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A Morning With the Roses
Songs like
A Morning With the Roses
by
Richard Dworsky
Based on a tempo of (+/- 10%) and a similar genre
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Richard Dworsky
A Morning With the Roses
138 bpm • D Maj • 04:34 • -24.03db
14% Popularity • 38% Danceability • 13% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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Christopher Boscole
What Is, What Was, What Will Be Forever
138 bpm • C# min • 05:00 • -24.38db
16% Popularity • 33% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Thad Fiscella
When Leaves Fall
138 bpm • C# min • 06:56 • -22.1db
23% Popularity • 47% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 28% Positiveness
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John Boswell
Leaf Dream
138 bpm • D Maj • 07:22 • -20.52db
9% Popularity • 36% Danceability • 15% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Arioso (Sinfonia From Cantata #156)
137 bpm • F Maj • 03:11 • -14.89db
13% Popularity • 16% Danceability • 25% Energy • 14% Liveness
92% Instrumentalness • 23% Positiveness
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Sean Harkness
Green Mountain Trail
137 bpm • D Maj • 03:45 • -16db
16% Popularity • 68% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 37% Positiveness
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Bradley Joseph
Secrets of the Sun
140 bpm • A# Maj • 05:30 • -20db
19% Popularity • 47% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
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Helen Jane Long
Broken (Air Studios 2013)
140 bpm • A Maj • 04:45 • -22.5db
30% Popularity • 43% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
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Gary Girouard
Leave the Light On (I'll Be Home)
137 bpm • F Maj • 03:43 • -22db
31% Popularity • 30% Danceability • 5% Energy • 17% Liveness
92% Instrumentalness • 20% Positiveness
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Denise Young
Love Will Light Your Way
136 bpm • C Maj • 02:32 • -17.68db
43% Popularity • 59% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
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Richard Dworsky
The T.K. Reel
136 bpm • F Maj • 03:00 • -10.45db
0% Popularity • 65% Danceability • 47% Energy • 20% Liveness
90% Instrumentalness • 80% Positiveness
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Lisa Lynne
Welcome
140 bpm • D min • 04:38 • -13db
13% Popularity • 59% Danceability • 33% Energy • 14% Liveness
63% Instrumentalness • 47% Positiveness
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Rebecca Oswald
October Wind
136 bpm • C# Maj • 02:56 • -16.11db
30% Popularity • 32% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
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Helen Jane Long
Bells
140 bpm • G Maj • 02:53 • -18.79db
35% Popularity • 40% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 17% Positiveness
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Thad Fiscella
Long Awaited Love
140 bpm • F# Maj • 04:00 • -23.88db
27% Popularity • 42% Danceability • 6% Energy • 14% Liveness
96% Instrumentalness • 27% Positiveness
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Roberto Cacciapaglia
Viaggio di notte
136 bpm • C min • 04:22 • -18.61db
21% Popularity • 35% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Richard Dworsky
Ridin' the River Home
140 bpm • G Maj • 03:37 • -10.23db
0% Popularity • 55% Danceability • 56% Energy • 12% Liveness
93% Instrumentalness • 84% Positiveness
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Gary Girouard
Bright Angels
136 bpm • A Maj • 04:06 • -20.79db
43% Popularity • 36% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 15% Positiveness
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Ola Gjeilo
Snow In New York
141 bpm • C Maj • 03:29 • -21.77db
11% Popularity • 35% Danceability • 14% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
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Robin Spielberg
I Remember Spring
135 bpm • C Maj • 02:41 • -14.86db
26% Popularity • 48% Danceability • 17% Energy • 18% Liveness
88% Instrumentalness • 18% Positiveness
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Laura Sullivan
America's Stonehenge
135 bpm • D min • 04:48 • -15.6db
24% Popularity • 28% Danceability • 23% Energy • 16% Liveness
76% Instrumentalness • 9% Positiveness
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Will Ackerman
Driving
135 bpm • G# Maj • 04:15 • -14.91db
14% Popularity • 24% Danceability • 27% Energy • 9% Liveness
91% Instrumentalness • 13% Positiveness
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Richard Dworsky
