Songs like A Man Can Love Two Women by Libby Larsen
Based on a tempo of (+/- 10%) and a similar genre
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Libby Larsen
Dancing Solo: I. With Shadows
140 bpm • F Maj • 02:56 • -19.38db
0% Popularity • 44% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 44% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Felix Mendelssohn
Elijah, Op. 70: "Oh Rest in the Lord" (A...
140 bpm • C Maj • 03:18 • -30.16db
8% Popularity • 21% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Arthur Sullivan
Macbeth: Chorus of Spirits in the Air - ...
140 bpm • D min • 01:07 • -26.79db
17% Popularity • 46% Danceability • 9% Energy • 12% Liveness
55% Instrumentalness • 10% Positiveness
17% Popularity • 46% Danceability • 9% Energy • 12% Liveness
55% Instrumentalness • 10% Positiveness
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Francis Poulenc
Gloria, FP 144: II. Laudamus te
139 bpm • F Maj • 02:50 • -21db
24% Popularity • 30% Danceability • 23% Energy • 11% Liveness
84% Instrumentalness • 33% Positiveness
24% Popularity • 30% Danceability • 23% Energy • 11% Liveness
84% Instrumentalness • 33% Positiveness
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Maurice Duruflé
Requiem, Op. 9: I. Introit
141 bpm • F Maj • 03:47 • -34.57db
13% Popularity • 14% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
13% Popularity • 14% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Septet in E-Flat Major, Op. 65: II. Menu...
139 bpm • D# Maj • 04:16 • -22.78db
2% Popularity • 25% Danceability • 2% Energy • 6% Liveness
50% Instrumentalness • 17% Positiveness
2% Popularity • 25% Danceability • 2% Energy • 6% Liveness
50% Instrumentalness • 17% Positiveness
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Libby Larsen
Songs of Youth & Pleasure: II. Pluck the...
141 bpm • G Maj • 01:31 • -18.88db
4% Popularity • 27% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
4% Popularity • 27% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Hector Berlioz
Requiem, Op. 5, H 75: V. Quaerens me
141 bpm • A Maj • 04:49 • -39.02db
0% Popularity • 14% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 3% Positiveness
0% Popularity • 14% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 3% Positiveness
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Toru Takemitsu
Wings (Version for Mixed Choir)
138 bpm • A Maj • 02:34 • -29.96db
13% Popularity • 18% Danceability • 6% Energy • 18% Liveness
21% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 6% Energy • 18% Liveness
21% Instrumentalness • 4% Positiveness
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Robert Parsons
A Songe Called Trumpetts
142 bpm • F# Maj • 01:39 • -39.92db
10% Popularity • 39% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 69% Positiveness
10% Popularity • 39% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 69% Positiveness
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Arnold Rosner
Variations on a Theme by Frank Martin, O...
138 bpm • A min • 02:16 • -23.84db
11% Popularity • 19% Danceability • 4% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 4% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
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Fernando Obradors
Con amores, la mi madre
138 bpm • F min • 01:53 • -30db
9% Popularity • 35% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 35% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Libby Larsen
3 Pieces for Treble Wind and Guitar: II....
142 bpm • E min • 03:43 • -19.75db
0% Popularity • 29% Danceability • 3% Energy • 8% Liveness
58% Instrumentalness • 7% Positiveness
0% Popularity • 29% Danceability • 3% Energy • 8% Liveness
58% Instrumentalness • 7% Positiveness
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Percy Grainger
Australian Up-Country Song
138 bpm • F Maj • 01:41 • -27.11db
10% Popularity • 15% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Edmund Rubbra
The Jade Mountain, Op. 116: IV. A Song o...
142 bpm • A Maj • 01:15 • -22.3db
12% Popularity • 34% Danceability • 3% Energy • 10% Liveness
58% Instrumentalness • 15% Positiveness
12% Popularity • 34% Danceability • 3% Energy • 10% Liveness
58% Instrumentalness • 15% Positiveness
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Gerald Finzi
Let us garlands bring, Op. 18: Come away...
