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A Snapshot of Mom, Scotland, 1957
Songs like
A Snapshot of Mom, Scotland, 1957
by
Glenn Jones
Based on a tempo of (+/- 10%) and a similar genre
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Six Organs Of Admittance
Wolves' Pup
111 bpm • A Maj • 01:50 • -17.81db
27% Popularity • 44% Danceability • 2% Energy • 14% Liveness
78% Instrumentalness • 17% Positiveness
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Isato Nakagawa
Rainbow Chaser
111 bpm • C# Maj • 03:43 • -20db
35% Popularity • 61% Danceability • 20% Energy • 11% Liveness
73% Instrumentalness • 19% Positiveness
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Sarah Louise
Home over Yonder Variations Pt. 2
111 bpm • F# Maj • 02:33 • -12.77db
21% Popularity • 28% Danceability • 44% Energy • 11% Liveness
96% Instrumentalness • 50% Positiveness
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Bill Bartels
The Proeletarian Shuffle
111 bpm • E Maj • 04:07 • -14.8db
8% Popularity • 38% Danceability • 41% Energy • 10% Liveness
86% Instrumentalness • 55% Positiveness
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Glenn Jones
Vade Mecum
111 bpm • G Maj • 04:29 • -14.85db
5% Popularity • 37% Danceability • 21% Energy • 22% Liveness
85% Instrumentalness • 16% Positiveness
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North Americans
American Dipper
111 bpm • E Maj • 03:55 • -16.25db
24% Popularity • 38% Danceability • 28% Energy • 11% Liveness
89% Instrumentalness • 26% Positiveness
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P.G. Six
Quiet Fan For SK
111 bpm • G# Maj • 07:03 • -14.64db
15% Popularity • 40% Danceability • 3% Energy • 43% Liveness
92% Instrumentalness • 16% Positiveness
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Kaki King
Neanderthal
111 bpm • F# Maj • 04:28 • -15.32db
25% Popularity • 24% Danceability • 32% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Courtney Hartman
Cumberland Gap
110 bpm • D# Maj • 02:13 • -17.16db
37% Popularity • 42% Danceability • 28% Energy • 10% Liveness
84% Instrumentalness • 91% Positiveness
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Lindsay Lou
Ionia
110 bpm • D Maj • 03:13 • -14.43db
33% Popularity • 65% Danceability • 62% Energy • 12% Liveness
85% Instrumentalness • 86% Positiveness
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Glenn Jones
A Snapshot of Mom, Scotland, 1957
111 bpm • F Maj • 08:02 • -19.46db
21% Popularity • 35% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Sarah Louise
The Day Is Past and Gone (Variations)
110 bpm • F# Maj • 04:43 • -10.96db
18% Popularity • 31% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Nick Schillace
Memoria Djalma
112 bpm • D# Maj • 05:32 • -16.36db
15% Popularity • 33% Danceability • 28% Energy • 11% Liveness
86% Instrumentalness • 8% Positiveness
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Kaki King
The Exhibition
110 bpm • C Maj • 03:06 • -23.95db
22% Popularity • 46% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 12% Positiveness
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Goldmund
The Ballad of Barbara Allen
112 bpm • D Maj • 01:43 • -16.33db
27% Popularity • 57% Danceability • 10% Energy • 9% Liveness
71% Instrumentalness • 17% Positiveness
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Grey Reverend
Little Eli
110 bpm • F# Maj • 01:50 • -13.92db
35% Popularity • 42% Danceability • 36% Energy • 11% Liveness
90% Instrumentalness • 48% Positiveness
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Hawktail
In the Kitchen
110 bpm • F Maj • 04:11 • -22.09db
32% Popularity • 41% Danceability • 5% Energy • 10% Liveness
63% Instrumentalness • 15% Positiveness
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Glenn Jones
Spokane River Falls
112 bpm • E min • 04:35 • -15.81db
14% Popularity • 54% Danceability • 38% Energy • 8% Liveness
90% Instrumentalness • 16% Positiveness
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Andrew Bird
Master Sigh
110 bpm • D Maj • 05:12 • -17.26db
16% Popularity • 22% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 11% Positiveness
