Songs like A New Heart by Terry Lee Hale
Based on a tempo of (+/- 10%) and a similar genre
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Ollie's Sasquatch
Life-blood
107 bpm • A Maj • 01:45 • -11.4db
14% Popularity • 40% Danceability • 37% Energy • 11% Liveness
44% Instrumentalness • 31% Positiveness
14% Popularity • 40% Danceability • 37% Energy • 11% Liveness
44% Instrumentalness • 31% Positiveness
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Lowell Morrison
Stand Your Ground
107 bpm • D Maj • 02:30 • -14.37db
23% Popularity • 46% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 58% Positiveness
23% Popularity • 46% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 58% Positiveness
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Stephen Murphy
The Devils Right Hand
106 bpm • G Maj • 02:13 • -15.91db
8% Popularity • 62% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 62% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Find ones tongue
When I'm gone
106 bpm • G Maj • 02:49 • -8.05db
15% Popularity • 59% Danceability • 50% Energy • 20% Liveness
47% Instrumentalness • 77% Positiveness
15% Popularity • 59% Danceability • 50% Energy • 20% Liveness
47% Instrumentalness • 77% Positiveness
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Phileas
Goddam Blues
108 bpm • A Maj • 03:33 • -10.5db
11% Popularity • 61% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 61% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Terry Lee Hale
Regret
106 bpm • E min • 03:09 • -8.83db
1% Popularity • 85% Danceability • 61% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
1% Popularity • 85% Danceability • 61% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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Gary Clute
Time to Let Some Dust Settle
106 bpm • D# Maj • 04:16 • -17db
8% Popularity • 59% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 59% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Sam and Louise Sullivan
Toiletries
106 bpm • E Maj • 04:50 • -10.12db
13% Popularity • 50% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 50% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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Suitcase Rags Trio
The Curse of Stagger Lee
108 bpm • E Maj • 04:44 • -10.08db
9% Popularity • 68% Danceability • 37% Energy • 9% Liveness
7% Instrumentalness • 46% Positiveness
9% Popularity • 68% Danceability • 37% Energy • 9% Liveness
7% Instrumentalness • 46% Positiveness
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Dan Browning
Ballad Of Uncle Cray
108 bpm • D Maj • 02:52 • -8.7db
10% Popularity • 48% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 48% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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C O Neill & Co.
Please Take Me There
106 bpm • G Maj • 03:36 • -9.02db
7% Popularity • 34% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
7% Popularity • 34% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Gerry Arias
Jane S. Paddy
106 bpm • G Maj • 03:48 • -17.29db
7% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
7% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Terry Lee Hale
Gypsy's Minor Swing
109 bpm • G min • 03:00 • -9.95db
0% Popularity • 60% Danceability • 49% Energy • 5% Liveness
86% Instrumentalness • 82% Positiveness
0% Popularity • 60% Danceability • 49% Energy • 5% Liveness
86% Instrumentalness • 82% Positiveness
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RG Brown
Raised
105 bpm • A min • 05:15 • -14.24db
8% Popularity • 34% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 34% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Downtown Reno
Tallac Dawn
109 bpm • E min • 02:03 • -15.53db
25% Popularity • 47% Danceability • 16% Energy • 15% Liveness
82% Instrumentalness • 31% Positiveness
25% Popularity • 47% Danceability • 16% Energy • 15% Liveness
82% Instrumentalness • 31% Positiveness
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Charles-Antoine Favier
One Time
105 bpm • G Maj • 02:51 • -11.34db
17% Popularity • 67% Danceability • 49% Energy • 10% Liveness
2% Instrumentalness • 20% Positiveness
17% Popularity • 67% Danceability • 49% Energy • 10% Liveness
2% Instrumentalness • 20% Positiveness
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Chris Eckman
Early Snow
105 bpm • B min • 06:03 • -14.45db
12% Popularity • 55% Danceability • 28% Energy • 10% Liveness
71% Instrumentalness • 11% Positiveness
12% Popularity • 55% Danceability • 28% Energy • 10% Liveness
71% Instrumentalness • 11% Positiveness
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PRESTIDGE
I Hear Voices
105 bpm • G Maj • 02:14 • -18.03db
25% Popularity • 80% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 80% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Last "Ravage" Opinion
Ghost World
109 bpm • E min • 02:49 • -4.75db
17% Popularity • 65% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 65% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Lone
Come a New Day
105 bpm • E Maj • 03:52 • -9.05db
