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A Sepulchre
Songs like
A Sepulchre
by
George Fenton
Based on a tempo of (+/- 10%) and a similar genre
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Isobel Waller-Bridge
Mr. Knightley
74 bpm • G Maj • 01:39 • -17.36db
45% Popularity • 21% Danceability • 13% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Andrea Guerra
Alta società
74 bpm • G# Maj • 02:22 • -25.2db
39% Popularity • 18% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
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Cliff Eidelman
One True Thing
74 bpm • A Maj • 02:20 • -31db
33% Popularity • 8% Danceability • 2% Energy • 7% Liveness
98% Instrumentalness • 10% Positiveness
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Fernando Velázquez
Even If It's The Last Thing We Do
74 bpm • G# Maj • 01:28 • -24.72db
37% Popularity • 12% Danceability • 3% Energy • 8% Liveness
98% Instrumentalness • 5% Positiveness
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George Fenton
The Choice is Ours
74 bpm • D Maj • 03:12 • -24.11db
4% Popularity • 16% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Ramin Djawadi
Just Me and You
74 bpm • C min • 02:11 • -33.09db
27% Popularity • 24% Danceability • 1% Energy • 7% Liveness
42% Instrumentalness • 4% Positiveness
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Craig Armstrong
Corn Exchange
74 bpm • G Maj • 01:26 • -18.43db
42% Popularity • 9% Danceability • 13% Energy • 7% Liveness
82% Instrumentalness • 8% Positiveness
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Ilan Eshkeri
Austenland Symphony: II. Romanze
74 bpm • G Maj • 06:04 • -17.84db
25% Popularity • 7% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
A Normal Family
74 bpm • A min • 01:41 • -21.09db
49% Popularity • 10% Danceability • 18% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
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Carter Burwell
I Will Carry You
74 bpm • G Maj • 01:57 • -23.13db
26% Popularity • 13% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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George Fenton
A Sepulchre
74 bpm • A Maj • 02:56 • -28.09db
22% Popularity • 24% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Randy Edelman
Love Theme
74 bpm • G Maj • 01:46 • -19db
42% Popularity • 10% Danceability • 12% Energy • 23% Liveness
93% Instrumentalness • 8% Positiveness
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Michael Giacchino
Jupiter Ascending - 2nd Movement
74 bpm • G min • 03:25 • -25.23db
12% Popularity • 8% Danceability • 3% Energy • 16% Liveness
90% Instrumentalness • 4% Positiveness
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Mark McKenzie
Dragon Heaven
73 bpm • C Maj • 01:21 • -32.67db
44% Popularity • 14% Danceability • 3% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
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Peter Gregson
End Roller
75 bpm • D# Maj • 03:21 • -37.36db
37% Popularity • 11% Danceability • 1% Energy • 9% Liveness
11% Instrumentalness • 6% Positiveness
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John Lunn
Such Good Luck
73 bpm • G Maj • 02:52 • -16.81db
40% Popularity • 21% Danceability • 15% Energy • 18% Liveness
95% Instrumentalness • 10% Positiveness
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Guy Farley
Miss Jackson
75 bpm • A# min • 02:15 • -37db
49% Popularity • 7% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
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Stephen Warbeck
The Amendment
75 bpm • D# Maj • 01:22 • -22.53db
47% Popularity • 17% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Gabriel Yared
The English Patient: Main Title Theme
75 bpm • D Maj • 05:42 • -27.5db
34% Popularity • 23% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
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Craig Armstrong
Oak Leaves
73 bpm • D min • 01:10 • -19.74db
44% Popularity • 18% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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Johannes Bornlöf
The Lost Cities
73 bpm • E Maj • 02:20 • -16.63db
36% Popularity • 17% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 5, A Crock of ...
