Songs like A New Life by Marquis Hill
Based on a tempo of (+/- 10%) and a similar genre
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Javier Santiago
Gaia's Warning
147 bpm • D Maj • 06:14 • -10.31db
13% Popularity • 33% Danceability • 49% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
13% Popularity • 33% Danceability • 49% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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James Francies
713
147 bpm • B min • 05:21 • -9.81db
24% Popularity • 53% Danceability • 65% Energy • 16% Liveness
92% Instrumentalness • 58% Positiveness
24% Popularity • 53% Danceability • 65% Energy • 16% Liveness
92% Instrumentalness • 58% Positiveness
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Nubya Garcia
Pace
147 bpm • G# Maj • 07:52 • -10.14db
25% Popularity • 37% Danceability • 63% Energy • 12% Liveness
44% Instrumentalness • 36% Positiveness
25% Popularity • 37% Danceability • 63% Energy • 12% Liveness
44% Instrumentalness • 36% Positiveness
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Marquis Hill
A New Life
147 bpm • F# Maj • 04:31 • -13.97db
12% Popularity • 54% Danceability • 49% Energy • 31% Liveness
43% Instrumentalness • 65% Positiveness
12% Popularity • 54% Danceability • 49% Energy • 31% Liveness
43% Instrumentalness • 65% Positiveness
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Kendrick Scott
>>Nemesis
147 bpm • F# Maj • 05:52 • -11.51db
9% Popularity • 35% Danceability • 41% Energy • 23% Liveness
73% Instrumentalness • 46% Positiveness
9% Popularity • 35% Danceability • 41% Energy • 23% Liveness
73% Instrumentalness • 46% Positiveness
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Chicago Underground Quartet
Unique Spiral
146 bpm • G# Maj • 05:34 • -13.01db
3% Popularity • 38% Danceability • 60% Energy • 31% Liveness
56% Instrumentalness • 46% Positiveness
3% Popularity • 38% Danceability • 60% Energy • 31% Liveness
56% Instrumentalness • 46% Positiveness
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Emanative
Lights On / Off
147 bpm • A min • 04:21 • -10.72db
9% Popularity • 57% Danceability • 54% Energy • 8% Liveness
41% Instrumentalness • 67% Positiveness
9% Popularity • 57% Danceability • 54% Energy • 8% Liveness
41% Instrumentalness • 67% Positiveness
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Greg Spero
October Life - Tiny Room Sessions
148 bpm • E min • 03:21 • -16.61db
15% Popularity • 36% Danceability • 24% Energy • 7% Liveness
70% Instrumentalness • 11% Positiveness
15% Popularity • 36% Danceability • 24% Energy • 7% Liveness
70% Instrumentalness • 11% Positiveness
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Antoine Berjeaut
Walk
146 bpm • D Maj • 06:17 • -11.41db
4% Popularity • 31% Danceability • 51% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
4% Popularity • 31% Danceability • 51% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Christian Scott aTunde Adjuah
Huntress (for Cara)
148 bpm • G min • 09:17 • -8.61db
11% Popularity • 40% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 40% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Mark de Clive-Lowe
Bushidō II
148 bpm • A# min • 06:07 • -10.74db
2% Popularity • 48% Danceability • 78% Energy • 12% Liveness
85% Instrumentalness • 28% Positiveness
2% Popularity • 48% Danceability • 78% Energy • 12% Liveness
85% Instrumentalness • 28% Positiveness
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Lakecia Benjamin
Pursuance
146 bpm • A# min • 03:17 • -8.02db
16% Popularity • 41% Danceability • 59% Energy • 22% Liveness
88% Instrumentalness • 57% Positiveness
16% Popularity • 41% Danceability • 59% Energy • 22% Liveness
88% Instrumentalness • 57% Positiveness
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Snazzback
The Hub