16% Popularity • 68% Danceability • 63% Energy • 11% Liveness
34% Instrumentalness • 44% Positiveness
16% Popularity • 68% Danceability • 63% Energy • 11% Liveness
34% Instrumentalness • 44% Positiveness
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Steve the Trailplayer
Fenceline
109 bpm • D Maj • 02:13 • -15db
29% Popularity • 51% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 51% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Terry Lee Hale
I Still Want You
109 bpm • G min • 04:27 • -13.28db
1% Popularity • 76% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
1% Popularity • 76% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Steve Moore Oldster
Repaid
109 bpm • C Maj • 01:47 • -12.62db
25% Popularity • 57% Danceability • 27% Energy • 9% Liveness
16% Instrumentalness • 11% Positiveness
25% Popularity • 57% Danceability • 27% Energy • 9% Liveness
16% Instrumentalness • 11% Positiveness
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Jonny J Solo
The Empathetic Pirate - Acoustic
105 bpm • C Maj • 03:44 • -7.3db
21% Popularity • 76% Danceability • 46% Energy • 9% Liveness
2% Instrumentalness • 55% Positiveness
21% Popularity • 76% Danceability • 46% Energy • 9% Liveness
2% Instrumentalness • 55% Positiveness
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Le Lac Long 814
Une mélodie de la valse
105 bpm • D min • 06:43 • -12.54db
7% Popularity • 39% Danceability • 27% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
7% Popularity • 39% Danceability • 27% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
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Deceli Bronikowski
Tuesday
104 bpm • F Maj • 02:28 • -16.28db
28% Popularity • 69% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 69% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Adam Wright
Born To Dream
104 bpm • A# Maj • 03:49 • -17.45db
10% Popularity • 60% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 60% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Olé Ask
A Brand New Day
104 bpm • D Maj • 04:30 • -11.39db
16% Popularity • 58% Danceability • 29% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 58% Danceability • 29% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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Walker Rider
theres my baby
110 bpm • D Maj • 03:08 • -9.15db
13% Popularity • 45% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 45% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Stuart A. Staples
This Old Town
104 bpm • C Maj • 04:00 • -15.46db
14% Popularity • 38% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 38% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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The Dim Bulbs
Rosita
104 bpm • G# Maj • 02:25 • -11.59db
8% Popularity • 73% Danceability • 78% Energy • 15% Liveness
6% Instrumentalness • 80% Positiveness
8% Popularity • 73% Danceability • 78% Energy • 15% Liveness
6% Instrumentalness • 80% Positiveness
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Richard Lindgren
A Walk In The Dark
110 bpm • A# Maj • 04:36 • -13.01db
8% Popularity • 57% Danceability • 37% Energy • 19% Liveness
5% Instrumentalness • 28% Positiveness
8% Popularity • 57% Danceability • 37% Energy • 19% Liveness
5% Instrumentalness • 28% Positiveness
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Bjørn Berge
Begging
110 bpm • G# Maj • 03:56 • -12.44db
12% Popularity • 74% Danceability • 36% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
12% Popularity • 74% Danceability • 36% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
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Giant Sand
Heaventually
110 bpm • G Maj • 03:27 • -13.13db
10% Popularity • 73% Danceability • 29% Energy • 14% Liveness
6% Instrumentalness • 32% Positiveness
10% Popularity • 73% Danceability • 29% Energy • 14% Liveness
6% Instrumentalness • 32% Positiveness
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Gene Kalmes
Killing Is Wrong
110 bpm • D min • 08:53 • -13.04db
9% Popularity • 49% Danceability • 31% Energy • 22% Liveness
5% Instrumentalness • 62% Positiveness
9% Popularity • 49% Danceability • 31% Energy • 22% Liveness
5% Instrumentalness • 62% Positiveness
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Steve Hunter
Waiting on a Friend
104 bpm • A# Maj • 04:44 • -7.66db
16% Popularity • 75% Danceability • 52% Energy • 12% Liveness
5% Instrumentalness • 40% Positiveness
16% Popularity • 75% Danceability • 52% Energy • 12% Liveness
5% Instrumentalness • 40% Positiveness
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Two Pack Habit
Ode to a Friend (Bernie's Song)
111 bpm • D Maj • 04:12 • -14.92db
15% Popularity • 81% Danceability • 35% Energy • 25% Liveness
7% Instrumentalness • 76% Positiveness
15% Popularity • 81% Danceability • 35% Energy • 25% Liveness
7% Instrumentalness • 76% Positiveness
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The Night Parrots
Down From Paradise
110 bpm • A Maj • 04:10 • -9.27db
29% Popularity • 78% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 78% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Terry Lee Hale
