Songs like A Matter of Time by Marcus Warner
Based on a tempo of (+/- 10%) and a similar genre
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Soundcritters
Invent Yourself
120 bpm • F Maj • 01:51 • -10db
36% Popularity • 33% Danceability • 32% Energy • 12% Liveness
88% Instrumentalness • 13% Positiveness
36% Popularity • 33% Danceability • 32% Energy • 12% Liveness
88% Instrumentalness • 13% Positiveness
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MythFox
Time to Come
120 bpm • F min • 02:39 • -18db
43% Popularity • 39% Danceability • 34% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
43% Popularity • 39% Danceability • 34% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Glen Gabriel
Alva
120 bpm • D min • 03:53 • -15.64db
21% Popularity • 36% Danceability • 28% Energy • 36% Liveness
69% Instrumentalness • 4% Positiveness
21% Popularity • 36% Danceability • 28% Energy • 36% Liveness
69% Instrumentalness • 4% Positiveness
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Marcus Warner
A Matter of Time
120 bpm • E min • 05:12 • -12.91db
36% Popularity • 44% Danceability • 32% Energy • 9% Liveness
46% Instrumentalness • 6% Positiveness
36% Popularity • 44% Danceability • 32% Energy • 9% Liveness
46% Instrumentalness • 6% Positiveness
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Iros Young
Enemy
120 bpm • G min • 03:22 • -11.02db
15% Popularity • 19% Danceability • 46% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
15% Popularity • 19% Danceability • 46% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Steven Coltart
Climb
120 bpm • G Maj • 02:19 • -12db
13% Popularity • 44% Danceability • 56% Energy • 11% Liveness
2% Instrumentalness • 14% Positiveness
13% Popularity • 44% Danceability • 56% Energy • 11% Liveness
2% Instrumentalness • 14% Positiveness
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Ghostwriter
My Child
120 bpm • G# Maj • 03:33 • -11.49db
16% Popularity • 20% Danceability • 62% Energy • 11% Liveness
71% Instrumentalness • 22% Positiveness
16% Popularity • 20% Danceability • 62% Energy • 11% Liveness
71% Instrumentalness • 22% Positiveness
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James Paget
Days with You
120 bpm • A# min • 02:07 • -12.51db
27% Popularity • 42% Danceability • 48% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
27% Popularity • 42% Danceability • 48% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
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Epic North
Moonshade
120 bpm • G# Maj • 02:28 • -12db
36% Popularity • 47% Danceability • 67% Energy • 13% Liveness
96% Instrumentalness • 7% Positiveness
36% Popularity • 47% Danceability • 67% Energy • 13% Liveness
96% Instrumentalness • 7% Positiveness
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John Dreamer
Rise - Epic Music
120 bpm • G Maj • 02:18 • -11.27db
47% Popularity • 56% Danceability • 43% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
47% Popularity • 56% Danceability • 43% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Fractured Light Music
We Dream Of Stars
120 bpm • A min • 02:40 • -23db
33% Popularity • 40% Danceability • 5% Energy • 5% Liveness
95% Instrumentalness • 4% Positiveness
33% Popularity • 40% Danceability • 5% Energy • 5% Liveness
95% Instrumentalness • 4% Positiveness
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Tony Anderson
The Way Home
120 bpm • G min • 03:52 • -15.55db
38% Popularity • 41% Danceability • 28% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
38% Popularity • 41% Danceability • 28% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Christoffer Moe Ditlevsen
Human Revolution
120 bpm • A# min • 02:23 • -14.2db
35% Popularity • 53% Danceability • 41% Energy • 11% Liveness
86% Instrumentalness • 17% Positiveness
35% Popularity • 53% Danceability • 41% Energy • 11% Liveness
86% Instrumentalness • 17% Positiveness
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Kári Sigurðsson
When Our Journey Ends
120 bpm • C Maj • 01:58 • -13db
47% Popularity • 28% Danceability • 53% Energy • 7% Liveness
96% Instrumentalness • 7% Positiveness
47% Popularity • 28% Danceability • 53% Energy • 7% Liveness
96% Instrumentalness • 7% Positiveness
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Calum MacDonald
An Toll Dubh (Arr. Marcus Warner)
120 bpm • E min • 02:48 • -10db
34% Popularity • 39% Danceability • 58% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
34% Popularity • 39% Danceability • 58% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
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Howard Harper-Barnes
Let Go of Fear
120 bpm • A# min • 02:05 • -11db
41% Popularity • 65% Danceability • 32% Energy • 10% Liveness
89% Instrumentalness • 46% Positiveness
41% Popularity • 65% Danceability • 32% Energy • 10% Liveness
