Songs like A Nightmare to Remember - Original Mix by Karim Alkhayat
Based on a tempo of (+/- 10%) and a similar genre
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Karim Alkhayat
A Nightmare to Remember - Original Mix
132 bpm • B min • 04:10 • -7.64db
9% Popularity • 66% Danceability • 97% Energy • 13% Liveness
85% Instrumentalness • 13% Positiveness
9% Popularity • 66% Danceability • 97% Energy • 13% Liveness
85% Instrumentalness • 13% Positiveness
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A.D.H.S.
Razor
132 bpm • F min • 06:53 • -5.89db
22% Popularity • 60% Danceability • 87% Energy • 8% Liveness
89% Instrumentalness • 35% Positiveness
22% Popularity • 60% Danceability • 87% Energy • 8% Liveness
89% Instrumentalness • 35% Positiveness
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Alex Stein
Pretender
132 bpm • D# Maj • 06:25 • -7.51db
14% Popularity • 69% Danceability • 93% Energy • 20% Liveness
92% Instrumentalness • 57% Positiveness
14% Popularity • 69% Danceability • 93% Energy • 20% Liveness
92% Instrumentalness • 57% Positiveness
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Tom Wax
The Sound of the Underground
132 bpm • C# Maj • 07:36 • -7.3db
4% Popularity • 64% Danceability • 90% Energy • 63% Liveness
79% Instrumentalness • 23% Positiveness
4% Popularity • 64% Danceability • 90% Energy • 63% Liveness
79% Instrumentalness • 23% Positiveness
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Matteo Vitanza
Show Me Galaxies
132 bpm • G Maj • 05:04 • -3.5db
7% Popularity • 77% Danceability • 89% Energy • 12% Liveness
88% Instrumentalness • 34% Positiveness
7% Popularity • 77% Danceability • 89% Energy • 12% Liveness
88% Instrumentalness • 34% Positiveness
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Belocca
The Greatest Question
132 bpm • G Maj • 06:51 • -6.38db
21% Popularity • 78% Danceability • 76% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
21% Popularity • 78% Danceability • 76% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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F-Rontal
Graphit
132 bpm • C# Maj • 05:51 • -8.12db
14% Popularity • 69% Danceability • 74% Energy • 14% Liveness
90% Instrumentalness • 11% Positiveness
14% Popularity • 69% Danceability • 74% Energy • 14% Liveness
90% Instrumentalness • 11% Positiveness
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T78
Truckter - 2K23
132 bpm • C Maj • 05:35 • -5.87db
12% Popularity • 75% Danceability • 91% Energy • 12% Liveness
77% Instrumentalness • 26% Positiveness
12% Popularity • 75% Danceability • 91% Energy • 12% Liveness
77% Instrumentalness • 26% Positiveness
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Karim Alkhayat
Diss You - Original Mix
132 bpm • E min • 06:25 • -7.82db
1% Popularity • 74% Danceability • 80% Energy • 4% Liveness
87% Instrumentalness • 34% Positiveness
1% Popularity • 74% Danceability • 80% Energy • 4% Liveness
87% Instrumentalness • 34% Positiveness
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M.Smith
Assid
132 bpm • D Maj • 05:31 • -7.58db
21% Popularity • 73% Danceability • 82% Energy • 10% Liveness
81% Instrumentalness • 10% Positiveness
21% Popularity • 73% Danceability • 82% Energy • 10% Liveness
81% Instrumentalness • 10% Positiveness
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Matteo Vitanza
Becoming Light - Original Mix
132 bpm • A Maj • 04:06 • -5db
10% Popularity • 60% Danceability • 98% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
10% Popularity • 60% Danceability • 98% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
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Sisko Electrofanatik
Ametista
132 bpm • G Maj • 04:12 • -8db
28% Popularity • 61% Danceability • 68% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
