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A New Beginning
Songs like
A New Beginning
by
Jochen Flach
Based on a tempo of (+/- 10%) and a similar genre
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Jeremy Soule
Tooth and Claw
100 bpm • G# Maj • 01:48 • -21.2db
48% Popularity • 42% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
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Jason Graves
The Rebellion
100 bpm • C# Maj • 03:56 • -17.42db
16% Popularity • 66% Danceability • 66% Energy • 10% Liveness
81% Instrumentalness • 33% Positiveness
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Jochen Flach
A New Beginning
100 bpm • D Maj • 01:55 • -17.04db
11% Popularity • 50% Danceability • 44% Energy • 19% Liveness
93% Instrumentalness • 32% Positiveness
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Brad Derrick
A Land of War and Poetry
100 bpm • A min • 04:01 • -12db
41% Popularity • 39% Danceability • 53% Energy • 11% Liveness
83% Instrumentalness • 9% Positiveness
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Lena Raine
Auric Wilds
100 bpm • G min • 03:07 • -25.88db
33% Popularity • 49% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 25% Positiveness
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Adam Skorupa
Howl Of The White Wolf
100 bpm • F min • 01:54 • -11.16db
32% Popularity • 50% Danceability • 91% Energy • 33% Liveness
81% Instrumentalness • 55% Positiveness
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Steve Jablonsky
Command School
101 bpm • A# min • 02:42 • -18.89db
21% Popularity • 25% Danceability • 47% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Jochen Reinhold Flach
Good Times Coming
99 bpm • C min • 03:10 • -11.51db
0% Popularity • 25% Danceability • 62% Energy • 6% Liveness
63% Instrumentalness • 6% Positiveness
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Jochen Flach
Vanirite Chant
100 bpm • E min • 02:02 • -12.11db
2% Popularity • 71% Danceability • 54% Energy • 12% Liveness
80% Instrumentalness • 82% Positiveness
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Tilman Sillescu
The Diva Performs Tonight
100 bpm • F min • 03:09 • -15db
10% Popularity • 50% Danceability • 51% Energy • 12% Liveness
92% Instrumentalness • 32% Positiveness
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Sam Hulick
The Fleets Arrive
101 bpm • C Maj • 01:43 • -10db
32% Popularity • 42% Danceability • 44% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
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EA Games Soundtrack
The Betrayal
101 bpm • G min • 03:01 • -13.53db
22% Popularity • 17% Danceability • 36% Energy • 12% Liveness
85% Instrumentalness • 9% Positiveness
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Meyer
Abyss
99 bpm • F Maj • 04:23 • -16db
24% Popularity • 14% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Brad Derrick
The Three Banners: Fanfare
99 bpm • A min • 01:39 • -14.88db
45% Popularity • 13% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 6% Positiveness
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Adam Skorupa
A Wolf's Demise
98 bpm • F# min • 02:11 • -16.95db
24% Popularity • 22% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Tilman Sillescu
A First Bridgehead
100 bpm • C Maj • 01:55 • -17.9db
14% Popularity • 56% Danceability • 38% Energy • 14% Liveness
76% Instrumentalness • 31% Positiveness
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Matthias Wolf
Will They Ever Find Us? (The Passage DLC...
98 bpm • G Maj • 01:31 • -20db
10% Popularity • 23% Danceability • 13% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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EA Games Soundtrack
Human Nobility
102 bpm • A Maj • 01:21 • -14.45db
31% Popularity • 24% Danceability • 18% Energy • 19% Liveness
98% Instrumentalness • 4% Positiveness
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Frederik Wiedmann
Into Your Heart and Mind
102 bpm • F min • 01:49 • -17.66db
10% Popularity • 17% Danceability • 36% Energy • 18% Liveness
79% Instrumentalness • 4% Positiveness
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Avalon Infinity
Rise
102 bpm • D Maj • 02:48 • -13db
0% Popularity • 44% Danceability • 40% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
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David Arkenstone
Wrath of Azshara
102 bpm • E min • 01:56 • -10.01db
16% Popularity • 50% Danceability • 62% Energy • 14% Liveness
78% Instrumentalness • 16% Positiveness
