Songs like A Man's Gotta Do by Neil Patrick Harris
Based on a tempo of (+/- 10%) and a similar genre
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The Guild
(Do You Wanna Date My) Avatar
134 bpm • D# Maj • 03:39 • -11db
31% Popularity • 88% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 88% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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James Roday
I've Heard It Both Ways
134 bpm • D Maj • 03:13 • -10.18db
31% Popularity • 65% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 65% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Hank Green
We Are All Batpeople
134 bpm • C Maj • 01:52 • -7db
29% Popularity • 88% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 88% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Leslie Odom Jr.
Washington on Your Side
134 bpm • A# Maj • 03:01 • -10.22db
64% Popularity • 88% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
64% Popularity • 88% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Adam Pascal
What You Own
134 bpm • D Maj • 03:58 • -3.36db
43% Popularity • 54% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
43% Popularity • 54% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Ensemble
So They Say
134 bpm • F# Maj • 02:12 • -9.93db
34% Popularity • 85% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 85% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Edwards Sanders
Pirelli's Miracle Elixir
134 bpm • F Maj • 02:00 • -10.55db
27% Popularity • 59% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
27% Popularity • 59% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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StarKid
Granger Danger
134 bpm • C# Maj • 03:30 • -7db
33% Popularity • 50% Danceability • 71% Energy • 82% Liveness
0% Instrumentalness • 47% Positiveness
33% Popularity • 50% Danceability • 71% Energy • 82% Liveness
0% Instrumentalness • 47% Positiveness
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Aurelio Voltaire
The Beast Of Pirate's Bay
134 bpm • D min • 05:02 • -7db
34% Popularity • 36% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
34% Popularity • 36% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Anthony Rapp
What You Own
133 bpm • D Maj • 03:55 • -6.59db
34% Popularity • 56% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 77% Positiveness
34% Popularity • 56% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 77% Positiveness
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Christian Campbell
Romeo & Juliet
133 bpm • D Maj • 02:18 • -10db
20% Popularity • 71% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
20% Popularity • 71% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
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Neil Patrick Harris
A Man's Gotta Do
134 bpm • D# Maj • 02:20 • -7.72db
38% Popularity • 65% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 65% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Ethan Slater
Best Day Ever
135 bpm • G Maj • 04:19 • -9.21db
37% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
37% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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James Roday
I¹ve Heard It Both Ways (Reprise Two)
135 bpm • F Maj • 00:55 • -9.54db
21% Popularity • 44% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 44% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Chameleon Circuit
An Awful Lot Of Running
133 bpm • D Maj • 03:48 • -6.67db
25% Popularity • 49% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
25% Popularity • 49% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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"Weird Al" Yankovic
TMZ (Parody of "You Belong With Me" by T...
135 bpm • C# Maj • 03:39 • -8.34db
37% Popularity • 74% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 74% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Mickey Rooney
Life's A Happy Song
135 bpm • E min • 04:29 • -7.18db
51% Popularity • 63% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
51% Popularity • 63% Danceability • 55% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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Felicia Day
Gamer Girl, Country Boy
135 bpm • D Maj • 03:56 • -1.77db
8% Popularity • 66% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
8% Popularity • 66% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Cast Of The Motion Picture Rent
La Vie Boheme
135 bpm • G# Maj • 06:59 • -5db
48% Popularity • 50% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 50% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Rick Lyon
The Money Song
135 bpm • G Maj • 05:01 • -9db
8% Popularity • 64% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
8% Popularity • 64% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Chameleon Circuit
Travelling Man
135 bpm • F Maj • 03:59 • -11.79db
19% Popularity • 58% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 9% Positiveness
19% Popularity • 58% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 9% Positiveness
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Red Buttons
Every Little Piece
132 bpm • G Maj • 04:25 • -17db
29% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Stephen Sondheim
The Ballad of Booth
132 bpm • A# min • 08:34 • -12.86db
25% Popularity • 53% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 53% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Christine Baranski
We Both Reached For The Gun
136 bpm • B Maj • 03:58 • -7.43db
40% Popularity • 63% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
40% Popularity • 63% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Jesse L. Martin
Today 4 U
132 bpm • G Maj • 02:44 • -3.16db
43% Popularity • 72% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
43% Popularity • 72% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Stephanie D'Abruzzo