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James Kenyon
South Australian Border
113 bpm • E Maj • 02:01 • -22.53db
34% Popularity • 33% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
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Goldmund
All Quiet On The Potomac
110 bpm • E Maj • 01:58 • -16.13db
12% Popularity • 57% Danceability • 16% Energy • 10% Liveness
81% Instrumentalness • 28% Positiveness
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Oliver Schroer
Field Of Stars
109 bpm • G Maj • 08:15 • -9.84db
11% Popularity • 28% Danceability • 25% Energy • 16% Liveness
87% Instrumentalness • 19% Positiveness
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Ben Sollee
Setting Sail (Main Title)
113 bpm • D Maj • 01:11 • -26db
28% Popularity • 48% Danceability • 15% Energy • 6% Liveness
79% Instrumentalness • 71% Positiveness
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Glenn Jones
Anchor Chain Blues
109 bpm • D# Maj • 05:30 • -16.21db
5% Popularity • 29% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
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Andrew Bird
The Cormorants
109 bpm • F Maj • 02:28 • -16.18db
24% Popularity • 43% Danceability • 35% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Daniel Bachman
Song For The Setting Sun I
109 bpm • B min • 08:16 • -8.55db
9% Popularity • 31% Danceability • 55% Energy • 20% Liveness
90% Instrumentalness • 11% Positiveness
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Mike Cooper
Saudade Do Santos-o-Velho
113 bpm • C Maj • 07:37 • -13.17db
13% Popularity • 31% Danceability • 23% Energy • 10% Liveness
78% Instrumentalness • 5% Positiveness
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Aaron Krause
Racing in Your Heart
113 bpm • G Maj • 03:35 • -19.57db
25% Popularity • 18% Danceability • 10% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Kyle Tuttle
Budhvaar Raga
113 bpm • C Maj • 05:14 • -12db
23% Popularity • 49% Danceability • 49% Energy • 8% Liveness
87% Instrumentalness • 60% Positiveness
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Glenn Jones
Friday Nights With
113 bpm • F min • 05:12 • -18.06db
5% Popularity • 37% Danceability • 17% Energy • 10% Liveness
86% Instrumentalness • 35% Positiveness
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Al Petteway
Sligo Creek
109 bpm • C Maj • 03:33 • -18db
31% Popularity • 41% Danceability • 37% Energy • 11% Liveness
91% Instrumentalness • 79% Positiveness
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Pierre Bensusan
Silent Passenger (To Allen Greenall)
109 bpm • A Maj • 03:36 • -22db
27% Popularity • 49% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 54% Positiveness
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Ed Gerhard
Howl
114 bpm • C# Maj • 02:32 • -21.25db
15% Popularity • 41% Danceability • 1% Energy • 8% Liveness
51% Instrumentalness • 18% Positiveness
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Six Organs Of Admittance
Memory, Memory, Memory
114 bpm • E Maj • 01:42 • -18db
29% Popularity • 61% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Robbie Basho
Pavan Hindustan - Instrumental
114 bpm • F# Maj • 06:13 • -10.84db
16% Popularity • 30% Danceability • 54% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
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Glenn Jones
In Durance Vile
109 bpm • A Maj • 04:36 • -17.51db
14% Popularity • 40% Danceability • 15% Energy • 10% Liveness
79% Instrumentalness • 21% Positiveness
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Rickard Jäverling
Salt Hill Pt.1
114 bpm • G Maj • 02:40 • -9.51db
15% Popularity • 59% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 26% Positiveness
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Joshua Hyslop
Instrumental
114 bpm • E Maj • 02:57 • -15.98db
34% Popularity • 57% Danceability • 24% Energy • 12% Liveness
93% Instrumentalness • 21% Positiveness
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Tin Hat Trio
Bill
108 bpm • G Maj • 04:25 • -12db
25% Popularity • 29% Danceability • 20% Energy • 11% Liveness
