Songs like A Paper Dream by DYGL
Based on a tempo of (+/- 10%) and a similar genre
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DYGL
A Paper Dream
187 bpm β’ E Maj β’ 03:27 β’ -3.79db
22% Popularity β’ 46% Danceability β’ 95% Energy β’ 7% Liveness
0% Instrumentalness β’ 66% Positiveness
22% Popularity β’ 46% Danceability β’ 95% Energy β’ 7% Liveness
0% Instrumentalness β’ 66% Positiveness
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Analogfish
No Rain(No Rainbow)
187 bpm β’ G Maj β’ 05:23 β’ -7.11db
8% Popularity β’ 51% Danceability β’ 59% Energy β’ 7% Liveness
1% Instrumentalness β’ 35% Positiveness
8% Popularity β’ 51% Danceability β’ 59% Energy β’ 7% Liveness
1% Instrumentalness β’ 35% Positiveness
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Lucie,Too
γγγ«ζ
186 bpm β’ D Maj β’ 03:30 β’ -2.75db
23% Popularity β’ 33% Danceability β’ 88% Energy β’ 37% Liveness
0% Instrumentalness β’ 72% Positiveness
23% Popularity β’ 33% Danceability β’ 88% Energy β’ 37% Liveness
0% Instrumentalness β’ 72% Positiveness
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Tempalay
SONIC WAVE
188 bpm β’ B min β’ 04:29 β’ -6.1db
26% Popularity β’ 47% Danceability β’ 74% Energy β’ 30% Liveness
0% Instrumentalness β’ 61% Positiveness
26% Popularity β’ 47% Danceability β’ 74% Energy β’ 30% Liveness
0% Instrumentalness β’ 61% Positiveness
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Ohashi Trio
RAINYDAY
183 bpm β’ C# Maj β’ 04:02 β’ -10db
28% Popularity β’ 48% Danceability β’ 50% Energy β’ 15% Liveness
0% Instrumentalness β’ 69% Positiveness
28% Popularity β’ 48% Danceability β’ 50% Energy β’ 15% Liveness
0% Instrumentalness β’ 69% Positiveness
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Helsinki Lambda Club
This is a pen.
192 bpm β’ C Maj β’ 02:47 β’ -3.61db
24% Popularity β’ 28% Danceability β’ 86% Energy β’ 17% Liveness
0% Instrumentalness β’ 56% Positiveness
24% Popularity β’ 28% Danceability β’ 86% Energy β’ 17% Liveness
0% Instrumentalness β’ 56% Positiveness
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domico
γ³γγ³γγγ³γγ
182 bpm β’ G# Maj β’ 03:07 β’ -3.87db
30% Popularity β’ 42% Danceability β’ 93% Energy β’ 24% Liveness
0% Instrumentalness β’ 61% Positiveness
30% Popularity β’ 42% Danceability β’ 93% Energy β’ 24% Liveness
0% Instrumentalness β’ 61% Positiveness
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The tiva
Ideals
180 bpm β’ F Maj β’ 02:55 β’ -8db
15% Popularity β’ 25% Danceability β’ 91% Energy β’ 12% Liveness
0% Instrumentalness β’ 50% Positiveness
15% Popularity β’ 25% Danceability β’ 91% Energy β’ 12% Liveness
0% Instrumentalness β’ 50% Positiveness
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DYGL
Slizzard
182 bpm β’ C# Maj β’ 02:01 β’ -9.72db
13% Popularity β’ 40% Danceability β’ 81% Energy β’ 30% Liveness
0% Instrumentalness β’ 46% Positiveness
13% Popularity β’ 40% Danceability β’ 81% Energy β’ 30% Liveness
0% Instrumentalness β’ 46% Positiveness
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ego apartment
Loose
180 bpm β’ C# min β’ 03:14 β’ -6.77db
16% Popularity β’ 52% Danceability β’ 78% Energy β’ 15% Liveness
0% Instrumentalness β’ 41% Positiveness
