Songs like A Love Until the End of Time by Lee Holdridge
Based on a tempo of (+/- 10%) and a similar genre
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Claude François
Revaux & François / Arr. Schifrin: A Tr...
134 bpm • F Maj • 04:01 • -18.42db
31% Popularity • 23% Danceability • 19% Energy • 94% Liveness
12% Instrumentalness • 16% Positiveness
31% Popularity • 23% Danceability • 19% Energy • 94% Liveness
12% Instrumentalness • 16% Positiveness
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Al Martino
Mary In The Morning
134 bpm • C Maj • 02:56 • -11.12db
40% Popularity • 48% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 48% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Debby Boone
Micol's Theme
134 bpm • G min • 03:07 • -10.68db
34% Popularity • 30% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 30% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Lee Holdridge
A Love Until the End of Time
134 bpm • F Maj • 03:04 • -17.47db
19% Popularity • 29% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
19% Popularity • 29% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Helmut Lotti
How Could I Ever Forget You
134 bpm • C# Maj • 02:59 • -11.66db
16% Popularity • 28% Danceability • 30% Energy • 14% Liveness
1% Instrumentalness • 18% Positiveness
16% Popularity • 28% Danceability • 30% Energy • 14% Liveness
1% Instrumentalness • 18% Positiveness
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Bette Midler
The Rose
134 bpm • C Maj • 03:41 • -9.67db
64% Popularity • 35% Danceability • 23% Energy • 38% Liveness
0% Instrumentalness • 18% Positiveness
64% Popularity • 35% Danceability • 23% Energy • 38% Liveness
0% Instrumentalness • 18% Positiveness
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Olivia Newton-John
I Love You, I Honestly Love You
135 bpm • A# Maj • 03:40 • -15.31db
50% Popularity • 36% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
50% Popularity • 36% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Charlene
I Wont Remember Ever Loving You
133 bpm • A# Maj • 04:15 • -14.29db
15% Popularity • 33% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 33% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Billy Joel
Honesty
135 bpm • A# Maj • 03:53 • -15.48db
63% Popularity • 55% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
63% Popularity • 55% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Lee Holdridge
The Beastmaster 8
134 bpm • E min • 02:55 • -16.78db
1% Popularity • 30% Danceability • 7% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
1% Popularity • 30% Danceability • 7% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
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Vic Dana
More (Theme From Mondo Cane)
133 bpm • A Maj • 02:21 • -7.98db
38% Popularity • 37% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 37% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
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Carpenters
For All We Know
136 bpm • G Maj • 02:38 • -13db
59% Popularity • 31% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
59% Popularity • 31% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Rita Coolidge
Fool That I Am
136 bpm • G# Maj • 03:08 • -10db
35% Popularity • 58% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 58% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Jane Olivor
Come In From The Rain
136 bpm • A# Maj • 03:59 • -10.14db
16% Popularity • 36% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 36% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 12% Positiveness
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Mary MacGregor
Torn Between Two Lovers
132 bpm • A# Maj • 03:39 • -7.08db
51% Popularity • 55% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
51% Popularity • 55% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Lee Holdridge
The Beastmaster 19
136 bpm • F Maj • 02:51 • -18.96db
0% Popularity • 16% Danceability • 10% Energy • 26% Liveness
85% Instrumentalness • 3% Positiveness
0% Popularity • 16% Danceability • 10% Energy • 26% Liveness
85% Instrumentalness • 3% Positiveness
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Debby Boone
When You're Loved
136 bpm • G# Maj • 03:28 • -11db
21% Popularity • 37% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 37% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Karen Carpenter
Karen/Ella Medley
136 bpm • F min • 05:56 • -12db
34% Popularity • 37% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 37% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Rita Coolidge
Rainy Blue
136 bpm • F Maj • 04:27 • -14.07db
36% Popularity • 56% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 56% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Dionne Warwick
I'll Never Love This Way Again
132 bpm • B min • 03:31 • -10.54db
64% Popularity • 35% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
64% Popularity • 35% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Louie Smith
Can't Live If Living Is Without You
132 bpm • E Maj • 03:10 • -7.46db
52% Popularity • 42% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
52% Popularity • 42% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Lee Holdridge
The Beastmaster 3
132 bpm • A Maj • 01:38 • -21.27db
1% Popularity • 16% Danceability • 5% Energy • 6% Liveness
87% Instrumentalness • 3% Positiveness
1% Popularity • 16% Danceability • 5% Energy • 6% Liveness
87% Instrumentalness • 3% Positiveness
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Bobby Goldsboro
Everybody's Talkin'
131 bpm • D Maj • 02:18 • -7.88db
49% Popularity • 45% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
49% Popularity • 45% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Franz Lehár
Das Land des Lächelns / Act 2: Dein ist...
