Songs like A Sail Boat In The Moonlight by Guy Lombardo
Based on a tempo of (+/- 10%) and a similar genre
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Jimmy Dorsey & His Orchestra
The Breeze and I
129 bpm • G# Maj • 02:59 • -8.45db
20% Popularity • 40% Danceability • 32% Energy • 12% Liveness
13% Instrumentalness • 35% Positiveness
20% Popularity • 40% Danceability • 32% Energy • 12% Liveness
13% Instrumentalness • 35% Positiveness
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Johnnie Ray
Walkin' My Baby Back Home
129 bpm • D Maj • 02:20 • -19db
36% Popularity • 72% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 72% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Benny Goodman Quartet
Tea for Two - 1996 Remastered
129 bpm • G# Maj • 03:05 • -10db
33% Popularity • 77% Danceability • 49% Energy • 7% Liveness
23% Instrumentalness • 84% Positiveness
33% Popularity • 77% Danceability • 49% Energy • 7% Liveness
23% Instrumentalness • 84% Positiveness
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Guy Lombardo & His Royal Canadians
A Sail Boat in the Moonlight
129 bpm • C Maj • 02:50 • -17.31db
26% Popularity • 46% Danceability • 12% Energy • 30% Liveness
7% Instrumentalness • 60% Positiveness
26% Popularity • 46% Danceability • 12% Energy • 30% Liveness
7% Instrumentalness • 60% Positiveness
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Guy Lombardo
What's The Reason (I'm Not Pleasin' You)
129 bpm • C Maj • 03:04 • -14.16db
8% Popularity • 72% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 72% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Ella Mae Morse
Mr. Five By Five
128 bpm • E min • 03:03 • -18.13db
29% Popularity • 76% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 76% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Rudy Vallee
Stein Song
130 bpm • G# Maj • 03:17 • -12db
14% Popularity • 74% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 74% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Johnnie Ray
All of Me
130 bpm • D# Maj • 02:06 • -19.37db
33% Popularity • 76% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
33% Popularity • 76% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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The McGuire Sisters
Something's Gotta Give
128 bpm • A# Maj • 02:56 • -8.75db
29% Popularity • 74% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 74% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Johnny Mercer & The Pied Pipers
A Gal In Calico
130 bpm • D# Maj • 02:36 • -11.61db
10% Popularity • 56% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 56% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
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Tex Beneke
The Beautiful Blond from Bashful Bend
128 bpm • D Maj • 02:55 • -9.6db
16% Popularity • 72% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 72% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Jane Russell
Kisses and Tears
128 bpm • E Maj • 02:46 • -13.77db
28% Popularity • 59% Danceability • 17% Energy • 13% Liveness
22% Instrumentalness • 62% Positiveness
28% Popularity • 59% Danceability • 17% Energy • 13% Liveness
22% Instrumentalness • 62% Positiveness
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Eddie Cantor
Ma! (He's Making Eyes at Me)
130 bpm • F Maj • 02:18 • -10db
26% Popularity • 78% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 78% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Betty Hutton
Blue Skies
131 bpm • F min • 02:52 • -10.59db
32% Popularity • 52% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 52% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Jimmy Dorsey & His Orchestra
Contrasts
130 bpm • G# Maj • 03:02 • -9db
20% Popularity • 45% Danceability • 39% Energy • 36% Liveness
71% Instrumentalness • 44% Positiveness
20% Popularity • 45% Danceability • 39% Energy • 36% Liveness
71% Instrumentalness • 44% Positiveness
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Guy Lombardo
South Of The Border
127 bpm • G# Maj • 02:52 • -15.24db
0% Popularity • 53% Danceability • 6% Energy • 9% Liveness
4% Instrumentalness • 47% Positiveness
0% Popularity • 53% Danceability • 6% Energy • 9% Liveness
4% Instrumentalness • 47% Positiveness
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Noel Coward