142 bpm • D Maj • 03:29 • -26db
9% Popularity • 26% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 26% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Giuseppe De Ferraris
Tirsi non giova il pianto, Archivio di M...
138 bpm • C Maj • 01:32 • -20.28db
14% Popularity • 32% Danceability • 12% Energy • 16% Liveness
85% Instrumentalness • 26% Positiveness
14% Popularity • 32% Danceability • 12% Energy • 16% Liveness
85% Instrumentalness • 26% Positiveness
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Richard Strauss
Strauss, R: Mädchenblumen, Op. 22: No. ...
143 bpm • C# Maj • 02:10 • -20.62db
15% Popularity • 38% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 38% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Brahms
Liebeslieder-Walzer, Op. 52: No. 14, Sie...
137 bpm • D# Maj • 01:06 • -29.35db
3% Popularity • 18% Danceability • 2% Energy • 11% Liveness
14% Instrumentalness • 5% Positiveness
3% Popularity • 18% Danceability • 2% Energy • 11% Liveness
14% Instrumentalness • 5% Positiveness
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Libby Larsen
Jack's Valentine
144 bpm • D Maj • 01:21 • -25.15db
0% Popularity • 43% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 43% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Peter Dijkstra
Anton Bruckner: Ave Maria: Anton Bruckne...
136 bpm • F Maj • 03:50 • -23.5db
26% Popularity • 15% Danceability • 3% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
26% Popularity • 15% Danceability • 3% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
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Gerald Finzi
Let us garlands bring, Op. 18: It was a ...
138 bpm • A Maj • 02:37 • -21db
10% Popularity • 39% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 39% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Arnold Rosner
Variations on a Theme by Frank Martin, O...
136 bpm • A Maj • 01:57 • -32.98db
13% Popularity • 15% Danceability • 2% Energy • 15% Liveness
90% Instrumentalness • 3% Positiveness
13% Popularity • 15% Danceability • 2% Energy • 15% Liveness
90% Instrumentalness • 3% Positiveness
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Richard Strauss
Strauss, R: 8 Gedichte aus "Letzte Blät...
136 bpm • D# Maj • 03:19 • -22.74db
13% Popularity • 34% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 34% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Bob Chilcott
Five Days that Changed the World: I. Thu...
144 bpm • G min • 02:42 • -22.95db
9% Popularity • 48% Danceability • 18% Energy • 17% Liveness
22% Instrumentalness • 46% Positiveness
9% Popularity • 48% Danceability • 18% Energy • 17% Liveness
22% Instrumentalness • 46% Positiveness
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Leonard Bernstein
Bernstein - I hate music!: Jupiter has s...
144 bpm • A# min • 01:20 • -18db
8% Popularity • 43% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 43% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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![Ólafur Liljurós: [Crotchet = c. 96] cover art](https://i.scdn.co/image/ab67616d00001e0233c5d178cecc0ab03656565b)
Jórunn Viðar
Ólafur Liljurós: [Crotchet = c. 96]
136 bpm • C Maj • 01:19 • -24.57db
8% Popularity • 18% Danceability • 3% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 3% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Lorenzo Perosi
Missa Pontificalis: Benedictus
144 bpm • F Maj • 01:35 • -32.21db
21% Popularity • 13% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
21% Popularity • 13% Danceability • 1% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Libby Larsen
Beloved, Thou Hast Brought Me Many Flowe...
145 bpm • G# Maj • 02:16 • -23.01db
0% Popularity • 30% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 30% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Veljo Tormis
Looduspildid No. 3 "Sügismaastikud": Lo...
135 bpm • E min • 01:36 • -30.68db
12% Popularity • 23% Danceability • 3% Energy • 8% Liveness
58% Instrumentalness • 4% Positiveness
12% Popularity • 23% Danceability • 3% Energy • 8% Liveness
58% Instrumentalness • 4% Positiveness
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Igor Stravinsky
Stravinsky: Pulcinella: VIII. Gavotta
145 bpm • D Maj • 01:36 • -30.88db
0% Popularity • 18% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
0% Popularity • 18% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Ralph Vaughan Williams
In Windsor Forest: No. 3, Falstaff and t...