28% Popularity • 61% Danceability • 68% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
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Felix Kröcher
Creation
132 bpm • C# Maj • 05:39 • -4.68db
15% Popularity • 72% Danceability • 94% Energy • 12% Liveness
86% Instrumentalness • 35% Positiveness
15% Popularity • 72% Danceability • 94% Energy • 12% Liveness
86% Instrumentalness • 35% Positiveness
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T78
Get on the Move
132 bpm • D min • 05:14 • -5.38db
16% Popularity • 62% Danceability • 97% Energy • 37% Liveness
78% Instrumentalness • 29% Positiveness
16% Popularity • 62% Danceability • 97% Energy • 37% Liveness
78% Instrumentalness • 29% Positiveness
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HI-LO
Athena - Ramon Tapia Remix
132 bpm • C# min • 06:08 • -6.39db
16% Popularity • 80% Danceability • 64% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
16% Popularity • 80% Danceability • 64% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
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Sharpson
Double Drop
132 bpm • E min • 07:47 • -7.61db
21% Popularity • 66% Danceability • 84% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
21% Popularity • 66% Danceability • 84% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Alex Stein
Control Me
132 bpm • G Maj • 04:41 • -7.43db
27% Popularity • 61% Danceability • 89% Energy • 83% Liveness
90% Instrumentalness • 44% Positiveness
27% Popularity • 61% Danceability • 89% Energy • 83% Liveness
90% Instrumentalness • 44% Positiveness
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Joris Turenhout
The Last Dance - Original Mix
132 bpm • C Maj • 04:38 • -9.29db
8% Popularity • 56% Danceability • 92% Energy • 8% Liveness
85% Instrumentalness • 6% Positiveness
8% Popularity • 56% Danceability • 92% Energy • 8% Liveness
85% Instrumentalness • 6% Positiveness
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Sam WOLFE
Prison Break - Original Mix
132 bpm • F# min • 03:28 • -7.47db
26% Popularity • 74% Danceability • 87% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
26% Popularity • 74% Danceability • 87% Energy • 11% Liveness
81% Instrumentalness • 5% Positiveness
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Karim Alkhayat
System Error - SAM WOLFE Remix
132 bpm • F# min • 04:20 • -6.3db
17% Popularity • 69% Danceability • 95% Energy • 24% Liveness
78% Instrumentalness • 18% Positiveness
17% Popularity • 69% Danceability • 95% Energy • 24% Liveness
78% Instrumentalness • 18% Positiveness
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Marco V
ME/AN
132 bpm • G# Maj • 03:49 • -8db
10% Popularity • 58% Danceability • 89% Energy • 16% Liveness
79% Instrumentalness • 15% Positiveness
10% Popularity • 58% Danceability • 89% Energy • 16% Liveness
79% Instrumentalness • 15% Positiveness
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AYN
ANA - Karim Alkhayat Remix
132 bpm • G# Maj • 06:10 • -7.43db
3% Popularity • 69% Danceability • 92% Energy • 15% Liveness
77% Instrumentalness • 8% Positiveness
3% Popularity • 69% Danceability • 92% Energy • 15% Liveness
77% Instrumentalness • 8% Positiveness
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T78
The Earthquake
132 bpm • C# min • 06:07 • -5.97db
34% Popularity • 74% Danceability • 90% Energy • 13% Liveness
76% Instrumentalness • 8% Positiveness
34% Popularity • 74% Danceability • 90% Energy • 13% Liveness
76% Instrumentalness • 8% Positiveness
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Bjørnson
Wrong Answer
132 bpm • F# min • 06:43 • -5.6db
30% Popularity • 69% Danceability • 93% Energy • 11% Liveness
65% Instrumentalness • 22% Positiveness
30% Popularity • 69% Danceability • 93% Energy • 11% Liveness
65% Instrumentalness • 22% Positiveness
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Sam WOLFE