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Alexander Roeder
Inside the Womb
99 bpm • C min • 02:12 • -24.9db
9% Popularity • 28% Danceability • 2% Energy • 11% Liveness
74% Instrumentalness • 3% Positiveness
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Armin Haas
Blood Money (Land of Lions DLC)
97 bpm • E min • 01:38 • -12.52db
9% Popularity • 41% Danceability • 39% Energy • 8% Liveness
72% Instrumentalness • 22% Positiveness
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Chance Thomas
Learning to Ride
97 bpm • G# Maj • 03:03 • -18.02db
32% Popularity • 54% Danceability • 44% Energy • 9% Liveness
95% Instrumentalness • 48% Positiveness
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EA Games Soundtrack
The Deep Roads
102 bpm • F min • 01:20 • -12.9db
24% Popularity • 58% Danceability • 48% Energy • 8% Liveness
86% Instrumentalness • 35% Positiveness
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James Dooley
Conquering Heights
97 bpm • D Maj • 02:30 • -13.37db
11% Popularity • 18% Danceability • 24% Energy • 6% Liveness
96% Instrumentalness • 5% Positiveness
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Jochen Flach
Lightning Strikes
97 bpm • G# Maj • 01:34 • -6.02db
0% Popularity • 34% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Benson Taylor
Common Ground
103 bpm • G min • 02:12 • -12.4db
0% Popularity • 26% Danceability • 26% Energy • 16% Liveness
90% Instrumentalness • 7% Positiveness
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Henry Jackman
The Twelve Towers
103 bpm • C# Maj • 03:59 • -11.02db
29% Popularity • 25% Danceability • 65% Energy • 36% Liveness
92% Instrumentalness • 7% Positiveness
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Borislav Slavov
Dancing with the Source - Cello Version
104 bpm • D Maj • 02:23 • -14db
34% Popularity • 68% Danceability • 50% Energy • 20% Liveness
85% Instrumentalness • 30% Positiveness
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Arnaud Roy
Leave the Depth (Morgawr Theme)
96 bpm • D Maj • 04:40 • -21.5db
11% Popularity • 59% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Jason Graves
Legends Old and New
96 bpm • C Maj • 05:54 • -15db
19% Popularity • 26% Danceability • 36% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
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Jochen Flach
Heel, Narcissus (Sunken Treasures DLC)
104 bpm • C min • 01:56 • -16.74db
18% Popularity • 78% Danceability • 15% Energy • 10% Liveness
66% Instrumentalness • 63% Positiveness
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Daniel Licht
Delilah (Ambient)
105 bpm • E Maj • 02:28 • -22db
27% Popularity • 19% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Christopher Lennertz
A Future For The Krogan
96 bpm • B min • 03:29 • -15.86db
34% Popularity • 18% Danceability • 39% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Borislav Slavov
Reflections from the Past
104 bpm • D Maj • 02:43 • -18.5db
35% Popularity • 70% Danceability • 23% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
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Bill Brown
Gathering Armies
105 bpm • F Maj • 02:09 • -15db
35% Popularity • 70% Danceability • 58% Energy • 11% Liveness
81% Instrumentalness • 27% Positiveness
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Critical Role
The Luxon
95 bpm • D Maj • 03:39 • -12.72db
23% Popularity • 15% Danceability • 22% Energy • 12% Liveness
83% Instrumentalness • 8% Positiveness
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Jochen Flach
Falling Down
96 bpm • C Maj • 02:26 • -11.24db
0% Popularity • 36% Danceability • 62% Energy • 13% Liveness
87% Instrumentalness • 11% Positiveness
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Daniel Licht
Battle 3-4 Medley
95 bpm • A# min • 02:06 • -15.46db
36% Popularity • 67% Danceability • 52% Energy • 17% Liveness
82% Instrumentalness • 24% Positiveness
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Stan LePard
Jormag's World
95 bpm • B Maj • 03:14 • -12.05db
7% Popularity • 28% Danceability • 83% Energy • 25% Liveness
97% Instrumentalness • 15% Positiveness
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Borislav Slavov
Dancing with the Source - Oud Version
104 bpm • D Maj • 02:24 • -13.42db
34% Popularity • 70% Danceability • 50% Energy • 12% Liveness
82% Instrumentalness • 54% Positiveness
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Alexander Roeder
Where Are My Sleeping Pills?