134 bpm • F Maj • 04:49 • -21.11db
10% Popularity • 31% Danceability • 12% Energy • 7% Liveness
3% Instrumentalness • 25% Positiveness
10% Popularity • 31% Danceability • 12% Energy • 7% Liveness
3% Instrumentalness • 25% Positiveness
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Charlotte Hoather
Sweet Chance That Led My Steps Abroad
135 bpm • F Maj • 01:55 • -13.32db
8% Popularity • 44% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 44% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Lili Boulanger
Soir sur la plaine
134 bpm • B Maj • 09:07 • -25db
12% Popularity • 22% Danceability • 6% Energy • 8% Liveness
19% Instrumentalness • 3% Positiveness
12% Popularity • 22% Danceability • 6% Energy • 8% Liveness
19% Instrumentalness • 3% Positiveness
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Libby Larsen
Corker
135 bpm • F Maj • 06:46 • -22.44db
0% Popularity • 46% Danceability • 20% Energy • 10% Liveness
45% Instrumentalness • 4% Positiveness
0% Popularity • 46% Danceability • 20% Energy • 10% Liveness
45% Instrumentalness • 4% Positiveness
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Gwyn Hughes Jones
O Del Mio Amato Ben
134 bpm • G# Maj • 04:00 • -22.54db
12% Popularity • 27% Danceability • 7% Energy • 12% Liveness
9% Instrumentalness • 8% Positiveness
12% Popularity • 27% Danceability • 7% Energy • 12% Liveness
9% Instrumentalness • 8% Positiveness
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Benjamin Britten
Spring Symphony, Op. 44, Part IV: Finale...
134 bpm • C Maj • 07:18 • -18.63db
8% Popularity • 30% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 30% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Samuel Barber
Hermit Songs Op. 29: 8. The Monk and His...
134 bpm • F Maj • 02:22 • -27.72db
9% Popularity • 39% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 39% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Richard Strauss
Strauss, R: 6 Lieder, Op. 37: No. 3, Mei...
134 bpm • G Maj • 02:48 • -21.54db
16% Popularity • 32% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
16% Popularity • 32% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Brad Mehldau
The Folly of Desire: Ganymede II
133 bpm • A# Maj • 03:28 • -20.11db
9% Popularity • 42% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 42% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Les fleurs et les arbres
133 bpm • E Maj • 02:00 • -23db
11% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Christopher H. Harris
Bring me all your dreams - SATB
147 bpm • E Maj • 04:06 • -32.9db
10% Popularity • 13% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Benjamin Britten
Spring Symphony, Op. 44, Part I: Introdu...
134 bpm • C Maj • 08:33 • -25.34db
9% Popularity • 16% Danceability • 3% Energy • 25% Liveness
20% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 3% Energy • 25% Liveness
20% Instrumentalness • 3% Positiveness
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Heitor Villa-Lobos
Fantasia for Cello & Orchestra, W454: II...
133 bpm • D# Maj • 07:00 • -26.09db
9% Popularity • 26% Danceability • 10% Energy • 12% Liveness
85% Instrumentalness • 23% Positiveness
9% Popularity • 26% Danceability • 10% Energy • 12% Liveness
85% Instrumentalness • 23% Positiveness
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Ralph Vaughan Williams
4 Last Songs: Tired
133 bpm • A# min • 02:10 • -38.35db
12% Popularity • 19% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 19% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Libby Larsen
Song Without Words
133 bpm • D min • 08:47 • -19.62db
0% Popularity • 27% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
0% Popularity • 27% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Lili Boulanger
Clairières dans le ciel (Version for So...
133 bpm • A Maj • 01:59 • -24.76db
9% Popularity • 30% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 30% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Anton Bruckner
Mass No. 3 in F Minor, WAB 28: Benedictu...