Gone - Original Mix
132 bpm • E min • 04:00 • -5.42db
18% Popularity • 74% Danceability • 92% Energy • 10% Liveness
86% Instrumentalness • 26% Positiveness
18% Popularity • 74% Danceability • 92% Energy • 10% Liveness
86% Instrumentalness • 26% Positiveness
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Karim Alkhayat
Mirage
132 bpm • G Maj • 05:50 • -6.23db
31% Popularity • 70% Danceability • 89% Energy • 52% Liveness
84% Instrumentalness • 34% Positiveness
31% Popularity • 70% Danceability • 89% Energy • 52% Liveness
84% Instrumentalness • 34% Positiveness
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Sabura
Tribal Space
132 bpm • D Maj • 05:59 • -10.87db
28% Popularity • 74% Danceability • 89% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
28% Popularity • 74% Danceability • 89% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Atze Ton
A38
132 bpm • C# min • 05:07 • -9db
14% Popularity • 74% Danceability • 72% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
14% Popularity • 74% Danceability • 72% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Ramon Tapia
Tamashi
132 bpm • B Maj • 04:51 • -7.71db
7% Popularity • 73% Danceability • 66% Energy • 9% Liveness
89% Instrumentalness • 11% Positiveness
7% Popularity • 73% Danceability • 66% Energy • 9% Liveness
89% Instrumentalness • 11% Positiveness
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Karla Blum
Free Your Mind - Alex Stein Remix
132 bpm • B min • 05:43 • -7.82db
20% Popularity • 68% Danceability • 76% Energy • 7% Liveness
91% Instrumentalness • 18% Positiveness
20% Popularity • 68% Danceability • 76% Energy • 7% Liveness
91% Instrumentalness • 18% Positiveness
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Jason Johnson
Move
132 bpm • C# min • 05:52 • -5.45db
28% Popularity • 80% Danceability • 88% Energy • 9% Liveness
78% Instrumentalness • 25% Positiveness
28% Popularity • 80% Danceability • 88% Energy • 9% Liveness
78% Instrumentalness • 25% Positiveness
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Joyhauser
Crawler
132 bpm • B Maj • 05:23 • -7.1db
36% Popularity • 70% Danceability • 97% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
36% Popularity • 70% Danceability • 97% Energy • 9% Liveness
83% Instrumentalness • 5% Positiveness
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A.D.H.S.
Dancin' 4Ever
132 bpm • G Maj • 06:51 • -5.11db
17% Popularity • 65% Danceability • 97% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
17% Popularity • 65% Danceability • 97% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
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Xenia (UA)
Acid React - Original Mix
132 bpm • C# Maj • 04:07 • -5.07db
23% Popularity • 61% Danceability • 98% Energy • 4% Liveness
83% Instrumentalness • 27% Positiveness
23% Popularity • 61% Danceability • 98% Energy • 4% Liveness
83% Instrumentalness • 27% Positiveness
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Ramon Tapia
Morphing
132 bpm • E min • 04:52 • -6.98db
18% Popularity • 59% Danceability • 89% Energy • 11% Liveness
83% Instrumentalness • 16% Positiveness
18% Popularity • 59% Danceability • 89% Energy • 11% Liveness
83% Instrumentalness • 16% Positiveness
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Pleasurekraft
Body Horror
132 bpm • B min • 04:00 • -5.79db
25% Popularity • 57% Danceability • 96% Energy • 16% Liveness
88% Instrumentalness • 14% Positiveness
25% Popularity • 57% Danceability • 96% Energy • 16% Liveness
88% Instrumentalness • 14% Positiveness
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M.Smith
Maori
132 bpm • G min • 05:47 • -4.06db
9% Popularity • 67% Danceability • 95% Energy • 11% Liveness
74% Instrumentalness • 15% Positiveness
9% Popularity • 67% Danceability • 95% Energy • 11% Liveness