137 bpm • C Maj • 03:35 • -12db
23% Popularity • 20% Danceability • 48% Energy • 84% Liveness
29% Instrumentalness • 22% Positiveness
23% Popularity • 20% Danceability • 48% Energy • 84% Liveness
29% Instrumentalness • 22% Positiveness
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Rita Coolidge
I'd Rather Leave While I'm In Love
132 bpm • G# Maj • 03:25 • -9db
52% Popularity • 46% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
52% Popularity • 46% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Melissa Manchester
If This Is Love
137 bpm • D Maj • 03:37 • -9db
44% Popularity • 38% Danceability • 45% Energy • 56% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 38% Danceability • 45% Energy • 56% Liveness
0% Instrumentalness • 34% Positiveness
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Jane Olivor
Stay The Night
137 bpm • C# Maj • 03:22 • -12.02db
17% Popularity • 37% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 37% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Lee Holdridge
Escape From The Pyramid
132 bpm • C Maj • 02:42 • -18.3db
2% Popularity • 28% Danceability • 26% Energy • 13% Liveness
70% Instrumentalness • 13% Positiveness
2% Popularity • 28% Danceability • 26% Energy • 13% Liveness
70% Instrumentalness • 13% Positiveness
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Elton John
Your Song
131 bpm • D# Maj • 04:21 • -5db
42% Popularity • 43% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
42% Popularity • 43% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Frida Boccara
Dear Father
131 bpm • G# Maj • 03:37 • -13.01db
18% Popularity • 21% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 21% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Amanda Holden
Don’t Cry For Me Argentina
131 bpm • B Maj • 05:34 • -6.72db
29% Popularity • 30% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 30% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Mocedades
Maitechú MÃa
131 bpm • D min • 03:50 • -6.92db
36% Popularity • 48% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
36% Popularity • 48% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Gretchen Peters
When You Are Old
137 bpm • D Maj • 02:59 • -9db
36% Popularity • 33% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 33% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Lee Holdridge
The Beastmaster 12
136 bpm • F Maj • 04:17 • -19.28db
1% Popularity • 18% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
1% Popularity • 18% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Rita Coolidge
The Hungry Years
131 bpm • D Maj • 04:22 • -9db
32% Popularity • 38% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 38% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Jane Olivor
The Greatest Love Of All
131 bpm • G# Maj • 04:48 • -12.09db
18% Popularity • 34% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 34% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Dan Fogelberg
Believe In Me
131 bpm • A Maj • 04:34 • -16db
41% Popularity • 42% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 42% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Morris Albert
Memories
138 bpm • E min • 03:55 • -10.09db
26% Popularity • 33% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 9% Positiveness
26% Popularity • 33% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 9% Positiveness
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Dinah Shore
Do You Know Where You Are Going To
130 bpm • A# min • 03:25 • -13db
36% Popularity • 33% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 33% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Mary MacGregor
For a While
138 bpm • C Maj • 02:54 • -9.23db
46% Popularity • 57% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 57% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Beth Nielsen Chapman
All I Have
138 bpm • D Maj • 04:16 • -8db
35% Popularity • 46% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
35% Popularity • 46% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Bette Midler
From a Distance
138 bpm • G Maj • 04:36 • -11.72db
55% Popularity • 54% Danceability • 24% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
55% Popularity • 54% Danceability • 24% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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David Soul
Playing to an audience of one
130 bpm • B Maj • 03:49 • -16.09db
20% Popularity • 66% Danceability • 40% Energy • 10% Liveness
3% Instrumentalness • 42% Positiveness
20% Popularity • 66% Danceability • 40% Energy • 10% Liveness
3% Instrumentalness • 42% Positiveness
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Charlene
Used To Be
130 bpm • A# Maj • 04:04 • -13db
30% Popularity • 41% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 41% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Jean-Paul-Égide Martini
Plaisir d'amour
130 bpm • D# Maj • 03:27 • -15.94db
3% Popularity • 33% Danceability • 15% Energy • 11% Liveness
59% Instrumentalness • 13% Positiveness
3% Popularity • 33% Danceability • 15% Energy • 11% Liveness
59% Instrumentalness • 13% Positiveness