Golden Valley Morning
135 bpm • D Maj • 02:45 • -20.96db
0% Popularity • 40% Danceability • 21% Energy • 12% Liveness
84% Instrumentalness • 18% Positiveness
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John Fluker
Star Eyes (Part Two)
141 bpm • F min • 05:26 • -14db
13% Popularity • 31% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Gary Girouard
Love's Light
135 bpm • A Maj • 04:03 • -18.82db
42% Popularity • 38% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
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Jennifer Haines
Trooper
135 bpm • C min • 03:20 • -15.2db
8% Popularity • 29% Danceability • 30% Energy • 14% Liveness
88% Instrumentalness • 18% Positiveness
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Laura Sullivan
Hawaiian Islands
135 bpm • A min • 05:23 • -16.79db
11% Popularity • 44% Danceability • 31% Energy • 6% Liveness
83% Instrumentalness • 6% Positiveness
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Spencer Brewer
Which Is Yes
141 bpm • E Maj • 04:12 • -18db
18% Popularity • 25% Danceability • 33% Energy • 9% Liveness
91% Instrumentalness • 21% Positiveness
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Dave Grusin
On Golden Pond
134 bpm • G Maj • 03:46 • -18.84db
32% Popularity • 54% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 38% Positiveness
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Takashi Yoshimatsu
Canticle Of Quiet Rain
142 bpm • D Maj • 02:23 • -35.87db
12% Popularity • 44% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 6% Positiveness
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Gary Girouard
Siena
134 bpm • D Maj • 03:07 • -26.37db
22% Popularity • 38% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 21% Positiveness
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Michael Gettel
Prelude: First Snow
142 bpm • G min • 02:51 • -21db
34% Popularity • 37% Danceability • 8% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Laura Sullivan
Pachelbel for the Potomac
142 bpm • D Maj • 05:09 • -16.87db
21% Popularity • 30% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 26% Positiveness
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Joe Yamada
Straight to the Heart
142 bpm • C Maj • 02:34 • -16db
43% Popularity • 44% Danceability • 29% Energy • 11% Liveness
92% Instrumentalness • 27% Positiveness
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Ola Gjeilo
Roxbury Park
134 bpm • G Maj • 03:54 • -21.85db
9% Popularity • 29% Danceability • 12% Energy • 8% Liveness
93% Instrumentalness • 5% Positiveness
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Steven Cravis
Candlelight Tranquility
134 bpm • A Maj • 02:37 • -15.35db
38% Popularity • 34% Danceability • 37% Energy • 13% Liveness
87% Instrumentalness • 36% Positiveness
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Alex de Grassi
Turning: Turning Back - Live at Berklee ...
134 bpm • F# min • 08:37 • -20.28db
18% Popularity • 36% Danceability • 21% Energy • 70% Liveness
90% Instrumentalness • 13% Positiveness
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Nando Lauria
Sonho
142 bpm • D Maj • 05:52 • -21.17db
13% Popularity • 24% Danceability • 21% Energy • 15% Liveness
87% Instrumentalness • 35% Positiveness
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Robin Spielberg
This Busy Life
134 bpm • A min • 03:54 • -14.39db
10% Popularity • 44% Danceability • 26% Energy • 8% Liveness
81% Instrumentalness • 5% Positiveness
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Will Ackerman
Driving
134 bpm • G# Maj • 05:33 • -12db
25% Popularity • 25% Danceability • 32% Energy • 8% Liveness
87% Instrumentalness • 10% Positiveness
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Helen Jane Long
Wishes
143 bpm • G Maj • 02:24 • -20.12db
32% Popularity • 51% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
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Lucia Micarelli
To Love You More
133 bpm • A Maj • 04:32 • -6.93db
24% Popularity • 44% Danceability • 39% Energy • 30% Liveness
61% Instrumentalness • 35% Positiveness
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Peter Kater & Dominic Miller
In a Dream
133 bpm • C min • 04:34 • -16.86db
7% Popularity • 51% Danceability • 19% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Karen Marie Garrett
Cafe Espresso (for Ken)
144 bpm • C Maj • 04:12 • -18.69db
13% Popularity • 67% Danceability • 24% Energy • 16% Liveness
94% Instrumentalness • 30% Positiveness
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Gabriel Lee
Spring Lullaby
133 bpm • G# Maj • 02:39 • -31.01db
34% Popularity • 27% Danceability • 7% Energy • 12% Liveness
95% Instrumentalness • 21% Positiveness
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Steven Cravis
Why?
