Songs like A New Reason - Congalonga's House Mix by Porn Btz
Based on a tempo of (+/- 10%) and a similar genre
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Max TenRom
Orisha - Watt the Fox Remix
125 bpm • G min • 06:16 • -8.16db
10% Popularity • 75% Danceability • 88% Energy • 11% Liveness
82% Instrumentalness • 52% Positiveness
10% Popularity • 75% Danceability • 88% Energy • 11% Liveness
82% Instrumentalness • 52% Positiveness
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Flürb
Graduation - Radio Edit
125 bpm • E min • 04:36 • -8.95db
4% Popularity • 68% Danceability • 94% Energy • 28% Liveness
83% Instrumentalness • 40% Positiveness
4% Popularity • 68% Danceability • 94% Energy • 28% Liveness
83% Instrumentalness • 40% Positiveness
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Dariz
Hey!
125 bpm • F# Maj • 04:23 • -8.27db
22% Popularity • 80% Danceability • 79% Energy • 10% Liveness
88% Instrumentalness • 46% Positiveness
22% Popularity • 80% Danceability • 79% Energy • 10% Liveness
88% Instrumentalness • 46% Positiveness
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dj mathon vs decent act
Deep phase
125 bpm • B min • 03:54 • -9.83db
8% Popularity • 83% Danceability • 68% Energy • 10% Liveness
79% Instrumentalness • 67% Positiveness
8% Popularity • 83% Danceability • 68% Energy • 10% Liveness
79% Instrumentalness • 67% Positiveness
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Porn Btz
A New Reason - Congalonga's House Mix
125 bpm • A min • 03:28 • -8.99db
0% Popularity • 81% Danceability • 59% Energy • 4% Liveness
57% Instrumentalness • 5% Positiveness
0% Popularity • 81% Danceability • 59% Energy • 4% Liveness
57% Instrumentalness • 5% Positiveness
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MAXI MERAKI
The Only One
125 bpm • A# min • 06:20 • -11.74db
11% Popularity • 80% Danceability • 58% Energy • 5% Liveness
90% Instrumentalness • 39% Positiveness
11% Popularity • 80% Danceability • 58% Energy • 5% Liveness
90% Instrumentalness • 39% Positiveness
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Spark Rocket
Just The Funk (Baby)
125 bpm • A# min • 02:04 • -9.85db
22% Popularity • 88% Danceability • 54% Energy • 3% Liveness
15% Instrumentalness • 71% Positiveness
22% Popularity • 88% Danceability • 54% Energy • 3% Liveness
15% Instrumentalness • 71% Positiveness
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Javier Orlando
Under the Cross of the South - First Kis...
125 bpm • D min • 04:46 • -12.74db
11% Popularity • 83% Danceability • 45% Energy • 34% Liveness
17% Instrumentalness • 88% Positiveness
11% Popularity • 83% Danceability • 45% Energy • 34% Liveness
17% Instrumentalness • 88% Positiveness
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Aiman Beretta
Getting Me Down
125 bpm • C# Maj • 06:20 • -6.81db
19% Popularity • 85% Danceability • 74% Energy • 20% Liveness
56% Instrumentalness • 8% Positiveness
19% Popularity • 85% Danceability • 74% Energy • 20% Liveness
56% Instrumentalness • 8% Positiveness
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tomomegu
321
125 bpm • C# Maj • 01:36 • -9.05db
11% Popularity • 83% Danceability • 77% Energy • 7% Liveness
71% Instrumentalness • 50% Positiveness
11% Popularity • 83% Danceability • 77% Energy • 7% Liveness
71% Instrumentalness • 50% Positiveness
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DJ Gior T
Ayeh - Radio Edit
125 bpm • G min • 04:08 • -9.35db
18% Popularity • 66% Danceability • 71% Energy • 23% Liveness
64% Instrumentalness • 30% Positiveness
18% Popularity • 66% Danceability • 71% Energy • 23% Liveness
64% Instrumentalness • 30% Positiveness
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C Lova
It's Time to Dance
125 bpm • F Maj • 02:20 • -9.66db
13% Popularity • 73% Danceability • 87% Energy • 12% Liveness
4% Instrumentalness • 85% Positiveness
13% Popularity • 73% Danceability • 87% Energy • 12% Liveness
4% Instrumentalness • 85% Positiveness
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Nikki Ocean
God Put A Smile Upon Your Face - Ronan I...