75 bpm • E min • 01:21 • -22.6db
26% Popularity • 20% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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Marcelo Zarvos
Gabriel's Trumpet
73 bpm • C min • 03:16 • -23db
22% Popularity • 15% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Ramin Djawadi
Maester
75 bpm • A min • 02:52 • -20.31db
41% Popularity • 15% Danceability • 5% Energy • 10% Liveness
68% Instrumentalness • 3% Positiveness
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Jóhann Jóhannsson
The Origins of Time
75 bpm • C Maj • 02:21 • -27.17db
42% Popularity • 7% Danceability • 3% Energy • 21% Liveness
92% Instrumentalness • 4% Positiveness
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Craig Armstrong
Me Before You Orchestral
73 bpm • C Maj • 07:13 • -16db
46% Popularity • 26% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Sarah Class
Butterfly Ball
75 bpm • F# Maj • 03:27 • -13.24db
23% Popularity • 9% Danceability • 30% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Mychael Danna
Orphans
75 bpm • A Maj • 01:36 • -22.52db
24% Popularity • 26% Danceability • 11% Energy • 14% Liveness
94% Instrumentalness • 13% Positiveness
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Philippe Rombi
Hymne des fraternisés (piano)
72 bpm • D# Maj • 01:26 • -39.8db
35% Popularity • 33% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
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Rael Jones
Sunlit Kiss
76 bpm • C Maj • 03:41 • -28db
22% Popularity • 10% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Stephen Warbeck
Princess of Nowhere
76 bpm • G min • 03:51 • -21.54db
28% Popularity • 18% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
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Craig Armstrong
Time Moves On
75 bpm • A Maj • 01:08 • -20.72db
41% Popularity • 21% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Clint Eastwood
Blue Morgan (End Credits)
72 bpm • C Maj • 04:29 • -25.13db
31% Popularity • 25% Danceability • 3% Energy • 9% Liveness
80% Instrumentalness • 10% Positiveness
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Mychael Danna
Which Story do you Prefer?
72 bpm • D Maj • 02:05 • -22db
36% Popularity • 22% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Ramin Djawadi
I Feel Alive
76 bpm • F min • 02:39 • -22db
33% Popularity • 7% Danceability • 7% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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George Fenton
Angel Falls
76 bpm • D min • 02:18 • -16.51db
3% Popularity • 13% Danceability • 18% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Peter Gregson
Travelling to Marly
76 bpm • B min • 03:23 • -25.99db
19% Popularity • 9% Danceability • 2% Energy • 13% Liveness
73% Instrumentalness • 4% Positiveness
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Craig Armstrong
Paris
73 bpm • B Maj • 03:26 • -18.03db
34% Popularity • 6% Danceability • 14% Energy • 39% Liveness
86% Instrumentalness • 4% Positiveness
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John Lunn
Two Sisters
71 bpm • G# min • 02:38 • -15.96db
28% Popularity • 25% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Carter Burwell
Two Such Souls
77 bpm • D min • 05:52 • -18.48db
18% Popularity • 10% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Czech Philharmonic
Wonderful Days Theme II - 오케스트�...
77 bpm • D min • 03:18 • -16.03db
30% Popularity • 18% Danceability • 12% Energy • 24% Liveness
29% Instrumentalness • 13% Positiveness
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Lennie Niehaus
Platoon Swims
77 bpm • C Maj • 03:14 • -13.28db
15% Popularity • 16% Danceability • 15% Energy • 13% Liveness
89% Instrumentalness • 11% Positiveness
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Ilan Eshkeri
Souls Rising
77 bpm • C Maj • 01:25 • -25.53db
52% Popularity • 32% Danceability • 0% Energy • 9% Liveness
98% Instrumentalness • 7% Positiveness
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Stephen Rennicks
In the World
71 bpm • G# Maj • 01:51 • -14.72db
24% Popularity • 11% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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The Chamber Orchestra Of London
Titanic
71 bpm • G# min • 02:09 • -14.58db
31% Popularity • 21% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Martin Phipps
Andrei
77 bpm • C Maj • 03:19 • -20.13db
36% Popularity • 10% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Filharmonie Brno
The Lamb (For String Orchestra)
77 bpm • E min • 03:20 • -27.36db
35% Popularity • 8% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Jan A.P. Kaczmarek
Geppetto Creates
71 bpm • C Maj • 01:17 • -26db
49% Popularity • 24% Danceability • 7% Energy • 12% Liveness
19% Instrumentalness • 9% Positiveness
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Michael Kamen
Winters On Subway - Instrumental
71 bpm • G Maj • 01:54 • -36db