15% Instrumentalness • 17% Positiveness
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Edgar Meyer
El Cinco Real
114 bpm • G Maj • 03:56 • -21db
14% Popularity • 60% Danceability • 12% Energy • 7% Liveness
95% Instrumentalness • 21% Positiveness
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Julia Kent
Dorval
108 bpm • D Maj • 03:51 • -13db
27% Popularity • 37% Danceability • 22% Energy • 13% Liveness
64% Instrumentalness • 6% Positiveness
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Glenn Jones
The Sunken Amusement Park
113 bpm • G Maj • 02:05 • -13.76db
20% Popularity • 40% Danceability • 35% Energy • 58% Liveness
83% Instrumentalness • 50% Positiveness
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Chuck Johnson
Across White Oak Mountain
114 bpm • C Maj • 03:50 • -12db
29% Popularity • 18% Danceability • 43% Energy • 16% Liveness
96% Instrumentalness • 64% Positiveness
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Mary Lattimore
The Quiet at Night
108 bpm • D Maj • 04:12 • -12db
33% Popularity • 48% Danceability • 21% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
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Sarah Louise
Waterways
108 bpm • F Maj • 06:07 • -14.6db
12% Popularity • 23% Danceability • 38% Energy • 12% Liveness
96% Instrumentalness • 10% Positiveness
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Leo Kottke
The Ice Miner
108 bpm • B min • 02:03 • -24.33db
16% Popularity • 46% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 76% Positiveness
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Isato Nakagawa
Mega Top
115 bpm • G Maj • 02:36 • -18db
35% Popularity • 50% Danceability • 27% Energy • 10% Liveness
87% Instrumentalness • 50% Positiveness
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Glenn Jones
Forsythia
108 bpm • A min • 03:22 • -16.01db
5% Popularity • 52% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
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Nick Schillace
There Is a Place in This Old Town
115 bpm • G min • 04:48 • -11.16db
9% Popularity • 26% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 39% Positiveness
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Bill MacKay
Honey Time
107 bpm • C Maj • 03:09 • -11.83db
28% Popularity • 54% Danceability • 41% Energy • 11% Liveness
95% Instrumentalness • 32% Positiveness
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CaoimhÃn Ó Raghallaigh
Má Tá / If and Only If
107 bpm • D min • 05:37 • -19.26db
11% Popularity • 30% Danceability • 3% Energy • 6% Liveness
16% Instrumentalness • 32% Positiveness
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Carling & Will
Black Creek
115 bpm • A# Maj • 02:51 • -15.89db
37% Popularity • 57% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 81% Positiveness
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Tvärvägen
Everything That Can Be Invented
115 bpm • A min • 04:47 • -14.24db
29% Popularity • 53% Danceability • 16% Energy • 10% Liveness
76% Instrumentalness • 20% Positiveness
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Glenn Jones
Flower Turned Inside-Out
114 bpm • F Maj • 04:20 • -13db
23% Popularity • 43% Danceability • 37% Energy • 12% Liveness
88% Instrumentalness • 9% Positiveness
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Beta Radio
Here Too Far
107 bpm • F Maj • 00:55 • -20db
44% Popularity • 52% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 46% Positiveness
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Alan Gogoll
Between the Branches
107 bpm • D Maj • 02:21 • -18.5db
21% Popularity • 58% Danceability • 31% Energy • 11% Liveness
86% Instrumentalness • 38% Positiveness
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Dark Dark Dark
Bike Ride
115 bpm • F Maj • 02:22 • -18.73db
29% Popularity • 56% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Carling & Will
Lillie's Lullaby
107 bpm • A# Maj • 03:08 • -16.86db
32% Popularity • 55% Danceability • 17% Energy • 11% Liveness
86% Instrumentalness • 28% Positiveness
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William Tyler
Alpine Star
