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A New England
Songs like
A New England
by
Kirsty MacColl
Based on a tempo of (+/- 10%) and a similar genre
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Kirsty MacColl
A New England
165 bpm • G Maj • 03:52 • -10.92db
44% Popularity • 45% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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Ian Dury
What a Waste
165 bpm • C Maj • 03:29 • -14.85db
35% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Deacon Blue
Wages Day
165 bpm • C Maj • 03:09 • -8.73db
19% Popularity • 48% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Martha and the Muffins
Echo Beach
164 bpm • G Maj • 03:39 • -9.41db
58% Popularity • 54% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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The Pogues
A Pair of Brown Eyes
166 bpm • G Maj • 05:01 • -8.62db
49% Popularity • 35% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 12% Positiveness
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Voice Of The Beehive
There's a Barbarian in the Back of My Ca...
167 bpm • E min • 02:38 • -7.02db
13% Popularity • 56% Danceability • 95% Energy • 61% Liveness
0% Instrumentalness • 72% Positiveness
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Kirsty MacColl
A New England (12" Mix)
164 bpm • G Maj • 07:57 • -10.83db
10% Popularity • 44% Danceability • 69% Energy • 23% Liveness
1% Instrumentalness • 79% Positiveness
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Elvis Costello & The Attractions
(I Don't Want To Go To) Chelsea - 2021 R...
167 bpm • B min • 03:10 • -6db
47% Popularity • 52% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Tenpole Tudor
Swords Of A Thousand Men
164 bpm • B Maj • 02:56 • -8db
41% Popularity • 29% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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The Proclaimers
Throw the 'R' Away
168 bpm • G# Maj • 02:45 • -12.51db
33% Popularity • 42% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Lindisfarne
Fog On The Tyne - 2004 Remaster
162 bpm • C Maj • 03:26 • -13.77db
23% Popularity • 52% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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The Pogues
The Sunnyside of the Street
169 bpm • C# min • 02:44 • -10.64db
47% Popularity • 46% Danceability • 75% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
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Kirsty MacColl
He's On The Beach
168 bpm • B Maj • 05:26 • -10.64db
20% Popularity • 34% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
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Dexys Midnight Runners
Breaking Down the Walls of Heartache - 2...
161 bpm • C# min • 03:25 • -8db
26% Popularity • 51% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Del Amitri
Heard Through the Wall
162 bpm • D Maj • 03:01 • -10.78db
32% Popularity • 53% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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The Divine Comedy
Becoming More Like Alfie
161 bpm • E min • 02:59 • -5.46db
32% Popularity • 56% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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The Jam
Down In The Tube Station At Midnight - S...
170 bpm • C Maj • 03:59 • -7.78db
22% Popularity • 32% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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The Waterboys
Glastonbury Song
169 bpm • F# min • 03:43 • -9.19db
42% Popularity • 44% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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The The
The Beat(en) Generation
170 bpm • C Maj • 03:02 • -17db
36% Popularity • 58% Danceability • 46% Energy • 10% Liveness
2% Instrumentalness • 77% Positiveness
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Julian Cope
Trampolene
170 bpm • A Maj • 03:38 • -7db
30% Popularity • 44% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 56% Positiveness
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Voice Of The Beehive
Man in the Moon
160 bpm • D Maj • 03:13 • -11.12db
14% Popularity • 52% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Echobelly
Great Things
160 bpm • A Maj • 03:30 • -8.15db
36% Popularity • 32% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Kirsty MacColl
Celestine
160 bpm • B Maj • 03:34 • -7.24db
17% Popularity • 64% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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The Teardrop Explodes
Reward
160 bpm • C Maj • 02:42 • -4db
47% Popularity • 39% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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Paul Heaton
7" Singles