125 bpm • C# Maj • 02:53 • -9.04db
14% Popularity • 79% Danceability • 59% Energy • 12% Liveness
79% Instrumentalness • 56% Positiveness
14% Popularity • 79% Danceability • 59% Energy • 12% Liveness
79% Instrumentalness • 56% Positiveness
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Natema
Making a Living - Extendend
125 bpm • G Maj • 05:07 • -6.91db
10% Popularity • 80% Danceability • 87% Energy • 9% Liveness
76% Instrumentalness • 51% Positiveness
10% Popularity • 80% Danceability • 87% Energy • 9% Liveness
76% Instrumentalness • 51% Positiveness
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Marco Taronal
Mambo
125 bpm • C# min • 02:02 • -10.73db
17% Popularity • 74% Danceability • 55% Energy • 12% Liveness
75% Instrumentalness • 33% Positiveness
17% Popularity • 74% Danceability • 55% Energy • 12% Liveness
75% Instrumentalness • 33% Positiveness
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tomomegu
walk in the life
125 bpm • F# min • 01:36 • -10.05db
10% Popularity • 84% Danceability • 76% Energy • 15% Liveness
61% Instrumentalness • 21% Positiveness
10% Popularity • 84% Danceability • 76% Energy • 15% Liveness
61% Instrumentalness • 21% Positiveness
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Batpandar
Midnight Roar
125 bpm • A# Maj • 01:02 • -11.61db
17% Popularity • 88% Danceability • 64% Energy • 8% Liveness
89% Instrumentalness • 70% Positiveness
17% Popularity • 88% Danceability • 64% Energy • 8% Liveness
89% Instrumentalness • 70% Positiveness
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Moodyman
Fenomenal Bass
125 bpm • C# min • 05:45 • -10.48db
11% Popularity • 80% Danceability • 39% Energy • 65% Liveness
94% Instrumentalness • 31% Positiveness
11% Popularity • 80% Danceability • 39% Energy • 65% Liveness
94% Instrumentalness • 31% Positiveness
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DJ PAGNOLA
Conversion
125 bpm • D min • 03:12 • -17.4db
25% Popularity • 83% Danceability • 49% Energy • 19% Liveness
73% Instrumentalness • 8% Positiveness
25% Popularity • 83% Danceability • 49% Energy • 19% Liveness
73% Instrumentalness • 8% Positiveness
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Mak Brown
Solina
125 bpm • C Maj • 03:46 • -6.06db
25% Popularity • 82% Danceability • 87% Energy • 17% Liveness
8% Instrumentalness • 77% Positiveness
25% Popularity • 82% Danceability • 87% Energy • 17% Liveness
8% Instrumentalness • 77% Positiveness
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Davenport Gomes
Let's Rock This World
125 bpm • C Maj • 01:58 • -5.23db
7% Popularity • 69% Danceability • 79% Energy • 63% Liveness
23% Instrumentalness • 19% Positiveness
7% Popularity • 69% Danceability • 79% Energy • 63% Liveness
23% Instrumentalness • 19% Positiveness
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Max Fake
Falling Down
125 bpm • A# min • 02:02 • -6.93db
19% Popularity • 81% Danceability • 59% Energy • 11% Liveness
91% Instrumentalness • 73% Positiveness
19% Popularity • 81% Danceability • 59% Energy • 11% Liveness
91% Instrumentalness • 73% Positiveness
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Da Funk
Redeemed
125 bpm • A min • 05:03 • -9.22db
16% Popularity • 77% Danceability • 81% Energy • 21% Liveness
92% Instrumentalness • 81% Positiveness
16% Popularity • 77% Danceability • 81% Energy • 21% Liveness