Blue Room
103 bpm • A Maj • 04:39 • -18.68db
0% Popularity • 65% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 65% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Latrice Ziemann
Made It
111 bpm • F Maj • 03:49 • -9.71db
13% Popularity • 49% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 49% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Chris Smither
Down to the Sound (Alternate Version)
103 bpm • B min • 02:59 • -8.82db
10% Popularity • 67% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 67% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Finley Quaye
Hansa
111 bpm • A# Maj • 03:15 • -12.88db
17% Popularity • 75% Danceability • 34% Energy • 12% Liveness
60% Instrumentalness • 23% Positiveness
17% Popularity • 75% Danceability • 34% Energy • 12% Liveness
60% Instrumentalness • 23% Positiveness
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Steve The Trailplayer
got it made
111 bpm • B min • 02:37 • -10.57db
17% Popularity • 66% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 66% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Boo Lee
Slow
111 bpm • F min • 03:04 • -13.8db
15% Popularity • 49% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 49% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Terry Lee Hale
If You Want
103 bpm • A min • 04:45 • -6.55db
0% Popularity • 69% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
0% Popularity • 69% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Otis Taylor
Write A Book About It
103 bpm • C Maj • 03:29 • -17.4db
13% Popularity • 90% Danceability • 25% Energy • 9% Liveness
7% Instrumentalness • 86% Positiveness
13% Popularity • 90% Danceability • 25% Energy • 9% Liveness
7% Instrumentalness • 86% Positiveness
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Elliott Murphy
Angel Dream #2
112 bpm • E Maj • 03:28 • -10.21db
18% Popularity • 62% Danceability • 54% Energy • 35% Liveness
42% Instrumentalness • 58% Positiveness
18% Popularity • 62% Danceability • 54% Energy • 35% Liveness
42% Instrumentalness • 58% Positiveness
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Chris Eckman
Nothing Left to Hate
112 bpm • G# min • 04:50 • -11.41db
16% Popularity • 61% Danceability • 40% Energy • 34% Liveness
36% Instrumentalness • 35% Positiveness
16% Popularity • 61% Danceability • 40% Energy • 34% Liveness
36% Instrumentalness • 35% Positiveness
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Mac/Corlevich
Machines
102 bpm • D Maj • 01:29 • -12.66db
18% Popularity • 70% Danceability • 31% Energy • 12% Liveness
9% Instrumentalness • 46% Positiveness
18% Popularity • 70% Danceability • 31% Energy • 12% Liveness
9% Instrumentalness • 46% Positiveness
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Drew Ryan
A Message From 6ft Under - Acoustic Vers...
102 bpm • F Maj • 03:03 • -24.52db
17% Popularity • 76% Danceability • 9% Energy • 10% Liveness
58% Instrumentalness • 46% Positiveness
17% Popularity • 76% Danceability • 9% Energy • 10% Liveness
58% Instrumentalness • 46% Positiveness
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Terry Lee Hale
Fish
112 bpm • C Maj • 05:43 • -13.29db
0% Popularity • 64% Danceability • 17% Energy • 11% Liveness
14% Instrumentalness • 27% Positiveness
0% Popularity • 64% Danceability • 17% Energy • 11% Liveness
14% Instrumentalness • 27% Positiveness
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Steve The Trailplayer
born to fret
102 bpm • G Maj • 02:15 • -10.8db
22% Popularity • 48% Danceability • 43% Energy • 17% Liveness
3% Instrumentalness • 82% Positiveness
22% Popularity • 48% Danceability • 43% Energy • 17% Liveness
3% Instrumentalness • 82% Positiveness
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A Toys Orchestra
OCD Lullaby
102 bpm • C Maj • 05:15 • -7.43db
12% Popularity • 59% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 59% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
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Heavy Elevators
Jump That Train
113 bpm • G Maj • 03:22 • -19.22db
15% Popularity • 70% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 70% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Gregory Hilburn
Hold Your Breath
113 bpm • A min • 02:49 • -11.89db
12% Popularity • 57% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 57% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 37% Positiveness
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Charlie Diamond
Lady Tattoo
102 bpm • D Maj • 06:00 • -6.43db
13% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 58% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Terry Lee Hale
Forget About Love
112 bpm • D min • 03:58 • -11.09db
1% Popularity • 77% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
1% Popularity • 77% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Cecil Ted
The Window In Your Heart
113 bpm • F Maj • 03:35 • -10.26db
29% Popularity • 66% Danceability • 58% Energy • 9% Liveness
84% Instrumentalness • 59% Positiveness
29% Popularity • 66% Danceability • 58% Energy • 9% Liveness