160 bpm • A# Maj • 03:39 • -5.42db
28% Popularity • 46% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
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The Undertones
My Perfect Cousin
159 bpm • A Maj • 02:36 • -10.26db
43% Popularity • 51% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Voice Of The Beehive
I Walk the Earth
160 bpm • D Maj • 03:42 • -5db
22% Popularity • 44% Danceability • 92% Energy • 65% Liveness
0% Instrumentalness • 75% Positiveness
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Matchbox
I Want Out
158 bpm • A Maj • 02:44 • -5.58db
15% Popularity • 42% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
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Hazel O'Connor
(Cover Plus) We're All Grown Up
158 bpm • C Maj • 04:02 • -8.27db
13% Popularity • 39% Danceability • 91% Energy • 28% Liveness
85% Instrumentalness • 86% Positiveness
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The Farmer's Boys
In the Country
158 bpm • D Maj • 03:20 • -10db
12% Popularity • 52% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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The Men They Couldn't Hang
Parted from You
159 bpm • G Maj • 04:16 • -13.49db
14% Popularity • 34% Danceability • 34% Energy • 10% Liveness
7% Instrumentalness • 29% Positiveness
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The Divine Comedy
Mother Dear
172 bpm • G Maj • 03:47 • -6db
26% Popularity • 40% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
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Red Box
Lean on Me (Ah-li-ayo)
173 bpm • F Maj • 04:25 • -5.86db
37% Popularity • 56% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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The Waterboys
When Ye Go Away - 2006 Remaster
173 bpm • G Maj • 03:44 • -8db
40% Popularity • 45% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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The Jam
Down In The Tube Station At Midnight - 1...
173 bpm • C Maj • 04:43 • -11db
39% Popularity • 28% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Kirsty MacColl
There's A Guy Works Down The Chip Shop S...
173 bpm • A Maj • 03:09 • -8.86db
38% Popularity • 37% Danceability • 95% Energy • 29% Liveness
1% Instrumentalness • 39% Positiveness
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Frankie Goes To Hollywood
Born To Run
157 bpm • A Maj • 03:59 • -15db
41% Popularity • 27% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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The Boomtown Rats
Mary Of The 4th Form
157 bpm • A Maj • 03:33 • -2db
22% Popularity • 36% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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Voice Of The Beehive
Oh Love
174 bpm • D Maj • 02:56 • -9.78db
8% Popularity • 48% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Lindisfarne
All Fall Down - 2004 Remaster
157 bpm • G Maj • 03:47 • -11.33db
13% Popularity • 48% Danceability • 50% Energy • 49% Liveness
0% Instrumentalness • 50% Positiveness
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The Jam
The Eton Rifles
157 bpm • A min • 03:57 • -9.19db
49% Popularity • 41% Danceability • 82% Energy • 10% Liveness
12% Instrumentalness • 87% Positiveness
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Altered Images
Happy Birthday
156 bpm • A Maj • 02:59 • -10.4db
42% Popularity • 57% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Ian Dury
Sweet Gene Vincent
156 bpm • C Maj • 03:35 • -9.37db
37% Popularity • 45% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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The Look
I Am the Beat
175 bpm • G# Maj • 03:00 • -10db
27% Popularity • 43% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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The Tourists
Blind Among the Flowers
175 bpm • A Maj • 03:31 • -12.35db
15% Popularity • 37% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Squeeze
Goodbye Girl
156 bpm • D Maj • 02:58 • -14db
42% Popularity • 64% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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The Jam
Beat Surrender
157 bpm • D Maj • 03:27 • -11.07db
43% Popularity • 40% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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The Divine Comedy
Generation Sex
154 bpm • A min • 03:31 • -6.54db
28% Popularity • 49% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Elvis Costello
Veronica
154 bpm • C Maj • 03:09 • -7db
48% Popularity • 63% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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The Men They Couldn't Hang
Island in the Rain
177 bpm • D Maj • 04:28 • -11.37db