132 bpm • G# Maj • 08:57 • -25.1db
9% Popularity • 18% Danceability • 5% Energy • 7% Liveness
55% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 5% Energy • 7% Liveness
55% Instrumentalness • 4% Positiveness
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William Walton
Belshazzar's Feast: Thus spake Isaiah
132 bpm • A# Maj • 05:11 • -23.58db
10% Popularity • 18% Danceability • 9% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 9% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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Al Goodhart
Momele
149 bpm • G min • 04:50 • -14.16db
14% Popularity • 27% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 27% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Felix Mendelssohn
Elijah, Op. 70: "Be Not Afraid, Saith Go...
132 bpm • G Maj • 04:09 • -14.15db
8% Popularity • 21% Danceability • 33% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
8% Popularity • 21% Danceability • 33% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
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Libby Larsen
Marimba Concerto: After Hampton Allegro ...
132 bpm • A# Maj • 07:46 • -25.85db
1% Popularity • 40% Danceability • 10% Energy • 9% Liveness
82% Instrumentalness • 6% Positiveness
1% Popularity • 40% Danceability • 10% Energy • 9% Liveness
82% Instrumentalness • 6% Positiveness
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Maurice Ravel
Ravel: Shéhérazade, M. 41: No. 3, L'In...
132 bpm • C# min • 03:52 • -21.73db
0% Popularity • 21% Danceability • 7% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
0% Popularity • 21% Danceability • 7% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Charlotte Hoather
Haugtussa, Op. 67: VIII. Ved gjaetle-bek...
132 bpm • B min • 06:23 • -15.02db
11% Popularity • 35% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 35% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Lili Boulanger
Hymne au soleil
131 bpm • D Maj • 03:53 • -22.66db
19% Popularity • 27% Danceability • 8% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
19% Popularity • 27% Danceability • 8% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
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Gustav Mahler
Rückert-Lieder: Ich bin der Welt abhand...
131 bpm • F Maj • 06:00 • -36.91db
15% Popularity • 16% Danceability • 0% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 0% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Amy Beach
The Year's At The Spring
130 bpm • C# Maj • 00:58 • -16db
8% Popularity • 36% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 36% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Libby Larsen
Margaret Songs: Beneath the Hawthorne Tr...
132 bpm • C Maj • 02:10 • -25.46db
1% Popularity • 39% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
1% Popularity • 39% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
► Preview
Maurice Ravel
Don Quichotte à Dulcinée: Chanson épi...
131 bpm • F Maj • 03:00 • -19db
8% Popularity • 28% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 28% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Will Todd
Mass In Blue, Op. 28: IV. Sanctus
130 bpm • A# Maj • 05:06 • -21.59db
11% Popularity • 23% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
11% Popularity • 23% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
► Preview
Engelbert Humperdinck
Hänsel und Gretel: Abends will ich schl...
129 bpm • D Maj • 02:27 • -18.83db
19% Popularity • 20% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
19% Popularity • 20% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Giuseppe Verdi
Quattro pezzi sacri: No. 1, Ave Maria
131 bpm • C Maj • 04:55 • -30.59db
0% Popularity • 16% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
0% Popularity • 16% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Ralph Vaughan Williams
The House of Life: Love-sight
129 bpm • A Maj • 04:19 • -24db
8% Popularity • 36% Danceability • 3% Energy • 4% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 36% Danceability • 3% Energy • 4% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Libby Larsen
Symphony No. 4 "String Symphony": III. F...
132 bpm • G Maj • 07:22 • -25.42db
0% Popularity • 34% Danceability • 10% Energy • 12% Liveness
84% Instrumentalness • 14% Positiveness
0% Popularity • 34% Danceability • 10% Energy • 12% Liveness
84% Instrumentalness • 14% Positiveness
► Preview
Francis Poulenc
4 Motets pour un temps de pénitence, FP...
129 bpm • G Maj • 04:00 • -22.3db
12% Popularity • 20% Danceability • 3% Energy • 10% Liveness
26% Instrumentalness • 3% Positiveness
12% Popularity • 20% Danceability • 3% Energy • 10% Liveness
26% Instrumentalness • 3% Positiveness
► Preview
Ørjan Matre
Six Orphic Amulets for vocal sextet and ...
129 bpm • D min • 03:58 • -25.34db
8% Popularity • 20% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
8% Popularity • 20% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Benjamin Britten
A Charm of Lullabies, Op. 41: A Cradle S...