28% Popularity • 16% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
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George Fenton
Planet Earth Prelude
71 bpm • A# min • 01:53 • -17.14db
9% Popularity • 14% Danceability • 24% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Fernando Velázquez
The Best Holiday Season Ever
77 bpm • D# Maj • 02:27 • -22db
25% Popularity • 20% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Carter Burwell
Keep Your Memories
70 bpm • G Maj • 03:27 • -17.67db
25% Popularity • 6% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Guy Farley
The Hat First
78 bpm • D min • 02:30 • -25.57db
29% Popularity • 35% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Togetherness
78 bpm • F# min • 01:44 • -18.38db
25% Popularity • 16% Danceability • 18% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Rob Lane
Guinevere
70 bpm • G Maj • 01:31 • -31.74db
44% Popularity • 16% Danceability • 2% Energy • 9% Liveness
19% Instrumentalness • 8% Positiveness
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George Fenton
Lost in the Storm
70 bpm • A min • 01:11 • -17.41db
35% Popularity • 15% Danceability • 14% Energy • 6% Liveness
93% Instrumentalness • 3% Positiveness
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Stephen Warbeck
The Beach and the Past
70 bpm • G min • 02:52 • -20.21db
23% Popularity • 11% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Regency Players
Your Hands Are Cold [2005 Version]
78 bpm • D Maj • 04:42 • -16.94db
18% Popularity • 16% Danceability • 12% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Roque Baños
The White Whale Chant
78 bpm • G# Maj • 04:38 • -16.13db
36% Popularity • 7% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Clint Eastwood
Book Signing
70 bpm • C Maj • 01:00 • -21.9db
31% Popularity • 58% Danceability • 3% Energy • 9% Liveness
70% Instrumentalness • 10% Positiveness
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Zbigniew Preisner
Walking Through The Garden
70 bpm • G Maj • 01:53 • -20.34db
35% Popularity • 24% Danceability • 14% Energy • 14% Liveness
82% Instrumentalness • 4% Positiveness
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Anne Dudley
A Different Ending
78 bpm • A min • 03:01 • -14.31db
10% Popularity • 12% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Volker Bertelmann
Salvation
78 bpm • F Maj • 05:25 • -17db
28% Popularity • 8% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 24, Always Sum...
78 bpm • A# Maj • 02:29 • -25db
36% Popularity • 34% Danceability • 9% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
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Martin Phipps
Lord M
70 bpm • D# min • 02:44 • -19.73db
33% Popularity • 19% Danceability • 9% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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George Fenton
The Cordecyps
79 bpm • D min • 02:53 • -20.44db
0% Popularity • 11% Danceability • 13% Energy • 9% Liveness
23% Instrumentalness • 3% Positiveness
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William Ross
Will Grows Up
79 bpm • D# Maj • 08:57 • -18db
28% Popularity • 10% Danceability • 12% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
The Hope
70 bpm • D min • 03:43 • -19.46db
22% Popularity • 23% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Guy Farley
Jeanne's Death
79 bpm • G min • 01:34 • -15.52db
37% Popularity • 19% Danceability • 18% Energy • 19% Liveness
20% Instrumentalness • 8% Positiveness
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Fernando Velázquez
Allerdale Hall
69 bpm • G min • 06:19 • -14.87db
33% Popularity • 19% Danceability • 12% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Mark McKenzie
Emily's Chemo
70 bpm • A# Maj • 01:22 • -18db
32% Popularity • 22% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Stephen Warbeck
Pelagia's Song
79 bpm • C Maj • 04:04 • -16.38db
38% Popularity • 14% Danceability • 22% Energy • 32% Liveness
89% Instrumentalness • 6% Positiveness
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Ramin Djawadi
My Watch Has Ended
79 bpm • C min • 02:53 • -22db
41% Popularity • 18% Danceability • 13% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Martin Phipps
It Is True
69 bpm • G Maj • 01:34 • -18.68db
24% Popularity • 31% Danceability • 1% Energy • 7% Liveness
79% Instrumentalness • 4% Positiveness
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William Ross
Hometown Hero
79 bpm • G# Maj • 01:59 • -21.2db
45% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
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Sarah Class
Journey of the King Fish
79 bpm • D# Maj • 03:05 • -11db
29% Popularity • 17% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Dirk Brossé
Cast Away
69 bpm • G# Maj • 04:52 • -26db
36% Popularity • 9% Danceability • 2% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Regency Players
Weep No More, Sad Fountains [1995 Versi...
