Songs like À nos souvenirs by Trois Cafés Gourmands
Based on a tempo of (+/- 10%) and a similar genre
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Ridan
Ulysse
134 bpm • D min • 03:39 • -7.36db
54% Popularity • 87% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
54% Popularity • 87% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Christophe Willem
Je marche seul
134 bpm • C Maj • 02:46 • -3.45db
34% Popularity • 63% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 63% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Fatal Bazooka
Ce matin va être une pure soirée
134 bpm • F# min • 03:33 • -3.75db
54% Popularity • 75% Danceability • 65% Energy • 3% Liveness
0% Instrumentalness • 31% Positiveness
54% Popularity • 75% Danceability • 65% Energy • 3% Liveness
0% Instrumentalness • 31% Positiveness
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Florent Pagny
Chanter
134 bpm • G min • 03:48 • -7.83db
49% Popularity • 62% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
49% Popularity • 62% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Cali
Elle m'a dit
134 bpm • E min • 03:33 • -3.75db
47% Popularity • 57% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 57% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Dalida
Monday, Tuesday... Laissez-moi danser
134 bpm • D Maj • 03:53 • -6.82db
53% Popularity • 73% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
53% Popularity • 73% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Arcadian
Bonjour merci
134 bpm • G Maj • 03:21 • -4.26db
39% Popularity • 41% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
39% Popularity • 41% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Les Dix Commandements
L'envie d'aimer
134 bpm • B Maj • 06:28 • -8db
57% Popularity • 41% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
57% Popularity • 41% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Le trottoir
Les bons vivants
134 bpm • C Maj • 03:58 • -7.96db
35% Popularity • 38% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 38% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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Erza Muqoli
Dommage
134 bpm • C# Maj • 04:47 • -10db
39% Popularity • 52% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 52% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Renaud
Marche à l'ombre
134 bpm • C Maj • 03:19 • -7db
46% Popularity • 56% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
46% Popularity • 56% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Pascal Obispo
Lucie
133 bpm • G min • 04:15 • -13.31db
54% Popularity • 52% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
54% Popularity • 52% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Thierry Hazard
Le Jerk
133 bpm • A# Maj • 03:55 • -9.92db
54% Popularity • 76% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
54% Popularity • 76% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Trois Cafés Gourmands
Les mots volent
135 bpm • D# min • 03:38 • -6.31db
11% Popularity • 78% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
11% Popularity • 78% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Jean-Jacques Goldman
Je marche seul
133 bpm • D Maj • 04:03 • -2.12db
51% Popularity • 66% Danceability • 92% Energy • 42% Liveness
0% Instrumentalness • 91% Positiveness
51% Popularity • 66% Danceability • 92% Energy • 42% Liveness
0% Instrumentalness • 91% Positiveness
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Clara Luciani
Ma sœur
135 bpm • G min • 03:36 • -6.75db
47% Popularity • 54% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
47% Popularity • 54% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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Hervé Cristiani
Il Est Libre Max
135 bpm • A# min • 03:14 • -13db
46% Popularity • 55% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
46% Popularity • 55% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Florent Pagny
Les murs porteurs
132 bpm • F# min • 04:45 • -8.01db
45% Popularity • 47% Danceability • 41% Energy • 39% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 47% Danceability • 41% Energy • 39% Liveness
0% Instrumentalness • 22% Positiveness
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Zebda
Tomber la chemise
133 bpm • A# min • 04:23 • -5.46db
54% Popularity • 91% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
54% Popularity • 91% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
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Orelsan
Basique
132 bpm • B min • 02:43 • -6db
57% Popularity • 83% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
57% Popularity • 83% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Téo Lavabo
Chipolata
132 bpm • D# min • 02:31 • -7.14db
40% Popularity • 63% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 63% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Trois Cafés Gourmands
On t'emmène
132 bpm • C Maj • 03:06 • -6db
59% Popularity • 79% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
59% Popularity • 79% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Yanns
Clic clic pan pan
132 bpm • A# min • 02:43 • -6.13db
58% Popularity • 80% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
58% Popularity • 80% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Florent Pagny
Et un jour une femme
136 bpm • A min • 05:19 • -10.52db
52% Popularity • 63% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
52% Popularity • 63% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Grégory Lemarchal
De temps en temps
132 bpm • G Maj • 03:55 • -7db
43% Popularity • 67% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
43% Popularity • 67% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Louise Attaque
Fatigante
132 bpm • D Maj • 02:51 • -5.6db
51% Popularity • 38% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
51% Popularity • 38% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
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Ycare
Tatoué
136 bpm • F# min • 03:41 • -8db
38% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 68% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Michel Sardou
Je vais t'aimer
131 bpm • A min • 05:27 • -14db
55% Popularity • 29% Danceability • 27% Energy • 58% Liveness
1% Instrumentalness • 15% Positiveness
55% Popularity • 29% Danceability • 27% Energy • 58% Liveness