I'Ll See You Again
131 bpm • G Maj • 03:17 • -19.29db
10% Popularity • 40% Danceability • 8% Energy • 10% Liveness
68% Instrumentalness • 25% Positiveness
10% Popularity • 40% Danceability • 8% Energy • 10% Liveness
68% Instrumentalness • 25% Positiveness
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June Christy
I Want To Be Happy
131 bpm • A min • 01:23 • -14db
43% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
43% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Annette Hanshaw
Am I Blue
127 bpm • F Maj • 03:14 • -12.17db
22% Popularity • 57% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
22% Popularity • 57% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Charlie Kunz
Has Anybody Here Seen Kelly
131 bpm • G Maj • 02:12 • -27.08db
24% Popularity • 58% Danceability • 3% Energy • 19% Liveness
89% Instrumentalness • 59% Positiveness
24% Popularity • 58% Danceability • 3% Energy • 19% Liveness
89% Instrumentalness • 59% Positiveness
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The Ames Brothers
The Naughty Lady of Shady Lane
131 bpm • C# Maj • 02:51 • -8.27db
25% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Guy Lombardo
By the Light of the Silvery Moon
131 bpm • C min • 02:52 • -12.35db
5% Popularity • 55% Danceability • 15% Energy • 14% Liveness
19% Instrumentalness • 49% Positiveness
5% Popularity • 55% Danceability • 15% Energy • 14% Liveness
19% Instrumentalness • 49% Positiveness
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Bob Crosby
The Old Master Painter
127 bpm • C Maj • 01:58 • -11.43db
26% Popularity • 86% Danceability • 28% Energy • 21% Liveness
5% Instrumentalness • 81% Positiveness
26% Popularity • 86% Danceability • 28% Energy • 21% Liveness
5% Instrumentalness • 81% Positiveness
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The Four Lads
Breezin' Along With The Breeze
127 bpm • F Maj • 02:11 • -11db
24% Popularity • 43% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 43% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
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Spike Jones
Five Foot Two Eyes of Blue
127 bpm • G min • 01:54 • -7.77db
15% Popularity • 57% Danceability • 73% Energy • 15% Liveness
1% Instrumentalness • 96% Positiveness
15% Popularity • 57% Danceability • 73% Energy • 15% Liveness
1% Instrumentalness • 96% Positiveness
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Guy Lombardo & His Royal Canadians
Pennies from Heaven
127 bpm • A# Maj • 02:43 • -15.03db
17% Popularity • 77% Danceability • 7% Energy • 22% Liveness
8% Instrumentalness • 64% Positiveness
17% Popularity • 77% Danceability • 7% Energy • 22% Liveness
8% Instrumentalness • 64% Positiveness
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Eddie Cantor
Makin' Whoopee
127 bpm • G min • 03:02 • -10db
25% Popularity • 55% Danceability • 27% Energy • 33% Liveness
16% Instrumentalness • 48% Positiveness
25% Popularity • 55% Danceability • 27% Energy • 33% Liveness
16% Instrumentalness • 48% Positiveness
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Guy Lombardo
Everywhere You Go
127 bpm • D min • 03:12 • -14.22db
0% Popularity • 66% Danceability • 10% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 66% Danceability • 10% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Rudy Vallee
Let's Put out the Lights and Go to Sleep
132 bpm • D Maj • 03:42 • -15.53db
11% Popularity • 60% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 60% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Wayne Newton
Remember When
132 bpm • F Maj • 02:16 • -14db
45% Popularity • 59% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
45% Popularity • 59% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Glenn Miller & The Army Air Force Band
Mission To Moscow - Remastered 2001
126 bpm • C# Maj • 02:34 • -11.01db
16% Popularity • 80% Danceability • 55% Energy • 9% Liveness
55% Instrumentalness • 52% Positiveness
16% Popularity • 80% Danceability • 55% Energy • 9% Liveness
55% Instrumentalness • 52% Positiveness
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Jack Hylton & His Orchestra
Blue Skies Are Around The Corner
133 bpm • G Maj • 02:59 • -9.15db
21% Popularity • 63% Danceability • 39% Energy • 13% Liveness
3% Instrumentalness • 48% Positiveness