15% Popularity • 41% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Kirsty MacColl
Wrong Again
153 bpm • G# Maj • 04:15 • -8.78db
11% Popularity • 50% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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Toyah
Thunder In The Mountains
153 bpm • D min • 03:35 • -7.78db
26% Popularity • 44% Danceability • 82% Energy • 82% Liveness
0% Instrumentalness • 70% Positiveness
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The Jam
David Watts - 1997 Remaster
152 bpm • A Maj • 02:54 • -10.63db
41% Popularity • 52% Danceability • 65% Energy • 9% Liveness
2% Instrumentalness • 79% Positiveness
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Paul Heaton
A Good Day Is Hard To Find
152 bpm • A# Maj • 04:12 • -4.82db
22% Popularity • 52% Danceability • 95% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Haircut 100
Fantastic Day
152 bpm • G Maj • 03:13 • -14.38db
40% Popularity • 45% Danceability • 61% Energy • 4% Liveness
4% Instrumentalness • 85% Positiveness
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The Men They Couldn't Hang
A Night To Remember
152 bpm • G Maj • 03:14 • -13.14db
14% Popularity • 47% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Kirsty MacColl
Innocence
179 bpm • C Maj • 04:09 • -4.38db
19% Popularity • 42% Danceability • 93% Energy • 90% Liveness
0% Instrumentalness • 72% Positiveness
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Lloyd Cole and the Commotions
Rattlesnakes
152 bpm • A Maj • 03:27 • -9.95db
46% Popularity • 46% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Fun Boy Three
It Ain't What You Do It's the Way That Y...
180 bpm • F min • 02:52 • -11.37db
46% Popularity • 68% Danceability • 56% Energy • 64% Liveness
5% Instrumentalness • 89% Positiveness
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The Style Council
Walls Come Tumbling Down
151 bpm • E min • 03:24 • -6.16db
52% Popularity • 43% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Paul Heaton
A Little Time - 2018 Version
180 bpm • E Maj • 03:44 • -6.91db
27% Popularity • 38% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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Toyah
I Want To Be Free
151 bpm • D Maj • 03:10 • -4.29db
32% Popularity • 48% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Kirsty MacColl
Innocence (Single Remix)
180 bpm • C Maj • 04:02 • -3.84db
9% Popularity • 36% Danceability • 98% Energy • 52% Liveness
0% Instrumentalness • 85% Positiveness
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The Jam
Going Underground
181 bpm • B Maj • 02:54 • -6.71db
59% Popularity • 32% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Dexys Midnight Runners
Seven Days Too Long - 2000 Remaster
150 bpm • F min • 02:43 • -7db
32% Popularity • 56% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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The Undertones
Wednesday Week
150 bpm • F Maj • 02:17 • -10.68db
33% Popularity • 34% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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The Waterboys
And a Bang on the Ear
181 bpm • G Maj • 07:25 • -11.93db
42% Popularity • 43% Danceability • 67% Energy • 7% Liveness
2% Instrumentalness • 86% Positiveness
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Adam & The Ants
Prince Charming
150 bpm • A Maj • 03:18 • -9.53db
46% Popularity • 54% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Kirsty MacColl
Turn My Motor
151 bpm • A Maj • 02:27 • -10.99db
8% Popularity • 56% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Squeeze
Another Nail In My Heart
150 bpm • E Maj • 02:56 • -14db
48% Popularity • 56% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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T. Rex
Ride A White Swan
149 bpm • G# Maj • 02:14 • -6.6db
49% Popularity • 33% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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The Wonder Stuff
The Size Of A Cow
149 bpm • D Maj • 03:12 • -6.95db
43% Popularity • 51% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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The Blades
Ghost of a Chance
149 bpm • A Maj • 03:26 • -9.09db
27% Popularity • 51% Danceability • 71% Energy • 5% Liveness
3% Instrumentalness • 97% Positiveness
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Deacon Blue
Raintown
149 bpm • E min • 03:50 • -10.5db
14% Popularity • 54% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Kirsty MacColl
Mambo De La Luna
149 bpm • D Maj • 04:38 • -6.61db
20% Popularity • 66% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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The Proclaimers