1% Instrumentalness • 15% Positiveness
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Gilbert Montagné
On va s'aimer
131 bpm • A min • 04:06 • -6.97db
61% Popularity • 75% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
61% Popularity • 75% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Pierre Bachelet
Vingt ans
137 bpm • C Maj • 04:22 • -10.49db
13% Popularity • 74% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 74% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Natasha St-Pier
Mourir demain
137 bpm • D# Maj • 03:37 • -7db
51% Popularity • 52% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
51% Popularity • 52% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Louise Attaque
J't'emmène au vent
137 bpm • F# Maj • 03:04 • -5.58db
69% Popularity • 57% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
69% Popularity • 57% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Indochine
Trois nuits par semaine
137 bpm • A min • 05:12 • -13.73db
58% Popularity • 74% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
58% Popularity • 74% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Jean-Pierre Mader
Macumba
131 bpm • E min • 03:39 • -8.14db
56% Popularity • 86% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
56% Popularity • 86% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
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Gilbert Montagné
J'ai le blues de toi
138 bpm • G min • 04:02 • -6.82db
47% Popularity • 65% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
47% Popularity • 65% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Patrick Bruel
Place des grands hommes
131 bpm • A Maj • 04:28 • -7.39db
57% Popularity • 64% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
57% Popularity • 64% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Céline Dion
Destin
130 bpm • G Maj • 04:14 • -4.58db
52% Popularity • 67% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
52% Popularity • 67% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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Guillaume Grand
Toi et moi
130 bpm • F# min • 03:46 • -10.99db
57% Popularity • 70% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
57% Popularity • 70% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Indochine
Trois nuits par semaine
138 bpm • A min • 04:49 • -10.77db
50% Popularity • 68% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
50% Popularity • 68% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
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Renaud
Laisse béton
138 bpm • A# Maj • 02:30 • -7.63db
53% Popularity • 66% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
53% Popularity • 66% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Francis Cabrel
Gardien de nuit - Extrait du "Soldat Ros...
138 bpm • G min • 02:59 • -11db
51% Popularity • 78% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
51% Popularity • 78% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Joyce Jonathan
Ça ira
138 bpm • D Maj • 03:44 • -4db
54% Popularity • 69% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
54% Popularity • 69% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Jérémy Frerot
Revoir
138 bpm • C min • 03:04 • -9.17db
53% Popularity • 68% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
53% Popularity • 68% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
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Collectif Métissé
C'est la vie
130 bpm • D# Maj • 03:49 • -5.78db
42% Popularity • 76% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
42% Popularity • 76% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Soldat Louis
Du rhum des femmes
130 bpm • G Maj • 03:04 • -14.5db
48% Popularity • 66% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
48% Popularity • 66% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Mikael Vigneau
C'était mieux avant
130 bpm • C Maj • 02:58 • -4db
28% Popularity • 78% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
28% Popularity • 78% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Clara Luciani
La grenade
130 bpm • B min • 03:14 • -6.59db
61% Popularity • 72% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
61% Popularity • 72% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Pierre de Maere
Enfant de
130 bpm • B Maj • 02:54 • -7.12db
61% Popularity • 66% Danceability • 50% Energy • 62% Liveness
0% Instrumentalness • 56% Positiveness
61% Popularity • 66% Danceability • 50% Energy • 62% Liveness
0% Instrumentalness • 56% Positiveness
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Max Boublil
J'aime les moches
130 bpm • C Maj • 03:02 • -4.99db
46% Popularity • 68% Danceability • 78% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 68% Danceability • 78% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
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Hoshi
Je partirai
130 bpm • F# Maj • 03:15 • -4.01db
58% Popularity • 72% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
58% Popularity • 72% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Helmut Fritz
Ça m'énerve - Radio Edit
130 bpm • C Maj • 03:37 • -5.99db
53% Popularity • 66% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
53% Popularity • 66% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Florent Pagny
Savoir aimer
138 bpm • F# min • 04:41 • -8db
55% Popularity • 54% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
55% Popularity • 54% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Ilona Mitrecey
Un monde parfait
130 bpm • E min • 03:07 • -5db
45% Popularity • 75% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 98% Positiveness
45% Popularity • 75% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 98% Positiveness
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Grégoire
Toi + Moi
130 bpm • C Maj • 03:02 • -7.45db
60% Popularity • 64% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
60% Popularity • 64% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
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Black M
Le plus fort du monde
130 bpm • D min • 03:19 • -6db
42% Popularity • 81% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 81% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Defer et s'n'orchess'
Les pouces en avant - Et tchic et tchac ...