I Wish I Could Go Back to College
132 bpm • A Maj • 02:09 • -8.8db
12% Popularity • 54% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 54% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Andy Karl
Nobody Cares
132 bpm • G Maj • 05:13 • -5.32db
32% Popularity • 48% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 48% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Krystina Alabado
Goosebumps
132 bpm • G Maj • 03:55 • -9.41db
31% Popularity • 74% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 74% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 36% Positiveness
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Hunter Parrish
All for the Best
136 bpm • G Maj • 03:16 • -10.76db
39% Popularity • 61% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 61% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Garfunkel and Oates
Sports Go Sports
132 bpm • G Maj • 02:41 • -6.73db
22% Popularity • 92% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 92% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
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Paul & Storm
Nugget Man
136 bpm • D Maj • 04:26 • -5.76db
15% Popularity • 50% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 50% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Rema Webb
Joseph Smith American Moses
132 bpm • A# min • 06:12 • -10.38db
42% Popularity • 70% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
42% Popularity • 70% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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StarKid
Super Friends
137 bpm • A# Maj • 04:31 • -5.94db
21% Popularity • 49% Danceability • 80% Energy • 71% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 49% Danceability • 80% Energy • 71% Liveness
0% Instrumentalness • 38% Positiveness
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Company of SpongeBob SquarePants, The New Musical
Bikini Bottom Day
137 bpm • A Maj • 06:12 • -7.25db
42% Popularity • 56% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
42% Popularity • 56% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Michael James Scott
Welcome to the Renaissance
131 bpm • C Maj • 04:45 • -7.22db
43% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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John Tartaglia
Purpose
137 bpm • G Maj • 02:28 • -8db
15% Popularity • 49% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 49% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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Adam Pascal
Light My Candle
131 bpm • C min • 04:10 • -6.43db
49% Popularity • 81% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
49% Popularity • 81% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Chameleon Circuit
Mr Pond
131 bpm • G min • 04:07 • -13.77db
19% Popularity • 60% Danceability • 46% Energy • 62% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 60% Danceability • 46% Energy • 62% Liveness
0% Instrumentalness • 24% Positiveness
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"Weird Al" Yankovic
Sports Song
131 bpm • D# min • 02:14 • -8.65db
32% Popularity • 61% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 61% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Neil Patrick Harris
The World Is Mine
137 bpm • G Maj • 03:34 • -6.96db
27% Popularity • 37% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 37% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Anthony Warlow
Transformation
131 bpm • A min • 04:47 • -13.81db
36% Popularity • 42% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 42% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Stephen Lynch
Somebody Kill Me
131 bpm • D Maj • 01:50 • -9.15db
10% Popularity • 64% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 64% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Trey Parker
That's All I'm Asking For
131 bpm • F Maj • 02:43 • -10db
18% Popularity • 60% Danceability • 45% Energy • 94% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 60% Danceability • 45% Energy • 94% Liveness
0% Instrumentalness • 70% Positiveness
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John Tartaglia
Fantasies Come True
138 bpm • F# min • 04:18 • -11.73db
9% Popularity • 52% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 52% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Andrew Rannells
Hello!
130 bpm • C Maj • 02:52 • -9.93db
55% Popularity • 66% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
55% Popularity • 66% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Company of SpongeBob SquarePants, The New Musical
Finale: Bikini Bottom Day Reprise
138 bpm • A Maj • 02:03 • -6.35db
33% Popularity • 40% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 40% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Neil Patrick Harris
Kapitel 22 - Madame Esmeraldas Geheimnis...
138 bpm • G Maj • 03:03 • -18.34db
0% Popularity • 70% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 70% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Original Broadway Cast of Hamilton
The Adams Administration
130 bpm • C# Maj • 00:54 • -10.31db
61% Popularity • 80% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
61% Popularity • 80% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Chameleon Circuit
Exterminate, Regenerate
130 bpm • B min • 04:17 • -4.38db
23% Popularity • 51% Danceability • 87% Energy • 39% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 51% Danceability • 87% Energy • 39% Liveness
0% Instrumentalness • 35% Positiveness
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Will Roland
Loser Geek Whatever
130 bpm • G min • 05:58 • -8db
34% Popularity • 52% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
34% Popularity • 52% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Aurelio Voltaire
The U.S.S. Make Shit Up (Bitrektual Vers...