153 bpm • G# Maj • 02:55 • -28.96db
9% Popularity • 18% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Giacomo Puccini
Sogno D'or
153 bpm • A Maj • 01:22 • -14.06db
15% Popularity • 22% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 22% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Edward Elgar
The Music Makers, Op. 69: II. We are the...
128 bpm • A# min • 01:59 • -28.79db
10% Popularity • 17% Danceability • 3% Energy • 9% Liveness
43% Instrumentalness • 6% Positiveness
10% Popularity • 17% Danceability • 3% Energy • 9% Liveness
43% Instrumentalness • 6% Positiveness
► Preview
Libby Larsen
Libby Larsen speaking
150 bpm • F# Maj • 01:23 • -27.54db
0% Popularity • 66% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 66% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Maurice Ravel
L'enfant et les sortilèges, M. 71, Pt. ...
128 bpm • G min • 01:39 • -19.82db
8% Popularity • 34% Danceability • 14% Energy • 25% Liveness
2% Instrumentalness • 33% Positiveness
8% Popularity • 34% Danceability • 14% Energy • 25% Liveness
2% Instrumentalness • 33% Positiveness
► Preview
Roger Quilter
Weep You No More, Op. 12, No. 1
128 bpm • D min • 02:28 • -33db
8% Popularity • 29% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 29% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Maurice Duruflé
Requiem, Op. 9: IX. In Paradisum
128 bpm • F# Maj • 02:54 • -40.45db
11% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Charlotte Hoather
A Piper
127 bpm • F min • 01:23 • -12db
8% Popularity • 54% Danceability • 32% Energy • 49% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 54% Danceability • 32% Energy • 49% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
Richard Strauss
Strauss, R: 8 Gedichte aus "Letzte Blät...
126 bpm • A Maj • 01:27 • -17.5db
17% Popularity • 45% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
17% Popularity • 45% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Libby Larsen
Songs from Letters (Calamity Jane to Her...
153 bpm • F Maj • 01:43 • -10.15db
1% Popularity • 47% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
1% Popularity • 47% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Alessandro Scarlatti
Già il sole dal Gange
127 bpm • G# Maj • 02:24 • -17.62db
8% Popularity • 43% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
8% Popularity • 43% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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Johannes Brahms
Six Canonic Studies, Op. 56: No. 1, Con ...
126 bpm • C Maj • 03:04 • -32.3db
17% Popularity • 17% Danceability • 1% Energy • 9% Liveness
74% Instrumentalness • 7% Positiveness
17% Popularity • 17% Danceability • 1% Energy • 9% Liveness
74% Instrumentalness • 7% Positiveness
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Ralph Vaughan Williams
Sancta civitas: I was in the Spirit
126 bpm • F Maj • 05:21 • -22.06db
10% Popularity • 17% Danceability • 8% Energy • 12% Liveness
61% Instrumentalness • 3% Positiveness
10% Popularity • 17% Danceability • 8% Energy • 12% Liveness
61% Instrumentalness • 3% Positiveness
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Paolo Spoladore
Shir
126 bpm • G# Maj • 01:08 • -18db
19% Popularity • 17% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Benjamin Britten
The Young Person's Guide to the Orchestr...
124 bpm • B Maj • 04:01 • -26.85db
8% Popularity • 31% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
8% Popularity • 31% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Libby Larsen
Dancing Solo: III. In Ten Slow Circles
128 bpm • C Maj • 02:51 • -23.72db
0% Popularity • 31% Danceability • 0% Energy • 12% Liveness
55% Instrumentalness • 20% Positiveness
0% Popularity • 31% Danceability • 0% Energy • 12% Liveness
55% Instrumentalness • 20% Positiveness
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Felix Mendelssohn
Paulus: I. Teil: Nr. 12 Rezitativ & Ario...
124 bpm • D Maj • 02:48 • -25db
14% Popularity • 30% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 9% Positiveness
14% Popularity • 30% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 9% Positiveness
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Johannes Brahms
Liebeslieder-Walzer, Op. 52: No. 8, Wenn...