74% Instrumentalness • 15% Positiveness
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Karim Alkhayat
Asylum
132 bpm • E Maj • 07:17 • -5.65db
4% Popularity • 70% Danceability • 84% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
4% Popularity • 70% Danceability • 84% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
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Felix Kröcher
Dimension
132 bpm • G Maj • 05:55 • -5.14db
16% Popularity • 78% Danceability • 84% Energy • 11% Liveness
83% Instrumentalness • 16% Positiveness
16% Popularity • 78% Danceability • 84% Energy • 11% Liveness
83% Instrumentalness • 16% Positiveness
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Sam WOLFE
Out of Phase - Original Mix
132 bpm • F# Maj • 06:21 • -5.87db
12% Popularity • 66% Danceability • 83% Energy • 11% Liveness
81% Instrumentalness • 12% Positiveness
12% Popularity • 66% Danceability • 83% Energy • 11% Liveness
81% Instrumentalness • 12% Positiveness
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Karla Blum
Something Unreal
132 bpm • G# Maj • 05:47 • -5.53db
29% Popularity • 60% Danceability • 97% Energy • 63% Liveness
80% Instrumentalness • 26% Positiveness
29% Popularity • 60% Danceability • 97% Energy • 63% Liveness
80% Instrumentalness • 26% Positiveness
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Fruhwerk
5 AM
132 bpm • G min • 06:56 • -6.7db
12% Popularity • 66% Danceability • 94% Energy • 76% Liveness
87% Instrumentalness • 4% Positiveness
12% Popularity • 66% Danceability • 94% Energy • 76% Liveness
87% Instrumentalness • 4% Positiveness
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Matteo Vitanza
Altered Consciousness
132 bpm • E min • 04:38 • -4.82db
13% Popularity • 67% Danceability • 97% Energy • 37% Liveness
79% Instrumentalness • 4% Positiveness
13% Popularity • 67% Danceability • 97% Energy • 37% Liveness
79% Instrumentalness • 4% Positiveness
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Anahit Vardanyan
Haghtanak
132 bpm • G Maj • 06:38 • -7.11db
11% Popularity • 68% Danceability • 94% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
11% Popularity • 68% Danceability • 94% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
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Lautaro Ibañez
Panic Control - Original Mix
132 bpm • G Maj • 04:01 • -7.87db
7% Popularity • 75% Danceability • 99% Energy • 9% Liveness
89% Instrumentalness • 16% Positiveness
7% Popularity • 75% Danceability • 99% Energy • 9% Liveness
89% Instrumentalness • 16% Positiveness
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Amelie Lens
Energize - Mixed
132 bpm • C# Maj • 03:53 • -8.5db
15% Popularity • 69% Danceability • 91% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
15% Popularity • 69% Danceability • 91% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
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A.D.H.S.
Zulu
132 bpm • F# Maj • 04:58 • -8.43db
46% Popularity • 70% Danceability • 95% Energy • 32% Liveness
88% Instrumentalness • 18% Positiveness
46% Popularity • 70% Danceability • 95% Energy • 32% Liveness
88% Instrumentalness • 18% Positiveness
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Jay Lumen
Preacher
132 bpm • C# Maj • 06:38 • -6.68db
5% Popularity • 64% Danceability • 93% Energy • 7% Liveness
77% Instrumentalness • 16% Positiveness
5% Popularity • 64% Danceability • 93% Energy • 7% Liveness
77% Instrumentalness • 16% Positiveness
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Zafer Atabey
Like You - Radio Edit
132 bpm • C min • 04:15 • -6.9db
10% Popularity • 65% Danceability • 96% Energy • 68% Liveness
87% Instrumentalness • 58% Positiveness
10% Popularity • 65% Danceability • 96% Energy • 68% Liveness
87% Instrumentalness • 58% Positiveness