16% Popularity β’ 52% Danceability β’ 78% Energy β’ 15% Liveness
0% Instrumentalness β’ 41% Positiveness
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Ohashi Trio
Let us go
180 bpm β’ D# min β’ 03:51 β’ -9.27db
14% Popularity β’ 46% Danceability β’ 61% Energy β’ 8% Liveness
1% Instrumentalness β’ 24% Positiveness
14% Popularity β’ 46% Danceability β’ 61% Energy β’ 8% Liveness
1% Instrumentalness β’ 24% Positiveness
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Helsinki Lambda Club
Jokebox
178 bpm β’ A Maj β’ 03:37 β’ -4db
23% Popularity β’ 42% Danceability β’ 92% Energy β’ 8% Liveness
2% Instrumentalness β’ 37% Positiveness
23% Popularity β’ 42% Danceability β’ 92% Energy β’ 8% Liveness
2% Instrumentalness β’ 37% Positiveness
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No Buses
Sleepswimming
178 bpm β’ F# min β’ 03:08 β’ -6.31db
31% Popularity β’ 43% Danceability β’ 75% Energy β’ 50% Liveness
65% Instrumentalness β’ 74% Positiveness
31% Popularity β’ 43% Danceability β’ 75% Energy β’ 50% Liveness
65% Instrumentalness β’ 74% Positiveness
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the telephones
sick rocks
177 bpm β’ F Maj β’ 02:45 β’ -3.29db
17% Popularity β’ 51% Danceability β’ 86% Energy β’ 17% Liveness
0% Instrumentalness β’ 82% Positiveness
17% Popularity β’ 51% Danceability β’ 86% Energy β’ 17% Liveness
0% Instrumentalness β’ 82% Positiveness
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DYGL
Take It Away
197 bpm β’ A Maj β’ 02:31 β’ -3.79db
16% Popularity β’ 42% Danceability β’ 91% Energy β’ 17% Liveness
0% Instrumentalness β’ 81% Positiveness
16% Popularity β’ 42% Danceability β’ 91% Energy β’ 17% Liveness
0% Instrumentalness β’ 81% Positiveness
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Bearwear
e.g.
175 bpm β’ A Maj β’ 03:11 β’ -9.14db
23% Popularity β’ 52% Danceability β’ 73% Energy β’ 11% Liveness
1% Instrumentalness β’ 56% Positiveness
23% Popularity β’ 52% Danceability β’ 73% Energy β’ 11% Liveness
1% Instrumentalness β’ 56% Positiveness
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Analogfish
γγ€γγγγ»γ
175 bpm β’ B Maj β’ 04:55 β’ -6db
13% Popularity β’ 61% Danceability β’ 66% Energy β’ 7% Liveness
0% Instrumentalness β’ 64% Positiveness
13% Popularity β’ 61% Danceability β’ 66% Energy β’ 7% Liveness
0% Instrumentalness β’ 64% Positiveness
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Helsinki Lambda Club
IKEA
176 bpm β’ E min β’ 04:49 β’ -7.2db
14% Popularity β’ 48% Danceability β’ 67% Energy β’ 8% Liveness
0% Instrumentalness β’ 56% Positiveness
14% Popularity β’ 48% Danceability β’ 67% Energy β’ 8% Liveness
0% Instrumentalness β’ 56% Positiveness
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No Buses
Tic
175 bpm β’ C# Maj β’ 02:18 β’ -5.5db
35% Popularity β’ 52% Danceability β’ 91% Energy β’ 35% Liveness
0% Instrumentalness β’ 76% Positiveness
35% Popularity β’ 52% Danceability β’ 91% Energy β’ 35% Liveness
0% Instrumentalness β’ 76% Positiveness
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BEAT CRUSADERS
JAPANESE GIRL
174 bpm β’ A Maj β’ 02:32 β’ -5db
29% Popularity β’ 45% Danceability β’ 93% Energy β’ 10% Liveness
0% Instrumentalness β’ 89% Positiveness