89% Instrumentalness • 46% Positiveness
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Kings & Creatures
Believe
120 bpm • B min • 02:41 • -8.45db
31% Popularity • 36% Danceability • 69% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
31% Popularity • 36% Danceability • 69% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
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Melvin Tsui
Master of Two Worlds
120 bpm • G Maj • 03:40 • -11.12db
29% Popularity • 42% Danceability • 74% Energy • 11% Liveness
90% Instrumentalness • 17% Positiveness
29% Popularity • 42% Danceability • 74% Energy • 11% Liveness
90% Instrumentalness • 17% Positiveness
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Neal Acree
The Chosen - Main Theme From Revelation
120 bpm • A min • 04:55 • -10.2db
38% Popularity • 28% Danceability • 56% Energy • 9% Liveness
87% Instrumentalness • 12% Positiveness
38% Popularity • 28% Danceability • 56% Energy • 9% Liveness
87% Instrumentalness • 12% Positiveness
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Jeff Russo
The Next Screen (Bonus)
120 bpm • E min • 02:42 • -14.8db
35% Popularity • 38% Danceability • 26% Energy • 6% Liveness
89% Instrumentalness • 3% Positiveness
35% Popularity • 38% Danceability • 26% Energy • 6% Liveness
89% Instrumentalness • 3% Positiveness
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Ursine Vulpine
Heart Shaped Leaf
120 bpm • G min • 02:53 • -17.62db
34% Popularity • 42% Danceability • 24% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
34% Popularity • 42% Danceability • 24% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Dominik A. Hecker
Leaves
120 bpm • C min • 02:56 • -18.28db
44% Popularity • 27% Danceability • 19% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
44% Popularity • 27% Danceability • 19% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
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Erinrad Viker Sinfonietta
Mouvement Déterminé
120 bpm • D# Maj • 03:14 • -15db
33% Popularity • 40% Danceability • 24% Energy • 12% Liveness
96% Instrumentalness • 11% Positiveness
33% Popularity • 40% Danceability • 24% Energy • 12% Liveness
96% Instrumentalness • 11% Positiveness
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Prequell
Part X
120 bpm • D min • 04:59 • -15db
31% Popularity • 41% Danceability • 32% Energy • 21% Liveness
96% Instrumentalness • 8% Positiveness
31% Popularity • 41% Danceability • 32% Energy • 21% Liveness
96% Instrumentalness • 8% Positiveness
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Soundcritters
Thunderlane
120 bpm • D min • 02:01 • -14.84db
44% Popularity • 44% Danceability • 47% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
44% Popularity • 44% Danceability • 47% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Marcus Warner
39 Seconds
120 bpm • F# min • 06:30 • -8.88db
22% Popularity • 41% Danceability • 44% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
22% Popularity • 41% Danceability • 44% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Christian Reindl
The Leaves Are Falling
120 bpm • A min • 02:08 • -13.75db
37% Popularity • 32% Danceability • 29% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
37% Popularity • 32% Danceability • 29% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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Steven Coltart
Circles
120 bpm • C# Maj • 02:22 • -12.83db
15% Popularity • 31% Danceability • 36% Energy • 7% Liveness
81% Instrumentalness • 3% Positiveness
15% Popularity • 31% Danceability • 36% Energy • 7% Liveness
81% Instrumentalness • 3% Positiveness
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Arcaena Xyrceran
Conquer Your Fears
120 bpm • G# Maj • 02:52 • -10.83db
34% Popularity • 35% Danceability • 61% Energy • 10% Liveness
73% Instrumentalness • 9% Positiveness
34% Popularity • 35% Danceability • 61% Energy • 10% Liveness
73% Instrumentalness • 9% Positiveness
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Ursine Vulpine
Mizuhara
120 bpm • A min • 03:38 • -16.2db
22% Popularity • 17% Danceability • 30% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
22% Popularity • 17% Danceability • 30% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Steven Price
Norman
120 bpm • A# Maj • 02:50 • -16.45db
53% Popularity • 29% Danceability • 47% Energy • 14% Liveness
88% Instrumentalness • 8% Positiveness
53% Popularity • 29% Danceability • 47% Energy • 14% Liveness
88% Instrumentalness • 8% Positiveness
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Krale
Among Trees
120 bpm • G min • 03:44 • -16.97db
24% Popularity • 17% Danceability • 21% Energy • 39% Liveness
90% Instrumentalness • 3% Positiveness
24% Popularity • 17% Danceability • 21% Energy • 39% Liveness