92% Instrumentalness • 81% Positiveness
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Lloyd Joseph
Cave
125 bpm • C# min • 03:17 • -8.4db
1% Popularity • 80% Danceability • 71% Energy • 10% Liveness
86% Instrumentalness • 75% Positiveness
1% Popularity • 80% Danceability • 71% Energy • 10% Liveness
86% Instrumentalness • 75% Positiveness
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Orphan Spirit
Tropical Beach Waves
125 bpm • C Maj • 02:39 • -11.46db
16% Popularity • 83% Danceability • 61% Energy • 6% Liveness
88% Instrumentalness • 59% Positiveness
16% Popularity • 83% Danceability • 61% Energy • 6% Liveness
88% Instrumentalness • 59% Positiveness
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Alessandro Gazzillo
Starday
125 bpm • C min • 03:28 • -9.56db
9% Popularity • 66% Danceability • 94% Energy • 9% Liveness
92% Instrumentalness • 82% Positiveness
9% Popularity • 66% Danceability • 94% Energy • 9% Liveness
92% Instrumentalness • 82% Positiveness
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Mai Wula
Nepa Light
125 bpm • D Maj • 02:04 • -9.05db
29% Popularity • 77% Danceability • 96% Energy • 12% Liveness
86% Instrumentalness • 9% Positiveness
29% Popularity • 77% Danceability • 96% Energy • 12% Liveness
86% Instrumentalness • 9% Positiveness
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Matt Correa
Funky Feeling
125 bpm • G# Maj • 03:40 • -6.37db
18% Popularity • 80% Danceability • 94% Energy • 31% Liveness
86% Instrumentalness • 85% Positiveness
18% Popularity • 80% Danceability • 94% Energy • 31% Liveness
86% Instrumentalness • 85% Positiveness
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Groove Approved
Black Cat
125 bpm • G Maj • 02:33 • -7.03db
13% Popularity • 86% Danceability • 63% Energy • 11% Liveness
13% Instrumentalness • 27% Positiveness
13% Popularity • 86% Danceability • 63% Energy • 11% Liveness
13% Instrumentalness • 27% Positiveness
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Jiménez Antonio
vibration
125 bpm • A# min • 03:04 • -15.41db
21% Popularity • 80% Danceability • 61% Energy • 9% Liveness
83% Instrumentalness • 55% Positiveness
21% Popularity • 80% Danceability • 61% Energy • 9% Liveness
83% Instrumentalness • 55% Positiveness
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Orphan Spirit
Newport Beach California
125 bpm • F Maj • 02:11 • -13.25db
17% Popularity • 73% Danceability • 74% Energy • 10% Liveness
81% Instrumentalness • 48% Positiveness
17% Popularity • 73% Danceability • 74% Energy • 10% Liveness
81% Instrumentalness • 48% Positiveness
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Dj Chocolate
High
125 bpm • C# Maj • 02:18 • -8.68db
9% Popularity • 81% Danceability • 78% Energy • 12% Liveness
79% Instrumentalness • 61% Positiveness
9% Popularity • 81% Danceability • 78% Energy • 12% Liveness
79% Instrumentalness • 61% Positiveness
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Roco Silfred
Sex Tomorrow
125 bpm • C min • 02:25 • -6.83db
8% Popularity • 74% Danceability • 93% Energy • 18% Liveness
88% Instrumentalness • 60% Positiveness
8% Popularity • 74% Danceability • 93% Energy • 18% Liveness
88% Instrumentalness • 60% Positiveness
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Matt Correa
Straight To The Dancefloor - Original Ra...