21% Popularity • 63% Danceability • 39% Energy • 13% Liveness
3% Instrumentalness • 48% Positiveness
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Ted Weems & His Orchestra
Heartaches
133 bpm • G# Maj • 02:40 • -10.81db
12% Popularity • 71% Danceability • 76% Energy • 8% Liveness
72% Instrumentalness • 91% Positiveness
12% Popularity • 71% Danceability • 76% Energy • 8% Liveness
72% Instrumentalness • 91% Positiveness
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Guy Lombardo
Nevertheless I'm in Love with You
126 bpm • A# Maj • 02:27 • -15.04db
3% Popularity • 64% Danceability • 14% Energy • 17% Liveness
74% Instrumentalness • 42% Positiveness
3% Popularity • 64% Danceability • 14% Energy • 17% Liveness
74% Instrumentalness • 42% Positiveness
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Debbie Reynolds
Aba Daba Honeymoon
133 bpm • G min • 03:14 • -8.72db
15% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 60% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Annette Hanshaw
Happy Days Are Here Again
133 bpm • C Maj • 03:11 • -9.25db
24% Popularity • 81% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 81% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
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Roy Brodsky
Red Roses for a Blue Lady
125 bpm • C Maj • 02:48 • -12.2db
20% Popularity • 68% Danceability • 11% Energy • 8% Liveness
19% Instrumentalness • 43% Positiveness
20% Popularity • 68% Danceability • 11% Energy • 8% Liveness
19% Instrumentalness • 43% Positiveness
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The Ames Brothers
A Tree in the Meadow
133 bpm • A Maj • 03:11 • -14.32db
13% Popularity • 41% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 41% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Patti Page
All My Love
125 bpm • G# Maj • 03:14 • -14.07db
20% Popularity • 67% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 67% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Guy Lombardo
How Deep Is The Ocean
125 bpm • D Maj • 02:56 • -11.15db
0% Popularity • 35% Danceability • 22% Energy • 28% Liveness
9% Instrumentalness • 18% Positiveness
0% Popularity • 35% Danceability • 22% Energy • 28% Liveness
9% Instrumentalness • 18% Positiveness
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Rudy Vallee
Honey
125 bpm • C min • 03:24 • -15db
14% Popularity • 52% Danceability • 18% Energy • 19% Liveness
1% Instrumentalness • 62% Positiveness
14% Popularity • 52% Danceability • 18% Energy • 19% Liveness
1% Instrumentalness • 62% Positiveness
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Isham Jones
Stardust
125 bpm • D Maj • 03:26 • -8.09db
14% Popularity • 50% Danceability • 41% Energy • 39% Liveness
53% Instrumentalness • 31% Positiveness
14% Popularity • 50% Danceability • 41% Energy • 39% Liveness
53% Instrumentalness • 31% Positiveness
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Martha Tilton
All Of Me
124 bpm • F Maj • 02:19 • -13.55db
33% Popularity • 69% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 69% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Betty Hutton
She's a Lady
134 bpm • G Maj • 02:50 • -9.82db
15% Popularity • 82% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 82% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Guy B. Wood
Shoo-Fly Pie and Apple Pan Dowdy
124 bpm • F Maj • 02:46 • -11.48db
1% Popularity • 75% Danceability • 30% Energy • 30% Liveness
10% Instrumentalness • 73% Positiveness
1% Popularity • 75% Danceability • 30% Energy • 30% Liveness
10% Instrumentalness • 73% Positiveness
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Guy Lombardo
Easter Parade
124 bpm • D# Maj • 02:43 • -14.42db
0% Popularity • 40% Danceability • 13% Energy • 16% Liveness
8% Instrumentalness • 51% Positiveness
0% Popularity • 40% Danceability • 13% Energy • 16% Liveness
8% Instrumentalness • 51% Positiveness
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Ethel Waters
Don't Blame Me
124 bpm • G Maj • 03:14 • -18db
23% Popularity • 48% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 48% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Rudy Vallee
Kitty from Kansas City
133 bpm • D Maj • 03:09 • -11.38db
20% Popularity • 75% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