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Mary MacGregor
Torn Between Two Lovers
130 bpm • A# Maj • 03:51 • -9.2db
57% Popularity • 55% Danceability • 48% Energy • 15% Liveness
9% Instrumentalness • 58% Positiveness
57% Popularity • 55% Danceability • 48% Energy • 15% Liveness
9% Instrumentalness • 58% Positiveness
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David Gates
Part Time Love
130 bpm • A Maj • 02:26 • -15.78db
39% Popularity • 40% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
39% Popularity • 40% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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John Denver
Follow Me - "Greatest Hits" Version
129 bpm • D Maj • 02:54 • -11db
39% Popularity • 34% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 34% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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The Four Aces
Love Is a Many Splendored Thing
129 bpm • D Maj • 02:58 • -9.43db
47% Popularity • 32% Danceability • 34% Energy • 22% Liveness
1% Instrumentalness • 29% Positiveness
47% Popularity • 32% Danceability • 34% Energy • 22% Liveness
1% Instrumentalness • 29% Positiveness
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Charlene
It Ain't Easy Comin' Down
139 bpm • A# Maj • 03:28 • -12db
42% Popularity • 43% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 43% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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Bobby Goldsboro
With Pen In Hand
139 bpm • A Maj • 03:40 • -17db
37% Popularity • 37% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 37% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Mary MacGregor
Don't Let Me Be Lonely Tonight
138 bpm • A# Maj • 03:23 • -5db
38% Popularity • 34% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 34% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 28% Positiveness
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Morris Albert
Sweet Loving Man
129 bpm • C Maj • 03:40 • -11.38db
23% Popularity • 55% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 55% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Barry Gibb
Rest Your Love On Me
129 bpm • G# Maj • 04:01 • -6.58db
41% Popularity • 40% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 40% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Manuel Alejandro
Yo sere tu primer hombre
140 bpm • B Maj • 03:52 • -13.85db
13% Popularity • 27% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 27% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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Charlene
If I Could See Myself
129 bpm • A# Maj • 02:48 • -14.31db
28% Popularity • 36% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 36% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Bobby Goldsboro
Killing Me Softly With Her Song
129 bpm • F# min • 02:59 • -14.36db
41% Popularity • 62% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 62% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Julie Rogers
If Tomorrow Never Comes
140 bpm • D# Maj • 04:05 • -8db
26% Popularity • 49% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 49% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Rita Coolidge
It's Only Words
140 bpm • C# Maj • 02:56 • -13db
35% Popularity • 38% Danceability • 31% Energy • 74% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 38% Danceability • 31% Energy • 74% Liveness
0% Instrumentalness • 14% Positiveness
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Carpenters
Sing
140 bpm • D# Maj • 03:18 • -17db
51% Popularity • 51% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
51% Popularity • 51% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Melissa Manchester
Come In From The Rain
128 bpm • A# Maj • 04:15 • -11.82db
25% Popularity • 31% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
25% Popularity • 31% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Richard Carpenter
Something In Your Eyes
140 bpm • C Maj • 04:12 • -15.32db
46% Popularity • 36% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 36% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Il Volo
Il Canto
128 bpm • A Maj • 04:28 • -7.89db
24% Popularity • 35% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
24% Popularity • 35% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
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Mary MacGregor
Mama
140 bpm • A# Maj • 03:18 • -8db
42% Popularity • 34% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
42% Popularity • 34% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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Rita Coolidge
We're All Alone
128 bpm • G Maj • 03:40 • -8.38db
62% Popularity • 33% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
62% Popularity • 33% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Randy VanWarmer
Beautiful Dreamer
141 bpm • D Maj • 03:51 • -16db
15% Popularity • 32% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 32% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Cuco Sánchez
Fallaste corazón - La que se fue - GrÃ...