146 bpm • C# Maj • 02:17 • -17db
43% Popularity • 64% Danceability • 29% Energy • 12% Liveness
83% Instrumentalness • 51% Positiveness
43% Popularity • 64% Danceability • 29% Energy • 12% Liveness
83% Instrumentalness • 51% Positiveness
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Lucien Johnson
Blue Rain
148 bpm • E Maj • 07:19 • -12.86db
8% Popularity • 41% Danceability • 49% Energy • 10% Liveness
79% Instrumentalness • 48% Positiveness
8% Popularity • 41% Danceability • 49% Energy • 10% Liveness
79% Instrumentalness • 48% Positiveness
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Meshell Ndegeocello
Dance Of The Infidel
149 bpm • A# min • 07:26 • -10.7db
8% Popularity • 41% Danceability • 38% Energy • 35% Liveness
44% Instrumentalness • 27% Positiveness
8% Popularity • 41% Danceability • 38% Energy • 35% Liveness
44% Instrumentalness • 27% Positiveness
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Chip Wickham
Mighty Yusef
149 bpm • F Maj • 05:54 • -13db
15% Popularity • 29% Danceability • 29% Energy • 36% Liveness
52% Instrumentalness • 23% Positiveness
15% Popularity • 29% Danceability • 29% Energy • 36% Liveness
52% Instrumentalness • 23% Positiveness
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Billy Childs
Dori
150 bpm • G min • 07:34 • -10.09db
12% Popularity • 41% Danceability • 66% Energy • 14% Liveness
81% Instrumentalness • 48% Positiveness
12% Popularity • 41% Danceability • 66% Energy • 14% Liveness
81% Instrumentalness • 48% Positiveness
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Terrace Martin
Valdez Off Crenshaw
150 bpm • A# min • 04:31 • -8.81db
32% Popularity • 49% Danceability • 63% Energy • 14% Liveness
81% Instrumentalness • 70% Positiveness
32% Popularity • 49% Danceability • 63% Energy • 14% Liveness
81% Instrumentalness • 70% Positiveness
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Greg Spero
Really Mad - Tiny Room Sessions
150 bpm • C Maj • 02:56 • -11.48db
29% Popularity • 58% Danceability • 67% Energy • 12% Liveness
86% Instrumentalness • 40% Positiveness
29% Popularity • 58% Danceability • 67% Energy • 12% Liveness
86% Instrumentalness • 40% Positiveness
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corto.alto
Not for Now
144 bpm • A min • 05:24 • -9.94db
33% Popularity • 54% Danceability • 57% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
33% Popularity • 54% Danceability • 57% Energy • 13% Liveness
91% Instrumentalness • 15% Positiveness
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Javier Santiago
Autumn (Reprise)
150 bpm • B Maj • 02:21 • -9.44db
33% Popularity • 40% Danceability • 76% Energy • 23% Liveness
87% Instrumentalness • 54% Positiveness
33% Popularity • 40% Danceability • 76% Energy • 23% Liveness
87% Instrumentalness • 54% Positiveness
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Ruby Rushton
Triceratops / The Caller
150 bpm • A# min • 05:15 • -9db
28% Popularity • 42% Danceability • 62% Energy • 10% Liveness
46% Instrumentalness • 52% Positiveness
28% Popularity • 42% Danceability • 62% Energy • 10% Liveness
46% Instrumentalness • 52% Positiveness
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Helen Sung
Playtime
150 bpm • C# Maj • 04:19 • -11.69db
3% Popularity • 49% Danceability • 25% Energy • 8% Liveness
89% Instrumentalness • 49% Positiveness
3% Popularity • 49% Danceability • 25% Energy • 8% Liveness
89% Instrumentalness • 49% Positiveness
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Christian Sands
Yesterday
150 bpm • A# min • 07:22 • -12.39db
11% Popularity • 37% Danceability • 44% Energy • 10% Liveness
90% Instrumentalness • 27% Positiveness
11% Popularity • 37% Danceability • 44% Energy • 10% Liveness
90% Instrumentalness • 27% Positiveness
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Marquis Hill