29% Popularity β’ 45% Danceability β’ 93% Energy β’ 10% Liveness
0% Instrumentalness β’ 89% Positiveness
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The tiva
Kids2
174 bpm β’ C# Maj β’ 03:03 β’ -4db
14% Popularity β’ 30% Danceability β’ 87% Energy β’ 12% Liveness
2% Instrumentalness β’ 36% Positiveness
14% Popularity β’ 30% Danceability β’ 87% Energy β’ 12% Liveness
2% Instrumentalness β’ 36% Positiveness
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TENDOUJI
COCO
174 bpm β’ C# Maj β’ 03:21 β’ -5.68db
16% Popularity β’ 23% Danceability β’ 86% Energy β’ 98% Liveness
0% Instrumentalness β’ 48% Positiveness
16% Popularity β’ 23% Danceability β’ 86% Energy β’ 98% Liveness
0% Instrumentalness β’ 48% Positiveness
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TAWINGS
POODLES
173 bpm β’ D Maj β’ 03:52 β’ -5.23db
9% Popularity β’ 70% Danceability β’ 78% Energy β’ 5% Liveness
5% Instrumentalness β’ 95% Positiveness
9% Popularity β’ 70% Danceability β’ 78% Energy β’ 5% Liveness
5% Instrumentalness β’ 95% Positiveness
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Helsinki Lambda Club
Good News Is Bad News
200 bpm β’ G Maj β’ 04:10 β’ -5.26db
42% Popularity β’ 56% Danceability β’ 69% Energy β’ 9% Liveness
2% Instrumentalness β’ 46% Positiveness
42% Popularity β’ 56% Danceability β’ 69% Energy β’ 9% Liveness
2% Instrumentalness β’ 46% Positiveness
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cero
Orphans
172 bpm β’ C min β’ 04:55 β’ -5db
37% Popularity β’ 63% Danceability β’ 50% Energy β’ 10% Liveness
0% Instrumentalness β’ 72% Positiveness
37% Popularity β’ 63% Danceability β’ 50% Energy β’ 10% Liveness
0% Instrumentalness β’ 72% Positiveness
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Tempalay
θ±θ‘£ιΊ»ι
172 bpm β’ B min β’ 03:43 β’ -8db
29% Popularity β’ 42% Danceability β’ 52% Energy β’ 18% Liveness
8% Instrumentalness β’ 68% Positiveness
29% Popularity β’ 42% Danceability β’ 52% Energy β’ 18% Liveness
8% Instrumentalness β’ 68% Positiveness
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LIGHTERS
blue
172 bpm β’ D Maj β’ 02:31 β’ -3db
15% Popularity β’ 41% Danceability β’ 77% Energy β’ 7% Liveness
2% Instrumentalness β’ 38% Positiveness
15% Popularity β’ 41% Danceability β’ 77% Energy β’ 7% Liveness
2% Instrumentalness β’ 38% Positiveness
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ELLEGARDEN
Make A Wish
172 bpm β’ E Maj β’ 02:18 β’ -1.76db
41% Popularity β’ 26% Danceability β’ 75% Energy β’ 14% Liveness
0% Instrumentalness β’ 60% Positiveness
41% Popularity β’ 26% Danceability β’ 75% Energy β’ 14% Liveness
0% Instrumentalness β’ 60% Positiveness
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domico
γΎγ©γγΎγͺγ
204 bpm β’ F# min β’ 03:27 β’ -3.04db
4% Popularity β’ 56% Danceability β’ 71% Energy β’ 18% Liveness
0% Instrumentalness β’ 85% Positiveness
4% Popularity β’ 56% Danceability β’ 71% Energy β’ 18% Liveness
0% Instrumentalness β’ 85% Positiveness
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Helsinki Lambda Club
δ½γ¨γγγͺγγ‘γ
174 bpm β’ D min β’ 03:13 β’ -4.28db
24% Popularity β’ 50% Danceability β’ 93% Energy β’ 35% Liveness
0% Instrumentalness β’ 86% Positiveness