90% Instrumentalness • 3% Positiveness
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Niklas Wagner
Tempus
121 bpm • A# min • 02:41 • -20.27db
30% Popularity • 34% Danceability • 59% Energy • 22% Liveness
92% Instrumentalness • 25% Positiveness
30% Popularity • 34% Danceability • 59% Energy • 22% Liveness
92% Instrumentalness • 25% Positiveness
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Phil Lober
Lara
121 bpm • E min • 05:16 • -16.59db
12% Popularity • 19% Danceability • 22% Energy • 10% Liveness
71% Instrumentalness • 3% Positiveness
12% Popularity • 19% Danceability • 22% Energy • 10% Liveness
71% Instrumentalness • 3% Positiveness
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Dominik A. Hecker
Dust
121 bpm • A# Maj • 03:27 • -15.55db
30% Popularity • 20% Danceability • 34% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
30% Popularity • 20% Danceability • 34% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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J.T. Peterson
Vers L'avant
122 bpm • D Maj • 02:38 • -17db
48% Popularity • 17% Danceability • 32% Energy • 17% Liveness
89% Instrumentalness • 3% Positiveness
48% Popularity • 17% Danceability • 32% Energy • 17% Liveness
89% Instrumentalness • 3% Positiveness
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The Gunslingers
In A Heartbeat
122 bpm • D# Maj • 02:09 • -10.99db
18% Popularity • 68% Danceability • 35% Energy • 11% Liveness
79% Instrumentalness • 20% Positiveness
18% Popularity • 68% Danceability • 35% Energy • 11% Liveness
79% Instrumentalness • 20% Positiveness
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Steve Jablonsky
Purity of Heart
118 bpm • G min • 03:34 • -16.11db
39% Popularity • 33% Danceability • 38% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
39% Popularity • 33% Danceability • 38% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Steven Coltart
Zion
118 bpm • G# Maj • 02:42 • -15.47db
14% Popularity • 50% Danceability • 46% Energy • 8% Liveness
89% Instrumentalness • 21% Positiveness
14% Popularity • 50% Danceability • 46% Energy • 8% Liveness
89% Instrumentalness • 21% Positiveness
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Epic North
Star Guide
122 bpm • A min • 02:57 • -10.47db
22% Popularity • 42% Danceability • 49% Energy • 10% Liveness
98% Instrumentalness • 6% Positiveness
22% Popularity • 42% Danceability • 49% Energy • 10% Liveness
98% Instrumentalness • 6% Positiveness
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Fox Sailor
Beyond Reality
118 bpm • G# min • 04:59 • -13.14db
25% Popularity • 30% Danceability • 39% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
25% Popularity • 30% Danceability • 39% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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IMAscore
Castle of Ice
118 bpm • B Maj • 03:05 • -9.09db
24% Popularity • 46% Danceability • 46% Energy • 14% Liveness
91% Instrumentalness • 15% Positiveness
24% Popularity • 46% Danceability • 46% Energy • 14% Liveness
91% Instrumentalness • 15% Positiveness
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Marcus Warner
White Sails
118 bpm • A# min • 03:43 • -7.23db
23% Popularity • 42% Danceability • 85% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
23% Popularity • 42% Danceability • 85% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
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Clinton Shorter
What I Really Wanted
117 bpm • G Maj • 02:38 • -21.75db
46% Popularity • 17% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
46% Popularity • 17% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Edgar Hopp
Zion
123 bpm • B min • 03:36 • -11.18db
31% Popularity • 20% Danceability • 58% Energy • 9% Liveness
51% Instrumentalness • 9% Positiveness
31% Popularity • 20% Danceability • 58% Energy • 9% Liveness
51% Instrumentalness • 9% Positiveness
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Epic North
Aurora
118 bpm • A# Maj • 02:47 • -11.41db
30% Popularity • 30% Danceability • 30% Energy • 8% Liveness
45% Instrumentalness • 8% Positiveness
30% Popularity • 30% Danceability • 30% Energy • 8% Liveness
45% Instrumentalness • 8% Positiveness
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Imagine Music
Faster Than Light
123 bpm • C Maj • 02:38 • -10.78db
19% Popularity • 17% Danceability • 49% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
19% Popularity • 17% Danceability • 49% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Fox Sailor
Supernova
122 bpm • A min • 04:14 • -12.03db
23% Popularity • 37% Danceability • 27% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
23% Popularity • 37% Danceability • 27% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
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Marcus Warner
Fallen Hero