Return of the Student
144 bpm • D Maj • 03:24 • -10.32db
4% Popularity • 47% Danceability • 62% Energy • 9% Liveness
93% Instrumentalness • 86% Positiveness
4% Popularity • 47% Danceability • 62% Energy • 9% Liveness
93% Instrumentalness • 86% Positiveness
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Telemakus
Awaken - Sunrise
144 bpm • B min • 02:53 • -13.58db
13% Popularity • 59% Danceability • 45% Energy • 18% Liveness
23% Instrumentalness • 20% Positiveness
13% Popularity • 59% Danceability • 45% Energy • 18% Liveness
23% Instrumentalness • 20% Positiveness
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Daniel Rotem
We See
144 bpm • D# Maj • 04:55 • -12.6db
4% Popularity • 53% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
4% Popularity • 53% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Raffy Bushman
Abraham
144 bpm • F min • 04:16 • -11.76db
23% Popularity • 34% Danceability • 62% Energy • 28% Liveness
86% Instrumentalness • 50% Positiveness
23% Popularity • 34% Danceability • 62% Energy • 28% Liveness
86% Instrumentalness • 50% Positiveness
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Nicholas Payton
O
151 bpm • D# Maj • 01:44 • -15.34db
17% Popularity • 33% Danceability • 47% Energy • 15% Liveness
94% Instrumentalness • 33% Positiveness
17% Popularity • 33% Danceability • 47% Energy • 15% Liveness
94% Instrumentalness • 33% Positiveness
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Greg Spero
Still Of Water
151 bpm • D Maj • 04:24 • -13.58db
13% Popularity • 37% Danceability • 28% Energy • 11% Liveness
75% Instrumentalness • 12% Positiveness
13% Popularity • 37% Danceability • 28% Energy • 11% Liveness
75% Instrumentalness • 12% Positiveness
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Marquis Hill
Inner City Blues
143 bpm • C# Maj • 05:15 • -12.89db
3% Popularity • 59% Danceability • 40% Energy • 15% Liveness
69% Instrumentalness • 57% Positiveness
3% Popularity • 59% Danceability • 40% Energy • 15% Liveness
69% Instrumentalness • 57% Positiveness
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Maurice Brown
Destination Hope
152 bpm • C# Maj • 05:10 • -8.88db
14% Popularity • 48% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 48% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Stefon Harris
The Lost Ones
142 bpm • F min • 06:07 • -17.63db
7% Popularity • 53% Danceability • 29% Energy • 11% Liveness
84% Instrumentalness • 42% Positiveness
7% Popularity • 53% Danceability • 29% Energy • 11% Liveness
84% Instrumentalness • 42% Positiveness
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Kendrick Scott
>Archangel
152 bpm • F# min • 06:06 • -13.41db
8% Popularity • 30% Danceability • 37% Energy • 8% Liveness
95% Instrumentalness • 16% Positiveness
8% Popularity • 30% Danceability • 37% Energy • 8% Liveness
95% Instrumentalness • 16% Positiveness
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Matthew Halsall
Jura - Bonus Track
142 bpm • F min • 08:08 • -12.04db
11% Popularity • 38% Danceability • 49% Energy • 10% Liveness
80% Instrumentalness • 45% Positiveness
11% Popularity • 38% Danceability • 49% Energy • 10% Liveness
80% Instrumentalness • 45% Positiveness
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Justking Jones
Want Me Now
142 bpm • E min • 04:01 • -10.55db
2% Popularity • 28% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
2% Popularity • 28% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Mark de Clive-Lowe
Mizugaki
152 bpm • G min • 05:59 • -14.25db
3% Popularity • 42% Danceability • 50% Energy • 22% Liveness
14% Instrumentalness • 15% Positiveness
3% Popularity • 42% Danceability • 50% Energy • 22% Liveness
14% Instrumentalness • 15% Positiveness
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Marquis Hill