20% Popularity • 75% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Martha Tilton
Let's Get Away from It All
124 bpm • A min • 02:38 • -11.33db
40% Popularity • 67% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 67% Danceability • 18% Energy • 33% Liveness
0% Instrumentalness • 38% Positiveness
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June Christy
Shoo Fly Pie and Apple Pan Dow
124 bpm • G# Maj • 02:38 • -9db
31% Popularity • 65% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 65% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Anne Shelton
Taking A Chance On Love
134 bpm • G Maj • 03:03 • -8.92db
9% Popularity • 57% Danceability • 21% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 57% Danceability • 21% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
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Freddy Martin & His Orchestra
Managua, Nicaragua
124 bpm • G Maj • 02:53 • -8db
8% Popularity • 66% Danceability • 43% Energy • 12% Liveness
2% Instrumentalness • 67% Positiveness
8% Popularity • 66% Danceability • 43% Energy • 12% Liveness
2% Instrumentalness • 67% Positiveness
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Johnny Mercer & The Pied Pipers
Ac-cent-tchu-ate The Positive
124 bpm • F Maj • 02:46 • -10.6db
14% Popularity • 67% Danceability • 27% Energy • 56% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 67% Danceability • 27% Energy • 56% Liveness
0% Instrumentalness • 62% Positiveness
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Jimmy Dorsey
A You'Re Adorable
124 bpm • A min • 02:29 • -8db
32% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Guy Lombardo
Red Roses For A Blue Lady
124 bpm • C Maj • 02:46 • -13.83db
29% Popularity • 65% Danceability • 7% Energy • 8% Liveness
10% Instrumentalness • 32% Positiveness
29% Popularity • 65% Danceability • 7% Energy • 8% Liveness
10% Instrumentalness • 32% Positiveness
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Betty Hutton
Murder, He Says
135 bpm • A# Maj • 03:12 • -10.63db
22% Popularity • 60% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 60% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Flanagan & Allen
Underneath the Arches
123 bpm • C Maj • 03:01 • -16db
27% Popularity • 57% Danceability • 14% Energy • 10% Liveness
16% Instrumentalness • 54% Positiveness
27% Popularity • 57% Danceability • 14% Energy • 10% Liveness
16% Instrumentalness • 54% Positiveness
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Anonymous
Seems Like Old Times
123 bpm • D min • 02:59 • -11.15db
1% Popularity • 73% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
1% Popularity • 73% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Rudy Vallee
Maine Stein Song (aka the Stein Song)
135 bpm • G# Maj • 01:26 • -11.79db
22% Popularity • 59% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 59% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Buddy Clark
Ballerina
135 bpm • A# Maj • 03:06 • -17.08db
16% Popularity • 45% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 45% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Slim Gaillard
Atomic Cocktail
123 bpm • F Maj • 02:41 • -13db
35% Popularity • 79% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 53% Positiveness
35% Popularity • 79% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 53% Positiveness
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The Ames Brothers
Undecided
135 bpm • G# Maj • 02:59 • -8.91db
27% Popularity • 75% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 75% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Henry Hall
Underneath the Arches
123 bpm • E min • 03:07 • -8.17db
15% Popularity • 54% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 54% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
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Guy Lombardo
You're Beautiful Tonight, My Dear
123 bpm • D min • 03:22 • -14.18db
2% Popularity • 50% Danceability • 12% Energy • 34% Liveness
4% Instrumentalness • 20% Positiveness
2% Popularity • 50% Danceability • 12% Energy • 34% Liveness
4% Instrumentalness • 20% Positiveness
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Ted Lewis & His Orchestra
In a shanty in old shanty town
136 bpm • G Maj • 03:04 • -7.9db
4% Popularity • 45% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
