness
85% Instrumentalness • 11% Positiveness
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Geoffrey Bush
A Summer Serenade: II. Madrigal
79 bpm • A min • 01:58 • -24.17db
0% Popularity • 20% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 9% Positiveness
0% Popularity • 20% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 9% Positiveness
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Max Bruch
Concerto for 2 Pianos and Orchestra, Op....
66 bpm • B Maj • 07:28 • -16db
10% Popularity • 19% Danceability • 18% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 18% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
44% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
44% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Mozart: String Quintet No. 4 in G Minor,...
82 bpm • D# Maj • 08:59 • -26db
15% Popularity • 14% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: III. Sentimental...
82 bpm • G min • 07:56 • -19.81db
20% Popularity • 8% Danceability • 7% Energy • 34% Liveness
89% Instrumentalness • 5% Positiveness
20% Popularity • 8% Danceability • 7% Energy • 34% Liveness
89% Instrumentalness • 5% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 1. L'ist...
81 bpm • G min • 02:18 • -26.1db
44% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
44% Popularity • 12% Danceability • 2% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: I. Pavane ...
65 bpm • A min • 01:52 • -40.34db
19% Popularity • 21% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
19% Popularity • 21% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Geoffrey Bush
Oboe Trio: II. Poco lento - Vivace
67 bpm • E min • 06:06 • -27.51db
0% Popularity • 19% Danceability • 2% Energy • 5% Liveness
92% Instrumentalness • 4% Positiveness
0% Popularity • 19% Danceability • 2% Energy • 5% Liveness
92% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
82 bpm • G min • 01:52 • -34.43db
53% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
53% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
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Gerald Finzi
Dies Natalis, Op. 8: 1. Intrada
82 bpm • C min • 05:26 • -23.15db
10% Popularity • 8% Danceability • 9% Energy • 33% Liveness
87% Instrumentalness • 4% Positiveness
10% Popularity • 8% Danceability • 9% Energy • 33% Liveness
87% Instrumentalness • 4% Positiveness
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Gustav Holst
A Fugal Concerto, Op. 40: III. Allegro
82 bpm • G Maj • 03:02 • -21db
14% Popularity • 30% Danceability • 22% Energy • 25% Liveness
90% Instrumentalness • 29% Positiveness
14% Popularity • 30% Danceability • 22% Energy • 25% Liveness
90% Instrumentalness • 29% Positiveness
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Dmitri Shostakovich
Five pieces for Two Violins and Piano: I...
82 bpm • B min • 02:26 • -31.1db
23% Popularity • 18% Danceability • 2% Energy • 8% Liveness
85% Instrumentalness • 13% Positiveness
23% Popularity • 18% Danceability • 2% Energy • 8% Liveness
85% Instrumentalness • 13% Positiveness
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Léo Delibes
Le roi s'amuse: Madrigal
82 bpm • A Maj • 01:41 • -31db
41% Popularity • 17% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
41% Popularity • 17% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
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Geoffrey Bush
Lord Arthur Savile's Crime: On My Honor
80 bpm • E Maj • 06:23 • -24.23db
0% Popularity • 47% Danceability • 4% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 47% Danceability • 4% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
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Georg Eduard Goltermann
La Foi
82 bpm • C Maj • 03:45 • -32.33db
8% Popularity • 8% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Reinhold Glière
Concerto for Harp and Orchestra in E-Fla...
82 bpm • B Maj • 11:06 • -26db
18% Popularity • 14% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
18% Popularity • 14% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