Roy's Intro
152 bpm • F# Maj • 03:17 • -16.99db
13% Popularity • 42% Danceability • 39% Energy • 11% Liveness
58% Instrumentalness • 31% Positiveness
13% Popularity • 42% Danceability • 39% Energy • 11% Liveness
58% Instrumentalness • 31% Positiveness
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Daniel Rotem
Let's Cool One
142 bpm • C min • 07:27 • -13.56db
2% Popularity • 48% Danceability • 26% Energy • 16% Liveness
14% Instrumentalness • 27% Positiveness
2% Popularity • 48% Danceability • 26% Energy • 16% Liveness
14% Instrumentalness • 27% Positiveness
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DoomCannon
Entrance To The Unknown
142 bpm • G min • 06:32 • -12db
14% Popularity • 56% Danceability • 45% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
14% Popularity • 56% Danceability • 45% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Greg Spero
Being - Tiny Room Sessions
142 bpm • F min • 05:35 • -13.98db
8% Popularity • 42% Danceability • 46% Energy • 10% Liveness
79% Instrumentalness • 13% Positiveness
8% Popularity • 42% Danceability • 46% Energy • 10% Liveness
79% Instrumentalness • 13% Positiveness
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Chris Dave and The Drumhedz
Lady Jane
141 bpm • C Maj • 05:38 • -17db
9% Popularity • 38% Danceability • 35% Energy • 70% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 38% Danceability • 35% Energy • 70% Liveness
0% Instrumentalness • 24% Positiveness
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Ruby Rushton
Overture 1
141 bpm • G min • 03:08 • -10.4db
28% Popularity • 44% Danceability • 41% Energy • 34% Liveness
55% Instrumentalness • 39% Positiveness
28% Popularity • 44% Danceability • 41% Energy • 34% Liveness
55% Instrumentalness • 39% Positiveness
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Marquis Hill
When We Were Kings
142 bpm • C# Maj • 04:48 • -14.11db
2% Popularity • 49% Danceability • 42% Energy • 8% Liveness
93% Instrumentalness • 65% Positiveness
2% Popularity • 49% Danceability • 42% Energy • 8% Liveness
93% Instrumentalness • 65% Positiveness
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James Francies
Crib
153 bpm • E Maj • 04:17 • -7.32db
9% Popularity • 40% Danceability • 81% Energy • 21% Liveness
33% Instrumentalness • 79% Positiveness
9% Popularity • 40% Danceability • 81% Energy • 21% Liveness
33% Instrumentalness • 79% Positiveness
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Immanuel Wilkins
Warriors
141 bpm • E min • 06:55 • -8.88db
20% Popularity • 38% Danceability • 66% Energy • 25% Liveness
65% Instrumentalness • 42% Positiveness
20% Popularity • 38% Danceability • 66% Energy • 25% Liveness
65% Instrumentalness • 42% Positiveness
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Myele Manzanza
A Night in Berlin
154 bpm • C Maj • 02:18 • -9.93db
13% Popularity • 59% Danceability • 74% Energy • 24% Liveness
86% Instrumentalness • 83% Positiveness
13% Popularity • 59% Danceability • 74% Energy • 24% Liveness
86% Instrumentalness • 83% Positiveness
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Maisha
Azure
141 bpm • F min • 09:49 • -15.65db
19% Popularity • 36% Danceability • 24% Energy • 8% Liveness
76% Instrumentalness • 23% Positiveness
19% Popularity • 36% Danceability • 24% Energy • 8% Liveness
76% Instrumentalness • 23% Positiveness
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Mark de Clive-Lowe
Asa no Yume
154 bpm • F Maj • 04:04 • -16.55db
6% Popularity • 56% Danceability • 29% Energy • 8% Liveness
82% Instrumentalness • 32% Positiveness
6% Popularity • 56% Danceability • 29% Energy • 8% Liveness
82% Instrumentalness • 32% Positiveness
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Nicholas Payton
Gold Dust Black Magic - Karriem Riggins ...
