Songs like A Message from John Lithgow by Dirty Rotten Scoundrels Original Broadway Cast
Based on a tempo of (+/- 10%) and a similar genre
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Kate Baldwin
Ribbons Down My Back
71 bpm • D min • 03:08 • -14db
28% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Emma Hunton
Bring My Baby (Brother) Home
70 bpm • C# Maj • 03:02 • -5db
27% Popularity • 62% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 62% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Sherie Rene Scott
I Can Do Better Than That
73 bpm • A Maj • 05:11 • -11db
31% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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The Original Broadway Cast Of 'Curtains'
Wide Open Spaces Finale
72 bpm • C min • 01:05 • -9.67db
15% Popularity • 57% Danceability • 51% Energy • 66% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 57% Danceability • 51% Energy • 66% Liveness
0% Instrumentalness • 51% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Tryouts
73 bpm • G Maj • 01:01 • -5db
37% Popularity • 42% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 42% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
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Jane Krakowski
A Trip to the Library
73 bpm • A Maj • 04:27 • -11.7db
25% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Jerry Herman
Finale
74 bpm • A min • 03:28 • -10.2db
13% Popularity • 30% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 30% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Natalie Cortez
Montage, Part 2: Nothing
75 bpm • G# min • 06:46 • -9db
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Rose
Everything's Coming Up Roses
75 bpm • A# Maj • 02:51 • -4db
34% Popularity • 52% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 52% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Broadway Cast Recording
Why Can't You Behave?
75 bpm • C# Maj • 02:24 • -16.65db
16% Popularity • 34% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 34% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
Perfect Strangers
76 bpm • A Maj • 02:30 • -11.8db
15% Popularity • 27% Danceability • 25% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 27% Danceability • 25% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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Mindi Dickstein
Take a Chance on Me
76 bpm • C# min • 02:58 • -7db
30% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Lee Remick
There Won't Be Trumpets
76 bpm • F Maj • 02:37 • -10.14db
20% Popularity • 44% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 44% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Peter Gallagher
My Time of Day
66 bpm • F Maj • 02:00 • -23db
26% Popularity • 38% Danceability • 4% Energy • 41% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 38% Danceability • 4% Energy • 41% Liveness
0% Instrumentalness • 18% Positiveness
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Daniel Radcliffe
How To Succeed
76 bpm • G Maj • 02:34 • -10db
29% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Broadway Cast Recording
Where Is The Life That Late I Led?
76 bpm • F Maj • 04:34 • -10.27db
15% Popularity • 43% Danceability • 38% Energy • 67% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 43% Danceability • 38% Energy • 67% Liveness
0% Instrumentalness • 40% Positiveness
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Jared Gertner
Sort of Fairy Tale
66 bpm • G Maj • 04:09 • -13.19db
20% Popularity • 60% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 60% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
Love Sneaks In
76 bpm • D min • 02:16 • -17.36db
12% Popularity • 29% Danceability • 8% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
12% Popularity • 29% Danceability • 8% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
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Rebecca Luker
I Have Confidence
66 bpm • D Maj • 02:43 • -16.14db
14% Popularity • 52% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 52% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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Audra McDonald
Your Daddy's Son
77 bpm • G# min • 03:42 • -12.81db
29% Popularity • 32% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 32% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Katie Rose Clarke
I Oughta Go
77 bpm • F Maj • 01:35 • -11.04db
12% Popularity • 75% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 75% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Stephanie J. Block
Get Out And Stay Out
77 bpm • C# Maj • 04:19 • -8.6db
39% Popularity • 49% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 49% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Maury Yeston
Unusual Way
77 bpm • C# min • 05:00 • -12.51db
21% Popularity • 21% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 21% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Beth Leavel
Everything Happens
77 bpm • C# Maj • 03:28 • -15.31db
15% Popularity • 36% Danceability • 18% Energy • 30% Liveness
1% Instrumentalness • 11% Positiveness
15% Popularity • 36% Danceability • 18% Energy • 30% Liveness
1% Instrumentalness • 11% Positiveness
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Rebecca Luker
Finale
77 bpm • G# Maj • 04:07 • -20.59db