125 bpm • G# min • 03:23 • -6.69db
12% Popularity • 80% Danceability • 88% Energy • 11% Liveness
93% Instrumentalness • 62% Positiveness
12% Popularity • 80% Danceability • 88% Energy • 11% Liveness
93% Instrumentalness • 62% Positiveness
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Santason
When Time's Up
125 bpm • C Maj • 03:15 • -13.93db
8% Popularity • 95% Danceability • 48% Energy • 78% Liveness
46% Instrumentalness • 70% Positiveness
8% Popularity • 95% Danceability • 48% Energy • 78% Liveness
46% Instrumentalness • 70% Positiveness
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Torx
Deep in the Water
125 bpm • G Maj • 01:05 • -10.59db
20% Popularity • 81% Danceability • 74% Energy • 9% Liveness
93% Instrumentalness • 44% Positiveness
20% Popularity • 81% Danceability • 74% Energy • 9% Liveness
93% Instrumentalness • 44% Positiveness
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The Slaves Unharmed
depth
125 bpm • B min • 03:35 • -12.96db
11% Popularity • 73% Danceability • 76% Energy • 61% Liveness
84% Instrumentalness • 67% Positiveness
11% Popularity • 73% Danceability • 76% Energy • 61% Liveness
84% Instrumentalness • 67% Positiveness
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yuu smile
oral care
125 bpm • F min • 01:32 • -6.05db
11% Popularity • 83% Danceability • 56% Energy • 6% Liveness
80% Instrumentalness • 80% Positiveness
11% Popularity • 83% Danceability • 56% Energy • 6% Liveness
80% Instrumentalness • 80% Positiveness
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Dj Chocolate
Jump
125 bpm • F min • 02:18 • -8.07db
9% Popularity • 80% Danceability • 82% Energy • 7% Liveness
89% Instrumentalness • 68% Positiveness
9% Popularity • 80% Danceability • 82% Energy • 7% Liveness
89% Instrumentalness • 68% Positiveness
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Andy Blakk
Purple Hair - Dub Mix
125 bpm • C min • 01:10 • -6.5db
13% Popularity • 75% Danceability • 95% Energy • 11% Liveness
92% Instrumentalness • 70% Positiveness
13% Popularity • 75% Danceability • 95% Energy • 11% Liveness
92% Instrumentalness • 70% Positiveness
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Jack Avenue
Let You Go
125 bpm • A Maj • 03:40 • -7.23db
13% Popularity • 74% Danceability • 79% Energy • 15% Liveness
46% Instrumentalness • 62% Positiveness
13% Popularity • 74% Danceability • 79% Energy • 15% Liveness
46% Instrumentalness • 62% Positiveness
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Xylux
True Life - Radio Edit
125 bpm • G# min • 02:56 • -7.98db
10% Popularity • 89% Danceability • 68% Energy • 12% Liveness
95% Instrumentalness • 74% Positiveness
10% Popularity • 89% Danceability • 68% Energy • 12% Liveness
95% Instrumentalness • 74% Positiveness
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yuu smiling
shining
125 bpm • A Maj • 01:05 • -8.15db
10% Popularity • 80% Danceability • 74% Energy • 4% Liveness
66% Instrumentalness • 93% Positiveness
10% Popularity • 80% Danceability • 74% Energy • 4% Liveness
66% Instrumentalness • 93% Positiveness
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Matt Correa
Straight To The Dancefloor - Club Radio ...
125 bpm • G min • 02:54 • -6db
13% Popularity • 77% Danceability • 92% Energy • 4% Liveness
95% Instrumentalness • 28% Positiveness
13% Popularity • 77% Danceability • 92% Energy • 4% Liveness
95% Instrumentalness • 28% Positiveness
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Monkey Bros
New Vibes - Radio Edit
125 bpm • C Maj • 02:33 • -13.04db
24% Popularity • 74% Danceability • 65% Energy • 8% Liveness
91% Instrumentalness • 40% Positiveness
24% Popularity • 74% Danceability • 65% Energy • 8% Liveness
91% Instrumentalness • 40% Positiveness
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Dum Deli
One Way
125 bpm • E min • 02:18 • -8.2db
11% Popularity • 80% Danceability • 88% Energy • 13% Liveness
82% Instrumentalness • 94% Positiveness
11% Popularity • 80% Danceability • 88% Energy • 13% Liveness
82% Instrumentalness • 94% Positiveness
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Franceso Parelese