140 bpm • G# Maj • 05:30 • -8.94db
12% Popularity • 55% Danceability • 61% Energy • 13% Liveness
91% Instrumentalness • 48% Positiveness
12% Popularity • 55% Danceability • 61% Energy • 13% Liveness
91% Instrumentalness • 48% Positiveness
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The RH Factor
Liquid Streets
140 bpm • C min • 04:59 • -15db
31% Popularity • 59% Danceability • 35% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
31% Popularity • 59% Danceability • 35% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
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Ebi Soda
Dimmsdale
140 bpm • F min • 03:11 • -8.21db
20% Popularity • 46% Danceability • 58% Energy • 10% Liveness
42% Instrumentalness • 16% Positiveness
20% Popularity • 46% Danceability • 58% Energy • 10% Liveness
42% Instrumentalness • 16% Positiveness
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Golden Mean
Red Horizon
140 bpm • C# Maj • 04:09 • -11.28db
8% Popularity • 54% Danceability • 81% Energy • 23% Liveness
90% Instrumentalness • 65% Positiveness
8% Popularity • 54% Danceability • 81% Energy • 23% Liveness
90% Instrumentalness • 65% Positiveness
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Jeremy Cunningham
Hike
140 bpm • F# min • 04:59 • -12.52db
6% Popularity • 65% Danceability • 52% Energy • 13% Liveness
61% Instrumentalness • 71% Positiveness
6% Popularity • 65% Danceability • 52% Energy • 13% Liveness
61% Instrumentalness • 71% Positiveness
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Mark de Clive-Lowe
Shitennō
140 bpm • A# min • 05:54 • -11.61db
2% Popularity • 55% Danceability • 57% Energy • 8% Liveness
42% Instrumentalness • 50% Positiveness
2% Popularity • 55% Danceability • 57% Energy • 8% Liveness
42% Instrumentalness • 50% Positiveness
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Noah Kellman
Back Cycles
155 bpm • F# min • 04:39 • -10.56db
15% Popularity • 52% Danceability • 54% Energy • 12% Liveness
98% Instrumentalness • 38% Positiveness
15% Popularity • 52% Danceability • 54% Energy • 12% Liveness
98% Instrumentalness • 38% Positiveness
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Maurice Brown
Capricorn Rising
140 bpm • G# min • 05:43 • -9.39db
16% Popularity • 69% Danceability • 75% Energy • 10% Liveness
84% Instrumentalness • 60% Positiveness
16% Popularity • 69% Danceability • 75% Energy • 10% Liveness
84% Instrumentalness • 60% Positiveness
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Greg Spero
Maps - Tiny Room Sessions
139 bpm • C Maj • 06:13 • -11.96db
11% Popularity • 36% Danceability • 56% Energy • 17% Liveness
90% Instrumentalness • 18% Positiveness
11% Popularity • 36% Danceability • 56% Energy • 17% Liveness
90% Instrumentalness • 18% Positiveness
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Carlos Niño
Garden of Bells
140 bpm • A Maj • 05:10 • -5.81db
2% Popularity • 39% Danceability • 91% Energy • 62% Liveness
0% Instrumentalness • 43% Positiveness
2% Popularity • 39% Danceability • 91% Energy • 62% Liveness
0% Instrumentalness • 43% Positiveness
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Ruby Rushton
Two for Joy
139 bpm • G# min • 04:17 • -13db
19% Popularity • 46% Danceability • 38% Energy • 7% Liveness
5% Instrumentalness • 24% Positiveness
19% Popularity • 46% Danceability • 38% Energy • 7% Liveness
5% Instrumentalness • 24% Positiveness
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Binker Golding
Strange Beautiful Remembered
155 bpm • D# Maj • 07:56 • -10.84db
15% Popularity • 50% Danceability • 48% Energy • 6% Liveness
83% Instrumentalness • 53% Positiveness
15% Popularity • 50% Danceability • 48% Energy • 6% Liveness
83% Instrumentalness • 53% Positiveness
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Immanuel Wilkins
Emanation
139 bpm • D Maj • 07:23 • -9db
21% Popularity • 35% Danceability • 71% Energy • 30% Liveness
79% Instrumentalness • 46% Positiveness
21% Popularity • 35% Danceability • 71% Energy • 30% Liveness
79% Instrumentalness • 46% Positiveness
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Chantae Cann
Happy Song (Interlude)
139 bpm • C# Maj • 01:30 • -19.83db
29% Popularity • 40% Danceability • 37% Energy • 10% Liveness
92% Instrumentalness • 23% Positiveness
29% Popularity • 40% Danceability • 37% Energy • 10% Liveness
92% Instrumentalness • 23% Positiveness
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Church Chords
Alone Under The Water (Alternate Version...