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Anahit Vardanyan
Huys
132 bpm • F# Maj • 07:20 • -8.31db
31% Popularity • 73% Danceability • 94% Energy • 8% Liveness
86% Instrumentalness • 7% Positiveness
31% Popularity • 73% Danceability • 94% Energy • 8% Liveness
86% Instrumentalness • 7% Positiveness
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Who Is Hush
I Want Some Acid
132 bpm • A Maj • 03:54 • -5.32db
2% Popularity • 65% Danceability • 100% Energy • 10% Liveness
87% Instrumentalness • 50% Positiveness
2% Popularity • 65% Danceability • 100% Energy • 10% Liveness
87% Instrumentalness • 50% Positiveness
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Luca Morris
Summer Rain
132 bpm • C# min • 04:23 • -6.74db
8% Popularity • 59% Danceability • 93% Energy • 8% Liveness
84% Instrumentalness • 8% Positiveness
8% Popularity • 59% Danceability • 93% Energy • 8% Liveness
84% Instrumentalness • 8% Positiveness
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Karim Alkhayat
Gen X - Original Mix
132 bpm • E Maj • 05:48 • -6.82db
1% Popularity • 84% Danceability • 78% Energy • 14% Liveness
84% Instrumentalness • 8% Positiveness
1% Popularity • 84% Danceability • 78% Energy • 14% Liveness
84% Instrumentalness • 8% Positiveness
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Roberto Capuano
Dish Ya Now
132 bpm • A# min • 03:32 • -5.3db
29% Popularity • 63% Danceability • 97% Energy • 28% Liveness
88% Instrumentalness • 28% Positiveness
29% Popularity • 63% Danceability • 97% Energy • 28% Liveness
88% Instrumentalness • 28% Positiveness
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Titus Grande
Acid Response
132 bpm • C# Maj • 07:44 • -5.53db
21% Popularity • 65% Danceability • 99% Energy • 8% Liveness
82% Instrumentalness • 55% Positiveness
21% Popularity • 65% Danceability • 99% Energy • 8% Liveness
82% Instrumentalness • 55% Positiveness
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Sara Landry
Silicon Hex
132 bpm • G Maj • 06:49 • -9.38db
23% Popularity • 66% Danceability • 90% Energy • 14% Liveness
80% Instrumentalness • 17% Positiveness
23% Popularity • 66% Danceability • 90% Energy • 14% Liveness
80% Instrumentalness • 17% Positiveness
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Jay Lumen
Water
132 bpm • C# Maj • 07:30 • -5.85db
15% Popularity • 67% Danceability • 99% Energy • 72% Liveness
88% Instrumentalness • 11% Positiveness
15% Popularity • 67% Danceability • 99% Energy • 72% Liveness
88% Instrumentalness • 11% Positiveness
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T78
Shuff-A-Taff
132 bpm • C Maj • 05:36 • -7.35db
13% Popularity • 60% Danceability • 87% Energy • 66% Liveness
80% Instrumentalness • 13% Positiveness
13% Popularity • 60% Danceability • 87% Energy • 66% Liveness
80% Instrumentalness • 13% Positiveness
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Karim Alkhayat
Legend
132 bpm • D Maj • 05:58 • -6.75db
4% Popularity • 66% Danceability • 93% Energy • 65% Liveness
80% Instrumentalness • 16% Positiveness
4% Popularity • 66% Danceability • 93% Energy • 65% Liveness
80% Instrumentalness • 16% Positiveness
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Balthazar & JackRock
Divine Reflection
132 bpm • E min • 03:52 • -7.17db
25% Popularity • 64% Danceability • 95% Energy • 6% Liveness
87% Instrumentalness • 5% Positiveness
25% Popularity • 64% Danceability • 95% Energy • 6% Liveness
87% Instrumentalness • 5% Positiveness
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Mark Greene
Memo
132 bpm • G# Maj • 06:01 • -7db
25% Popularity • 59% Danceability • 93% Energy • 61% Liveness
79% Instrumentalness • 38% Positiveness
25% Popularity • 59% Danceability • 93% Energy • 61% Liveness
79% Instrumentalness • 38% Positiveness
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RSRRCT