Sunny Clouds (Radio Mix)
125 bpm • C Maj • 04:12 • -8.06db
13% Popularity • 84% Danceability • 77% Energy • 8% Liveness
71% Instrumentalness • 51% Positiveness
13% Popularity • 84% Danceability • 77% Energy • 8% Liveness
71% Instrumentalness • 51% Positiveness
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Adrian Adrift
Whispering Shadows - Radio Edit
125 bpm • F# Maj • 01:51 • -13.07db
16% Popularity • 64% Danceability • 51% Energy • 9% Liveness
84% Instrumentalness • 25% Positiveness
16% Popularity • 64% Danceability • 51% Energy • 9% Liveness
84% Instrumentalness • 25% Positiveness
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Donn Go
Retina
125 bpm • C Maj • 02:12 • -7.97db
10% Popularity • 90% Danceability • 74% Energy • 8% Liveness
79% Instrumentalness • 58% Positiveness
10% Popularity • 90% Danceability • 74% Energy • 8% Liveness
79% Instrumentalness • 58% Positiveness
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Sarah Poon
Swear to God
125 bpm • B min • 01:01 • -10.4db
8% Popularity • 66% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 66% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Mugiwarrior
Illusion
125 bpm • C Maj • 03:53 • -8.42db
10% Popularity • 60% Danceability • 68% Energy • 59% Liveness
77% Instrumentalness • 13% Positiveness
10% Popularity • 60% Danceability • 68% Energy • 59% Liveness
77% Instrumentalness • 13% Positiveness
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Ismael Wright
Hey Little Cobra
125 bpm • G# min • 03:02 • -13.53db
21% Popularity • 61% Danceability • 73% Energy • 12% Liveness
80% Instrumentalness • 13% Positiveness
21% Popularity • 61% Danceability • 73% Energy • 12% Liveness
80% Instrumentalness • 13% Positiveness
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Ferdinand
K98l - Radio Edit
125 bpm • A# min • 02:04 • -11.73db
15% Popularity • 84% Danceability • 68% Energy • 10% Liveness
84% Instrumentalness • 29% Positiveness
15% Popularity • 84% Danceability • 68% Energy • 10% Liveness
84% Instrumentalness • 29% Positiveness
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Mihai Neaga
Production
125 bpm • D Maj • 03:01 • -12.42db
10% Popularity • 78% Danceability • 67% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
10% Popularity • 78% Danceability • 67% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
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Donn Go
Mystical Melodies
125 bpm • D Maj • 02:12 • -12.6db
12% Popularity • 82% Danceability • 56% Energy • 13% Liveness
78% Instrumentalness • 36% Positiveness
12% Popularity • 82% Danceability • 56% Energy • 13% Liveness
78% Instrumentalness • 36% Positiveness
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Moon Rocket
La Dolce Vita (The Magic Of Love) - Inst...
124 bpm • B min • 05:43 • -11.21db
11% Popularity • 75% Danceability • 66% Energy • 8% Liveness
85% Instrumentalness • 57% Positiveness
11% Popularity • 75% Danceability • 66% Energy • 8% Liveness
85% Instrumentalness • 57% Positiveness
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Miguel Amaral
Through the night - Radio edit
124 bpm • C# Maj • 04:35 • -10.42db
8% Popularity • 83% Danceability • 83% Energy • 6% Liveness
59% Instrumentalness • 49% Positiveness
8% Popularity • 83% Danceability • 83% Energy • 6% Liveness
59% Instrumentalness • 49% Positiveness
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Mohamed Salem Rahoui
Freaky House
126 bpm • C Maj • 05:37 • -9.88db
21% Popularity • 93% Danceability • 71% Energy • 5% Liveness
33% Instrumentalness • 60% Positiveness
21% Popularity • 93% Danceability • 71% Energy • 5% Liveness
33% Instrumentalness • 60% Positiveness
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Phonin Scoupe
Facing Reality - Radio Edit
124 bpm • F# min • 01:48 • -12.23db
19% Popularity • 81% Danceability • 87% Energy • 8% Liveness
90% Instrumentalness • 71% Positiveness
19% Popularity • 81% Danceability • 87% Energy • 8% Liveness
90% Instrumentalness • 71% Positiveness
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Ctrl4