139 bpm • F# min • 04:02 • -15.76db
4% Popularity • 24% Danceability • 27% Energy • 39% Liveness
64% Instrumentalness • 15% Positiveness
4% Popularity • 24% Danceability • 27% Energy • 39% Liveness
64% Instrumentalness • 15% Positiveness
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Chicago Underground Quartet
Strange Wing
138 bpm • D min • 08:05 • -12.17db
5% Popularity • 28% Danceability • 46% Energy • 11% Liveness
76% Instrumentalness • 24% Positiveness
5% Popularity • 28% Danceability • 46% Energy • 11% Liveness
76% Instrumentalness • 24% Positiveness
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Daniel Rotem
Along Came Betty
138 bpm • F# min • 05:58 • -14.2db
3% Popularity • 53% Danceability • 20% Energy • 11% Liveness
46% Instrumentalness • 19% Positiveness
3% Popularity • 53% Danceability • 20% Energy • 11% Liveness
46% Instrumentalness • 19% Positiveness
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Ruby Rushton
Gideon's Way
138 bpm • C Maj • 04:28 • -7.83db
22% Popularity • 61% Danceability • 54% Energy • 7% Liveness
90% Instrumentalness • 28% Positiveness
22% Popularity • 61% Danceability • 54% Energy • 7% Liveness
90% Instrumentalness • 28% Positiveness
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Immanuel Wilkins
Part 2. Saudade
138 bpm • E min • 07:24 • -9.18db
16% Popularity • 38% Danceability • 53% Energy • 64% Liveness
45% Instrumentalness • 21% Positiveness
16% Popularity • 38% Danceability • 53% Energy • 64% Liveness
45% Instrumentalness • 21% Positiveness
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Keyon Harrold
The Intellectual
138 bpm • G# min • 06:39 • -8.36db
24% Popularity • 46% Danceability • 74% Energy • 9% Liveness
84% Instrumentalness • 25% Positiveness
24% Popularity • 46% Danceability • 74% Energy • 9% Liveness
84% Instrumentalness • 25% Positiveness
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Ambrose Akinmusire
Vartha
137 bpm • B min • 07:46 • -9db
21% Popularity • 34% Danceability • 50% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
21% Popularity • 34% Danceability • 50% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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Marquis Hill
Polka Dots And Moonbeams
137 bpm • A Maj • 02:04 • -16.38db
11% Popularity • 46% Danceability • 2% Energy • 21% Liveness
92% Instrumentalness • 67% Positiveness
11% Popularity • 46% Danceability • 2% Energy • 21% Liveness
92% Instrumentalness • 67% Positiveness
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Chicago Underground Quartet
Westview
137 bpm • C Maj • 03:59 • -9.84db
2% Popularity • 47% Danceability • 72% Energy • 30% Liveness
38% Instrumentalness • 74% Positiveness
2% Popularity • 47% Danceability • 72% Energy • 30% Liveness
38% Instrumentalness • 74% Positiveness
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Javier Santiago
Abyss: Light
158 bpm • F# min • 06:24 • -9.87db
12% Popularity • 23% Danceability • 51% Energy • 31% Liveness
92% Instrumentalness • 10% Positiveness
12% Popularity • 23% Danceability • 51% Energy • 31% Liveness
92% Instrumentalness • 10% Positiveness
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Terrace Martin
The Deuce
137 bpm • C Maj • 03:34 • -6.43db
23% Popularity • 70% Danceability • 76% Energy • 18% Liveness
85% Instrumentalness • 94% Positiveness
23% Popularity • 70% Danceability • 76% Energy • 18% Liveness
85% Instrumentalness • 94% Positiveness
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Sasha Berliner
My Funny Valentine II
158 bpm • G# Maj • 05:42 • -11.16db
10% Popularity • 28% Danceability • 69% Energy • 7% Liveness