118 bpm • E Maj • 03:53 • -7.58db
17% Popularity • 17% Danceability • 45% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
17% Popularity • 17% Danceability • 45% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Clinton Shorter
The Expanse Theme
123 bpm • C Maj • 01:04 • -13.27db
49% Popularity • 21% Danceability • 40% Energy • 9% Liveness
60% Instrumentalness • 8% Positiveness
49% Popularity • 21% Danceability • 40% Energy • 9% Liveness
60% Instrumentalness • 8% Positiveness
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Keith Merrill
Birthright
117 bpm • F# Maj • 03:00 • -11.05db
24% Popularity • 56% Danceability • 53% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
24% Popularity • 56% Danceability • 53% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
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David Chappell
Live to See Tomorrow
123 bpm • C min • 04:23 • -12.45db
38% Popularity • 46% Danceability • 52% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 46% Danceability • 52% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Efisio Cross
If You Fall I Will Carry You
117 bpm • G min • 04:27 • -13db
37% Popularity • 24% Danceability • 67% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
37% Popularity • 24% Danceability • 67% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
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Samuel Bohn
Unlocking the Mind [Trailer Music]
124 bpm • G min • 01:26 • -14db
45% Popularity • 47% Danceability • 29% Energy • 13% Liveness
93% Instrumentalness • 8% Positiveness
45% Popularity • 47% Danceability • 29% Energy • 13% Liveness
93% Instrumentalness • 8% Positiveness
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Marcus Warner
Forget About Everything
117 bpm • G Maj • 01:31 • -20.37db
28% Popularity • 20% Danceability • 17% Energy • 10% Liveness
97% Instrumentalness • 17% Positiveness
28% Popularity • 20% Danceability • 17% Energy • 10% Liveness
97% Instrumentalness • 17% Positiveness
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Felix Räuber
Between the Lines
124 bpm • A# min • 03:15 • -12db
25% Popularity • 30% Danceability • 33% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
25% Popularity • 30% Danceability • 33% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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John Paesano
Finale
116 bpm • A Maj • 04:17 • -16.3db
43% Popularity • 22% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
43% Popularity • 22% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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James Paget
Look to the Skies
124 bpm • D# min • 06:20 • -8.59db
24% Popularity • 40% Danceability • 64% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
24% Popularity • 40% Danceability • 64% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
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Harry Gregson-Williams
Making Water
116 bpm • A# Maj • 02:38 • -18.85db
48% Popularity • 50% Danceability • 34% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
48% Popularity • 50% Danceability • 34% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Brand X Music
Atonement
116 bpm • F# min • 02:21 • -15db
29% Popularity • 22% Danceability • 29% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
29% Popularity • 22% Danceability • 29% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
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Marcus Warner
Hewn from the Stars
117 bpm • E min • 03:02 • -21.67db
14% Popularity • 18% Danceability • 18% Energy • 9% Liveness
74% Instrumentalness • 8% Positiveness
14% Popularity • 18% Danceability • 18% Energy • 9% Liveness
74% Instrumentalness • 8% Positiveness
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Howard Harper-Barnes
Aspire to Inspire
116 bpm • G min • 03:32 • -18db
41% Popularity • 37% Danceability • 22% Energy • 13% Liveness
90% Instrumentalness • 18% Positiveness
41% Popularity • 37% Danceability • 22% Energy • 13% Liveness
90% Instrumentalness • 18% Positiveness
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Imagine Music
Universe Has No End
116 bpm • B Maj • 03:14 • -9.26db
23% Popularity • 17% Danceability • 41% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 41% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Hi-Finesse
Slowly into the Light
124 bpm • B min • 02:33 • -8.53db
37% Popularity • 43% Danceability • 53% Energy • 6% Liveness
9% Instrumentalness • 10% Positiveness
37% Popularity • 43% Danceability • 53% Energy • 6% Liveness
9% Instrumentalness • 10% Positiveness
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Arn Andersson
Heart and Soul (Eyvindr)
125 bpm • C min • 03:13 • -9.14db
20% Popularity • 28% Danceability • 59% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