19% Popularity • 25% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
19% Popularity • 25% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Women of the Palace
My Strongest Suit
77 bpm • C# Maj • 05:16 • -6.44db
38% Popularity • 47% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 47% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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Hunter Foster
Favorite Places
77 bpm • E Maj • 03:48 • -13.98db
21% Popularity • 42% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 42% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
My Unfortunate Erection (Chip's Lament)
78 bpm • C# Maj • 02:38 • -8db
35% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Mindi Dickstein
How I Am
78 bpm • D Maj • 03:12 • -10db
25% Popularity • 52% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 52% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Jeanine Tesori
Bring Me to Light
78 bpm • A Maj • 03:26 • -9.4db
19% Popularity • 24% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 24% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
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Mel Brooks
The King of Broadway
78 bpm • C# Maj • 05:09 • -11.4db
10% Popularity • 47% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 47% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Broadway Cast Recording
Kiss Me, Kate (Finale)
78 bpm • A# Maj • 00:56 • -7.32db
11% Popularity • 59% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 59% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Matthew Broderick
How to Succeed
79 bpm • D min • 01:51 • -12.52db
11% Popularity • 53% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 53% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
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Ann Harada
The More You Ruv Someone
79 bpm • G# Maj • 02:23 • -7.55db
8% Popularity • 47% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 47% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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Mindi Dickstein
The Fire Within Me
78 bpm • C Maj • 05:16 • -9.52db
27% Popularity • 24% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
27% Popularity • 24% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Bebe Neuwirth
Finale
79 bpm • A# Maj • 01:05 • -10.82db
28% Popularity • 50% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
28% Popularity • 50% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 56% Positiveness
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Megan Mullally
Surprise
79 bpm • G# Maj • 03:58 • -8.59db
20% Popularity • 58% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 58% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Daniel Radcliffe
Rosemary
79 bpm • G Maj • 03:57 • -13.67db
17% Popularity • 29% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 29% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Nick Blaemire
Some Kinda Time - Reprise
79 bpm • G Maj • 02:57 • -8.46db
24% Popularity • 37% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 37% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Sara Bareilles
Maybe They're Magic
79 bpm • B Maj • 00:59 • -8.17db
42% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
42% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Mindi Dickstein
An Operatic Tragedy
79 bpm • G Maj • 01:57 • -8.06db
27% Popularity • 52% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 52% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
Rosa's Confession
64 bpm • A min • 01:58 • -9.35db
15% Popularity • 51% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 51% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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Kate Reinders
I Love the Way
63 bpm • G Maj • 02:49 • -8.47db
38% Popularity • 36% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 36% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Marcia Lewis
Class
80 bpm • A Maj • 03:08 • -14.93db
26% Popularity • 45% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 45% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Heidi Blickenstaff
I Am Playing Me
63 bpm • C Maj • 01:40 • -13db
27% Popularity • 70% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 70% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
The More We Dance
80 bpm • A# min • 04:39 • -14.11db
15% Popularity • 49% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 49% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Terrence Mann
War Is a Science
80 bpm • G Maj • 03:14 • -8.99db
33% Popularity • 50% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 50% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Margo Seibert
I'm Done - Rocky Broadway Cast Recording
80 bpm • A Maj • 01:58 • -7.87db
26% Popularity • 55% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 55% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 1: Hello Twelve, Hello Thi...
80 bpm • E Maj • 05:04 • -11db
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
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Brent Barrett
Love Can't Happen
80 bpm • C# Maj • 02:50 • -11.76db
19% Popularity • 30% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
19% Popularity • 30% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Ragtime Orchestra
Epilogue: Ragtime (Reprise) / Wheels of ...