80% Instrumentalness • 40% Positiveness
10% Popularity • 28% Danceability • 69% Energy • 7% Liveness
80% Instrumentalness • 40% Positiveness
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Kenny Garrett
For Art’s Sake
137 bpm • A min • 08:05 • -9.74db
21% Popularity • 40% Danceability • 51% Energy • 12% Liveness
82% Instrumentalness • 38% Positiveness
21% Popularity • 40% Danceability • 51% Energy • 12% Liveness
82% Instrumentalness • 38% Positiveness
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Marquis Hill
Black Harvest
137 bpm • C# Maj • 05:02 • -13.51db
4% Popularity • 49% Danceability • 56% Energy • 13% Liveness
84% Instrumentalness • 76% Positiveness
4% Popularity • 49% Danceability • 56% Energy • 13% Liveness
84% Instrumentalness • 76% Positiveness
► Preview
Nicholas Payton
Seven
137 bpm • A Maj • 05:49 • -11.5db
11% Popularity • 54% Danceability • 43% Energy • 14% Liveness
90% Instrumentalness • 49% Positiveness
11% Popularity • 54% Danceability • 43% Energy • 14% Liveness
90% Instrumentalness • 49% Positiveness
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OTOOTO
Mayday Greyday
136 bpm • A min • 05:07 • -9.32db
10% Popularity • 58% Danceability • 53% Energy • 11% Liveness
84% Instrumentalness • 67% Positiveness
10% Popularity • 58% Danceability • 53% Energy • 11% Liveness
84% Instrumentalness • 67% Positiveness
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Greg Spero
Easily Offended - Tiny Room Sessions
159 bpm • F# Maj • 02:49 • -10.61db
26% Popularity • 38% Danceability • 39% Energy • 9% Liveness
90% Instrumentalness • 29% Positiveness
26% Popularity • 38% Danceability • 39% Energy • 9% Liveness
90% Instrumentalness • 29% Positiveness
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Nubya Garcia
Red Sun
136 bpm • C# Maj • 08:17 • -14.59db
15% Popularity • 39% Danceability • 41% Energy • 9% Liveness
81% Instrumentalness • 9% Positiveness
15% Popularity • 39% Danceability • 41% Energy • 9% Liveness
81% Instrumentalness • 9% Positiveness
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Josh Johnson
Western Ave
160 bpm • C Maj • 05:21 • -11.37db
12% Popularity • 41% Danceability • 46% Energy • 11% Liveness
67% Instrumentalness • 44% Positiveness
12% Popularity • 41% Danceability • 46% Energy • 11% Liveness
67% Instrumentalness • 44% Positiveness
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Marquis Hill
Maiden Voyage
159 bpm • D min • 03:30 • -15.61db
20% Popularity • 24% Danceability • 29% Energy • 13% Liveness
80% Instrumentalness • 11% Positiveness
20% Popularity • 24% Danceability • 29% Energy • 13% Liveness
80% Instrumentalness • 11% Positiveness
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Kamaal Williams
Pigalle
136 bpm • C Maj • 06:14 • -10.61db
25% Popularity • 48% Danceability • 52% Energy • 9% Liveness
73% Instrumentalness • 55% Positiveness
25% Popularity • 48% Danceability • 52% Energy • 9% Liveness
73% Instrumentalness • 55% Positiveness
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Captain Supernova
Voyage to Nowhere
160 bpm • F# min • 05:40 • -8.34db
1% Popularity • 62% Danceability • 77% Energy • 12% Liveness
64% Instrumentalness • 82% Positiveness
1% Popularity • 62% Danceability • 77% Energy • 12% Liveness
64% Instrumentalness • 82% Positiveness
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Lenny Pickett
Nogent-Le-Rotrou
160 bpm • C# Maj • 02:38 • -8.11db
10% Popularity • 75% Danceability • 72% Energy • 7% Liveness
54% Instrumentalness • 62% Positiveness
10% Popularity • 75% Danceability • 72% Energy • 7% Liveness
54% Instrumentalness • 62% Positiveness