4% Popularity • 45% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Martha Tilton
I’ll Get By
136 bpm • G Maj • 01:50 • -17db
26% Popularity • 55% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 55% Danceability • 5% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Bob Crosby
With the Wind and the Rain In Your Hair
122 bpm • A min • 03:11 • -7.93db
14% Popularity • 47% Danceability • 26% Energy • 23% Liveness
4% Instrumentalness • 35% Positiveness
14% Popularity • 47% Danceability • 26% Energy • 23% Liveness
4% Instrumentalness • 35% Positiveness
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Bob Howard
Easy Living
136 bpm • G# Maj • 03:02 • -16.3db
37% Popularity • 56% Danceability • 12% Energy • 22% Liveness
64% Instrumentalness • 55% Positiveness
37% Popularity • 56% Danceability • 12% Energy • 22% Liveness
64% Instrumentalness • 55% Positiveness
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Helen O'Connell
Slow poke
136 bpm • D# Maj • 02:32 • -14.45db
10% Popularity • 80% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 80% Danceability • 17% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Guy Lombardo
St Louis Blues
123 bpm • C Maj • 03:25 • -9.19db
1% Popularity • 62% Danceability • 32% Energy • 9% Liveness
21% Instrumentalness • 65% Positiveness
1% Popularity • 62% Danceability • 32% Energy • 9% Liveness
21% Instrumentalness • 65% Positiveness
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Rudy Vallee
Life Is Just a Bowl of Cherries
122 bpm • D# Maj • 03:20 • -16.43db
27% Popularity • 74% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 74% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Kate Smith
I'll Be Seeing You
137 bpm • A# Maj • 03:26 • -17.4db
24% Popularity • 25% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
24% Popularity • 25% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Bob Crosby
Politics
122 bpm • G Maj • 02:05 • -13.14db
28% Popularity • 89% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 89% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Lew Stone & His Band
Pop Goes Your Heart
137 bpm • G# Maj • 02:48 • -19.16db
26% Popularity • 72% Danceability • 19% Energy • 14% Liveness
69% Instrumentalness • 85% Positiveness
26% Popularity • 72% Danceability • 19% Energy • 14% Liveness
69% Instrumentalness • 85% Positiveness
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Billy Cotton & His Band
I'm Just Wild About Harry
137 bpm • D# Maj • 02:24 • -19.16db
20% Popularity • 82% Danceability • 24% Energy • 9% Liveness
2% Instrumentalness • 93% Positiveness
20% Popularity • 82% Danceability • 24% Energy • 9% Liveness
2% Instrumentalness • 93% Positiveness
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Guy Lombardo
Shoo-Fly Pie And Apple Pan Dowdy
123 bpm • F Maj • 02:44 • -12.73db
0% Popularity • 76% Danceability • 23% Energy • 10% Liveness
28% Instrumentalness • 66% Positiveness
0% Popularity • 76% Danceability • 23% Energy • 10% Liveness
28% Instrumentalness • 66% Positiveness
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Lester Lanin
Just One Of Those Things - Society
121 bpm • D min • 02:12 • -14.52db
31% Popularity • 80% Danceability • 36% Energy • 4% Liveness
92% Instrumentalness • 86% Positiveness
31% Popularity • 80% Danceability • 36% Energy • 4% Liveness
92% Instrumentalness • 86% Positiveness
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Alex Kramer
Dangerous Dan McGrew
121 bpm • G min • 03:12 • -12.42db
1% Popularity • 83% Danceability • 22% Energy • 33% Liveness
3% Instrumentalness • 63% Positiveness
1% Popularity • 83% Danceability • 22% Energy • 33% Liveness
3% Instrumentalness • 63% Positiveness
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Johnny Mercer & The Pied Pipers
I'm Gonna See My Baby
137 bpm • C# Maj • 02:29 • -9.29db
12% Popularity • 60% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 60% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 73% Positiveness
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Ronnie Hilton
Veni Vidi Vici
121 bpm • A# Maj • 02:30 • -10.36db
12% Popularity • 69% Danceability • 34% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 69% Danceability • 34% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
