Songs like A Little Innocence by Cock Robin
Based on a tempo of (+/- 10%) and a similar genre
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Chris Rea
Josephine - Single Version; 2019 Remaste...
96 bpm • E min • 03:36 • -9.68db
21% Popularity • 65% Danceability • 50% Energy • 8% Liveness
7% Instrumentalness • 74% Positiveness
21% Popularity • 65% Danceability • 50% Energy • 8% Liveness
7% Instrumentalness • 74% Positiveness
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Cock Robin
Now and Then
96 bpm • F# min • 03:57 • -8.73db
15% Popularity • 59% Danceability • 54% Energy • 60% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 59% Danceability • 54% Energy • 60% Liveness
0% Instrumentalness • 49% Positiveness
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Double
The Captain of Her Heart - Radio Version
96 bpm • G# Maj • 03:58 • -9.6db
39% Popularity • 68% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 68% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Heaven 17
Come Live With Me - Remastered 2006
97 bpm • G# Maj • 04:18 • -7db
35% Popularity • 46% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 46% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Elton John
Whispers
97 bpm • G# Maj • 05:26 • -12.73db
35% Popularity • 66% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 66% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Black
Sweetest Smile - Extended Version
95 bpm • C# min • 05:19 • -15.78db
34% Popularity • 63% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 63% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Chris Rea
Two Roads
96 bpm • C Maj • 03:44 • -10.06db
26% Popularity • 64% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 64% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Cock Robin
A Little Innocence
96 bpm • G# Maj • 05:35 • -13.35db
24% Popularity • 64% Danceability • 49% Energy • 7% Liveness
24% Instrumentalness • 76% Positiveness
24% Popularity • 64% Danceability • 49% Energy • 7% Liveness
24% Instrumentalness • 76% Positiveness
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Double
The Captain of Her Heart - Special Long ...
96 bpm • G# Maj • 06:12 • -10db
39% Popularity • 67% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 67% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Howard Jones
What Is Love? - 2018 Remaster
97 bpm • C min • 03:41 • -5.93db
50% Popularity • 61% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
50% Popularity • 61% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Cutting Crew
The Broadcast
95 bpm • C# min • 06:39 • -10db
22% Popularity • 50% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 50% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Black
Sweetest Smile
95 bpm • C# min • 05:24 • -12.78db
25% Popularity • 63% Danceability • 35% Energy • 9% Liveness
4% Instrumentalness • 18% Positiveness
25% Popularity • 63% Danceability • 35% Energy • 9% Liveness
4% Instrumentalness • 18% Positiveness
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Nick Kamen
Come Softly to Me
97 bpm • G Maj • 04:18 • -14.71db
12% Popularity • 61% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
12% Popularity • 61% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Cock Robin
Blood Of A Saint
95 bpm • A Maj • 03:52 • -11.1db
8% Popularity • 55% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 55% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Mr. Mister
Broken Wings - Single Version
98 bpm • C# min • 04:44 • -8.56db
51% Popularity • 28% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
51% Popularity • 28% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Howard Jones
What Is Love? - Extended Mix
97 bpm • C min • 06:36 • -10.22db
46% Popularity • 63% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
46% Popularity • 63% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Cutting Crew
The Scattering
94 bpm • G Maj • 05:01 • -10.76db
26% Popularity • 51% Danceability • 74% Energy • 69% Liveness
1% Instrumentalness • 54% Positiveness
26% Popularity • 51% Danceability • 74% Energy • 69% Liveness
1% Instrumentalness • 54% Positiveness
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Climie Fisher
Room to Move
98 bpm • F min • 04:28 • -15db
27% Popularity • 58% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
27% Popularity • 58% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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George Michael
I Want Your Sex, Pt. 2
98 bpm • C min • 04:36 • -10.14db
34% Popularity • 85% Danceability • 69% Energy • 4% Liveness
27% Instrumentalness • 91% Positiveness
34% Popularity • 85% Danceability • 69% Energy • 4% Liveness
27% Instrumentalness • 91% Positiveness
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Cock Robin
Coward's Courage
95 bpm • G# Maj • 04:46 • -11.65db
17% Popularity • 59% Danceability • 61% Energy • 36% Liveness
10% Instrumentalness • 39% Positiveness
17% Popularity • 59% Danceability • 61% Energy • 36% Liveness
10% Instrumentalness • 39% Positiveness
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Level 42
Take A Look
94 bpm • G# min • 04:41 • -5.95db
38% Popularity • 62% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
38% Popularity • 62% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Howard Jones
Like to Get to Know You Well
97 bpm • G# Maj • 04:00 • -9.5db