20% Popularity • 28% Danceability • 59% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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James Paget
The Hero Within
125 bpm • C# Maj • 04:11 • -8.02db
38% Popularity • 43% Danceability • 63% Energy • 22% Liveness
48% Instrumentalness • 4% Positiveness
38% Popularity • 43% Danceability • 63% Energy • 22% Liveness
48% Instrumentalness • 4% Positiveness
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Marcus Warner
Seven Days Ago
117 bpm • B Maj • 02:30 • -13.1db
21% Popularity • 17% Danceability • 24% Energy • 8% Liveness
86% Instrumentalness • 9% Positiveness
21% Popularity • 17% Danceability • 24% Energy • 8% Liveness
86% Instrumentalness • 9% Positiveness
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Keith Merrill
A New Age
125 bpm • G Maj • 03:48 • -14.5db
33% Popularity • 51% Danceability • 24% Energy • 12% Liveness
96% Instrumentalness • 7% Positiveness
33% Popularity • 51% Danceability • 24% Energy • 12% Liveness
96% Instrumentalness • 7% Positiveness
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Thomas Farnon
Transcendence
125 bpm • G min • 02:16 • -12.87db
34% Popularity • 17% Danceability • 38% Energy • 38% Liveness
84% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 38% Energy • 38% Liveness
84% Instrumentalness • 4% Positiveness
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J.T. Peterson
Black Rose
125 bpm • A# min • 03:05 • -15db
38% Popularity • 42% Danceability • 23% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
38% Popularity • 42% Danceability • 23% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
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Berend Salverda
Line in the Sand
125 bpm • C min • 02:43 • -10.58db
34% Popularity • 38% Danceability • 61% Energy • 11% Liveness
18% Instrumentalness • 7% Positiveness
34% Popularity • 38% Danceability • 61% Energy • 11% Liveness
18% Instrumentalness • 7% Positiveness
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James Paget
We Ride as One
125 bpm • G# Maj • 03:55 • -7.54db
21% Popularity • 19% Danceability • 55% Energy • 17% Liveness
93% Instrumentalness • 7% Positiveness
21% Popularity • 19% Danceability • 55% Energy • 17% Liveness
93% Instrumentalness • 7% Positiveness
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Liquid Cinema
This Moment
125 bpm • G# Maj • 02:18 • -11.26db
20% Popularity • 18% Danceability • 53% Energy • 9% Liveness
80% Instrumentalness • 14% Positiveness
20% Popularity • 18% Danceability • 53% Energy • 9% Liveness
80% Instrumentalness • 14% Positiveness
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Marcus Warner
Ends of the Earth
124 bpm • G min • 04:31 • -8.56db
22% Popularity • 39% Danceability • 60% Energy • 12% Liveness
72% Instrumentalness • 4% Positiveness
22% Popularity • 39% Danceability • 60% Energy • 12% Liveness
72% Instrumentalness • 4% Positiveness
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Patryk Scelina
We Are Here for Each Other
115 bpm • A min • 02:09 • -9db
35% Popularity • 35% Danceability • 38% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
35% Popularity • 35% Danceability • 38% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
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Kamikaze Kitty
Dauntless
115 bpm • E min • 03:22 • -16db
34% Popularity • 41% Danceability • 34% Energy • 7% Liveness
96% Instrumentalness • 12% Positiveness
34% Popularity • 41% Danceability • 34% Energy • 7% Liveness
96% Instrumentalness • 12% Positiveness
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Dominik A. Hecker
Cloudburst
115 bpm • A# min • 03:50 • -10.08db
32% Popularity • 44% Danceability • 55% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
32% Popularity • 44% Danceability • 55% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Christopher Tin
Red Planet Nocturne
115 bpm • C Maj • 04:08 • -16db
33% Popularity • 59% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
33% Popularity • 59% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Christoffer Moe Ditlevsen
Extraction
115 bpm • A# min • 02:57 • -12db
32% Popularity • 33% Danceability • 79% Energy • 12% Liveness
65% Instrumentalness • 10% Positiveness
32% Popularity • 33% Danceability • 79% Energy • 12% Liveness
65% Instrumentalness • 10% Positiveness
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Marcus Warner
All We Are
124 bpm • D# Maj • 04:57 • -5.46db
21% Popularity • 17% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 17% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Anna B May
If I Had Wings
115 bpm • E min • 06:12 • -14.6db
13% Popularity • 31% Danceability • 18% Energy • 32% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 31% Danceability • 18% Energy • 32% Liveness
92% Instrumentalness • 4% Positiveness