That's Right - Original Mix
132 bpm • A min • 04:03 • -7.91db
8% Popularity • 78% Danceability • 92% Energy • 9% Liveness
77% Instrumentalness • 30% Positiveness
8% Popularity • 78% Danceability • 92% Energy • 9% Liveness
77% Instrumentalness • 30% Positiveness
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Joyhauser
Lysergic Acid
132 bpm • C# Maj • 05:25 • -6.64db
21% Popularity • 64% Danceability • 83% Energy • 35% Liveness
79% Instrumentalness • 8% Positiveness
21% Popularity • 64% Danceability • 83% Energy • 35% Liveness
79% Instrumentalness • 8% Positiveness
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Matt Sassari
Goi - Ramon Tapia Remix
132 bpm • C# Maj • 04:10 • -7.24db
26% Popularity • 62% Danceability • 82% Energy • 12% Liveness
86% Instrumentalness • 28% Positiveness
26% Popularity • 62% Danceability • 82% Energy • 12% Liveness
86% Instrumentalness • 28% Positiveness
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Karim Alkhayat
Mirage - DeadBat Remix
132 bpm • G min • 05:52 • -6.2db
2% Popularity • 73% Danceability • 92% Energy • 9% Liveness
85% Instrumentalness • 18% Positiveness
2% Popularity • 73% Danceability • 92% Energy • 9% Liveness
85% Instrumentalness • 18% Positiveness
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Joris Turenhout
Fauna
132 bpm • A# min • 05:10 • -8.91db
18% Popularity • 54% Danceability • 95% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
18% Popularity • 54% Danceability • 95% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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Sam WOLFE
Disruption - Original Mix
132 bpm • B Maj • 04:58 • -6.36db
16% Popularity • 68% Danceability • 93% Energy • 14% Liveness
82% Instrumentalness • 8% Positiveness
16% Popularity • 68% Danceability • 93% Energy • 14% Liveness
82% Instrumentalness • 8% Positiveness
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NoTune
Speak
132 bpm • F# min • 05:28 • -11.33db
10% Popularity • 74% Danceability • 68% Energy • 53% Liveness
72% Instrumentalness • 18% Positiveness
10% Popularity • 74% Danceability • 68% Energy • 53% Liveness
72% Instrumentalness • 18% Positiveness
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Joyhauser
The Woffler
132 bpm • G min • 07:01 • -5.78db
14% Popularity • 67% Danceability • 92% Energy • 66% Liveness
84% Instrumentalness • 22% Positiveness
14% Popularity • 67% Danceability • 92% Energy • 66% Liveness
84% Instrumentalness • 22% Positiveness
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Rico Puestel
Afar - Joyhauser Remix
132 bpm • C min • 07:05 • -6.81db
10% Popularity • 66% Danceability • 88% Energy • 12% Liveness
84% Instrumentalness • 51% Positiveness
10% Popularity • 66% Danceability • 88% Energy • 12% Liveness
84% Instrumentalness • 51% Positiveness
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Sopik
Hesperus
132 bpm • C# Maj • 06:18 • -7.57db
17% Popularity • 73% Danceability • 59% Energy • 8% Liveness
76% Instrumentalness • 8% Positiveness
17% Popularity • 73% Danceability • 59% Energy • 8% Liveness
76% Instrumentalness • 8% Positiveness
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Noseda
Girl On Fire
132 bpm • F min • 06:56 • -8db
24% Popularity • 63% Danceability • 83% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
24% Popularity • 63% Danceability • 83% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
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Modeā
Era Of Rave
132 bpm • G# Maj • 07:02 • -12.07db
13% Popularity • 42% Danceability • 71% Energy • 10% Liveness
84% Instrumentalness • 25% Positiveness
13% Popularity • 42% Danceability • 71% Energy • 10% Liveness
84% Instrumentalness • 25% Positiveness
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NoTune
Subconsious Mind
132 bpm • D Maj • 05:44 • -8.19db