55% Popularity • 76% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
55% Popularity • 76% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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a-ha
This Alone Is Love
94 bpm • D min • 05:15 • -15.71db
30% Popularity • 56% Danceability • 36% Energy • 8% Liveness
13% Instrumentalness • 72% Positiveness
30% Popularity • 56% Danceability • 36% Energy • 8% Liveness
13% Instrumentalness • 72% Positiveness
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Tears For Fears
Shout - UK Version / Extended Version
98 bpm • C min • 07:42 • -9.11db
31% Popularity • 57% Danceability • 96% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 57% Danceability • 96% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
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The Korgis
If It's Alright With You Baby
94 bpm • D# Maj • 03:47 • -6.95db
14% Popularity • 37% Danceability • 64% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
14% Popularity • 37% Danceability • 64% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
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Deacon Blue
Love And Regret
99 bpm • E Maj • 04:48 • -11.57db
13% Popularity • 64% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 64% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Gazebo
Lotus Girl
99 bpm • A# min • 03:06 • -14.23db
9% Popularity • 57% Danceability • 32% Energy • 39% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 57% Danceability • 32% Energy • 39% Liveness
0% Instrumentalness • 32% Positiveness
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Howard Jones
Like to Get to Know You Well - Internati...
97 bpm • G# Maj • 07:36 • -12.11db
25% Popularity • 76% Danceability • 49% Energy • 20% Liveness
8% Instrumentalness • 95% Positiveness
25% Popularity • 76% Danceability • 49% Energy • 20% Liveness
8% Instrumentalness • 95% Positiveness
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Climie Fisher
This Is Me
93 bpm • A min • 03:50 • -12db
27% Popularity • 60% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 60% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
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a-ha
Rolling Thunder
93 bpm • B Maj • 05:40 • -14.74db
24% Popularity • 49% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 49% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 20% Positiveness
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Cock Robin
Stumble and Fall
99 bpm • A Maj • 04:40 • -13.59db
18% Popularity • 61% Danceability • 50% Energy • 13% Liveness
3% Instrumentalness • 70% Positiveness
18% Popularity • 61% Danceability • 50% Energy • 13% Liveness
3% Instrumentalness • 70% Positiveness
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Frankie Goes To Hollywood
Bang
93 bpm • C Maj • 01:09 • -18.73db
42% Popularity • 29% Danceability • 32% Energy • 49% Liveness
95% Instrumentalness • 16% Positiveness
42% Popularity • 29% Danceability • 32% Energy • 49% Liveness
95% Instrumentalness • 16% Positiveness
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Mr. Mister
Broken Wings
99 bpm • C# min • 05:43 • -14.28db
70% Popularity • 29% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
70% Popularity • 29% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Feargal Sharkey
To Miss Someone
100 bpm • C Maj • 03:41 • -11.84db
11% Popularity • 64% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 64% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Cutting Crew
Everything But My Pride - Radio Edit
100 bpm • D Maj • 04:00 • -12db
16% Popularity • 58% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 58% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Secret Service
When The Night Closes In
100 bpm • C Maj • 04:05 • -13db
32% Popularity • 60% Danceability • 55% Energy • 55% Liveness
16% Instrumentalness • 80% Positiveness
32% Popularity • 60% Danceability • 55% Energy • 55% Liveness
16% Instrumentalness • 80% Positiveness
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Howard Jones
Two Souls
100 bpm • A# Maj • 04:25 • -7.01db
8% Popularity • 58% Danceability • 88% Energy • 7% Liveness
4% Instrumentalness • 85% Positiveness
8% Popularity • 58% Danceability • 88% Energy • 7% Liveness
4% Instrumentalness • 85% Positiveness
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Frankie Goes To Hollywood
Is Anybody Out There
100 bpm • F Maj • 07:24 • -17.84db
26% Popularity • 50% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
26% Popularity • 50% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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George Michael
A Different Corner
100 bpm • F# Maj • 04:30 • -20.34db
30% Popularity • 39% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 13% Positiveness
30% Popularity • 39% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 13% Positiveness
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Boy George
Don't Cry - Edit
100 bpm • A min • 04:07 • -14.21db
20% Popularity • 69% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 69% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Martika
Love...Thy Will Be Done - Single Version
92 bpm • D Maj • 04:23 • -10db
39% Popularity • 71% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
39% Popularity • 71% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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desire