24% Popularity β’ 50% Danceability β’ 93% Energy β’ 35% Liveness
0% Instrumentalness β’ 86% Positiveness
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TENDOUJI
Kids in the dark
170 bpm β’ D# Maj β’ 03:19 β’ -6.61db
26% Popularity β’ 45% Danceability β’ 77% Energy β’ 8% Liveness
0% Instrumentalness β’ 82% Positiveness
26% Popularity β’ 45% Danceability β’ 77% Energy β’ 8% Liveness
0% Instrumentalness β’ 82% Positiveness
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NOT WONK
This Ordinary
171 bpm β’ E Maj β’ 03:52 β’ 0.72db
6% Popularity β’ 18% Danceability β’ 98% Energy β’ 11% Liveness
12% Instrumentalness β’ 35% Positiveness
6% Popularity β’ 18% Danceability β’ 98% Energy β’ 11% Liveness
12% Instrumentalness β’ 35% Positiveness
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DYGL
Let's Get Into Your Car
170 bpm β’ C# Maj β’ 03:16 β’ -8.65db
15% Popularity β’ 37% Danceability β’ 73% Energy β’ 6% Liveness
10% Instrumentalness β’ 67% Positiveness
15% Popularity β’ 37% Danceability β’ 73% Energy β’ 6% Liveness
10% Instrumentalness β’ 67% Positiveness
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Lovely Summer Chan
I Told You A Lie
170 bpm β’ A Maj β’ 04:03 β’ -4.74db
19% Popularity β’ 35% Danceability β’ 81% Energy β’ 34% Liveness
0% Instrumentalness β’ 48% Positiveness
19% Popularity β’ 35% Danceability β’ 81% Energy β’ 34% Liveness
0% Instrumentalness β’ 48% Positiveness
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The tiva
Laid back
170 bpm β’ F Maj β’ 03:54 β’ -2.71db
11% Popularity β’ 51% Danceability β’ 80% Energy β’ 18% Liveness
0% Instrumentalness β’ 65% Positiveness
11% Popularity β’ 51% Danceability β’ 80% Energy β’ 18% Liveness
0% Instrumentalness β’ 65% Positiveness
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Helsinki Lambda Club
γγγ£γ¦γͺγΌγ«γγΉγγ ?
170 bpm β’ F# Maj β’ 01:34 β’ -4db
32% Popularity β’ 44% Danceability β’ 85% Energy β’ 21% Liveness
2% Instrumentalness β’ 98% Positiveness
32% Popularity β’ 44% Danceability β’ 85% Energy β’ 21% Liveness
2% Instrumentalness β’ 98% Positiveness
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No Buses
Is It Strange
170 bpm β’ E Maj β’ 02:13 β’ -4.1db
18% Popularity β’ 41% Danceability β’ 98% Energy β’ 18% Liveness
76% Instrumentalness β’ 81% Positiveness
18% Popularity β’ 41% Danceability β’ 98% Energy β’ 18% Liveness
76% Instrumentalness β’ 81% Positiveness
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the HIATUS
Ghost In The Rain
170 bpm β’ D Maj β’ 03:38 β’ -3.01db
32% Popularity β’ 36% Danceability β’ 97% Energy β’ 9% Liveness
1% Instrumentalness β’ 38% Positiveness
32% Popularity β’ 36% Danceability β’ 97% Energy β’ 9% Liveness
1% Instrumentalness β’ 38% Positiveness
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Kenichi Asai
Stinger
170 bpm β’ D min β’ 03:51 β’ -5.67db
12% Popularity β’ 39% Danceability β’ 80% Energy β’ 10% Liveness
64% Instrumentalness β’ 84% Positiveness
12% Popularity β’ 39% Danceability β’ 80% Energy β’ 10% Liveness
64% Instrumentalness β’ 84% Positiveness
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γγ¬γΌγγ¦γ€γΊ
δΊΊι倧ε₯½γ
169 bpm β’ D# Maj β’ 03:56 β’ -5db
16% Popularity β’ 43% Danceability β’ 97% Energy β’ 32% Liveness