130 bpm • B min • 03:22 • -7db
42% Popularity • 85% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 85% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
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Jean-Jacques Goldman
Tournent les violons
130 bpm • C# min • 04:38 • -7db
41% Popularity • 34% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
41% Popularity • 34% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Michel Sardou
Rouge
130 bpm • C# min • 04:12 • -8.91db
47% Popularity • 70% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
47% Popularity • 70% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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Pierre Bachelet
Les corons
129 bpm • F# min • 04:14 • -12db
20% Popularity • 43% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 43% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Renaud
Toujours debout
139 bpm • A# Maj • 03:42 • -4db
42% Popularity • 65% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
42% Popularity • 65% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Daniel Balavoine
Je ne suis pas un héros
129 bpm • D# Maj • 05:13 • -9.99db
52% Popularity • 57% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
52% Popularity • 57% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Fréro Delavega
Mon Héroïne
129 bpm • F min • 02:37 • -8.84db
36% Popularity • 80% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 80% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Téléphone
Ça (c'est vraiment toi) - Remasterisé ...
139 bpm • A Maj • 04:28 • -3.49db
55% Popularity • 60% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
55% Popularity • 60% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Marc Lavoine
Le parking des anges
129 bpm • G Maj • 03:56 • -11.33db
49% Popularity • 74% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
49% Popularity • 74% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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La Bande à Basile
La chenille
129 bpm • B Maj • 03:35 • -4db
42% Popularity • 78% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
42% Popularity • 78% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Soprano
En feu
140 bpm • C Maj • 03:25 • -2.72db
60% Popularity • 59% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
60% Popularity • 59% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
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Eddy de Pretto
Fête de trop
140 bpm • A# Maj • 02:36 • -8.79db
55% Popularity • 65% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
55% Popularity • 65% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Trois Cafés Gourmands
La vie est fragile
140 bpm • F Maj • 03:49 • -5.86db
9% Popularity • 71% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 71% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Michel Berger
Le paradis blanc - Remasterisé en 2002
140 bpm • A# min • 06:36 • -11.32db
53% Popularity • 65% Danceability • 50% Energy • 36% Liveness
9% Instrumentalness • 56% Positiveness
53% Popularity • 65% Danceability • 50% Energy • 36% Liveness
9% Instrumentalness • 56% Positiveness
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Emmanuel Moire
Etre à la hauteur
140 bpm • C min • 03:58 • -7.69db
39% Popularity • 48% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 48% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Jamboree
T'en fais pas la vie est belle
140 bpm • C Maj • 02:10 • -9db
38% Popularity • 64% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 64% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Jean-Jacques Goldman
Encore un matin
128 bpm • B min • 04:11 • -3.54db
49% Popularity • 62% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 62% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Collectif Métissé
Laisse tomber tes problèmes - Radio Edi...
128 bpm • G# Maj • 03:16 • -5db
47% Popularity • 81% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
47% Popularity • 81% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
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Pzk
Chuis Bo!