Desire 101 - Original Version
101 bpm • D Maj • 03:57 • -5.35db
10% Popularity • 48% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 48% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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Samantha Fox
True Devotion
91 bpm • A min • 04:37 • -7.01db
29% Popularity • 53% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 53% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Frankie Goes To Hollywood
Ferry Cross The Mersey
92 bpm • F Maj • 04:05 • -14.97db
24% Popularity • 35% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 35% Danceability • 46% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
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George Michael
A Different Corner
101 bpm • G# min • 03:57 • -13db
40% Popularity • 44% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
40% Popularity • 44% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Pet Shop Boys
Jealousy
101 bpm • C Maj • 04:15 • -14.16db
35% Popularity • 59% Danceability • 44% Energy • 61% Liveness
56% Instrumentalness • 19% Positiveness
35% Popularity • 59% Danceability • 44% Energy • 61% Liveness
56% Instrumentalness • 19% Positiveness
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Cyndi Lauper
Heading West
91 bpm • D min • 03:54 • -12.04db
32% Popularity • 63% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 63% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Climie Fisher
Rise to the Occasion
91 bpm • A Maj • 04:46 • -16db
48% Popularity • 54% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
48% Popularity • 54% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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a-ha
We're Looking for the Whales
91 bpm • D min • 03:43 • -14.39db
34% Popularity • 58% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 58% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Londonbeat
Failing In Love Again
91 bpm • E Maj • 02:30 • -13db
17% Popularity • 58% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 58% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 84% Positiveness
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Black
It's Not You Lady Jane
102 bpm • B min • 03:27 • -10.9db
13% Popularity • 54% Danceability • 99% Energy • 39% Liveness
13% Instrumentalness • 88% Positiveness
13% Popularity • 54% Danceability • 99% Energy • 39% Liveness
13% Instrumentalness • 88% Positiveness
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Howard Jones
Hide And Seek
91 bpm • D min • 04:49 • -9db
37% Popularity • 47% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
37% Popularity • 47% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 20% Positiveness
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Feargal Sharkey
Ghost Train
102 bpm • G min • 03:12 • -12.06db
14% Popularity • 66% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 66% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Climie Fisher
Rise to the Occasion - Hip-Hop Version
91 bpm • F# min • 04:15 • -16db
25% Popularity • 71% Danceability • 46% Energy • 18% Liveness
2% Instrumentalness • 87% Positiveness
25% Popularity • 71% Danceability • 46% Energy • 18% Liveness
2% Instrumentalness • 87% Positiveness
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a-ha
Soft Rains of April
102 bpm • D Maj • 03:12 • -16.22db
29% Popularity • 54% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
29% Popularity • 54% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Cock Robin
It's Only Make Believe
102 bpm • B Maj • 03:28 • -11.29db
19% Popularity • 57% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 57% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Thompson Twins
Lay Your Hands on Me (U.S. Single Mix)
102 bpm • G Maj • 04:07 • -7.92db
25% Popularity • 70% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 70% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Howard Jones
Hide and Seek - Extended Mix
91 bpm • D min • 08:32 • -15.8db
15% Popularity • 36% Danceability • 31% Energy • 24% Liveness
22% Instrumentalness • 8% Positiveness
15% Popularity • 36% Danceability • 31% Energy • 24% Liveness
22% Instrumentalness • 8% Positiveness
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Chris Rea
Shamrock Diaries
90 bpm • C Maj • 04:56 • -13.93db
22% Popularity • 52% Danceability • 44% Energy • 23% Liveness
1% Instrumentalness • 24% Positiveness
22% Popularity • 52% Danceability • 44% Energy • 23% Liveness
1% Instrumentalness • 24% Positiveness
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Climie Fisher
Break the Silence
102 bpm • G# Maj • 04:16 • -13.67db
26% Popularity • 56% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 56% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Nick Kamen
Somebody's Arms to Hold Me
90 bpm • A# Maj • 03:52 • -15db
13% Popularity • 69% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 69% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Duran Duran
Skin Trade - Radio Cut; 2010 Remaster
90 bpm • B min • 04:28 • -12db
25% Popularity • 68% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 68% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Bros
Cat Among the Pigeons
90 bpm • C Maj • 04:04 • -12db
25% Popularity • 51% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 51% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Cock Robin
The Biggest Fool of All - Dance Mix/Euro...