143 bpm • A# Maj • 04:10 • -18db
34% Popularity • 28% Danceability • 23% Energy • 12% Liveness
93% Instrumentalness • 13% Positiveness
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Richard Dworsky
In the Innocent Days
132 bpm • D# Maj • 02:41 • -22.36db
0% Popularity • 43% Danceability • 22% Energy • 11% Liveness
82% Instrumentalness • 18% Positiveness
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Thad Fiscella
Adorn
144 bpm • E Maj • 03:47 • -20db
19% Popularity • 35% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 42% Positiveness
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Donovan Phillips Leitch
Wear Your Love Like Heaven
144 bpm • G min • 05:02 • -20.75db
5% Popularity • 30% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
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Helen Jane Long
Willow
145 bpm • F Maj • 03:25 • -20.24db
47% Popularity • 19% Danceability • 7% Energy • 12% Liveness
84% Instrumentalness • 10% Positiveness
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Ira Stein
Briarcombe
131 bpm • E min • 06:23 • -17.12db
9% Popularity • 41% Danceability • 15% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Steven Cravis
Through the Kaleidoscope
132 bpm • C# Maj • 03:31 • -15.11db
37% Popularity • 32% Danceability • 34% Energy • 14% Liveness
86% Instrumentalness • 40% Positiveness
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Garrison Keillor
Julia (arr. P. Gerike and R. Dworsky)
131 bpm • E Maj • 03:15 • -18.15db
0% Popularity • 28% Danceability • 14% Energy • 10% Liveness
37% Instrumentalness • 4% Positiveness
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Thad Fiscella
Ivory Hymn
131 bpm • E Maj • 06:25 • -21.4db
21% Popularity • 44% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 17% Positiveness
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Friedemann
In The Court Of The Mermaid
131 bpm • C# min • 04:27 • -20.45db
29% Popularity • 50% Danceability • 14% Energy • 8% Liveness
97% Instrumentalness • 20% Positiveness
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Laura Sullivan
The Serpent Mound
131 bpm • D# Maj • 06:13 • -17.98db
10% Popularity • 34% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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John Fluker
Star Eyes (Part One)
146 bpm • F min • 04:17 • -14.04db
14% Popularity • 26% Danceability • 36% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
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Richard Dworsky
My Oasis
131 bpm • G min • 03:34 • -21.31db
0% Popularity • 43% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 12% Positiveness
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Michael Allen Harrison
Rapture
130 bpm • D min • 04:56 • -20db
24% Popularity • 27% Danceability • 6% Energy • 15% Liveness
85% Instrumentalness • 3% Positiveness
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Michael Gettel
Gentle Earth And Sky
130 bpm • C Maj • 05:27 • -25.12db
10% Popularity • 29% Danceability • 19% Energy • 9% Liveness
85% Instrumentalness • 18% Positiveness
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Michael Logozar
The Fisherman's Tale
130 bpm • C Maj • 04:30 • -16.15db
11% Popularity • 25% Danceability • 31% Energy • 13% Liveness
87% Instrumentalness • 13% Positiveness
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Will Ackerman
The Bricklayer's Beautiful Daughter
146 bpm • G# Maj • 04:18 • -22db
39% Popularity • 34% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 30% Positiveness
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Christopher Boscole
Angel of Bliss
146 bpm • D Maj • 03:15 • -15.99db
30% Popularity • 19% Danceability • 31% Energy • 10% Liveness
79% Instrumentalness • 13% Positiveness
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Helen Jane Long
Expression (Air Studios 2013)
130 bpm • C Maj • 03:28 • -18.99db
48% Popularity • 24% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
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Philip Wesley
Two Souls
130 bpm • C Maj • 06:04 • -27.18db
23% Popularity • 39% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Steven Cravis
Reunion
147 bpm • A min • 02:51 • -14.89db
40% Popularity • 35% Danceability • 38% Energy • 13% Liveness
88% Instrumentalness • 34% Positiveness
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David Hicken
Francesca
130 bpm • G min • 04:27 • -27.42db
16% Popularity • 33% Danceability • 8% Energy • 13% Liveness
93% Instrumentalness • 16% Positiveness
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Sean Harkness
Coming Home
130 bpm • G Maj • 05:12 • -20.03db
18% Popularity • 70% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 22% Positiveness
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Will Ackerman
Processional
130 bpm • E Maj • 05:00 • -21db
28% Popularity • 28% Danceability • 8% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
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Helen Jane Long
Unseen (Bonus Track)
130 bpm • F Maj • 04:33 • -27.43db
27% Popularity • 50% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 10% Positiveness
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Robin Spielberg
First Dance
130 bpm • G min • 04:35 • -20db
36% Popularity • 44% Danceability • 3% Energy • 12% Liveness
69% Instrumentalness • 29% Positiveness
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Philip Wesley
At This Moment
129 bpm • E Maj • 03:28 • -21.41db
15% Popularity • 36% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
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Richard Dworsky