84% Instrumentalness • 59% Positiveness
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Deborah Jeanne Weitzman
Quiet Remembering
102 bpm • C Maj • 05:00 • -6db
14% Popularity • 55% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 55% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Kristie Lytle
Straw Moon
113 bpm • G# Maj • 02:04 • -12.2db
8% Popularity • 64% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 64% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Merlin Priestley
Shadow Of Valley
101 bpm • F min • 01:31 • -17.55db
7% Popularity • 60% Danceability • 8% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
7% Popularity • 60% Danceability • 8% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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Don Cavalli
Door Peeper
113 bpm • C Maj • 02:45 • -12.63db
10% Popularity • 74% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 74% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Terry Lee Hale
Beautiful Lie
113 bpm • G Maj • 03:26 • -10.9db
0% Popularity • 50% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 50% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Nyiko Mhlarhi
Your Love For God - Single Version
101 bpm • B Maj • 02:04 • -11.2db
10% Popularity • 57% Danceability • 40% Energy • 72% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 57% Danceability • 40% Energy • 72% Liveness
0% Instrumentalness • 53% Positiveness
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Nico Groenendijk
Here I Am
113 bpm • E Maj • 02:05 • -10.89db
9% Popularity • 50% Danceability • 48% Energy • 9% Liveness
63% Instrumentalness • 21% Positiveness
9% Popularity • 50% Danceability • 48% Energy • 9% Liveness
63% Instrumentalness • 21% Positiveness
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RG Brown
Where Is Your Faith
101 bpm • D min • 03:32 • -10.86db
8% Popularity • 33% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 33% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Maye Lalo
The TDK
114 bpm • F Maj • 04:35 • -11.78db
28% Popularity • 62% Danceability • 56% Energy • 13% Liveness
1% Instrumentalness • 60% Positiveness
28% Popularity • 62% Danceability • 56% Energy • 13% Liveness
1% Instrumentalness • 60% Positiveness
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Lame Dudes
i found love
114 bpm • A min • 03:30 • -11.77db
2% Popularity • 52% Danceability • 55% Energy • 11% Liveness
62% Instrumentalness • 59% Positiveness
2% Popularity • 52% Danceability • 55% Energy • 11% Liveness
62% Instrumentalness • 59% Positiveness
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Terry Lee Hale
He's Still Drinking
113 bpm • G Maj • 01:03 • -25.29db
0% Popularity • 55% Danceability • 9% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
0% Popularity • 55% Danceability • 9% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Tangerine Flavour
Don't Say, Don't Cry, Don't Lie
114 bpm • F Maj • 02:51 • -8.11db
8% Popularity • 69% Danceability • 46% Energy • 32% Liveness
1% Instrumentalness • 73% Positiveness
8% Popularity • 69% Danceability • 46% Energy • 32% Liveness
1% Instrumentalness • 73% Positiveness
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David Dentinger
Lock Me Away
114 bpm • D Maj • 03:10 • -10.99db
8% Popularity • 55% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
8% Popularity • 55% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Dana Smedley
IF You
100 bpm • A# Maj • 03:43 • -7.29db
18% Popularity • 57% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 57% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Freddie Wesley
War Is Everywhere
114 bpm • G# min • 04:20 • -15.02db
21% Popularity • 50% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 50% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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JW Roy
Better Days
114 bpm • D Maj • 04:12 • -9.15db
10% Popularity • 65% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 65% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Steve Moore Oldster
Whatever Extendo
114 bpm • G Maj • 02:44 • -11.12db
19% Popularity • 48% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
19% Popularity • 48% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Francisco Puente
Alone Reaction
100 bpm • E Maj • 01:59 • -6.7db
8% Popularity • 40% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 40% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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Stephen Moore
almighty God
114 bpm • A Maj • 01:46 • -12.04db
22% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Calvary Power and Light
Never Change
114 bpm • E min • 01:36 • -7.7db
30% Popularity • 57% Danceability • 40% Energy • 13% Liveness
46% Instrumentalness • 43% Positiveness
30% Popularity • 57% Danceability • 40% Energy • 13% Liveness
46% Instrumentalness • 43% Positiveness
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Korey Dickinson
Klaus Doesn't Have Schultz And Blues
100 bpm • B min • 05:12 • -6.68db
18% Popularity • 22% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 22% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