90 bpm • D Maj • 06:14 • -12db
10% Popularity • 48% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 48% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Boy George
Keep Me In Mind
103 bpm • G# Maj • 04:05 • -12.76db
24% Popularity • 66% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
24% Popularity • 66% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Climie Fisher
Fire on the Ocean
102 bpm • C Maj • 04:17 • -10.59db
23% Popularity • 60% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 60% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Tasmin Archer
Ripped Inside
90 bpm • G Maj • 03:28 • -15.85db
22% Popularity • 56% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
22% Popularity • 56% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Duran Duran
Skin Trade - 2010 Remaster
90 bpm • B min • 05:56 • -13.58db
39% Popularity • 67% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
39% Popularity • 67% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Matt Bianco
Yeh Yeh
90 bpm • A# Maj • 03:21 • -6.2db
31% Popularity • 66% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 66% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
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Cock Robin
The Biggest Fool of All
90 bpm • D Maj • 04:24 • -12db
32% Popularity • 49% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 49% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Thompson Twins
Lay Your Hands on Me
103 bpm • G Maj • 04:20 • -7.82db
39% Popularity • 75% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
39% Popularity • 75% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
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Black
You're A Big Girl Now
90 bpm • G Maj • 04:19 • -15.33db
22% Popularity • 36% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 36% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Tina Turner
Two People
90 bpm • A# min • 04:09 • -6.56db
52% Popularity • 74% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
52% Popularity • 74% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Robin Gibb
I Believe In Miracles
90 bpm • A# Maj • 03:51 • -12.57db
12% Popularity • 46% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 46% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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a-ha
Manhattan Skyline - Extended Remix
103 bpm • F Maj • 06:49 • -8.67db
18% Popularity • 60% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
18% Popularity • 60% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Climie Fisher
You Keep Me Coming Back for More
103 bpm • G Maj • 04:08 • -14.92db
11% Popularity • 62% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 62% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Thompson Twins
Lay Your Hands on Me (James Farber Remix...
103 bpm • G Maj • 05:11 • -12.97db
40% Popularity • 79% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
40% Popularity • 79% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Sananda Maitreya
If You All Get to Heaven
89 bpm • F# Maj • 05:17 • -13.33db
33% Popularity • 67% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 67% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Cock Robin
After Here Through Midland
103 bpm • G min • 04:05 • -10.72db
20% Popularity • 60% Danceability • 58% Energy • 6% Liveness
1% Instrumentalness • 68% Positiveness
20% Popularity • 60% Danceability • 58% Energy • 6% Liveness
1% Instrumentalness • 68% Positiveness
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Robin Gibb
Another Lonely Night In New York
103 bpm • B min • 04:14 • -13.28db
35% Popularity • 58% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 58% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Don Johnson
CAN'T TAKE YOUR MEMORY
89 bpm • A# Maj • 04:29 • -15db
16% Popularity • 38% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 38% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Berlin
You Don't Know (Re-Recorded / Remastered...