Over The Moon
124 bpm • D Maj • 05:25 • -12.73db
18% Popularity • 79% Danceability • 52% Energy • 10% Liveness
73% Instrumentalness • 26% Positiveness
18% Popularity • 79% Danceability • 52% Energy • 10% Liveness
73% Instrumentalness • 26% Positiveness
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Philly H
Una Nota 2.0
124 bpm • F min • 03:31 • -13.41db
18% Popularity • 76% Danceability • 63% Energy • 16% Liveness
59% Instrumentalness • 49% Positiveness
18% Popularity • 76% Danceability • 63% Energy • 16% Liveness
59% Instrumentalness • 49% Positiveness
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Flürb
After After - Radio Edit
126 bpm • A# min • 04:53 • -4.89db
3% Popularity • 75% Danceability • 92% Energy • 7% Liveness
86% Instrumentalness • 91% Positiveness
3% Popularity • 75% Danceability • 92% Energy • 7% Liveness
86% Instrumentalness • 91% Positiveness
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Bentley Weeda
Navy and Ivory
124 bpm • G Maj • 01:19 • -7.57db
14% Popularity • 73% Danceability • 63% Energy • 7% Liveness
97% Instrumentalness • 43% Positiveness
14% Popularity • 73% Danceability • 63% Energy • 7% Liveness
97% Instrumentalness • 43% Positiveness
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Donn Go
Fort Unknown
124 bpm • G# min • 01:48 • -8.03db
11% Popularity • 78% Danceability • 96% Energy • 12% Liveness
83% Instrumentalness • 88% Positiveness
11% Popularity • 78% Danceability • 96% Energy • 12% Liveness
83% Instrumentalness • 88% Positiveness
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William Kill
Trip
124 bpm • E Maj • 03:17 • -6.18db
22% Popularity • 80% Danceability • 98% Energy • 62% Liveness
86% Instrumentalness • 69% Positiveness
22% Popularity • 80% Danceability • 98% Energy • 62% Liveness
86% Instrumentalness • 69% Positiveness
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House Arrest
Ibiza Party
124 bpm • F# min • 01:22 • -10.64db
22% Popularity • 65% Danceability • 67% Energy • 14% Liveness
10% Instrumentalness • 22% Positiveness
22% Popularity • 65% Danceability • 67% Energy • 14% Liveness
10% Instrumentalness • 22% Positiveness
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eniKad
Fin
124 bpm • A min • 01:31 • -10.34db
24% Popularity • 80% Danceability • 67% Energy • 10% Liveness
85% Instrumentalness • 25% Positiveness
24% Popularity • 80% Danceability • 67% Energy • 10% Liveness
85% Instrumentalness • 25% Positiveness
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Pier
Space Stop
124 bpm • C# Maj • 02:30 • -9.11db
23% Popularity • 74% Danceability • 91% Energy • 9% Liveness
64% Instrumentalness • 13% Positiveness
23% Popularity • 74% Danceability • 91% Energy • 9% Liveness
64% Instrumentalness • 13% Positiveness
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Logic1000
Side By Side
124 bpm • E min • 04:01 • -9.38db
34% Popularity • 81% Danceability • 62% Energy • 3% Liveness
92% Instrumentalness • 50% Positiveness
34% Popularity • 81% Danceability • 62% Energy • 3% Liveness
92% Instrumentalness • 50% Positiveness
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Jerome Sydenham
Jealousy & Lies
124 bpm • C Maj • 06:13 • -5.71db
8% Popularity • 84% Danceability • 80% Energy • 3% Liveness
87% Instrumentalness • 69% Positiveness
8% Popularity • 84% Danceability • 80% Energy • 3% Liveness
87% Instrumentalness • 69% Positiveness
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Moicanos
Bassman
126 bpm • G Maj • 01:30 • -13.5db
21% Popularity • 80% Danceability • 50% Energy • 10% Liveness
88% Instrumentalness • 58% Positiveness
21% Popularity • 80% Danceability • 50% Energy • 10% Liveness
88% Instrumentalness • 58% Positiveness
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Flürb
Lifted - Radio Edit
124 bpm • D Maj • 04:25 • -10.6db
23% Popularity • 76% Danceability • 72% Energy • 13% Liveness
84% Instrumentalness • 39% Positiveness
23% Popularity • 76% Danceability • 72% Energy • 13% Liveness
84% Instrumentalness • 39% Positiveness
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NURII