95 bpm • G Maj • 02:16 • -21.9db
6% Popularity • 44% Danceability • 41% Energy • 16% Liveness
81% Instrumentalness • 15% Positiveness
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Bryan Atkinson
Edge of Annihilation
95 bpm • A# min • 02:17 • -13.25db
10% Popularity • 52% Danceability • 44% Energy • 10% Liveness
3% Instrumentalness • 42% Positiveness
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Jochen Flach
Here He Comes
95 bpm • G min • 01:18 • -7.99db
0% Popularity • 39% Danceability • 57% Energy • 14% Liveness
11% Instrumentalness • 38% Positiveness
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Derek Duke
Reaper of Souls
105 bpm • A# min • 04:11 • -18db
25% Popularity • 20% Danceability • 21% Energy • 18% Liveness
91% Instrumentalness • 4% Positiveness
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Benson Taylor
Electronic Warrior
95 bpm • G Maj • 02:01 • -8.38db
0% Popularity • 47% Danceability • 90% Energy • 12% Liveness
72% Instrumentalness • 41% Positiveness
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Bill Brown
The Necropolis
95 bpm • C Maj • 03:17 • -14.16db
15% Popularity • 15% Danceability • 46% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
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Brad Derrick
Ascadian Idyll
95 bpm • G min • 04:57 • -17.12db
40% Popularity • 12% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Chance Thomas
Ages of the Golden Wood
94 bpm • C# Maj • 03:39 • -16.46db
29% Popularity • 12% Danceability • 25% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Jochen Flach
Beyond the Line
95 bpm • E Maj • 02:38 • -15.7db
0% Popularity • 50% Danceability • 45% Energy • 41% Liveness
80% Instrumentalness • 18% Positiveness
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Markus Schmidt
Industrial Landscapes
93 bpm • C min • 03:03 • -10.25db
11% Popularity • 33% Danceability • 49% Energy • 21% Liveness
93% Instrumentalness • 32% Positiveness
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Arnaud Roy
The BattleField III
93 bpm • F min • 02:36 • -17.86db
18% Popularity • 75% Danceability • 29% Energy • 10% Liveness
90% Instrumentalness • 70% Positiveness
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David GarcÃa DÃaz
The Memory of a Name
93 bpm • A min • 02:48 • -21.52db
21% Popularity • 16% Danceability • 15% Energy • 6% Liveness
89% Instrumentalness • 4% Positiveness
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Brad Derrick
Weapons Drawn
94 bpm • F Maj • 01:47 • -13db
42% Popularity • 42% Danceability • 61% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
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Gaute Storaas
Sleðrenna
92 bpm • G Maj • 01:22 • -14.63db
10% Popularity • 46% Danceability • 60% Energy • 9% Liveness
84% Instrumentalness • 28% Positiveness
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Benson Taylor
Edge of the World
108 bpm • E Maj • 01:58 • -11.41db
0% Popularity • 72% Danceability • 75% Energy • 16% Liveness
90% Instrumentalness • 26% Positiveness
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Markus Schmidt
The Old World Order
93 bpm • F min • 02:20 • -14.7db
8% Popularity • 43% Danceability • 57% Energy • 26% Liveness
97% Instrumentalness • 34% Positiveness
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Grant Kirkhope
Dalentarth
92 bpm • E min • 04:09 • -21db
29% Popularity • 18% Danceability • 10% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Jason Graves
Sir Galahad
92 bpm • E min • 03:47 • -18.05db
17% Popularity • 12% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Brad Derrick
Comrades in Arms
108 bpm • G Maj • 01:21 • -15.87db
27% Popularity • 22% Danceability • 39% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
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Jeremy Soule
The Wisdom of Yu'Lon
109 bpm • D Maj • 05:38 • -16.77db
26% Popularity • 18% Danceability • 25% Energy • 34% Liveness
78% Instrumentalness • 4% Positiveness
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Benson Taylor
Victory over Evil
92 bpm • F min • 02:21 • -10.6db
0% Popularity • 51% Danceability • 50% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
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Jason Hayes
The Fall of Shakuras
92 bpm • F min • 02:23 • -16.25db
20% Popularity • 17% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Markus Schmidt
Perfect Order
93 bpm • G min • 01:07 • -15.57db
9% Popularity • 46% Danceability • 51% Energy • 11% Liveness
98% Instrumentalness • 25% Positiveness
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Marcin Przybyłowicz
Drive Them Back
109 bpm • D Maj • 02:57 • -19.63db
27% Popularity • 50% Danceability • 46% Energy • 51% Liveness
98% Instrumentalness • 39% Positiveness
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Henry Jackman
Avery's Descent
91 bpm • D# min • 02:27 • -18.47db
21% Popularity • 15% Danceability • 19% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
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Jason Graves
Whitman's Test
91 bpm • D min • 05:10 • -17db
12% Popularity • 11% Danceability • 20% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Critical Role
The Crownsguard
110 bpm • C# Maj • 03:44 • -13.6db
30% Popularity • 28% Danceability • 68% Energy • 11% Liveness
83% Instrumentalness • 6% Positiveness
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Jason Hayes
Legacy
91 bpm • C Maj • 02:26 • -10db
37% Popularity • 12% Danceability • 40% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Jochen Reinhold Flach
Golden Era
110 bpm • A min • 02:28 • -11.35db
0% Popularity • 34% Danceability • 64% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Rebel Blood
Ghosts Of Tomorrow
110 bpm • D Maj • 03:17 • -9.3db