104 bpm • G min • 03:39 • -7.97db
20% Popularity • 61% Danceability • 72% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
20% Popularity • 61% Danceability • 72% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
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Johnny Hates Jazz
Turn Back The Clock
104 bpm • C Maj • 04:30 • -8.1db
57% Popularity • 69% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
57% Popularity • 69% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Climie Fisher
It's Not Supposed to Be That Way
104 bpm • F min • 03:48 • -14.96db
13% Popularity • 67% Danceability • 74% Energy • 6% Liveness
1% Instrumentalness • 88% Positiveness
13% Popularity • 67% Danceability • 74% Energy • 6% Liveness
1% Instrumentalness • 88% Positiveness
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Cock Robin
For Experience Sake
89 bpm • E min • 04:39 • -16db
26% Popularity • 66% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 66% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Sandra
Maria Magdalena - Extended Version
104 bpm • B min • 07:11 • -9.01db
42% Popularity • 66% Danceability • 68% Energy • 34% Liveness
36% Instrumentalness • 88% Positiveness
42% Popularity • 66% Danceability • 68% Energy • 34% Liveness
36% Instrumentalness • 88% Positiveness
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Tina Turner
I Can't Stand the Rain - Extended 12" Re...
88 bpm • G# Maj • 05:41 • -6.69db
34% Popularity • 78% Danceability • 65% Energy • 2% Liveness
1% Instrumentalness • 86% Positiveness
34% Popularity • 78% Danceability • 65% Energy • 2% Liveness
1% Instrumentalness • 86% Positiveness
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Thompson Twins
You Take Me Up
105 bpm • F Maj • 04:26 • -13.85db
35% Popularity • 70% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
35% Popularity • 70% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Johnny Hates Jazz
Turn Back The Clock - Unreleased Version
104 bpm • C Maj • 04:35 • -11db
32% Popularity • 68% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
32% Popularity • 68% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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The Korgis
No Love In The World
88 bpm • A# Maj • 03:41 • -8.55db
12% Popularity • 55% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 55% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Cock Robin
Worlds apart
105 bpm • A min • 05:31 • -7.11db
13% Popularity • 36% Danceability • 69% Energy • 51% Liveness
1% Instrumentalness • 16% Positiveness
13% Popularity • 36% Danceability • 69% Energy • 51% Liveness
1% Instrumentalness • 16% Positiveness
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Sandra
(I'll Never Be) Maria Magdalena
104 bpm • B min • 05:57 • -14.65db
48% Popularity • 64% Danceability • 56% Energy • 31% Liveness
13% Instrumentalness • 90% Positiveness
48% Popularity • 64% Danceability • 56% Energy • 31% Liveness
13% Instrumentalness • 90% Positiveness
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Level 42
Something About You - 7" Version
105 bpm • F# min • 03:47 • -6.34db
60% Popularity • 66% Danceability • 87% Energy • 4% Liveness
2% Instrumentalness • 85% Positiveness
60% Popularity • 66% Danceability • 87% Energy • 4% Liveness
2% Instrumentalness • 85% Positiveness
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Robin Gibb
Danger
105 bpm • E Maj • 03:43 • -13.42db
14% Popularity • 57% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 57% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Johnny Hates Jazz
Listen - 2008 Digital Remaster
104 bpm • F# min • 03:44 • -7.65db
31% Popularity • 76% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 76% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Londonbeat
That's How I Feel About You
105 bpm • B Maj • 03:56 • -11.82db
11% Popularity • 64% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 64% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Cock Robin
Worlds Apart
105 bpm • G Maj • 06:04 • -14.1db
26% Popularity • 64% Danceability • 47% Energy • 21% Liveness
1% Instrumentalness • 60% Positiveness
26% Popularity • 64% Danceability • 47% Energy • 21% Liveness
1% Instrumentalness • 60% Positiveness
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Ten Sharp
Ain't My Beating Heart - Single Version
105 bpm • C Maj • 04:14 • -8.82db
26% Popularity • 61% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 61% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