124 bpm • G# Maj • 01:30 • -24.57db
9% Popularity • 23% Danceability • 12% Energy • 12% Liveness
71% Instrumentalness • 6% Positiveness
9% Popularity • 23% Danceability • 12% Energy • 12% Liveness
71% Instrumentalness • 6% Positiveness
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Charlotte Hoather
Love's Philosophy
124 bpm • C Maj • 01:32 • -9.98db
8% Popularity • 48% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 48% Danceability • 24% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
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Edward Elgar
The Dream of Gerontius, Op. 38: No. 16, ...
158 bpm • F Maj • 02:23 • -19.5db
8% Popularity • 30% Danceability • 18% Energy • 16% Liveness
23% Instrumentalness • 25% Positiveness
8% Popularity • 30% Danceability • 18% Energy • 16% Liveness
23% Instrumentalness • 25% Positiveness
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George Lloyd
A Symphonic Mass for Chorus & Orchestra:...
123 bpm • D# min • 07:52 • -20.39db
13% Popularity • 19% Danceability • 19% Energy • 13% Liveness
83% Instrumentalness • 5% Positiveness
13% Popularity • 19% Danceability • 19% Energy • 13% Liveness
83% Instrumentalness • 5% Positiveness
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Libby Larsen
Dancing Solo: II. Eight to the Bar
128 bpm • F Maj • 02:56 • -19.67db
0% Popularity • 57% Danceability • 4% Energy • 10% Liveness
6% Instrumentalness • 54% Positiveness
0% Popularity • 57% Danceability • 4% Energy • 10% Liveness
6% Instrumentalness • 54% Positiveness
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Fazıl Say
Alevi dedeler rakı masasında, Op. 35: ...
161 bpm • G Maj • 03:59 • -17.54db
11% Popularity • 47% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 18% Positiveness
11% Popularity • 47% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 18% Positiveness
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Johannes Brahms
Liebeslieder-Walzer, Op. 52: No. 1, Rede...
124 bpm • E Maj • 01:11 • -24.36db
9% Popularity • 24% Danceability • 13% Energy • 15% Liveness
76% Instrumentalness • 18% Positiveness
9% Popularity • 24% Danceability • 13% Energy • 15% Liveness
76% Instrumentalness • 18% Positiveness
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Samuel Barber
Hermit Songs Op. 29: 5. The Crucifixion
162 bpm • A min • 02:15 • -24.39db
9% Popularity • 24% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Georg Anton Kreusser
2. Coro: Sein Odem ist schwach
121 bpm • A# min • 03:16 • -19.29db
16% Popularity • 24% Danceability • 10% Energy • 11% Liveness
30% Instrumentalness • 9% Positiveness
16% Popularity • 24% Danceability • 10% Energy • 11% Liveness
30% Instrumentalness • 9% Positiveness
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George Butterworth
6 Songs from A Shropshire Lad: No. 2. Wh...
165 bpm • B min • 01:14 • -21.49db
18% Popularity • 42% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 42% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Libby Larsen
Cowboy Songs: No. 3, Billy the Kid
163 bpm • C Maj • 01:09 • -12.71db
3% Popularity • 59% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
3% Popularity • 59% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Edward Elgar
From the Bavarian Highlands, Op. 27 (Ver...
120 bpm • G Maj • 05:42 • -18.49db
12% Popularity • 29% Danceability • 18% Energy • 12% Liveness
17% Instrumentalness • 24% Positiveness
12% Popularity • 29% Danceability • 18% Energy • 12% Liveness
17% Instrumentalness • 24% Positiveness
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Gioachino Rossini
Petite messe solennelle: IV. Gloria. Glo...
165 bpm • F Maj • 00:55 • -16.32db
23% Popularity • 33% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 33% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Maria Bayo
La mi sola, Laureola…
167 bpm • A Maj • 02:48 • -33db
8% Popularity • 25% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 25% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Bob Chilcott
St. John Passion, Part I: Peter’s Deni...
167 bpm • C min • 05:48 • -22.73db
8% Popularity • 26% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 26% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