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Kamikaze Kitty
Ode to Earth
115 bpm • D Maj • 02:48 • -14db
37% Popularity • 52% Danceability • 50% Energy • 7% Liveness
86% Instrumentalness • 25% Positiveness
37% Popularity • 52% Danceability • 50% Energy • 7% Liveness
86% Instrumentalness • 25% Positiveness
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Keith Merrill
Aeronautics
115 bpm • D Maj • 04:56 • -13.42db
8% Popularity • 33% Danceability • 43% Energy • 11% Liveness
95% Instrumentalness • 19% Positiveness
8% Popularity • 33% Danceability • 43% Energy • 11% Liveness
95% Instrumentalness • 19% Positiveness
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Luke Richards
A Final Sacrifice
115 bpm • A min • 02:41 • -16.73db
39% Popularity • 17% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
39% Popularity • 17% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Clinton Shorter
The Ocean
115 bpm • D min • 02:19 • -22db
44% Popularity • 25% Danceability • 10% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
44% Popularity • 25% Danceability • 10% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
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Jonas B. Ingebretsen
Call to Adventure
115 bpm • F# Maj • 02:38 • -11.82db
39% Popularity • 27% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
39% Popularity • 27% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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City & Vine
Soul Battles
126 bpm • G min • 03:44 • -16db
36% Popularity • 30% Danceability • 22% Energy • 10% Liveness
97% Instrumentalness • 5% Positiveness
36% Popularity • 30% Danceability • 22% Energy • 10% Liveness
97% Instrumentalness • 5% Positiveness
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Christoffer Moe Ditlevsen
Desert Hideout
126 bpm • F# min • 03:29 • -15.56db
33% Popularity • 60% Danceability • 26% Energy • 21% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 60% Danceability • 26% Energy • 21% Liveness
93% Instrumentalness • 4% Positiveness
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Dos Brains
Light Up The Sky
126 bpm • E Maj • 05:14 • -12db
26% Popularity • 40% Danceability • 46% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
26% Popularity • 40% Danceability • 46% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
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Marcus Warner
Sky Sounds
126 bpm • D min • 05:24 • -9.11db
17% Popularity • 53% Danceability • 66% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
17% Popularity • 53% Danceability • 66% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Iliya Zaki
Starlight
114 bpm • E min • 02:43 • -15db
33% Popularity • 46% Danceability • 34% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
33% Popularity • 46% Danceability • 34% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Mark Petrie
Airglow
114 bpm • C# min • 02:39 • -9db
28% Popularity • 31% Danceability • 60% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
28% Popularity • 31% Danceability • 60% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Kamikaze Kitty
Out of the Shadows
127 bpm • F Maj • 03:04 • -16.5db
31% Popularity • 45% Danceability • 31% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
31% Popularity • 45% Danceability • 31% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
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Peter Roe
Shared Tears
128 bpm • A min • 04:28 • -14.12db
19% Popularity • 22% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
19% Popularity • 22% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
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Efisio Cross
Can I Keep You
128 bpm • F# min • 03:57 • -18.04db
28% Popularity • 45% Danceability • 35% Energy • 11% Liveness
98% Instrumentalness • 21% Positiveness
28% Popularity • 45% Danceability • 35% Energy • 11% Liveness
98% Instrumentalness • 21% Positiveness
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Marcus Warner
A Tale of Sea Dragons
126 bpm • E Maj • 03:37 • -4.93db
40% Popularity • 45% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 45% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Hampus Naeselius
Allegiances
113 bpm • G Maj • 02:13 • -14db
34% Popularity • 51% Danceability • 54% Energy • 18% Liveness
88% Instrumentalness • 48% Positiveness
34% Popularity • 51% Danceability • 54% Energy • 18% Liveness
88% Instrumentalness • 48% Positiveness
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Dominik A. Hecker
The Edge of the Universe
128 bpm • C# min • 03:35 • -8.04db
31% Popularity • 33% Danceability • 64% Energy • 9% Liveness
95% Instrumentalness • 5% Positiveness
31% Popularity • 33% Danceability • 64% Energy • 9% Liveness
95% Instrumentalness • 5% Positiveness