Oh Jean
183 bpm • A Maj • 05:55 • -12db
32% Popularity • 25% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Dexys Midnight Runners
There There My Dear
149 bpm • D Maj • 03:17 • -9.37db
16% Popularity • 65% Danceability • 80% Energy • 2% Liveness
0% Instrumentalness • 78% Positiveness
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Toyah
It's A Mystery
148 bpm • F min • 04:08 • -4.71db
36% Popularity • 48% Danceability • 91% Energy • 30% Liveness
1% Instrumentalness • 40% Positiveness
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Fun Boy Three
Well Fancy That
184 bpm • C# Maj • 03:05 • -14db
25% Popularity • 56% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Eddi Reader
Glasgow Star
184 bpm • C Maj • 04:52 • -9.16db
21% Popularity • 32% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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The Bluebells
Cath
148 bpm • G Maj • 03:49 • -8db
21% Popularity • 48% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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The Proclaimers
Cap in Hand
148 bpm • D Maj • 03:24 • -11db
38% Popularity • 57% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
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Kirsty MacColl
Perfect Day
147 bpm • A Maj • 03:51 • -9.96db
27% Popularity • 45% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
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Dexys Midnight Runners
There There My Dear - 2000 Remaster
148 bpm • D Maj • 03:32 • -9db
31% Popularity • 62% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Darts
The Boy from New York City
147 bpm • C Maj • 03:03 • -7.81db
33% Popularity • 63% Danceability • 58% Energy • 56% Liveness
48% Instrumentalness • 81% Positiveness
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Lloyd Cole and the Commotions
Rich - Remastered
147 bpm • F# Maj • 04:24 • -11db
30% Popularity • 57% Danceability • 72% Energy • 17% Liveness
33% Instrumentalness • 84% Positiveness
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The Pogues
Sally MacLennane
147 bpm • D Maj • 02:45 • -9db
57% Popularity • 50% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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The Proclaimers
There's a Touch
147 bpm • F# Maj • 03:14 • -3.25db
34% Popularity • 49% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Julian Cope
The Greatness And Perfection Of Love
147 bpm • G Maj • 03:15 • -11.03db
27% Popularity • 51% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 58% Positiveness
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Dexys Midnight Runners
Listen To This
147 bpm • D Maj • 03:18 • -16db
30% Popularity • 45% Danceability • 48% Energy • 18% Liveness
9% Instrumentalness • 74% Positiveness
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The 4 Of Us
Mary
146 bpm • A Maj • 03:33 • -14.96db
40% Popularity • 50% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Suzanne Vega
Solitude Standing
146 bpm • B min • 04:49 • -12.99db
39% Popularity • 57% Danceability • 63% Energy • 7% Liveness
24% Instrumentalness • 94% Positiveness
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The Men They Couldn't Hang
The Green Fields Of France (No Man's Lan...
146 bpm • G Maj • 06:29 • -17.63db
24% Popularity • 50% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Blondie
Sunday Girl - Remastered 2001
146 bpm • A Maj • 03:05 • -7db
49% Popularity • 62% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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Kirsty MacColl
Patrick
146 bpm • D Maj • 03:09 • -13.17db
11% Popularity • 53% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
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Chas & Dave
Ain't No Pleasing You
146 bpm • A# Maj • 04:12 • -9.13db
40% Popularity • 47% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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The Boomtown Rats
Like Clockwork
145 bpm • A min • 03:43 • -4.53db
30% Popularity • 61% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Squeeze
Cool For Cats - Live at The Fillmore
145 bpm • C Maj • 03:10 • -8.26db
35% Popularity • 69% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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Elvis Costello & The Attractions
High Fidelity
144 bpm • G Maj • 02:27 • -8.32db
37% Popularity • 57% Danceability • 80% Energy • 32% Liveness
2% Instrumentalness • 89% Positiveness
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Alison Moyet
All Cried Out
145 bpm • D min • 03:41 • -7db
50% Popularity • 64% Danceability • 84% Energy • 17% Liveness
3% Instrumentalness • 85% Positiveness
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A New England