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Darryl Reeves
Paradise
135 bpm • F min • 03:22 • -5db
12% Popularity • 62% Danceability • 53% Energy • 5% Liveness
55% Instrumentalness • 70% Positiveness
12% Popularity • 62% Danceability • 53% Energy • 5% Liveness
55% Instrumentalness • 70% Positiveness
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Jonah Levine Collective
Qu'est-Ce que C'est (The French Song)
134 bpm • F min • 07:52 • -9.99db
8% Popularity • 45% Danceability • 56% Energy • 18% Liveness
94% Instrumentalness • 51% Positiveness
8% Popularity • 45% Danceability • 56% Energy • 18% Liveness
94% Instrumentalness • 51% Positiveness
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Sarah Tandy
Under the Skin
134 bpm • A# min • 05:33 • -11.46db
15% Popularity • 38% Danceability • 53% Energy • 28% Liveness
79% Instrumentalness • 22% Positiveness
15% Popularity • 38% Danceability • 53% Energy • 28% Liveness
79% Instrumentalness • 22% Positiveness
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Nicholas Payton
Eight
134 bpm • G# Maj • 06:25 • -12.42db
8% Popularity • 48% Danceability • 37% Energy • 28% Liveness
79% Instrumentalness • 36% Positiveness
8% Popularity • 48% Danceability • 37% Energy • 28% Liveness
79% Instrumentalness • 36% Positiveness
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Robert Glasper Trio
59 South
134 bpm • C# Maj • 06:11 • -13db
21% Popularity • 44% Danceability • 59% Energy • 6% Liveness
46% Instrumentalness • 20% Positiveness
21% Popularity • 44% Danceability • 59% Energy • 6% Liveness
46% Instrumentalness • 20% Positiveness
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Christian Scott aTunde Adjuah
Like That
134 bpm • A# min • 06:40 • -10.66db
13% Popularity • 63% Danceability • 35% Energy • 6% Liveness
92% Instrumentalness • 34% Positiveness
13% Popularity • 63% Danceability • 35% Energy • 6% Liveness
92% Instrumentalness • 34% Positiveness
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Kendrick Scott
Lotus
134 bpm • E min • 05:13 • -16.75db
15% Popularity • 48% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
15% Popularity • 48% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Josh Johnson
False Choice
162 bpm • F min • 04:54 • -12.16db
17% Popularity • 36% Danceability • 48% Energy • 14% Liveness
90% Instrumentalness • 47% Positiveness
17% Popularity • 36% Danceability • 48% Energy • 14% Liveness
90% Instrumentalness • 47% Positiveness
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Ambrose Akinmusire
Yessss
134 bpm • D Maj • 05:44 • -13.38db
14% Popularity • 37% Danceability • 19% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
14% Popularity • 37% Danceability • 19% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Alfa Mist
Nucleus
162 bpm • A min • 06:42 • -11.96db
32% Popularity • 43% Danceability • 36% Energy • 16% Liveness
20% Instrumentalness • 22% Positiveness
32% Popularity • 43% Danceability • 36% Energy • 16% Liveness
20% Instrumentalness • 22% Positiveness
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Kamaal Williams
Early Prayer
132 bpm • F min • 04:57 • -11.83db
22% Popularity • 42% Danceability • 16% Energy • 33% Liveness
2% Instrumentalness • 6% Positiveness
22% Popularity • 42% Danceability • 16% Energy • 33% Liveness
2% Instrumentalness • 6% Positiveness
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Meshell Ndegeocello
Al-Falaq 113
133 bpm • D Maj • 11:47 • -11.52db
8% Popularity • 43% Danceability • 45% Energy • 9% Liveness
49% Instrumentalness • 16% Positiveness
8% Popularity • 43% Danceability • 45% Energy • 9% Liveness
49% Instrumentalness • 16% Positiveness