138 bpm • D Maj • 05:49 • -4.6db
17% Popularity • 66% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 66% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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"Weird Al" Yankovic
Skipper Dan
130 bpm • D# Maj • 04:01 • -10.09db
31% Popularity • 76% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 76% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Jon Cozart
Movie Villain Medley
130 bpm • G# Maj • 03:15 • -6db
29% Popularity • 80% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 80% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Hank Green
Mules Are So Half Ass
130 bpm • C Maj • 01:35 • -3.93db
20% Popularity • 74% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 74% Danceability • 85% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Leslie Kritzer
Day-O (The Banana Boat Song) - Act 1 Fin...
130 bpm • C Maj • 03:44 • -7.09db
49% Popularity • 61% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
49% Popularity • 61% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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StarKid
Rogues Medley
138 bpm • B min • 07:53 • -5.54db
27% Popularity • 44% Danceability • 81% Energy • 88% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 44% Danceability • 81% Energy • 88% Liveness
0% Instrumentalness • 37% Positiveness
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Bill Moseley
Night Surgeon
138 bpm • D min • 02:36 • -5.49db
37% Popularity • 51% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 51% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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Michael McGrath
Always Look On The Bright Side Of Life -...
130 bpm • F# min • 04:29 • -6.74db
37% Popularity • 54% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
37% Popularity • 54% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Will Roland
Loser Geek Whatever
130 bpm • A# Maj • 05:54 • -8.71db
25% Popularity • 55% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
25% Popularity • 55% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
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Selena Ingersoll
The Friendly Pirates
130 bpm • C# Maj • 03:08 • -12.94db
27% Popularity • 86% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 86% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Brad Oscar
A Musical
129 bpm • A# Maj • 07:47 • -8db
45% Popularity • 58% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
45% Popularity • 58% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Tim Minchin
Lullaby
139 bpm • D Maj • 05:01 • -9.62db
27% Popularity • 34% Danceability • 46% Energy • 98% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 34% Danceability • 46% Energy • 98% Liveness
0% Instrumentalness • 28% Positiveness
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Sherman Edwards
1776: But, Mr. Adams
128 bpm • F Maj • 05:08 • -14.05db
24% Popularity • 63% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 63% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Bob's Burgers
Happy Crappy Place
139 bpm • G Maj • 01:13 • -6db
32% Popularity • 89% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 89% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
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H.M.B. Cast
Rogues Are We (Reprise)
140 bpm • A# Maj • 02:11 • -14.03db
26% Popularity • 73% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 73% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Jonathan Coulton
Skullcrusher Mountain
140 bpm • E Maj • 04:19 • -8db
37% Popularity • 56% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 56% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Donald Faison
For The Last Time I'm Dominican - Origin...
140 bpm • D Maj • 01:56 • -9.55db
23% Popularity • 78% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
23% Popularity • 78% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Kelsey Grammer
Play - Original Broadway Cast Recording
128 bpm • D Maj • 04:33 • -7.24db
30% Popularity • 76% Danceability • 64% Energy • 73% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 76% Danceability • 64% Energy • 73% Liveness
0% Instrumentalness • 73% Positiveness
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Neil Patrick Harris
I'm The Music Meister
140 bpm • F min • 05:54 • -7.74db
33% Popularity • 40% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 40% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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Francis Conroy
Barney Makes 3, Pts. 1 & 2
128 bpm • A Maj • 01:21 • -8.34db
17% Popularity • 83% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 83% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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H.M.B. Cast
Super Friends
140 bpm • C Maj • 03:30 • -13db
27% Popularity • 74% Danceability • 53% Energy • 63% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 74% Danceability • 53% Energy • 63% Liveness
0% Instrumentalness • 60% Positiveness
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Tracie Thoms
Tango: Maureen
128 bpm • G Maj • 03:55 • -4.99db
47% Popularity • 80% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
47% Popularity • 80% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Ethan Slater
Hero is My Middle Name
128 bpm • F# Maj • 03:15 • -5.53db
39% Popularity • 75% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
39% Popularity • 75% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Andy Karl
Stuck
128 bpm • F# Maj • 03:34 • -8.19db
33% Popularity • 77% Danceability • 50% Energy • 68% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 77% Danceability • 50% Energy • 68% Liveness
0% Instrumentalness • 88% Positiveness
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The Pirates Of Penzance
With Cat-Like Tread, Upon Our Prey We St...