0% Instrumentalness β’ 49% Positiveness
16% Popularity β’ 43% Danceability β’ 97% Energy β’ 32% Liveness
0% Instrumentalness β’ 49% Positiveness
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DYGL
Half of Me
169 bpm β’ G# Maj β’ 03:21 β’ -6.49db
28% Popularity β’ 57% Danceability β’ 66% Energy β’ 8% Liveness
0% Instrumentalness β’ 75% Positiveness
28% Popularity β’ 57% Danceability β’ 66% Energy β’ 8% Liveness
0% Instrumentalness β’ 75% Positiveness
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domico
my baby
168 bpm β’ D Maj β’ 02:10 β’ -4.62db
0% Popularity β’ 46% Danceability β’ 56% Energy β’ 65% Liveness
0% Instrumentalness β’ 31% Positiveness
0% Popularity β’ 46% Danceability β’ 56% Energy β’ 65% Liveness
0% Instrumentalness β’ 31% Positiveness
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No Buses
Rubbish:)
169 bpm β’ F# Maj β’ 02:15 β’ -6.42db
28% Popularity β’ 36% Danceability β’ 88% Energy β’ 5% Liveness
96% Instrumentalness β’ 90% Positiveness
28% Popularity β’ 36% Danceability β’ 88% Energy β’ 5% Liveness
96% Instrumentalness β’ 90% Positiveness
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8otto
Ganges-Fox
168 bpm β’ A Maj β’ 03:31 β’ -6.43db
9% Popularity β’ 51% Danceability β’ 52% Energy β’ 20% Liveness
0% Instrumentalness β’ 57% Positiveness
9% Popularity β’ 51% Danceability β’ 52% Energy β’ 20% Liveness
0% Instrumentalness β’ 57% Positiveness
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Helsinki Lambda Club
Lost in the Supermarket
168 bpm β’ A# Maj β’ 02:54 β’ -3.44db
25% Popularity β’ 61% Danceability β’ 86% Energy β’ 11% Liveness
0% Instrumentalness β’ 92% Positiveness
25% Popularity β’ 61% Danceability β’ 86% Energy β’ 11% Liveness
0% Instrumentalness β’ 92% Positiveness
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TENDOUJI
Killing Heads
167 bpm β’ B Maj β’ 02:54 β’ -3.11db
27% Popularity β’ 40% Danceability β’ 96% Energy β’ 37% Liveness
0% Instrumentalness β’ 69% Positiveness
27% Popularity β’ 40% Danceability β’ 96% Energy β’ 37% Liveness
0% Instrumentalness β’ 69% Positiveness
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DYGL
Feel the Way
168 bpm β’ C# Maj β’ 02:55 β’ -4.36db
12% Popularity β’ 40% Danceability β’ 93% Energy β’ 14% Liveness
35% Instrumentalness β’ 67% Positiveness
12% Popularity β’ 40% Danceability β’ 93% Energy β’ 14% Liveness
35% Instrumentalness β’ 67% Positiveness
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the HIATUS
Souls Jamie Blake
167 bpm β’ A Maj β’ 04:29 β’ -5.88db
20% Popularity β’ 45% Danceability β’ 72% Energy β’ 19% Liveness
0% Instrumentalness β’ 34% Positiveness
20% Popularity β’ 45% Danceability β’ 72% Energy β’ 19% Liveness
0% Instrumentalness β’ 34% Positiveness
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SPECIAL OTHERS
Laurentech
167 bpm β’ F# min β’ 09:27 β’ -6.45db
31% Popularity β’ 49% Danceability β’ 88% Energy β’ 10% Liveness
22% Instrumentalness β’ 55% Positiveness
31% Popularity β’ 49% Danceability β’ 88% Energy β’ 10% Liveness
22% Instrumentalness β’ 55% Positiveness
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MONOEYES
Borderland
166 bpm β’ A# Maj β’ 03:33 β’ -4.39db
30% Popularity β’ 42% Danceability β’ 72% Energy β’ 8% Liveness
0% Instrumentalness β’ 44% Positiveness
30% Popularity β’ 42% Danceability β’ 72% Energy β’ 8% Liveness
0% Instrumentalness β’ 44% Positiveness
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the telephones
Monkey Discooooooo
166 bpm β’ E min β’ 04:12 β’ -2.78db
22% Popularity β’ 43% Danceability β’ 96% Energy β’ 18% Liveness
0% Instrumentalness β’ 59% Positiveness
22% Popularity β’ 43% Danceability β’ 96% Energy β’ 18% Liveness
0% Instrumentalness β’ 59% Positiveness
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Kaneko Ayano
γγγΌγͺγγγͺγ
211 bpm β’ G Maj β’ 04:56 β’ -3.87db
37% Popularity β’ 32% Danceability β’ 80% Energy β’ 9% Liveness
0% Instrumentalness β’ 67% Positiveness
37% Popularity β’ 32% Danceability β’ 80% Energy β’ 9% Liveness
0% Instrumentalness β’ 67% Positiveness
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DYGL
Stereo Song
208 bpm β’ C Maj β’ 03:35 β’ -6.19db
11% Popularity β’ 39% Danceability β’ 74% Energy β’ 29% Liveness
0% Instrumentalness β’ 77% Positiveness
11% Popularity β’ 39% Danceability β’ 74% Energy β’ 29% Liveness
0% Instrumentalness β’ 77% Positiveness
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Leo Imai
Fresh Horses
166 bpm β’ D Maj β’ 04:30 β’ -4.47db
9% Popularity β’ 31% Danceability β’ 97% Energy β’ 14% Liveness
0% Instrumentalness β’ 32% Positiveness
9% Popularity β’ 31% Danceability β’ 97% Energy β’ 14% Liveness
0% Instrumentalness β’ 32% Positiveness
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the HIATUS
Servant
166 bpm β’ A min β’ 03:07 β’ -4.46db
21% Popularity β’ 58% Danceability β’ 72% Energy β’ 34% Liveness
0% Instrumentalness β’ 71% Positiveness
21% Popularity β’ 58% Danceability β’ 72% Energy β’ 34% Liveness
0% Instrumentalness β’ 71% Positiveness
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MONOEYES
Bygone
166 bpm β’ C Maj β’ 03:04 β’ -4.73db
26% Popularity β’ 34% Danceability β’ 85% Energy β’ 10% Liveness
0% Instrumentalness β’ 36% Positiveness
26% Popularity β’ 34% Danceability β’ 85% Energy β’ 10% Liveness
0% Instrumentalness β’ 36% Positiveness
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I Saw You Yesterday
Hometown
165 bpm β’ G# Maj β’ 03:00 β’ -5.16db
15% Popularity β’ 43% Danceability β’ 80% Energy β’ 11% Liveness
53% Instrumentalness β’ 68% Positiveness
15% Popularity β’ 43% Danceability β’ 80% Energy β’ 11% Liveness
53% Instrumentalness β’ 68% Positiveness
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Siamese Cats
PM 5:00
165 bpm β’ A# Maj β’ 03:17 β’ -7db
19% Popularity β’ 48% Danceability β’ 82% Energy β’ 7% Liveness
0% Instrumentalness β’ 91% Positiveness
19% Popularity β’ 48% Danceability β’ 82% Energy β’ 7% Liveness
0% Instrumentalness β’ 91% Positiveness
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DYGL
The Search
168 bpm β’ C Maj β’ 06:11 β’ -6.45db
10% Popularity β’ 46% Danceability β’ 66% Energy β’ 10% Liveness
0% Instrumentalness β’ 7% Positiveness
10% Popularity β’ 46% Danceability β’ 66% Energy β’ 10% Liveness
0% Instrumentalness β’ 7% Positiveness
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NOT WONK
Subtle Flicker
165 bpm β’ E Maj β’ 03:47 β’ -7.08db
8% Popularity β’ 32% Danceability β’ 83% Energy β’ 31% Liveness
24% Instrumentalness β’ 24% Positiveness
8% Popularity β’ 32% Danceability β’ 83% Energy β’ 31% Liveness
24% Instrumentalness β’ 24% Positiveness
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No Buses
Cut My Nails
165 bpm β’ G Maj β’ 02:32 β’ -4.31db
26% Popularity β’ 38% Danceability β’ 98% Energy β’ 25% Liveness
16% Instrumentalness β’ 96% Positiveness
26% Popularity β’ 38% Danceability β’ 98% Energy β’ 25% Liveness
16% Instrumentalness β’ 96% Positiveness
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Newspeak
Great Pretenders
165 bpm β’ B Maj β’ 04:22 β’ -5.25db
10% Popularity β’ 46% Danceability β’ 86% Energy β’ 30% Liveness
0% Instrumentalness β’ 38% Positiveness
10% Popularity β’ 46% Danceability β’ 86% Energy β’ 30% Liveness
0% Instrumentalness β’ 38% Positiveness
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εε€δΉδΉ
ι樣ηδΊΊ
165 bpm β’ G# Maj β’ 03:37 β’ -4db
15% Popularity β’ 32% Danceability β’ 88% Energy β’ 12% Liveness
9% Instrumentalness β’ 39% Positiveness
15% Popularity β’ 32% Danceability β’ 88% Energy β’ 12% Liveness
9% Instrumentalness β’ 39% Positiveness
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w.o.d.
THE CHAIR
165 bpm β’ G# Maj β’ 02:58 β’ -0.92db
21% Popularity β’ 30% Danceability β’ 100% Energy β’ 36% Liveness
15% Instrumentalness β’ 38% Positiveness
21% Popularity β’ 30% Danceability β’ 100% Energy β’ 36% Liveness
15% Instrumentalness β’ 38% Positiveness
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DYGL
Bad Kicks
166 bpm β’ D Maj β’ 02:38 β’ -2.77db
17% Popularity β’ 38% Danceability β’ 96% Energy β’ 64% Liveness
91% Instrumentalness β’ 37% Positiveness
17% Popularity β’ 38% Danceability β’ 96% Energy β’ 64% Liveness
91% Instrumentalness β’ 37% Positiveness
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the telephones
Love&DISCO
163 bpm β’ G Maj β’ 04:27 β’ -4.7db
23% Popularity β’ 33% Danceability β’ 91% Energy β’ 9% Liveness
0% Instrumentalness β’ 23% Positiveness
23% Popularity β’ 33% Danceability β’ 91% Energy β’ 9% Liveness
0% Instrumentalness β’ 23% Positiveness
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Say Sue Me
Old Town
163 bpm β’ C# Maj β’ 03:53 β’ -5.02db
29% Popularity β’ 39% Danceability β’ 98% Energy β’ 10% Liveness
80% Instrumentalness β’ 25% Positiveness
29% Popularity β’ 39% Danceability β’ 98% Energy β’ 10% Liveness
80% Instrumentalness β’ 25% Positiveness
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the band apart
I love you Wasted Junks & Greens
162 bpm β’ A Maj β’ 04:26 β’ -6.5db
21% Popularity β’ 39% Danceability β’ 94% Energy β’ 33% Liveness
1% Instrumentalness β’ 85% Positiveness
21% Popularity β’ 39% Danceability β’ 94% Energy β’ 33% Liveness
1% Instrumentalness β’ 85% Positiveness
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Ykiki Beat
Modern Lies
162 bpm β’ E Maj β’ 03:05 β’ -5.45db
8% Popularity β’ 42% Danceability β’ 89% Energy β’ 8% Liveness
83% Instrumentalness β’ 55% Positiveness
8% Popularity β’ 42% Danceability β’ 89% Energy β’ 8% Liveness
83% Instrumentalness β’ 55% Positiveness
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w.o.d.
ζ₯½ε
164 bpm β’ C# Maj β’ 02:33 β’ -0.82db
29% Popularity β’ 20% Danceability β’ 98% Energy β’ 14% Liveness
12% Instrumentalness β’ 11% Positiveness
29% Popularity β’ 20% Danceability β’ 98% Energy β’ 14% Liveness
12% Instrumentalness β’ 11% Positiveness
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DYGL
Wanderlust
162 bpm β’ F Maj β’ 03:07 β’ -6.13db
20% Popularity β’ 63% Danceability β’ 46% Energy β’ 58% Liveness
0% Instrumentalness β’ 90% Positiveness
20% Popularity β’ 63% Danceability β’ 46% Energy β’ 58% Liveness
0% Instrumentalness β’ 90% Positiveness
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BEAT CRUSADERS
γSASQUATCHγ
162 bpm β’ A Maj β’ 01:37 β’ -4.22db
12% Popularity β’ 49% Danceability β’ 85% Energy β’ 8% Liveness
56% Instrumentalness β’ 87% Positiveness
12% Popularity β’ 49% Danceability β’ 85% Energy β’ 8% Liveness
56% Instrumentalness β’ 87% Positiveness
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LIGHTERS
Holiday
162 bpm β’ C Maj β’ 02:36 β’ -12.28db
8% Popularity β’ 52% Danceability β’ 53% Energy β’ 13% Liveness
1% Instrumentalness β’ 76% Positiveness
8% Popularity β’ 52% Danceability β’ 53% Energy β’ 13% Liveness
1% Instrumentalness β’ 76% Positiveness
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Siamese Cats
KISS
161 bpm β’ F Maj β’ 02:41 β’ -6db
25% Popularity β’ 42% Danceability β’ 86% Energy β’ 10% Liveness
5% Instrumentalness β’ 91% Positiveness
25% Popularity β’ 42% Danceability β’ 86% Energy β’ 10% Liveness
5% Instrumentalness β’ 91% Positiveness
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No Buses
Imagine Siblings
160 bpm β’ A Maj β’ 05:04 β’ -6.27db
29% Popularity β’ 60% Danceability β’ 67% Energy β’ 6% Liveness
72% Instrumentalness β’ 71% Positiveness
29% Popularity β’ 60% Danceability β’ 67% Energy β’ 6% Liveness
72% Instrumentalness β’ 71% Positiveness
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I Saw You Yesterday
Still New
160 bpm β’ G Maj β’ 03:35 β’ -6.43db
8% Popularity β’ 43% Danceability β’ 83% Energy β’ 17% Liveness
47% Instrumentalness β’ 69% Positiveness
8% Popularity β’ 43% Danceability β’ 83% Energy β’ 17% Liveness
47% Instrumentalness β’ 69% Positiveness
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DYGL
Bad Kicks
166 bpm β’ A min β’ 02:29 β’ -8.75db
5% Popularity β’ 40% Danceability β’ 79% Energy β’ 41% Liveness
72% Instrumentalness β’ 71% Positiveness
5% Popularity β’ 40% Danceability β’ 79% Energy β’ 41% Liveness
72% Instrumentalness β’ 71% Positiveness
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OYAT
TIME IS OVER
160 bpm β’ C min β’ 04:38 β’ -6.23db
14% Popularity β’ 68% Danceability β’ 71% Energy β’ 9% Liveness
0% Instrumentalness β’ 62% Positiveness
14% Popularity β’ 68% Danceability β’ 71% Energy β’ 9% Liveness
0% Instrumentalness β’ 62% Positiveness
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THE CHARM PARK
γΏγ€γ γ¬γΉ
159 bpm β’ D Maj β’ 04:08 β’ -6.48db
13% Popularity β’ 26% Danceability β’ 52% Energy β’ 11% Liveness
6% Instrumentalness β’ 32% Positiveness
13% Popularity β’ 26% Danceability β’ 52% Energy β’ 11% Liveness
6% Instrumentalness β’ 32% Positiveness
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DYGL
Acervation
166 bpm β’ D Maj β’ 03:49 β’ -7.78db
30% Popularity β’ 56% Danceability β’ 78% Energy β’ 18% Liveness
1% Instrumentalness β’ 40% Positiveness
30% Popularity β’ 56% Danceability β’ 78% Energy β’ 18% Liveness
1% Instrumentalness β’ 40% Positiveness