141 bpm • C Maj • 07:02 • -6.67db
22% Popularity • 36% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 36% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Nádia Figueiredo
The Way You Look
141 bpm • G Maj • 03:27 • -9.3db
21% Popularity • 31% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 31% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Jonathan Estabrooks
You Raise Me Up / Fields of Gold
141 bpm • D Maj • 03:01 • -14db
41% Popularity • 28% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
41% Popularity • 28% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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David Gates
She Was so Young
127 bpm • D min • 02:44 • -20.13db
26% Popularity • 49% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 49% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Melissa Manchester
Fire In The Morning
127 bpm • G Maj • 03:53 • -17.32db
21% Popularity • 57% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 57% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Charlene
Can't We Try
141 bpm • B min • 03:47 • -12.09db
14% Popularity • 34% Danceability • 38% Energy • 43% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 34% Danceability • 38% Energy • 43% Liveness
0% Instrumentalness • 27% Positiveness
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Andy Gibb
Rest Your Love On Me
127 bpm • A Maj • 04:57 • -12.15db
49% Popularity • 63% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
49% Popularity • 63% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Mary MacGregor
I Just Want Love You
127 bpm • B Maj • 03:06 • -8db
47% Popularity • 56% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
47% Popularity • 56% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Julie Rogers
The Power of Love
142 bpm • F# Maj • 03:46 • -8.1db
20% Popularity • 36% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 36% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Lee Holdridge
Heroic Friends
127 bpm • D min • 04:31 • -17.66db
3% Popularity • 24% Danceability • 23% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
3% Popularity • 24% Danceability • 23% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Neal E. Boyd
Is Nothing Sacred
142 bpm • G# Maj • 04:09 • -9db
21% Popularity • 38% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 38% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Charlene
Hungry
141 bpm • D# Maj • 03:25 • -12.32db
11% Popularity • 36% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 36% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Paul Anka
Do I Love You (Yes, In Every Way)
142 bpm • G# Maj • 04:51 • -10.32db
33% Popularity • 58% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 58% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Maureen McGovern
The Coming of the Roads
126 bpm • A Maj • 03:43 • -17.61db
2% Popularity • 42% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
2% Popularity • 42% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Rex Smith
You Take My Breath Away - Mono Version
142 bpm • B Maj • 03:17 • -8db
49% Popularity • 31% Danceability • 60% Energy • 52% Liveness
0% Instrumentalness • 27% Positiveness
49% Popularity • 31% Danceability • 60% Energy • 52% Liveness
0% Instrumentalness • 27% Positiveness
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Debby Boone
God Knows
142 bpm • D Maj • 03:24 • -12db
25% Popularity • 32% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 32% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Camilla Kerslake
Come Home
126 bpm • G min • 03:35 • -6db
16% Popularity • 54% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 54% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Charlene
I Need A Man
127 bpm • B min • 04:16 • -17.49db
9% Popularity • 36% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 36% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Carpenters
Solitaire
143 bpm • E Maj • 04:39 • -15.17db
54% Popularity • 24% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
54% Popularity • 24% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Melissa Manchester
Through the Eyes of Love (Theme from the...
143 bpm • A# Maj • 04:13 • -16.38db
48% Popularity • 36% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
48% Popularity • 36% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Charles Aznavour
Les bateaux sont partis
125 bpm • F min • 02:27 • -4.07db
18% Popularity • 39% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 39% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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The Cascades
The Last Leaf
125 bpm • E Maj • 02:21 • -10.33db
42% Popularity • 57% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 57% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Julie Rogers
If I Never Sing Another Song
144 bpm • G min • 03:52 • -7.28db
19% Popularity • 34% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 34% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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The Archers
He Ain't Heavy, He's My Brother
144 bpm • E Maj • 05:19 • -4db
33% Popularity • 39% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 39% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Carpenters
Solitaire - Remastered
143 bpm • E Maj • 04:41 • -9.54db
27% Popularity • 24% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
27% Popularity • 24% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Maureen McGovern
The Rose
124 bpm • C# Maj • 03:36 • -10.33db
6% Popularity • 40% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
6% Popularity • 40% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Mary MacGregor
This Girl (Has Turned into a Woman)
124 bpm • A Maj • 03:26 • -9.38db
52% Popularity • 54% Danceability • 44% Energy • 14% Liveness
78% Instrumentalness • 44% Positiveness
52% Popularity • 54% Danceability • 44% Energy • 14% Liveness
78% Instrumentalness • 44% Positiveness
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Yvonne Elliman
I Don't Know How To Love Him
144 bpm • D Maj • 03:57 • -15.42db
45% Popularity • 32% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 32% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Charlene
Hey Mama
124 bpm • C Maj • 03:33 • -15db
16% Popularity • 36% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 36% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Chris Thompson
If You Remember Me
124 bpm • D Maj • 03:04 • -10db
39% Popularity • 50% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 50% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Plácido Domingo
Be My Love
145 bpm • C# Maj • 03:11 • -13.45db
22% Popularity • 21% Danceability • 32% Energy • 33% Liveness
6% Instrumentalness • 14% Positiveness
22% Popularity • 21% Danceability • 32% Energy • 33% Liveness
6% Instrumentalness • 14% Positiveness
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Bee Gees
Morning Of My Life
124 bpm • G Maj • 03:57 • -18.22db
39% Popularity • 51% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 51% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness