Songs like A Series of Unfortunate Events Theme by The Count
Based on a tempo of (+/- 10%) and a similar genre
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The Star Spangled Singers
Star Spangled Man
136 bpm • G Maj • 02:53 • -7.53db
35% Popularity • 57% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 57% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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The Warp Zone
Star Wars Recap Song
136 bpm • C# Maj • 04:23 • -5.9db
26% Popularity • 84% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 84% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 70% Positiveness
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The Count
A Series of Unfortunate Events Theme
136 bpm • G Maj • 01:07 • -8db
30% Popularity • 68% Danceability • 61% Energy • 49% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 68% Danceability • 61% Energy • 49% Liveness
0% Instrumentalness • 33% Positiveness
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Rhett and Link
The Cat's 9 Lives Song
137 bpm • A min • 01:46 • -6.45db
20% Popularity • 70% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 70% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
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RiddleTM
The Sorting Hat
135 bpm • B Maj • 03:58 • -18.08db
28% Popularity • 54% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 54% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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TV Theme Song Maniacs
Theme From Psych
137 bpm • G Maj • 01:12 • -10db
35% Popularity • 55% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 55% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Thomas Sanders
Rhythm Redux
135 bpm • B Maj • 01:20 • -8db
42% Popularity • 76% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
42% Popularity • 76% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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The Warp Zone
Marvel Cinematic Universe
135 bpm • B min • 03:38 • -4.86db
14% Popularity • 92% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 92% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Kevin and the Duck Boyz
Overload the Grid
135 bpm • B min • 01:01 • -4.93db
24% Popularity • 80% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
24% Popularity • 80% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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AsapSCIENCE
The Teeth Song
137 bpm • D Maj • 02:59 • -10.42db
32% Popularity • 76% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 76% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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Neil Patrick Harris
The World Is Mine
137 bpm • G Maj • 03:34 • -6.96db
26% Popularity • 37% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 37% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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John Powell
Sid's Sing-A-Long
135 bpm • A# min • 02:08 • -12db
35% Popularity • 50% Danceability • 50% Energy • 7% Liveness
10% Instrumentalness • 18% Positiveness
35% Popularity • 50% Danceability • 50% Energy • 7% Liveness
10% Instrumentalness • 18% Positiveness
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Animaniacs
The Cutening
134 bpm • F Maj • 02:28 • -8.63db
25% Popularity • 64% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
25% Popularity • 64% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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The Warp Zone
Recap Raps: Avengers Infinity War & Endg...
135 bpm • B min • 03:12 • -5.3db
12% Popularity • 86% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 86% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Mr Weebl
Fat Labrador
138 bpm • E Maj • 01:49 • -5.52db
24% Popularity • 57% Danceability • 89% Energy • 57% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 57% Danceability • 89% Energy • 57% Liveness
0% Instrumentalness • 78% Positiveness
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The Muppets
Life's A Happy Song Finale
134 bpm • G Maj • 02:22 • -6.33db
37% Popularity • 54% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
37% Popularity • 54% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Sandy Duncan, Howard McGillin, Liz Callaway, Dakin Matthews, Adam Wylie, J.D. Daniels, Lex de Azevedo, David Zippel
This Is My Idea
138 bpm • A# Maj • 06:09 • -18.42db
40% Popularity • 40% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 40% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Jon Cozart
Donald J Trumpilton
134 bpm • A min • 03:53 • -10.01db
14% Popularity • 64% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 64% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Legs Nose Robinson
The Oncoming Storm
134 bpm • C Maj • 02:52 • -9.04db
14% Popularity • 49% Danceability • 72% Energy • 61% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 49% Danceability • 72% Energy • 61% Liveness
0% Instrumentalness • 37% Positiveness
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Sunna Wehrmeijer
Transformation
138 bpm • G Maj • 01:39 • -4.92db
28% Popularity • 35% Danceability • 86% Energy • 12% Liveness
58% Instrumentalness • 41% Positiveness
28% Popularity • 35% Danceability • 86% Energy • 12% Liveness
58% Instrumentalness • 41% Positiveness
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James Roday
I've Heard It Both Ways
134 bpm • D Maj • 03:13 • -10.18db
30% Popularity • 65% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
30% Popularity • 65% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Leslie Odom Jr.
Guns and Ships
138 bpm • G Maj • 02:07 • -6.91db
68% Popularity • 72% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
68% Popularity • 72% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Cast - Family Guy
I've Got a Little List
138 bpm • F# Maj • 02:33 • -9.39db
32% Popularity • 66% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
32% Popularity • 66% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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The 88
You Need A Thneed
134 bpm • F Maj • 01:32 • -4.58db
37% Popularity • 60% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
37% Popularity • 60% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Cornel Wilczek
Nowhere Boys Theme
138 bpm • F# Maj • 00:56 • -10.1db
12% Popularity • 54% Danceability • 87% Energy • 11% Liveness
84% Instrumentalness • 18% Positiveness
12% Popularity • 54% Danceability • 87% Energy • 11% Liveness
84% Instrumentalness • 18% Positiveness
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Craig Toungate
Shiver My Timbers
138 bpm • F min • 02:17 • -13.31db
34% Popularity • 57% Danceability • 47% Energy • 77% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 57% Danceability • 47% Energy • 77% Liveness
0% Instrumentalness • 40% Positiveness
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Animaniacs
Reboot It
134 bpm • B Maj • 02:04 • -8db
29% Popularity • 44% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 44% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
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Jason Segel
Food Delivery / Cat Sitting / Cat Funera...
139 bpm • D Maj • 01:22 • -10db
23% Popularity • 57% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 57% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Random Encounters
The C+ Shanty: An Animal Crossing Song
133 bpm • C min • 02:22 • -10.84db
9% Popularity • 53% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 53% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Taraji P. Henson
Tie the Knot Tango
133 bpm • G min • 01:43 • -9.21db
26% Popularity • 55% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 55% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Mandy Moore
Through It All
133 bpm • G Maj • 01:49 • -6.03db
33% Popularity • 63% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 63% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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The Warp Zone
Ant-Man
133 bpm • A min • 03:12 • -8.9db
9% Popularity • 86% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 86% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Steven Universe
Comet
140 bpm • G Maj • 02:05 • -8.1db
46% Popularity • 53% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 53% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Megan Hilty
Fragile Things
133 bpm • C# min • 02:29 • -8db
36% Popularity • 40% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
36% Popularity • 40% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Random Encounters
Smarter Than You
140 bpm • G# Maj • 02:54 • -10.71db
33% Popularity • 36% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 36% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Chorus - Pocahontas
Savages - Pt. 1
140 bpm • C Maj • 01:43 • -15db
46% Popularity • 45% Danceability • 40% Energy • 41% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 45% Danceability • 40% Energy • 41% Liveness
0% Instrumentalness • 64% Positiveness
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Jeremy Jordan
Nothing Left to Lose
139 bpm • D Maj • 03:30 • -5.97db
51% Popularity • 36% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
51% Popularity • 36% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Mandy Moore
Next Stop Anywhere
140 bpm • G Maj • 03:29 • -4db
38% Popularity • 61% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
38% Popularity • 61% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Maddie Wilson
Disney Villain Medley: Cruella De Vil / ...
140 bpm • A min • 02:06 • -6.7db
10% Popularity • 47% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 47% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Mark Rivers
Guy Town
140 bpm • F# min • 01:32 • -3db
24% Popularity • 69% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 69% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Lana Parrilla
Love Doesn't Stand a Chance
140 bpm • G Maj • 02:02 • -7db
39% Popularity • 63% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
39% Popularity • 63% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Burt Reynolds
Let's Make Music Together
132 bpm • F Maj • 02:27 • -11db
21% Popularity • 64% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 64% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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Alan Cumming
Mistreated
132 bpm • B Maj • 02:30 • -6.74db
35% Popularity • 53% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 53% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Darth Nater
Justice for Waluigi
132 bpm • D Maj • 02:39 • -11.13db
15% Popularity • 85% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 85% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Just For Laughs
Here Comes Summer
140 bpm • G Maj • 02:12 • -4.07db
27% Popularity • 70% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 70% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Random Encounters
Medics Don't Heal Scouts
140 bpm • C Maj • 01:20 • -5db
25% Popularity • 80% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 80% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Ginnifer Goodwin
Powerful Magic
140 bpm • D Maj • 03:04 • -8db
36% Popularity • 44% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
36% Popularity • 44% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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David Thewlis
Shame
140 bpm • D min • 02:07 • -5db
25% Popularity • 58% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
25% Popularity • 58% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Bad Lip Reading
Mommy Says
140 bpm • C Maj • 01:32 • -6db
24% Popularity • 84% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 84% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Neil Patrick Harris
I'm The Music Meister
140 bpm • F min • 05:54 • -7.74db
31% Popularity • 40% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 40% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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How It Should Have Ended
Here Comes My Arrow
132 bpm • D# Maj • 02:45 • -10.07db
27% Popularity • 75% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 75% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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The Lorax Singers
Thneedville
132 bpm • G Maj • 02:44 • -6.8db
51% Popularity • 68% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
51% Popularity • 68% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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Leslie Odom Jr.
Alexander Hamilton
132 bpm • B min • 03:56 • -7.86db
70% Popularity • 61% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
70% Popularity • 61% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Sam Riegel
The Legend of Vox Machina
140 bpm • C Maj • 01:10 • -8.21db
34% Popularity • 54% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 87% Positiveness
34% Popularity • 54% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 87% Positiveness
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Thomas Borchert
The Man I Used to Be
132 bpm • C Maj • 03:09 • -10db
29% Popularity • 26% Danceability • 39% Energy • 15% Liveness
22% Instrumentalness • 5% Positiveness
29% Popularity • 26% Danceability • 39% Energy • 15% Liveness
22% Instrumentalness • 5% Positiveness
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elybeatmaker
Resource Gathering
132 bpm • D min • 01:38 • -6.75db
32% Popularity • 86% Danceability • 55% Energy • 8% Liveness
17% Instrumentalness • 65% Positiveness
32% Popularity • 86% Danceability • 55% Energy • 8% Liveness
17% Instrumentalness • 65% Positiveness
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Ginnifer Goodwin
Charmings vs. Evil Queen
141 bpm • A Maj • 01:47 • -6.34db
33% Popularity • 41% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 41% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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The Lorax Singers
Thneedville - Original Demo
132 bpm • C Maj • 03:58 • -7.14db
30% Popularity • 85% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 85% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Leslie Odom Jr.
A Winter's Ball
131 bpm • G# Maj • 01:09 • -10.83db
65% Popularity • 85% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
65% Popularity • 85% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Thomas Sanders
Crofters: The Musical
131 bpm • F Maj • 02:22 • -9.75db
24% Popularity • 58% Danceability • 33% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 58% Danceability • 33% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
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Cast Of The Motion Picture "Cats"
Jellicle Songs For Jellicle Cats
142 bpm • F Maj • 04:49 • -8db
33% Popularity • 50% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 50% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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The Gregory Brothers
You're Tearing Me Apart (Songify The Roo...
142 bpm • A Maj • 03:17 • -8.25db
26% Popularity • 73% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
26% Popularity • 73% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Lana Parrilla
The Queen Sings
130 bpm • F# min • 01:36 • -8.75db
33% Popularity • 45% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
33% Popularity • 45% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Varian
Let Me Make You Proud
142 bpm • C Maj • 02:07 • -6.28db
42% Popularity • 51% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 51% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Voctave
Poor Unfortunate Souls / I Put a Spell o...
142 bpm • D# Maj • 03:35 • -11.75db
32% Popularity • 33% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 33% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Tiffany Haddish
Not Evil
130 bpm • B min • 03:33 • -4.27db
49% Popularity • 76% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
49% Popularity • 76% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Katherine Lynn-Rose
Fight Like a Girl
130 bpm • A min • 03:02 • -16.29db
37% Popularity • 76% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 76% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Swish and Flick
S-l-y in Slytherin
130 bpm • G Maj • 03:43 • -9.24db
11% Popularity • 89% Danceability • 68% Energy • 10% Liveness
5% Instrumentalness • 60% Positiveness
11% Popularity • 89% Danceability • 68% Energy • 10% Liveness
5% Instrumentalness • 60% Positiveness
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Rockapella
Carmen Sandiego 2020
130 bpm • C# Maj • 02:28 • -6db
21% Popularity • 79% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 79% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Jon Cozart
Movie Villain Medley
130 bpm • G# Maj • 03:15 • -6db
28% Popularity • 80% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 80% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Not Literally
I Ship It
130 bpm • C# Maj • 02:30 • -5db
36% Popularity • 72% Danceability • 80% Energy • 45% Liveness
1% Instrumentalness • 88% Positiveness
36% Popularity • 72% Danceability • 80% Energy • 45% Liveness
1% Instrumentalness • 88% Positiveness
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Tiffany Haddish
Gotham City Guys
130 bpm • F# min • 02:16 • -4.95db
45% Popularity • 75% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
45% Popularity • 75% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
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How It Should Have Ended
He's a Spider Man
130 bpm • G Maj • 02:24 • -18.81db
9% Popularity • 78% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 78% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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David Tennant
We Go Together (Bonus Track)
130 bpm • F min • 02:35 • -9.79db
30% Popularity • 58% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 58% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
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David Ogden Stiers
Savages
143 bpm • D min • 03:57 • -13db
35% Popularity • 36% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 36% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Lin-Manuel Miranda
(Underneath the) Lovely London Sky
143 bpm • C Maj • 03:46 • -13.94db
39% Popularity • 32% Danceability • 24% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 32% Danceability • 24% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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AsapSCIENCE
The Muscle Song
143 bpm • B Maj • 02:09 • -9db
38% Popularity • 74% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
38% Popularity • 74% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
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Brian H. Kim
The Bro Chant
129 bpm • F min • 01:39 • -21.56db
22% Popularity • 19% Danceability • 6% Energy • 10% Liveness
77% Instrumentalness • 19% Positiveness
22% Popularity • 19% Danceability • 6% Energy • 10% Liveness
77% Instrumentalness • 19% Positiveness
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Sarah Silverman
A Place Called Slaughter Race
129 bpm • G# Maj • 03:28 • -9.52db
36% Popularity • 43% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 43% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Teddie Films
The Star Wars That I Used to Know
129 bpm • C min • 04:05 • -8.65db
18% Popularity • 78% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 78% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Luke Evans
The Mob Song
143 bpm • A# min • 02:28 • -7.1db
45% Popularity • 48% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
45% Popularity • 48% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Bad Lip Reading
La-Bibbida-Bibba-Dum (On Broadway)
129 bpm • C# Maj • 02:40 • -5db
31% Popularity • 73% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 73% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Thomas Borchert
I Will Be There
129 bpm • F min • 04:54 • -11.07db
35% Popularity • 33% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
35% Popularity • 33% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Evan Rachel Wood
I'll Never Fall in Love Again
129 bpm • C# Maj • 02:48 • -6.96db
37% Popularity • 46% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 46% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Miss Piggy
Me Party
129 bpm • C# Maj • 01:53 • -6.1db
38% Popularity • 72% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 72% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Michael Giacchino
Here Comes Elastigirl - Elastigirl's The...
144 bpm • C min • 01:23 • -4db
39% Popularity • 53% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
39% Popularity • 53% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
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Teen Titans Go!
Upbeat Inspirational Song About Life
144 bpm • G Maj • 02:36 • -6.73db
45% Popularity • 80% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
45% Popularity • 80% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Christine Slagman
Hoist the Colours
128 bpm • A# min • 02:08 • -14.78db
24% Popularity • 27% Danceability • 44% Energy • 13% Liveness
2% Instrumentalness • 14% Positiveness
24% Popularity • 27% Danceability • 44% Energy • 13% Liveness
2% Instrumentalness • 14% Positiveness
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Logan Hugueny-Clark
Star Trek Beyond the Musical
128 bpm • B min • 02:12 • -11.21db
8% Popularity • 75% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 75% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Mark the Hammer
Dumb Ways to Die - Rock
128 bpm • C Maj • 03:11 • -4.85db
22% Popularity • 64% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 64% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Neil Patrick Harris
My Eyes
128 bpm • B min • 02:47 • -8db
43% Popularity • 64% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
43% Popularity • 64% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Melissa Benoist
Super Friend
145 bpm • C Maj • 02:14 • -7db
41% Popularity • 51% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
41% Popularity • 51% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Megan Hilty
Nowhere King Battle
128 bpm • A min • 02:07 • -9db
29% Popularity • 37% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 37% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Avbyte
Wholock - The Musical
145 bpm • F Maj • 02:46 • -7.85db
9% Popularity • 48% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 48% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Stephanie Beatriz
Everything's Not Awesome
145 bpm • C Maj • 03:01 • -6.22db
46% Popularity • 41% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
46% Popularity • 41% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Tay Zonday
Gotta Catch 'em All (Pokemon Theme Song)
145 bpm • G min • 03:15 • -7.24db
20% Popularity • 48% Danceability • 81% Energy • 15% Liveness
18% Instrumentalness • 46% Positiveness
20% Popularity • 48% Danceability • 81% Energy • 15% Liveness
18% Instrumentalness • 46% Positiveness
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Draco and the Malfoys
Voldemort is Awesome
146 bpm • G Maj • 02:32 • -12.78db
14% Popularity • 81% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 81% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
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Jemaine Clement
Shiny
146 bpm • C Maj • 03:05 • -8db
58% Popularity • 64% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
58% Popularity • 64% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