128 bpm • D Maj • 03:22 • -10.79db
26% Popularity • 44% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 44% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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'Something Rotten' Ensemble
The Black Death
140 bpm • E Maj • 01:15 • -8.96db
39% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
39% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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H.M.B. Cast
Rogues Are We
140 bpm • C Maj • 02:14 • -15.64db
27% Popularity • 72% Danceability • 34% Energy • 49% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 72% Danceability • 34% Energy • 49% Liveness
0% Instrumentalness • 53% Positiveness
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Chameleon Circuit
Still Not Ginger
128 bpm • E Maj • 01:57 • -12.48db
19% Popularity • 53% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
19% Popularity • 53% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Neil Patrick Harris
My Eyes
128 bpm • B min • 02:47 • -8db
45% Popularity • 64% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 64% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Original StarKid Cast of The Trail To Oregon!
Pays to Be an Animal
128 bpm • F# Maj • 03:55 • -9.84db
30% Popularity • 62% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 62% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Crazy Ex-Girlfriend Cast
I Hate Everything But You
141 bpm • D Maj • 02:47 • -4.21db
32% Popularity • 73% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 73% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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John Cullum
Don't Be the Bunny
127 bpm • B min • 03:02 • -13.14db
30% Popularity • 69% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 69% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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H.M.B. Cast
The American Way
140 bpm • C# Maj • 04:00 • -13.74db
24% Popularity • 57% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 57% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Jeff Bowen
Two Nobodies in New York
127 bpm • C Maj • 02:50 • -9.2db
20% Popularity • 68% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 68% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Street People
Facade
142 bpm • D min • 03:58 • -6.39db
34% Popularity • 56% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 56% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Scott Barnhardt
Turn It Off
142 bpm • F Maj • 05:03 • -10.55db
51% Popularity • 55% Danceability • 41% Energy • 56% Liveness
0% Instrumentalness • 63% Positiveness
51% Popularity • 55% Danceability • 41% Energy • 56% Liveness
0% Instrumentalness • 63% Positiveness
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Jordan Gelber
There Is Life Outside Your Apartment
142 bpm • D Maj • 03:08 • -9.33db
9% Popularity • 71% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 71% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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"Weird Al" Yankovic
Jackson Park Express
142 bpm • G Maj • 09:05 • -9.9db
27% Popularity • 41% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 41% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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H.M.B. Cast
To Be a Man
140 bpm • A# min • 03:02 • -14.28db
24% Popularity • 68% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
24% Popularity • 68% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Crazy Ex-Girlfriend Cast
Remember That We Suffered
142 bpm • D# Maj • 01:28 • -3.96db
33% Popularity • 83% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
33% Popularity • 83% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Ensemble
Murder, Murder
142 bpm • A min • 05:28 • -10db
30% Popularity • 60% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 60% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Josh Gad
Man Up
142 bpm • D Maj • 04:03 • -8.37db
45% Popularity • 49% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
45% Popularity • 49% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Original StarKid Cast of Twisted
Dream a Little Harder
142 bpm • D Maj • 05:34 • -8.09db
35% Popularity • 52% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
35% Popularity • 52% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Roger Bart
Snoopy
126 bpm • G Maj • 03:13 • -13.39db
28% Popularity • 47% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 47% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Aaron Lohr
After Today
142 bpm • F Maj • 02:21 • -8.57db
49% Popularity • 78% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
49% Popularity • 78% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Avenue Q Ensemble
The Avenue Q Theme
142 bpm • F Maj • 01:02 • -11db
17% Popularity • 71% Danceability • 28% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 71% Danceability • 28% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
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Neil Patrick Harris
Kapitel 1 - Madame Esmeraldas Geheimnis ...
126 bpm • C Maj • 03:08 • -22.04db
3% Popularity • 70% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
3% Popularity • 70% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Paul Kandel
Topsy Turvy
142 bpm • D Maj • 05:36 • -13.67db
32% Popularity • 43% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 43% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