Concrete Jungle - Radio Edit
124 bpm • B Maj • 01:48 • -13.44db
12% Popularity • 81% Danceability • 91% Energy • 6% Liveness
88% Instrumentalness • 73% Positiveness
12% Popularity • 81% Danceability • 91% Energy • 6% Liveness
88% Instrumentalness • 73% Positiveness
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3rd Collective
Catch Me - Radio-Edit
124 bpm • F min • 03:27 • -8.1db
13% Popularity • 79% Danceability • 65% Energy • 17% Liveness
68% Instrumentalness • 32% Positiveness
13% Popularity • 79% Danceability • 65% Energy • 17% Liveness
68% Instrumentalness • 32% Positiveness
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R-tistik
Dance All Night Long
124 bpm • D# min • 02:42 • -8.72db
8% Popularity • 78% Danceability • 75% Energy • 35% Liveness
64% Instrumentalness • 52% Positiveness
8% Popularity • 78% Danceability • 75% Energy • 35% Liveness
64% Instrumentalness • 52% Positiveness
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Tutanka
Menos sal mais pimenta
124 bpm • A# min • 03:09 • -7.14db
10% Popularity • 83% Danceability • 70% Energy • 8% Liveness
81% Instrumentalness • 61% Positiveness
10% Popularity • 83% Danceability • 70% Energy • 8% Liveness
81% Instrumentalness • 61% Positiveness
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Moonboots
Wasting Time
126 bpm • A min • 03:28 • -14.43db
32% Popularity • 74% Danceability • 53% Energy • 7% Liveness
60% Instrumentalness • 34% Positiveness
32% Popularity • 74% Danceability • 53% Energy • 7% Liveness
60% Instrumentalness • 34% Positiveness
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Flürb
Ya Heard - Radio Edit
124 bpm • A# min • 03:23 • -12.27db
4% Popularity • 79% Danceability • 65% Energy • 11% Liveness
90% Instrumentalness • 76% Positiveness
4% Popularity • 79% Danceability • 65% Energy • 11% Liveness
90% Instrumentalness • 76% Positiveness
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Moodyman
Sperimental
124 bpm • D Maj • 01:48 • -8.5db
11% Popularity • 77% Danceability • 73% Energy • 9% Liveness
96% Instrumentalness • 68% Positiveness
11% Popularity • 77% Danceability • 73% Energy • 9% Liveness
96% Instrumentalness • 68% Positiveness
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Ray.Lou
Quantum Pulse - Radio Edit
124 bpm • B Maj • 01:48 • -10.66db
19% Popularity • 80% Danceability • 72% Energy • 8% Liveness
94% Instrumentalness • 73% Positiveness
19% Popularity • 80% Danceability • 72% Energy • 8% Liveness
94% Instrumentalness • 73% Positiveness
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DJ Cooper Runy
Absolutely Tech - 2024 Remastered
126 bpm • D Maj • 03:43 • -5.96db
8% Popularity • 80% Danceability • 82% Energy • 6% Liveness
84% Instrumentalness • 8% Positiveness
8% Popularity • 80% Danceability • 82% Energy • 6% Liveness
84% Instrumentalness • 8% Positiveness
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Onnie Van Zen
A Little Floozey - Radio Edit
126 bpm • G min • 02:06 • -12.63db
15% Popularity • 80% Danceability • 55% Energy • 9% Liveness
94% Instrumentalness • 35% Positiveness
15% Popularity • 80% Danceability • 55% Energy • 9% Liveness
94% Instrumentalness • 35% Positiveness
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Montise
Gree Tomorrow
124 bpm • A# Maj • 01:36 • -9.74db
20% Popularity • 80% Danceability • 95% Energy • 7% Liveness
90% Instrumentalness • 30% Positiveness
20% Popularity • 80% Danceability • 95% Energy • 7% Liveness
90% Instrumentalness • 30% Positiveness
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Paolo Barbato
Come On
124 bpm • B min • 03:42 • -8.26db
11% Popularity • 81% Danceability • 84% Energy • 59% Liveness
74% Instrumentalness • 57% Positiveness
11% Popularity • 81% Danceability • 84% Energy • 59% Liveness
74% Instrumentalness • 57% Positiveness
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Jody Vukas
Iberican Dreams
124 bpm • G Maj • 07:54 • -8.03db
10% Popularity • 80% Danceability • 86% Energy • 7% Liveness
89% Instrumentalness • 40% Positiveness
10% Popularity • 80% Danceability • 86% Energy • 7% Liveness