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Nate Hixson
A Look Inside
100 bpm • F# min • 05:00 • -12db
15% Popularity • 68% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 68% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Joee Vayda
Time Turns Up
100 bpm • C# Maj • 02:42 • -10.81db
23% Popularity • 44% Danceability • 33% Energy • 11% Liveness
35% Instrumentalness • 22% Positiveness
23% Popularity • 44% Danceability • 33% Energy • 11% Liveness
35% Instrumentalness • 22% Positiveness
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Brook Lancelot
Lunar Lander
100 bpm • C Maj • 04:25 • -11.62db
10% Popularity • 62% Danceability • 39% Energy • 17% Liveness
88% Instrumentalness • 10% Positiveness
10% Popularity • 62% Danceability • 39% Energy • 17% Liveness
88% Instrumentalness • 10% Positiveness
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steve moore thirst
in your hands
100 bpm • A Maj • 02:46 • -10.99db
14% Popularity • 61% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 61% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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One Zever
follow you down
100 bpm • E min • 03:37 • -19.08db
11% Popularity • 59% Danceability • 18% Energy • 22% Liveness
38% Instrumentalness • 37% Positiveness
11% Popularity • 59% Danceability • 18% Energy • 22% Liveness
38% Instrumentalness • 37% Positiveness
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OJ Stensland
Everything has to Die
100 bpm • D Maj • 02:18 • -11db
13% Popularity • 51% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
13% Popularity • 51% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Humble Humans
Envoie Valser
100 bpm • D Maj • 03:44 • -12.29db
7% Popularity • 44% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 44% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Scott Nolan
Ebb and Flow
115 bpm • F min • 04:18 • -12.86db
12% Popularity • 69% Danceability • 35% Energy • 11% Liveness
24% Instrumentalness • 75% Positiveness
12% Popularity • 69% Danceability • 35% Energy • 11% Liveness
24% Instrumentalness • 75% Positiveness
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Mono Meadow
Embrace It
115 bpm • E min • 01:26 • -11.92db
30% Popularity • 38% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 38% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Pete Pansy
Gray Shadow
100 bpm • A Maj • 04:36 • -15.19db
25% Popularity • 46% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 46% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Ghost On The Second Floor
Shell
115 bpm • A Maj • 03:01 • -7.43db
10% Popularity • 56% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 56% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Gabriel Pepys
Sleeping Dog
115 bpm • D Maj • 04:14 • -10.55db
7% Popularity • 61% Danceability • 39% Energy • 19% Liveness
91% Instrumentalness • 57% Positiveness
7% Popularity • 61% Danceability • 39% Energy • 19% Liveness
91% Instrumentalness • 57% Positiveness
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Frederic Grant
All My Songs Were Love Songs
115 bpm • D Maj • 03:56 • -17.25db
28% Popularity • 66% Danceability • 48% Energy • 13% Liveness
42% Instrumentalness • 33% Positiveness
28% Popularity • 66% Danceability • 48% Energy • 13% Liveness
42% Instrumentalness • 33% Positiveness
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L'Attirail
Snug At Last
115 bpm • G Maj • 02:29 • -11.57db
10% Popularity • 66% Danceability • 44% Energy • 11% Liveness
77% Instrumentalness • 57% Positiveness
10% Popularity • 66% Danceability • 44% Energy • 11% Liveness
77% Instrumentalness • 57% Positiveness
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Brennan Scott Greene
Jim Jones at Botany Bay
115 bpm • E min • 03:10 • -13.09db
7% Popularity • 63% Danceability • 29% Energy • 11% Liveness
10% Instrumentalness • 20% Positiveness
7% Popularity • 63% Danceability • 29% Energy • 11% Liveness
10% Instrumentalness • 20% Positiveness
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Guy Stephen Hall
Racing Tornadoes
115 bpm • G Maj • 03:51 • -7.67db
5% Popularity • 61% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
5% Popularity • 61% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Ghost On The Second Floor
Sunset
99 bpm • C Maj • 04:53 • -16.46db
9% Popularity • 35% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
9% Popularity • 35% Danceability • 21% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
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The Dim Bulbs
Lucy
115 bpm • A min • 01:54 • -9.3db
8% Popularity • 61% Danceability • 72% Energy • 57% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 61% Danceability • 72% Energy • 57% Liveness
0% Instrumentalness • 79% Positiveness
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Steve The Trailplayer
All About Love
99 bpm • C Maj • 03:25 • -11.68db
15% Popularity • 35% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 35% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