79 bpm • D# Maj • 02:10 • -17.39db
14% Popularity • 20% Danceability • 15% Energy • 22% Liveness
30% Instrumentalness • 14% Positiveness
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Anne Dudley
Rachel's Theme
79 bpm • E min • 01:28 • -16db
52% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
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John Ottman
Rebuilding / Cuffed / Goodbye Old Friend
79 bpm • G min • 03:35 • -35db
27% Popularity • 14% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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John Lunn
Gleam And Sparkle
79 bpm • A min • 02:48 • -16.7db
27% Popularity • 13% Danceability • 18% Energy • 17% Liveness
94% Instrumentalness • 6% Positiveness
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Samuel Sim
When I'm Gone
69 bpm • C min • 02:32 • -21.85db
15% Popularity • 16% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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George Fenton
Walking On Water
79 bpm • A# Maj • 03:04 • -24.23db
25% Popularity • 15% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Charlie Mole
L'addition
69 bpm • C min • 02:00 • -20.65db
16% Popularity • 26% Danceability • 7% Energy • 18% Liveness
92% Instrumentalness • 7% Positiveness
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Gabriel Yared
Ada Plays
79 bpm • D Maj • 03:18 • -21.92db
31% Popularity • 25% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 6% Positiveness
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Anne Dudley
The Endless River
79 bpm • C# min • 02:04 • -16db
46% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Rob Simonsen
Adaline Bowman
79 bpm • E min • 01:51 • -19.56db
33% Popularity • 8% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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John Powell
P.S. I Love You
79 bpm • C Maj • 01:23 • -28.16db
45% Popularity • 46% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 39% Positiveness
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The Chamber Orchestra Of London
Damaged
79 bpm • E min • 05:23 • -20.19db
26% Popularity • 11% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
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David Hirschfelder
Elizabeth - Original Motion Picture Soun...
80 bpm • A# Maj • 01:49 • -25.21db
30% Popularity • 13% Danceability • 8% Energy • 34% Liveness
85% Instrumentalness • 4% Positiveness
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Guy Farley
Drawing
69 bpm • G min • 02:34 • -29.44db
33% Popularity • 9% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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John Lunn
A Mother's Love
69 bpm • D# min • 01:46 • -13.85db
27% Popularity • 16% Danceability • 29% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Michael Kamen
Band Of Brothers Suite Two - Instrumenta...
80 bpm • D# Maj • 09:13 • -14.67db
30% Popularity • 8% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Mark McKenzie
Dishes Are Never a Chore
69 bpm • G Maj • 02:55 • -17db
20% Popularity • 24% Danceability • 12% Energy • 14% Liveness
59% Instrumentalness • 4% Positiveness
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Yuja Wang
Wallfisch: The Races
80 bpm • F# Maj • 01:33 • -18.33db
18% Popularity • 34% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Jan A.P. Kaczmarek
The Park - Finding Neverland/Soundtrack ...
80 bpm • C Maj • 01:07 • -16.85db
36% Popularity • 18% Danceability • 16% Energy • 16% Liveness
69% Instrumentalness • 19% Positiveness
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Guy Farley
Maria - Theme
80 bpm • F Maj • 01:29 • -15db
53% Popularity • 8% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
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The Chamber Orchestra Of London
Preparation
80 bpm • A min • 03:27 • -14db
35% Popularity • 41% Danceability • 28% Energy • 13% Liveness
83% Instrumentalness • 17% Positiveness
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William Ross
Lonely Roscuro
68 bpm • A min • 01:15 • -36db
55% Popularity • 21% Danceability • 1% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
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Mark McKenzie
The Lost Child Orchestral Suite
68 bpm • D Maj • 04:31 • -20db
14% Popularity • 16% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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A Sepulchre