89% Instrumentalness • 40% Positiveness
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Martin Eyerer
Your Move - Radio-Edit
124 bpm • C Maj • 03:19 • -8.91db
9% Popularity • 79% Danceability • 62% Energy • 15% Liveness
53% Instrumentalness • 42% Positiveness
9% Popularity • 79% Danceability • 62% Energy • 15% Liveness
53% Instrumentalness • 42% Positiveness
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Donn Go
Pavilion
124 bpm • B min • 01:48 • -9.78db
8% Popularity • 73% Danceability • 87% Energy • 31% Liveness
29% Instrumentalness • 63% Positiveness
8% Popularity • 73% Danceability • 87% Energy • 31% Liveness
29% Instrumentalness • 63% Positiveness
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ä¸æ²³å†…å¾¹
dry
124 bpm • E min • 01:36 • -10.13db
12% Popularity • 81% Danceability • 67% Energy • 9% Liveness
93% Instrumentalness • 87% Positiveness
12% Popularity • 81% Danceability • 67% Energy • 9% Liveness
93% Instrumentalness • 87% Positiveness
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Lloyd Joseph
On Fire
126 bpm • C# Maj • 03:44 • -18.86db
13% Popularity • 79% Danceability • 39% Energy • 7% Liveness
86% Instrumentalness • 32% Positiveness
13% Popularity • 79% Danceability • 39% Energy • 7% Liveness
86% Instrumentalness • 32% Positiveness
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Maxi Degrassi
Belveth
124 bpm • B min • 05:31 • -7.86db
13% Popularity • 80% Danceability • 77% Energy • 6% Liveness
84% Instrumentalness • 63% Positiveness
13% Popularity • 80% Danceability • 77% Energy • 6% Liveness
84% Instrumentalness • 63% Positiveness
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Milor Gun
JAPAN - Original mix
124 bpm • F min • 01:36 • -15db
21% Popularity • 80% Danceability • 60% Energy • 3% Liveness
94% Instrumentalness • 62% Positiveness
21% Popularity • 80% Danceability • 60% Energy • 3% Liveness
94% Instrumentalness • 62% Positiveness
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Paolo Barbato
Deep Sky
124 bpm • G# Maj • 03:38 • -14.28db
11% Popularity • 76% Danceability • 43% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
11% Popularity • 76% Danceability • 43% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
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Flürb
Is Love - Radio Edit
124 bpm • G Maj • 04:23 • -10.53db
4% Popularity • 80% Danceability • 68% Energy • 7% Liveness
93% Instrumentalness • 94% Positiveness
4% Popularity • 80% Danceability • 68% Energy • 7% Liveness
93% Instrumentalness • 94% Positiveness
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Fabrizio Parisi
Obaba
126 bpm • B min • 03:26 • -9.24db
27% Popularity • 77% Danceability • 93% Energy • 31% Liveness
87% Instrumentalness • 88% Positiveness
27% Popularity • 77% Danceability • 93% Energy • 31% Liveness
87% Instrumentalness • 88% Positiveness
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Foravibe
Da Funk
124 bpm • B min • 05:29 • -10.05db
20% Popularity • 80% Danceability • 75% Energy • 6% Liveness
74% Instrumentalness • 34% Positiveness
20% Popularity • 80% Danceability • 75% Energy • 6% Liveness
74% Instrumentalness • 34% Positiveness
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Dj Ale Rossi
Can't Get Enough
124 bpm • C# Maj • 06:29 • -6.52db
28% Popularity • 81% Danceability • 80% Energy • 6% Liveness
84% Instrumentalness • 8% Positiveness
28% Popularity • 81% Danceability • 80% Energy • 6% Liveness
84% Instrumentalness • 8% Positiveness
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DJ Windows 7
Malos Genes
124 bpm • E min • 04:00 • -6.93db
15% Popularity • 82% Danceability • 68% Energy • 9% Liveness
88% Instrumentalness • 58% Positiveness
15% Popularity • 82% Danceability • 68% Energy • 9% Liveness
88% Instrumentalness • 58% Positiveness
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Devid Doma
Who I
124 bpm • C Maj • 03:14 • -12.63db
15% Popularity • 88% Danceability • 54% Energy • 8% Liveness
90% Instrumentalness • 84% Positiveness
15% Popularity • 88% Danceability • 54% Energy • 8% Liveness
90% Instrumentalness • 84% Positiveness