Dr. Wang
129 bpm • G# Maj • 03:17 • -8db
0% Popularity • 77% Danceability • 63% Energy • 6% Liveness
58% Instrumentalness • 94% Positiveness
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Gary Girouard
Above the Clouds
147 bpm • D# Maj • 02:56 • -18db
43% Popularity • 31% Danceability • 15% Energy • 25% Liveness
85% Instrumentalness • 20% Positiveness
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Yanni
Enchantment
129 bpm • D# Maj • 03:50 • -21.49db
33% Popularity • 25% Danceability • 11% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
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Helen Jane Long
Out of It All
130 bpm • F Maj • 04:38 • -21.09db
31% Popularity • 62% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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Emile Pandolfi
Time To Say Goodbye (Con Te Partiro)
129 bpm • G Maj • 04:23 • -16.03db
26% Popularity • 45% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 21% Positiveness
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Philip Wesley
Lamentations of the Heart
147 bpm • E min • 05:06 • -17.98db
14% Popularity • 20% Danceability • 25% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
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Donovan Phillips Leitch
LaLena
129 bpm • A min • 03:47 • -21.94db
4% Popularity • 39% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
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Gary Girouard
Streaks of Light
129 bpm • C# Maj • 03:11 • -20.25db
41% Popularity • 40% Danceability • 8% Energy • 9% Liveness
87% Instrumentalness • 17% Positiveness
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Fred Simon
Sister Bay
129 bpm • C Maj • 02:32 • -21.09db
12% Popularity • 60% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 10% Positiveness
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Helen Jane Long
Everything
147 bpm • A min • 03:18 • -16.14db
43% Popularity • 33% Danceability • 37% Energy • 13% Liveness
94% Instrumentalness • 11% Positiveness
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Spencer Brewer
Portraits
129 bpm • C# Maj • 04:33 • -13db
25% Popularity • 47% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
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Ennio Morricone
Giuseppe Tornatore Suite: Nostalgia from...
129 bpm • A# Maj • 01:58 • -13.4db
40% Popularity • 23% Danceability • 23% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
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Joni Mitchell
The Circle Game
129 bpm • G Maj • 04:26 • -18.57db
30% Popularity • 54% Danceability • 21% Energy • 7% Liveness
86% Instrumentalness • 34% Positiveness
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David Hicken
Seraphina
128 bpm • F Maj • 04:50 • -24.94db
17% Popularity • 39% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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James Todd
Breeze In G
128 bpm • G Maj • 04:31 • -17.55db
15% Popularity • 20% Danceability • 13% Energy • 12% Liveness
88% Instrumentalness • 18% Positiveness
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Angèle Dubeau
Svanire
148 bpm • F Maj • 06:42 • -26.08db
19% Popularity • 12% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Robin Spielberg
Cherry Blossom
128 bpm • D# Maj • 04:08 • -19db
36% Popularity • 43% Danceability • 10% Energy • 18% Liveness
86% Instrumentalness • 12% Positiveness
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Tim Neumark
The Dream of You
128 bpm • D# Maj • 03:22 • -18.64db
23% Popularity • 50% Danceability • 17% Energy • 13% Liveness
92% Instrumentalness • 15% Positiveness
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Richard Dworsky
Charlie's Waltz
128 bpm • A# Maj • 02:36 • -20.66db
0% Popularity • 39% Danceability • 12% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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Michael Gettel
Coldest Night Of The Year
150 bpm • G Maj • 06:06 • -14.95db
8% Popularity • 35% Danceability • 29% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Kathryn Toyama
Acceptance
128 bpm • C Maj • 03:20 • -16db
36% Popularity • 39% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Snuffy
Room With A View
150 bpm • E min • 05:02 • -12.94db
12% Popularity • 49% Danceability • 30% Energy • 8% Liveness
82% Instrumentalness • 12% Positiveness
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Traditional
The Little Light of Mine
126 bpm • F Maj • 03:56 • -10.12db
5% Popularity • 37% Danceability • 65% Energy • 95% Liveness
0% Instrumentalness • 42% Positiveness
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Tim Neumark
City of Courage
128 bpm • A min • 07:49 • -20.88db
14% Popularity • 32% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Richard Dworsky
A Greener Blue
151 bpm • F Maj • 04:16 • -21.83db
0% Popularity • 37% Danceability • 17% Energy • 10% Liveness
85% Instrumentalness • 24% Positiveness
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Michael Allen Harrison
Unborn Child
126 bpm • C Maj • 03:50 • -27.79db
26% Popularity • 31% Danceability • 4% Energy • 12% Liveness
88% Instrumentalness • 15% Positiveness
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Rachel Currea
I Found You, You Found Me
151 bpm • D Maj • 02:45 • -22.73db
34% Popularity • 21% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Trapezoid
Moon Run
125 bpm • G min • 03:42 • -17db
21% Popularity • 30% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 36% Positiveness
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A Morning With the Roses