81 bpm • F# Maj • 03:52 • -10.37db
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Megan McGinnis
My Manhattan
81 bpm • D# Maj • 02:51 • -6.95db
22% Popularity • 38% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 38% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Maria Friedman
Words, Words, Words
81 bpm • G# Maj • 04:48 • -19db
14% Popularity • 59% Danceability • 19% Energy • 88% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 59% Danceability • 19% Energy • 88% Liveness
0% Instrumentalness • 22% Positiveness
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Bryce Pinkham
Poison in My Pocket
81 bpm • C# Maj • 03:38 • -11.05db
26% Popularity • 62% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 62% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Sherie Rene Scott
See I'm Smiling
81 bpm • A Maj • 05:11 • -13db
31% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Brent Carver
All the Wasted Time
62 bpm • A# Maj • 04:41 • -12.01db
24% Popularity • 40% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 40% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Marin Mazzie
Till We Reach That Day
81 bpm • G# Maj • 04:11 • -10.95db
23% Popularity • 23% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 23% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
Ceylon / A British Subject
81 bpm • G# Maj • 03:42 • -11.44db
16% Popularity • 44% Danceability • 39% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 44% Danceability • 39% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
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Mindi Dickstein
Sometimes When You Dream - Reprise
81 bpm • D Maj • 00:57 • -10db
24% Popularity • 36% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 36% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Broadway Cast Recording
So In Love (Reprise)
82 bpm • G Maj • 03:32 • -12.21db
12% Popularity • 20% Danceability • 23% Energy • 20% Liveness
4% Instrumentalness • 6% Positiveness
12% Popularity • 20% Danceability • 23% Energy • 20% Liveness
4% Instrumentalness • 6% Positiveness
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Norbert Leo Butz
Shiksa Goddess
81 bpm • D Maj • 03:58 • -7.62db
30% Popularity • 51% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 51% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Lawrence Clayton
Normandy
82 bpm • D Maj • 03:33 • -13db
21% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
Overture
82 bpm • E Maj • 01:44 • -10.18db
16% Popularity • 57% Danceability • 44% Energy • 6% Liveness
70% Instrumentalness • 77% Positiveness
16% Popularity • 57% Danceability • 44% Energy • 6% Liveness
70% Instrumentalness • 77% Positiveness
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Gary Beach
You Never Say Good Luck on Opening Night
82 bpm • G# Maj • 01:35 • -11.56db
22% Popularity • 68% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 68% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Lisa Howard
Beautiful
82 bpm • F# min • 02:42 • -8.2db
10% Popularity • 41% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 41% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Marin Mazzie
Our Children
82 bpm • B min • 03:29 • -14.45db
20% Popularity • 31% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 31% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Kathy Fitzgerald and Ensemble
Heart To Hart
83 bpm • E Maj • 04:17 • -9.02db
28% Popularity • 43% Danceability • 26% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 43% Danceability • 26% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
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Zero Mostel
Funeral Sequence
83 bpm • D# Maj • 02:04 • -11.81db
1% Popularity • 34% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
1% Popularity • 34% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Dirty Rotten Scoundrels Original Broadway Cast
The Miracle
82 bpm • C Maj • 02:33 • -14db
13% Popularity • 54% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 54% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Gary Beach
Keep It Gay
82 bpm • C# Maj • 05:07 • -13.2db
33% Popularity • 53% Danceability • 44% Energy • 60% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 53% Danceability • 44% Energy • 60% Liveness
0% Instrumentalness • 74% Positiveness
► Preview
Lewis Cleale
Yesterday I Loved You
83 bpm • A# Maj • 02:33 • -14.31db
19% Popularity • 24% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 24% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Mark Jacoby
New Music
82 bpm • F Maj • 04:03 • -11.74db
24% Popularity • 23% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 23% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Nicholas Barasch
Try Me
83 bpm • D Maj • 03:41 • -10.41db
23% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
Lisa O'Hare
Poor Monty
83 bpm • F min • 03:17 • -11db
22% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Dirty Rotten Scoundrels Original Broadway Cast
The Reckoning
82 bpm • A# Maj • 01:42 • -13.52db
14% Popularity • 68% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 68% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
► Preview
Sara Ramirez
Twice In Every Show - Original Broadway ...