22% Popularity • 51% Danceability • 90% Energy • 11% Liveness
75% Instrumentalness • 14% Positiveness
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Grant Kirkhope
Terra Incognita
110 bpm • C Maj • 04:49 • -14db
8% Popularity • 42% Danceability • 22% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Daniel Pemberton
Together We Fight
110 bpm • D min • 04:48 • -15.14db
22% Popularity • 35% Danceability • 49% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
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Borislav Slavov
Fane's Theme
110 bpm • E min • 02:22 • -20db
31% Popularity • 62% Danceability • 28% Energy • 9% Liveness
84% Instrumentalness • 10% Positiveness
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Solas Composer
Leyndell
110 bpm • F# min • 05:05 • -14.94db
15% Popularity • 20% Danceability • 23% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Chance Thomas
Drums in the Deep
110 bpm • A# min • 02:19 • -9db
29% Popularity • 22% Danceability • 58% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Jason Hayes
Khala's End
110 bpm • F# min • 03:06 • -15.1db
23% Popularity • 30% Danceability • 24% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Richard Tsutomu Williams
16 Seconds Pre-Death
110 bpm • F Maj • 01:59 • -15.39db
22% Popularity • 39% Danceability • 57% Energy • 8% Liveness
81% Instrumentalness • 15% Positiveness
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Jochen Flach
There is Blood On Her Hands
110 bpm • D# Maj • 01:03 • -19.73db
5% Popularity • 50% Danceability • 31% Energy • 18% Liveness
70% Instrumentalness • 39% Positiveness
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Will Savino
Honor in the Storm
110 bpm • D# min • 03:10 • -12.61db
24% Popularity • 35% Danceability • 66% Energy • 34% Liveness
93% Instrumentalness • 21% Positiveness
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Arnaud Roy
War of the Sundered (Gravity Well Remix)
90 bpm • D min • 03:26 • -15.26db
9% Popularity • 14% Danceability • 35% Energy • 22% Liveness
89% Instrumentalness • 7% Positiveness
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Benson Taylor
Fairytale Strings
111 bpm • D Maj • 02:00 • -11.98db
0% Popularity • 20% Danceability • 24% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
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Aakaash Rao
Pandora's Heart
90 bpm • C# Maj • 02:16 • -13.55db
26% Popularity • 50% Danceability • 72% Energy • 14% Liveness
64% Instrumentalness • 28% Positiveness
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Joey Newman
Sign of Wind
111 bpm • A min • 01:47 • -17.41db
32% Popularity • 27% Danceability • 32% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
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Alexander Roeder
Forces of Nature
90 bpm • A# Maj • 02:08 • -16.69db
11% Popularity • 27% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Michael Curran
Xenomancer
90 bpm • D Maj • 03:11 • -12.08db
11% Popularity • 40% Danceability • 64% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
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Borislav Slavov
A Part of Their Story
90 bpm • G min • 04:11 • -14db
33% Popularity • 34% Danceability • 22% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
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James Hannigan
The Village
111 bpm • G min • 02:20 • -22.64db
30% Popularity • 21% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 32% Positiveness
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Joris de Man
The Point of the Spear - Part 1 - Mother...
112 bpm • F Maj • 01:44 • -21.24db
32% Popularity • 17% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Arnaud Roy
Geology
89 bpm • A min • 04:47 • -18db
23% Popularity • 17% Danceability • 17% Energy • 32% Liveness
85% Instrumentalness • 4% Positiveness
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Tilman Sillescu
A Future Named Hope
90 bpm • D min • 02:43 • -13.82db
10% Popularity • 55% Danceability • 32% Energy • 14% Liveness
10% Instrumentalness • 32% Positiveness
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Jochen Flach
Empires Collide
112 bpm • A# Maj • 02:17 • -14.11db
0% Popularity • 48% Danceability • 45% Energy • 11% Liveness
83% Instrumentalness • 36% Positiveness
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Brad Derrick
A Desert Born in Twilight
89 bpm • C Maj • 05:33 • -14db
19% Popularity • 10% Danceability • 26% Energy • 10% Liveness
48% Instrumentalness • 4% Positiveness
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Olivier Deriviere
Building Our Future
89 bpm • D# Maj • 03:03 • -19.11db
8% Popularity • 10% Danceability • 14% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
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Daniel Licht
The GrandPalace
89 bpm • D# Maj • 02:35 • -31.56db
33% Popularity • 17% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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Henry Jackman
The Grave of Henry Avery
112 bpm • A# min • 03:13 • -24.05db
26% Popularity • 17% Danceability • 7% Energy • 10% Liveness
44% Instrumentalness • 3% Positiveness
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Alexander Roeder
Rest Your Head
90 bpm • C Maj • 02:11 • -19.06db
9% Popularity • 50% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Jochen Reinhold Flach
Starlight
89 bpm • G min • 02:43 • -12.39db
0% Popularity • 43% Danceability • 69% Energy • 11% Liveness
94% Instrumentalness • 17% Positiveness
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Bill Brown
Expedition March
113 bpm • F Maj • 02:04 • -13.88db
39% Popularity • 40% Danceability • 23% Energy • 13% Liveness
94% Instrumentalness • 16% Positiveness
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A New Beginning