19% Popularity • 80% Danceability • 91% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
19% Popularity • 80% Danceability • 91% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Lautaro Ibañez
Evolution - Original Mix
132 bpm • F# min • 04:32 • -6.02db
14% Popularity • 67% Danceability • 99% Energy • 13% Liveness
87% Instrumentalness • 49% Positiveness
14% Popularity • 67% Danceability • 99% Energy • 13% Liveness
87% Instrumentalness • 49% Positiveness
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Chris Veron
My Vision - Original Mix
131 bpm • F min • 03:19 • -5.53db
21% Popularity • 84% Danceability • 93% Energy • 10% Liveness
49% Instrumentalness • 54% Positiveness
21% Popularity • 84% Danceability • 93% Energy • 10% Liveness
49% Instrumentalness • 54% Positiveness
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Ignacio Arfeli
In My Heart - Vocal Mix
133 bpm • A# min • 04:31 • -7.57db
11% Popularity • 62% Danceability • 96% Energy • 4% Liveness
81% Instrumentalness • 4% Positiveness
11% Popularity • 62% Danceability • 96% Energy • 4% Liveness
81% Instrumentalness • 4% Positiveness
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Rebel Boy
Dismantle the System - Original Mix
131 bpm • F min • 04:05 • -6.49db
17% Popularity • 66% Danceability • 98% Energy • 6% Liveness
83% Instrumentalness • 9% Positiveness
17% Popularity • 66% Danceability • 98% Energy • 6% Liveness
83% Instrumentalness • 9% Positiveness
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Kreecher
1984 - Original Mix
131 bpm • G Maj • 04:15 • -8.68db
8% Popularity • 62% Danceability • 92% Energy • 20% Liveness
90% Instrumentalness • 13% Positiveness
8% Popularity • 62% Danceability • 92% Energy • 20% Liveness
90% Instrumentalness • 13% Positiveness
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Gaston Zani
Anomaly - Original Mix
133 bpm • B Maj • 06:19 • -6.54db
13% Popularity • 56% Danceability • 90% Energy • 12% Liveness
83% Instrumentalness • 12% Positiveness
13% Popularity • 56% Danceability • 90% Energy • 12% Liveness
83% Instrumentalness • 12% Positiveness
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Bruce Zalcer
Primordial - Original Mix
131 bpm • D Maj • 04:13 • -5.29db
9% Popularity • 67% Danceability • 97% Energy • 8% Liveness
84% Instrumentalness • 9% Positiveness
9% Popularity • 67% Danceability • 97% Energy • 8% Liveness
84% Instrumentalness • 9% Positiveness
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Mario Ochoa
Splinter
133 bpm • A min • 06:36 • -9.23db
8% Popularity • 74% Danceability • 82% Energy • 50% Liveness
87% Instrumentalness • 19% Positiveness
8% Popularity • 74% Danceability • 82% Energy • 50% Liveness
87% Instrumentalness • 19% Positiveness
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Jay Lumen
Here We Go
133 bpm • C Maj • 06:56 • -5.67db
19% Popularity • 73% Danceability • 95% Energy • 4% Liveness
86% Instrumentalness • 73% Positiveness
19% Popularity • 73% Danceability • 95% Energy • 4% Liveness
86% Instrumentalness • 73% Positiveness
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Sisko Electrofanatik
Solar Rock
131 bpm • C# min • 04:34 • -8.45db
23% Popularity • 78% Danceability • 69% Energy • 9% Liveness
86% Instrumentalness • 35% Positiveness
23% Popularity • 78% Danceability • 69% Energy • 9% Liveness
86% Instrumentalness • 35% Positiveness
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Rudaki
Meet Her at the Rave - Original Mix
131 bpm • F# Maj • 04:56 • -7.58db
10% Popularity • 63% Danceability • 89% Energy • 8% Liveness
90% Instrumentalness • 45% Positiveness
10% Popularity • 63% Danceability • 89% Energy • 8% Liveness
90% Instrumentalness • 45% Positiveness
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Ramon Tapia
Solar System
131 bpm • F min • 04:59 • -6.25db
14% Popularity • 63% Danceability • 68% Energy • 7% Liveness