83 bpm • A# Maj • 01:17 • -7.46db
34% Popularity • 51% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 51% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Nathan Lane
'Til Him
82 bpm • F Maj • 03:42 • -15.21db
20% Popularity • 31% Danceability • 20% Energy • 76% Liveness
0% Instrumentalness • 27% Positiveness
20% Popularity • 31% Danceability • 20% Energy • 76% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Brent Carver
Leo's Statement: It's hard to speak my h...
83 bpm • A Maj • 02:44 • -15.81db
22% Popularity • 30% Danceability • 12% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
22% Popularity • 30% Danceability • 12% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
► Preview
The Mystery of Edwin Drood - The 2013 New Broadway Cast
The Wages of Sin
83 bpm • G Maj • 03:12 • -11.75db
12% Popularity • 53% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 53% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
25th Annual Putnam County Spelling Bee Original Cast
Finale
83 bpm • C Maj • 01:01 • -6.27db
28% Popularity • 64% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 64% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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William Finn
Sailing
83 bpm • C# Maj • 03:06 • -12.02db
19% Popularity • 19% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 19% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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The Original Broadway Cast Of 'Curtains'
The Woman's Dead
84 bpm • C min • 03:36 • -14.97db
21% Popularity • 47% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 47% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Danny Burstein
I Am Aldolpho
84 bpm • E min • 02:34 • -9.04db
30% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Alice Ripley
Maybe (Next to Normal)
84 bpm • G# Maj • 04:00 • -17.43db
29% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Charles Strouse
Bye Bye Birdie - Original Broadway Cast:...
84 bpm • F# Maj • 02:51 • -14db
22% Popularity • 51% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 51% Danceability • 24% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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Walter Charles
Public Enemy Number One
85 bpm • F Maj • 01:37 • -13.41db
25% Popularity • 48% Danceability • 21% Energy • 45% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 48% Danceability • 21% Energy • 45% Liveness
0% Instrumentalness • 80% Positiveness
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Original Broadway Cast Of 'Passion'
Happiness
85 bpm • B Maj • 05:10 • -18.57db
18% Popularity • 31% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 31% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
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Maury Yeston
Lady's Maid
85 bpm • G Maj • 04:31 • -16.99db
25% Popularity • 40% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 40% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Heidi Blickenstaff
Not Myself Today
85 bpm • C Maj • 03:42 • -5.95db
26% Popularity • 56% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 56% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Alice Ripley
Touch-A-Touch-A-Touch Me
85 bpm • G Maj • 02:29 • -9db
23% Popularity • 62% Danceability • 45% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 62% Danceability • 45% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
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Lindsay Mendez
Mister Snow
85 bpm • G Maj • 05:02 • -10.69db
28% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Aaron Tveit
Stuck Together (Strange but True)
86 bpm • A min • 04:06 • -8.38db
28% Popularity • 64% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 64% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
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Sheryl Lee Ralph
Only in New York
86 bpm • C# Maj • 03:40 • -12.92db
21% Popularity • 35% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 35% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Maury Yeston
Barrett's Song
86 bpm • A min • 03:23 • -16.02db
27% Popularity • 31% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 31% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Sherie Rene Scott
A Miracle Would Happen / When You Come H...
86 bpm • D Maj • 05:20 • -10.39db
25% Popularity • 40% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 40% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Alice Ripley
So Anyway
86 bpm • A Maj • 03:08 • -17.07db
30% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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The Original Broadway Cast Of 'Curtains'
Thinking Of Him
86 bpm • C# Maj • 01:49 • -20db
25% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Jerry Herman
Song on the Sand
86 bpm • F# Maj • 04:41 • -15db
21% Popularity • 35% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 35% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness