Songs like A Picture of You by Joe Brown
Based on a tempo of (+/- 10%) and a similar genre
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Traveling Wilburys
You Took My Breath Away
94 bpm • C Maj • 03:18 • -6db
45% Popularity • 61% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
45% Popularity • 61% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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Georgie Fame & The Blue Flames
Getaway
94 bpm • B Maj • 02:32 • -11db
28% Popularity • 84% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 84% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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The Dave Clark Five
Whenever You're Around (2019 - Remaster)
94 bpm • C Maj • 02:54 • -11.99db
24% Popularity • 56% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 56% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Don Partridge
Rosie
93 bpm • B Maj • 02:16 • -7.28db
23% Popularity • 71% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 71% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
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Freddie & The Dreamers
A Windmill in Old Amsterdam
95 bpm • A# Maj • 02:08 • -9db
14% Popularity • 70% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 70% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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The Bystanders
When Jezamine Goes
93 bpm • C Maj • 03:13 • -7.87db
9% Popularity • 42% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 42% Danceability • 45% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
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David Soul
1927 Kansas City
95 bpm • D Maj • 03:11 • -17.12db
12% Popularity • 63% Danceability • 30% Energy • 14% Liveness
1% Instrumentalness • 55% Positiveness
12% Popularity • 63% Danceability • 30% Energy • 14% Liveness
1% Instrumentalness • 55% Positiveness
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The Association
Never My Love - Mono 45 Mix
95 bpm • C# Maj • 02:55 • -12db
30% Popularity • 50% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 50% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Chet Atkins
There'll Be Some Changes Made
95 bpm • B min • 06:27 • -18db
32% Popularity • 76% Danceability • 34% Energy • 17% Liveness
3% Instrumentalness • 60% Positiveness
32% Popularity • 76% Danceability • 34% Energy • 17% Liveness
3% Instrumentalness • 60% Positiveness
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Gilbert O'Sullivan
Made in Love
93 bpm • B Maj • 03:25 • -10.24db
8% Popularity • 72% Danceability • 64% Energy • 65% Liveness
1% Instrumentalness • 65% Positiveness
8% Popularity • 72% Danceability • 64% Energy • 65% Liveness
1% Instrumentalness • 65% Positiveness
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Jackson Browne
Linda Paloma
95 bpm • B Maj • 04:06 • -9.7db
31% Popularity • 54% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 54% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Michael Nesmith
Rio
93 bpm • D Maj • 06:10 • -12.63db
29% Popularity • 55% Danceability • 68% Energy • 53% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 55% Danceability • 68% Energy • 53% Liveness
0% Instrumentalness • 68% Positiveness
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Mary Hopkin
Goodbye - Official 1977 Rerecording
95 bpm • E Maj • 02:20 • -5db
28% Popularity • 63% Danceability • 48% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 63% Danceability • 48% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
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Lindisfarne
Meet Me On The Corner
93 bpm • A Maj • 02:40 • -14.44db
40% Popularity • 58% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 58% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Randy Newman
Rider in the Rain
95 bpm • C Maj • 03:54 • -19db
28% Popularity • 59% Danceability • 24% Energy • 7% Liveness
5% Instrumentalness • 46% Positiveness
28% Popularity • 59% Danceability • 24% Energy • 7% Liveness
5% Instrumentalness • 46% Positiveness
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Gary Puckett & The Union Gap
Honey (I Miss You)
92 bpm • A Maj • 04:12 • -11db
44% Popularity • 43% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
44% Popularity • 43% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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Billy Fury
I Love How You Love Me
92 bpm • D# Maj • 02:15 • -7.74db
27% Popularity • 53% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 53% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
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Dave Berry
The Crying Game
92 bpm • C Maj • 02:45 • -14.63db
32% Popularity • 50% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
32% Popularity • 50% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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The Tremeloes
I Shall Be Released
92 bpm • C Maj • 03:30 • -5.71db
18% Popularity • 40% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
18% Popularity • 40% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Congregation
Softly Whispering I Love You
96 bpm • A# Maj • 03:01 • -7.2db
34% Popularity • 36% Danceability • 63% Energy • 16% Liveness
2% Instrumentalness • 58% Positiveness
34% Popularity • 36% Danceability • 63% Energy • 16% Liveness
2% Instrumentalness • 58% Positiveness
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The Mamas & The Papas
Twist And Shout
96 bpm • F# Maj • 02:53 • -6.61db
36% Popularity • 55% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
36% Popularity • 55% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Oliver
Jean
92 bpm • D# Maj • 03:24 • -13db
30% Popularity • 31% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 31% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Joe Brown
Do It All over Again
96 bpm • G Maj • 03:11 • -10.9db
5% Popularity • 72% Danceability • 63% Energy • 13% Liveness
1% Instrumentalness • 72% Positiveness
5% Popularity • 72% Danceability • 63% Energy • 13% Liveness
1% Instrumentalness • 72% Positiveness
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Hurricane Smith
Don't Let It Die
92 bpm • F Maj • 02:35 • -10db
27% Popularity • 48% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 48% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Georgie Fame
I Almost Lost My Mind
97 bpm • C Maj • 04:51 • -15.6db
16% Popularity • 43% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
16% Popularity • 43% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
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Donovan
Josie
97 bpm • C Maj • 03:25 • -13.75db
27% Popularity • 58% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 58% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Alan Price
Look over Your Shoulder
91 bpm • F Maj • 02:23 • -11.31db
13% Popularity • 62% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 62% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Marty Wilde
Teenage Tears
97 bpm • E min • 02:19 • -9db
23% Popularity • 57% Danceability • 43% Energy • 22% Liveness
1% Instrumentalness • 52% Positiveness
23% Popularity • 57% Danceability • 43% Energy • 22% Liveness
1% Instrumentalness • 52% Positiveness
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The Byrds
Ballad of Easy Rider
97 bpm • D Maj • 02:04 • -12db
44% Popularity • 41% Danceability • 64% Energy • 27% Liveness
5% Instrumentalness • 76% Positiveness
44% Popularity • 41% Danceability • 64% Energy • 27% Liveness
5% Instrumentalness • 76% Positiveness
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Scott English
Brandy - Rerecorded 1972
97 bpm • A# Maj • 02:58 • -13db
29% Popularity • 56% Danceability • 45% Energy • 48% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 56% Danceability • 45% Energy • 48% Liveness
0% Instrumentalness • 67% Positiveness
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Peter Skellern
Still Magic
91 bpm • C# Maj • 04:21 • -21.92db
9% Popularity • 44% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 44% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Elvis Costello & The Attractions
Good Year For The Roses
97 bpm • A Maj • 03:08 • -10.96db
47% Popularity • 51% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 51% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Alan Price
Don't Stop the Carnival (Bonus Track)
97 bpm • G Maj • 02:31 • -9.82db
14% Popularity • 53% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 53% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Brian Hyland
Sealed With A Kiss
91 bpm • F min • 02:42 • -10db
58% Popularity • 45% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
58% Popularity • 45% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Helen Shapiro
Walkin' Back to Happiness
98 bpm • G# Maj • 02:31 • -9db
48% Popularity • 66% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
48% Popularity • 66% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Long John Baldry
Let the Heartaches Begin
91 bpm • A Maj • 03:12 • -8.55db
33% Popularity • 46% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 46% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Matthews' Southern Comfort
And When She Smiles (She Makes the Sun S...
90 bpm • G Maj • 02:13 • -16.85db
20% Popularity • 58% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
20% Popularity • 58% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 87% Positiveness
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Gilbert O'Sullivan
If I Don't Get You (Back Again)
98 bpm • B Maj • 02:44 • -11.56db
20% Popularity • 50% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 50% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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The Dave Clark Five
Universal Love (2019 - Remaster)
98 bpm • G Maj • 04:09 • -11.72db
8% Popularity • 57% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 57% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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The Lovin' Spoonful
Darlin' Companion - Previously Unrelease...
90 bpm • D Maj • 02:25 • -10.45db
12% Popularity • 69% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 69% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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The Ivy League
Funny How Love Can Be
98 bpm • D Maj • 02:07 • -9.51db
29% Popularity • 56% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 56% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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Nick Lowe
Poor Side of Town
99 bpm • E min • 03:51 • -9.96db
20% Popularity • 67% Danceability • 57% Energy • 20% Liveness
2% Instrumentalness • 59% Positiveness
20% Popularity • 67% Danceability • 57% Energy • 20% Liveness
2% Instrumentalness • 59% Positiveness
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The Swinging Blue Jeans
Three Little Fishes - Commercial Test
99 bpm • G Maj • 02:11 • -7.08db
18% Popularity • 70% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 70% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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The Shadows
Dance On
89 bpm • A Maj • 02:23 • -9.92db
30% Popularity • 50% Danceability • 64% Energy • 16% Liveness
71% Instrumentalness • 96% Positiveness
30% Popularity • 50% Danceability • 64% Energy • 16% Liveness
71% Instrumentalness • 96% Positiveness
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Val Doonican
The Special Years
99 bpm • G Maj • 02:38 • -13.93db
22% Popularity • 36% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 36% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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The Lovin' Spoonful
Nashville Cats - 2003 Remaster
90 bpm • C Maj • 02:34 • -11.22db
36% Popularity • 78% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 78% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Jonathan King
Everyone's Gone to the Moon
89 bpm • D# Maj • 02:23 • -9db
34% Popularity • 43% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 43% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Bee Gees
New York Mining Disaster 1941
89 bpm • A min • 02:12 • -13.42db
51% Popularity • 45% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 45% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Clifford T. Ward
The Open University
99 bpm • A Maj • 02:24 • -13.97db
9% Popularity • 72% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 72% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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The Dave Clark Five
Everybody Knows (2019 - Remaster)
99 bpm • D# Maj • 02:19 • -9.83db
31% Popularity • 48% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 48% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Andy Fairweather Low
Ashes and Diamonds
99 bpm • G Maj • 04:21 • -9db
21% Popularity • 91% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 91% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Paul Jones
Sons & Lovers
99 bpm • F Maj • 03:02 • -10db
9% Popularity • 40% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 40% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
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Joe Brown
Hey Mama
89 bpm • D min • 03:26 • -10.91db
2% Popularity • 45% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
2% Popularity • 45% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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Ken Dodd
And I Love Her
100 bpm • A min • 03:06 • -11.57db
16% Popularity • 41% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 41% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 24% Positiveness
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The Rockin' Berries
Funny How Love Can Be
100 bpm • D Maj • 02:12 • -9.85db
14% Popularity • 52% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 52% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Frank Ifield
Angry at the Big Oak Tree
100 bpm • D Maj • 02:47 • -8.73db
19% Popularity • 52% Danceability • 56% Energy • 46% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 52% Danceability • 56% Energy • 46% Liveness
0% Instrumentalness • 62% Positiveness
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The Shadows
Don't Make My Baby Blue - Stereo; 2004 R...
100 bpm • A Maj • 02:17 • -6.96db
23% Popularity • 56% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 56% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
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John Stewart
July, You're A Woman
100 bpm • A# Maj • 03:14 • -9.82db
28% Popularity • 53% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 53% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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The Temperance Seven
Pasadena
100 bpm • F min • 03:02 • -14.89db
11% Popularity • 69% Danceability • 32% Energy • 7% Liveness
7% Instrumentalness • 60% Positiveness
11% Popularity • 69% Danceability • 32% Energy • 7% Liveness
7% Instrumentalness • 60% Positiveness
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Ray Stevens
Misty
100 bpm • D Maj • 02:55 • -13.73db
41% Popularity • 59% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 59% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Leon Russell
This Masquerade
100 bpm • A# Maj • 04:25 • -18.51db
32% Popularity • 52% Danceability • 13% Energy • 11% Liveness
66% Instrumentalness • 8% Positiveness
32% Popularity • 52% Danceability • 13% Energy • 11% Liveness
66% Instrumentalness • 8% Positiveness
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Joe Brown
Price Tag
88 bpm • F Maj • 03:13 • -7.6db
6% Popularity • 66% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
6% Popularity • 66% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Ken Dodd
Tears
88 bpm • C Maj • 02:51 • -11db
26% Popularity • 25% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 25% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Anthony Newley
Why?
100 bpm • G min • 02:26 • -9.38db
25% Popularity • 59% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 59% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Mike Sarne
Come Outside
100 bpm • C Maj • 02:52 • -6.86db
19% Popularity • 60% Danceability • 68% Energy • 62% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 60% Danceability • 68% Energy • 62% Liveness
0% Instrumentalness • 92% Positiveness
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Adam Faith
It's Alright - Mono Version; 2011 Remast...
88 bpm • C Maj • 02:40 • -7.03db
18% Popularity • 34% Danceability • 71% Energy • 53% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 34% Danceability • 71% Energy • 53% Liveness
0% Instrumentalness • 51% Positiveness
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Val Doonican
What Would I Be
88 bpm • A# min • 02:35 • -14db
16% Popularity • 42% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
16% Popularity • 42% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Joe Brown
I Like Ukuleles
101 bpm • C Maj • 02:07 • -6.3db
11% Popularity • 75% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 75% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Bobby Vee
More Than I Can Say
101 bpm • C# Maj • 02:29 • -10.38db
45% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Ray Davies
Days
87 bpm • E Maj • 03:43 • -14.43db
27% Popularity • 48% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
27% Popularity • 48% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Wayne Fontana & The Mindbenders
24 Sycamore
87 bpm • C# Maj • 03:17 • -8.14db
19% Popularity • 52% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 52% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Gallagher And Lyle
Breakaway - Edit Version
101 bpm • D Maj • 03:42 • -14.49db
33% Popularity • 49% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 49% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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John Lennon
Bring It On Home To Me / Send Me Some Lo...
87 bpm • A Maj • 03:42 • -9.71db
33% Popularity • 49% Danceability • 55% Energy • 15% Liveness
1% Instrumentalness • 54% Positiveness
33% Popularity • 49% Danceability • 55% Energy • 15% Liveness
1% Instrumentalness • 54% Positiveness
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Cliff Richard
I'm Looking out the Window - 1999 Remast...
102 bpm • C min • 02:46 • -12.66db
15% Popularity • 47% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 47% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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The Grass Roots
Back To Dreamin' Again
102 bpm • F Maj • 02:37 • -6.24db
27% Popularity • 64% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 64% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Clifford T. Ward
Wherewithal
87 bpm • F Maj • 02:56 • -11.63db
22% Popularity • 53% Danceability • 44% Energy • 13% Liveness
7% Instrumentalness • 49% Positiveness
22% Popularity • 53% Danceability • 44% Energy • 13% Liveness
7% Instrumentalness • 49% Positiveness
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Randy Newman
Mr. President (Have Pity on the Working ...
102 bpm • B Maj • 02:46 • -11.57db
34% Popularity • 56% Danceability • 46% Energy • 14% Liveness
1% Instrumentalness • 63% Positiveness
34% Popularity • 56% Danceability • 46% Energy • 14% Liveness
1% Instrumentalness • 63% Positiveness
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Andy Fairweather Low
Champagne Melody
102 bpm • E min • 03:21 • -9.67db
20% Popularity • 73% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 73% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Paul Simon
Take Me to the Mardi Gras
102 bpm • A Maj • 03:30 • -14.04db
39% Popularity • 69% Danceability • 47% Energy • 5% Liveness
2% Instrumentalness • 89% Positiveness
39% Popularity • 69% Danceability • 47% Energy • 5% Liveness
2% Instrumentalness • 89% Positiveness
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Leo Sayer
Train - 2010 Remastered Version
102 bpm • C Maj • 04:25 • -8.24db
16% Popularity • 55% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
16% Popularity • 55% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Peter Skellern
Love Is The Sweetest Thing
103 bpm • A# Maj • 03:22 • -19.62db
21% Popularity • 54% Danceability • 12% Energy • 15% Liveness
2% Instrumentalness • 33% Positiveness
21% Popularity • 54% Danceability • 12% Energy • 15% Liveness
2% Instrumentalness • 33% Positiveness
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Alan Price
Changes
86 bpm • A# Maj • 02:03 • -11db
17% Popularity • 31% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 31% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Cliff Richard & The Shadows
Say You're Mine - 2008 Remaster
103 bpm • G Maj • 02:34 • -8.27db
10% Popularity • 65% Danceability • 54% Energy • 40% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 65% Danceability • 54% Energy • 40% Liveness
0% Instrumentalness • 50% Positiveness
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Poco
Rose of Cimarron
86 bpm • D Maj • 04:15 • -10.41db
20% Popularity • 48% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 48% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Lobo
I'm Only Sleeping
103 bpm • D min • 02:19 • -12.22db
13% Popularity • 62% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 62% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Lonnie Johnson
Cotton Patch Blues
86 bpm • E Maj • 03:03 • -22.15db
1% Popularity • 52% Danceability • 4% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
1% Popularity • 52% Danceability • 4% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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Five Man Electrical Band
You're Going To Lose That Girl
103 bpm • E Maj • 02:17 • -10.87db
14% Popularity • 56% Danceability • 47% Energy • 84% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 56% Danceability • 47% Energy • 84% Liveness
0% Instrumentalness • 74% Positiveness
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The Notting Hillbillies
Blues Stay Away From Me
103 bpm • E Maj • 03:50 • -20.35db
38% Popularity • 64% Danceability • 13% Energy • 9% Liveness
55% Instrumentalness • 73% Positiveness
38% Popularity • 64% Danceability • 13% Energy • 9% Liveness
55% Instrumentalness • 73% Positiveness
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Chet Atkins
I'll See You in My Dreams
103 bpm • C Maj • 02:21 • -14.5db
44% Popularity • 56% Danceability • 73% Energy • 73% Liveness
57% Instrumentalness • 82% Positiveness
44% Popularity • 56% Danceability • 73% Energy • 73% Liveness
57% Instrumentalness • 82% Positiveness
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Geraint Watkins
Easy To Say 'Bon Temps Rouler'
86 bpm • F Maj • 03:59 • -9.56db
17% Popularity • 66% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 66% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Clifford T. Ward
Not Waving - Drowning!
86 bpm • C Maj • 03:50 • -14db
15% Popularity • 60% Danceability • 25% Energy • 21% Liveness
10% Instrumentalness • 56% Positiveness
15% Popularity • 60% Danceability • 25% Energy • 21% Liveness
10% Instrumentalness • 56% Positiveness
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Matt Monro
We're Gonna Change The World
103 bpm • G Maj • 03:34 • -11db
24% Popularity • 62% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 62% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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Dave Berry
Memphis Tennessee
104 bpm • A Maj • 02:25 • -6.22db
25% Popularity • 76% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
25% Popularity • 76% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Joe Brown
I Still Haven't Found What I'm Looking F...
104 bpm • D Maj • 04:07 • -10.17db
3% Popularity • 41% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
3% Popularity • 41% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Chet Atkins
Sweet Dreams
86 bpm • A Maj • 03:24 • -23.2db
37% Popularity • 66% Danceability • 9% Energy • 12% Liveness
60% Instrumentalness • 40% Positiveness
37% Popularity • 66% Danceability • 9% Energy • 12% Liveness
60% Instrumentalness • 40% Positiveness
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Billy J. Kramer
Twilight Time
104 bpm • D Maj • 03:08 • -7.76db
19% Popularity • 71% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 71% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 57% Positiveness
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The Notting Hillbillies
Please Baby
104 bpm • C Maj • 03:49 • -21.31db
32% Popularity • 55% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 55% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Georgie Fame
My Girl
104 bpm • C min • 02:58 • -7.26db
15% Popularity • 55% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 55% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