88% Instrumentalness • 16% Positiveness
14% Popularity • 63% Danceability • 68% Energy • 7% Liveness
88% Instrumentalness • 16% Positiveness
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BAMI
My Body
131 bpm • G# Maj • 05:07 • -8.95db
24% Popularity • 75% Danceability • 98% Energy • 70% Liveness
85% Instrumentalness • 12% Positiveness
24% Popularity • 75% Danceability • 98% Energy • 70% Liveness
85% Instrumentalness • 12% Positiveness
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Karim Alkhayat
Join Me - Original Mix
131 bpm • E min • 07:09 • -7.06db
3% Popularity • 67% Danceability • 95% Energy • 9% Liveness
86% Instrumentalness • 20% Positiveness
3% Popularity • 67% Danceability • 95% Energy • 9% Liveness
86% Instrumentalness • 20% Positiveness
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DANNY AVILA
Atlantis - Original Mix
131 bpm • G Maj • 06:01 • -8.07db
14% Popularity • 79% Danceability • 99% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 79% Danceability • 99% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Tostone
From Dusk Till Dawn
133 bpm • G Maj • 03:18 • -5.98db
10% Popularity • 69% Danceability • 97% Energy • 14% Liveness
92% Instrumentalness • 23% Positiveness
10% Popularity • 69% Danceability • 97% Energy • 14% Liveness
92% Instrumentalness • 23% Positiveness
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D.Mongelos
Panic
131 bpm • G Maj • 06:39 • -7.87db
16% Popularity • 59% Danceability • 88% Energy • 9% Liveness
82% Instrumentalness • 62% Positiveness
16% Popularity • 59% Danceability • 88% Energy • 9% Liveness
82% Instrumentalness • 62% Positiveness
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Joris Turenhout
Trinity
133 bpm • G Maj • 05:03 • -9.96db
28% Popularity • 54% Danceability • 89% Energy • 16% Liveness
81% Instrumentalness • 4% Positiveness
28% Popularity • 54% Danceability • 89% Energy • 16% Liveness
81% Instrumentalness • 4% Positiveness
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Portax
A Lucid Dream
133 bpm • A Maj • 07:17 • -6.57db
14% Popularity • 78% Danceability • 98% Energy • 22% Liveness
89% Instrumentalness • 8% Positiveness
14% Popularity • 78% Danceability • 98% Energy • 22% Liveness
89% Instrumentalness • 8% Positiveness
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Karim Alkhayat
Rituals
133 bpm • D Maj • 04:08 • -7.68db
0% Popularity • 72% Danceability • 94% Energy • 7% Liveness
88% Instrumentalness • 57% Positiveness
0% Popularity • 72% Danceability • 94% Energy • 7% Liveness
88% Instrumentalness • 57% Positiveness
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MOTVS
Rumor
131 bpm • G Maj • 05:55 • -5.03db
10% Popularity • 67% Danceability • 94% Energy • 12% Liveness
87% Instrumentalness • 15% Positiveness
10% Popularity • 67% Danceability • 94% Energy • 12% Liveness
87% Instrumentalness • 15% Positiveness
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Chris Veron
Bluster of the Moon
133 bpm • D Maj • 03:53 • -7.14db
38% Popularity • 74% Danceability • 96% Energy • 24% Liveness
55% Instrumentalness • 53% Positiveness
38% Popularity • 74% Danceability • 96% Energy • 24% Liveness
55% Instrumentalness • 53% Positiveness
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Thomas Hoffknecht
Antaris
133 bpm • C Maj • 05:55 • -8db
23% Popularity • 76% Danceability • 77% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
23% Popularity • 76% Danceability • 77% Energy • 14% Liveness
93% Instrumentalness • 4% Positiveness
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T78
Monster Truck
133 bpm • D Maj • 04:48 • -6.53db
14% Popularity • 61% Danceability • 93% Energy • 12% Liveness
85% Instrumentalness • 23% Positiveness
14% Popularity • 61% Danceability • 93% Energy • 12% Liveness
85% Instrumentalness • 23% Positiveness