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The Four Lads
Somebody Loves Me
137 bpm • G Maj • 01:52 • -15.41db
22% Popularity • 55% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 55% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Guy Lombardo
Seems Like Old Times
122 bpm • D min • 02:58 • -13db
39% Popularity • 74% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 74% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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The McGuire Sisters
Volare
121 bpm • G# Maj • 02:40 • -14.27db
23% Popularity • 66% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 66% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Dick Haymes
I'll Get By (As Long As I Have You)
121 bpm • A# Maj • 02:41 • -17.74db
32% Popularity • 57% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 57% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Jack Hylton & His Orchestra
Life Begins At Oxford Circus
121 bpm • D Maj • 02:21 • -22.95db
19% Popularity • 75% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
19% Popularity • 75% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
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Helen O'Connell
I Remember You
138 bpm • D# Maj • 03:01 • -20db
12% Popularity • 42% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
12% Popularity • 42% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Jack Shaindlin
Let's Go Sunning
138 bpm • C min • 01:44 • -16.02db
49% Popularity • 41% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
49% Popularity • 41% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Guy Lombardo
Cuddle up a Little Closer Lovey Mine
122 bpm • C min • 02:33 • -12.17db
3% Popularity • 61% Danceability • 22% Energy • 11% Liveness
12% Instrumentalness • 58% Positiveness
3% Popularity • 61% Danceability • 22% Energy • 11% Liveness
12% Instrumentalness • 58% Positiveness
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Ella Mae Morse
Solid Potato Salad
138 bpm • A# Maj • 02:57 • -11.1db
11% Popularity • 68% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 68% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Betty Hutton
Orange Coloured Sky
120 bpm • F min • 02:42 • -6.7db
9% Popularity • 68% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 68% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Freddy Martin & His Orchestra
I'll Remember April
120 bpm • F# Maj • 02:05 • -6db
8% Popularity • 27% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 27% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Annette Hanshaw
Ain’t He Sweet
120 bpm • F Maj • 02:17 • -19.72db
29% Popularity • 73% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 72% Positiveness
29% Popularity • 73% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 72% Positiveness
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Danny Kaye
Oh By Jingo! (Oh! By Gee! You're The Onl...
120 bpm • G min • 02:24 • -10.42db
14% Popularity • 84% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 84% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Guy Lombardo
(There Ought To Be A) Moonlight Saving T...
121 bpm • G Maj • 03:27 • -17.98db
1% Popularity • 71% Danceability • 7% Energy • 9% Liveness
27% Instrumentalness • 68% Positiveness
1% Popularity • 71% Danceability • 7% Energy • 9% Liveness
27% Instrumentalness • 68% Positiveness
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Ethel Waters
Taking A Chance On Love
139 bpm • G# Maj • 04:22 • -16db
16% Popularity • 50% Danceability • 15% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 50% Danceability • 15% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
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Eddie Cantor
If You Knew Susie (Like I Know Susie)
120 bpm • D Maj • 02:51 • -14.63db
22% Popularity • 86% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 86% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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June Christy
Give Me The Simple Life
139 bpm • F min • 02:17 • -12.51db
51% Popularity • 62% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
51% Popularity • 62% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Annette Hanshaw
Little White Lies
120 bpm • C Maj • 02:59 • -8.32db
25% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