128 bpm • A# min • 03:31 • -3.19db
57% Popularity • 70% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
57% Popularity • 70% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Louise Attaque
Les nuits parisiennes
128 bpm • B min • 02:31 • -6.74db
59% Popularity • 41% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
59% Popularity • 41% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Arcadian
Où je serai demain
128 bpm • D Maj • 03:01 • -6db
33% Popularity • 70% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 17% Positiveness
33% Popularity • 70% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 17% Positiveness
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Patrick Bruel
J'te l'dis quand même
128 bpm • G Maj • 03:39 • -14.64db
55% Popularity • 51% Danceability • 25% Energy • 9% Liveness
2% Instrumentalness • 22% Positiveness
55% Popularity • 51% Danceability • 25% Energy • 9% Liveness
2% Instrumentalness • 22% Positiveness
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Jean-Jacques Goldman
Quand la musique est bonne
128 bpm • G min • 03:52 • -5.97db
60% Popularity • 73% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
60% Popularity • 73% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Dorothée
Allô allô monsieur l'ordinateur
141 bpm • D Maj • 03:11 • -6db
29% Popularity • 78% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
29% Popularity • 78% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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Garou
Sous le vent
141 bpm • B Maj • 03:31 • -7.51db
60% Popularity • 50% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
60% Popularity • 50% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Francis Cabrel
Petite Marie - Remastered
128 bpm • B min • 03:27 • -9.3db
55% Popularity • 55% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
55% Popularity • 55% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Julie Zenatti
Si je m'en sors
141 bpm • B Maj • 03:23 • -10.64db
46% Popularity • 37% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
46% Popularity • 37% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Florent Pagny
N'importe quoi
141 bpm • C Maj • 03:50 • -10db
46% Popularity • 58% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 58% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Jean-Jacques Goldman
Et l'on n'y peut rien
141 bpm • G# Maj • 03:38 • -6.45db
49% Popularity • 55% Danceability • 89% Energy • 33% Liveness
2% Instrumentalness • 79% Positiveness
49% Popularity • 55% Danceability • 89% Energy • 33% Liveness
2% Instrumentalness • 79% Positiveness
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Gold
Capitaine abandonné
127 bpm • A Maj • 03:55 • -7.87db
57% Popularity • 76% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
57% Popularity • 76% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Silvà n Areg
J'ai entendu dire
127 bpm • E min • 03:49 • -6.5db
26% Popularity • 72% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 72% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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Mozart Opera Rock
C'est bientôt la fin
127 bpm • F# min • 03:46 • -5.35db
46% Popularity • 59% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
46% Popularity • 59% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Céphaz
On a mangé le soleil - Edit
127 bpm • C# min • 03:02 • -3.15db
33% Popularity • 55% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 55% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Juliette Armanet
Le Dernier Jour du Disco
142 bpm • G min • 03:27 • -3.28db
59% Popularity • 62% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
59% Popularity • 62% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Jean-Jacques Goldman
Au bout de mes rêves
127 bpm • E Maj • 03:54 • -6.48db
56% Popularity • 67% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
56% Popularity • 67% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Florent Pagny
Le soldat
142 bpm • F# min • 03:12 • -8.77db
45% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
45% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Gilbert Montagné
Les sunlights des tropiques
126 bpm • A# Maj • 03:57 • -6.84db
57% Popularity • 79% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
57% Popularity • 79% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Gaëtan Roussel
Crois-moi !
126 bpm • E Maj • 03:22 • -8.56db
57% Popularity • 67% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
57% Popularity • 67% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Céphaz
On a mangé le soleil
127 bpm • C# min • 02:45 • -2.77db
52% Popularity • 56% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
52% Popularity • 56% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Stephan Eicher
Déjeuner en paix
126 bpm • B min • 03:56 • -5.48db
57% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
57% Popularity • 64% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Indochine
Nos célébrations
126 bpm • B Maj • 05:04 • -8.21db
49% Popularity • 63% Danceability • 84% Energy • 13% Liveness
1% Instrumentalness • 60% Positiveness
49% Popularity • 63% Danceability • 84% Energy • 13% Liveness
1% Instrumentalness • 60% Positiveness
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Jamboree
Love
126 bpm • C min • 02:33 • -6.57db
32% Popularity • 75% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 75% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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MIKA
Elle me dit
126 bpm • A# Maj • 03:36 • -3.72db
53% Popularity • 79% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 79% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