116 bpm • C Maj • 05:26 • -9.59db
32% Popularity • 41% Danceability • 53% Energy • 13% Liveness
93% Instrumentalness • 20% Positiveness
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Glenn Jones
Everything Ends
108 bpm • E min • 03:21 • -18.24db
13% Popularity • 46% Danceability • 18% Energy • 12% Liveness
87% Instrumentalness • 11% Positiveness
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Gareth Dickson
Agoa
116 bpm • G Maj • 03:21 • -18.95db
29% Popularity • 28% Danceability • 21% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
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Andrew Bird
Carrion Suite
107 bpm • A Maj • 06:03 • -14.97db
13% Popularity • 56% Danceability • 11% Energy • 31% Liveness
51% Instrumentalness • 36% Positiveness
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Phil Cook
The Jensens
116 bpm • B Maj • 05:04 • -14.62db
31% Popularity • 35% Danceability • 28% Energy • 17% Liveness
77% Instrumentalness • 5% Positiveness
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Nora Brown
Miner's Dream
106 bpm • F# Maj • 02:01 • -17.44db
33% Popularity • 49% Danceability • 38% Energy • 25% Liveness
95% Instrumentalness • 91% Positiveness
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Jack Rose
Lick Mountain Ramble
116 bpm • D Maj • 02:27 • -5.33db
13% Popularity • 57% Danceability • 73% Energy • 41% Liveness
96% Instrumentalness • 46% Positiveness
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Glenn Jones
Even to Win is to Fail
108 bpm • B min • 04:27 • -15.08db
8% Popularity • 42% Danceability • 19% Energy • 12% Liveness
77% Instrumentalness • 35% Positiveness
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Steve Dawson
Blind Thomas At The Crime Scene
106 bpm • D Maj • 03:49 • -10.92db
18% Popularity • 27% Danceability • 58% Energy • 10% Liveness
87% Instrumentalness • 42% Positiveness
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Megafaun
Bella Marie
116 bpm • F Maj • 01:29 • -18.91db
32% Popularity • 44% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
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Kaki King
Skimming the Fractured Surface to a Plac...
116 bpm • F# Maj • 03:30 • -17.22db
28% Popularity • 64% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
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Andrew Bird
Lazuli Bunting
106 bpm • C Maj • 03:38 • -11.44db
34% Popularity • 72% Danceability • 51% Energy • 8% Liveness
90% Instrumentalness • 35% Positiveness
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John Fahey
On The Sunny Side Of The Ocean
116 bpm • B Maj • 03:13 • -10.06db
30% Popularity • 48% Danceability • 73% Energy • 16% Liveness
86% Instrumentalness • 48% Positiveness
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Glenn Jones
Mother's Day
107 bpm • D# min • 05:09 • -16.59db
15% Popularity • 39% Danceability • 16% Energy • 11% Liveness
80% Instrumentalness • 26% Positiveness
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Edgar Meyer
Sliding Down
106 bpm • E min • 04:41 • -20.24db
37% Popularity • 42% Danceability • 15% Energy • 7% Liveness
93% Instrumentalness • 11% Positiveness
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Goldmund
Battle Cry of Freedom
116 bpm • G Maj • 02:34 • -15.61db
12% Popularity • 56% Danceability • 9% Energy • 9% Liveness
16% Instrumentalness • 31% Positiveness
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JBM
Op.168 sonata en do mayor 'La Boca-San I...
116 bpm • C Maj • 02:37 • -24.09db
24% Popularity • 45% Danceability • 21% Energy • 9% Liveness
97% Instrumentalness • 86% Positiveness
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Andrew Bird
Something Sinister
106 bpm • G Maj • 01:38 • -17.09db
28% Popularity • 60% Danceability • 11% Energy • 14% Liveness
93% Instrumentalness • 54% Positiveness
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Chris Thile
Tabhair dom do Lámh
116 bpm • G Maj • 04:21 • -18.45db
36% Popularity • 63% Danceability • 11% Energy • 7% Liveness
76% Instrumentalness • 40% Positiveness
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Glenn Jones
The Last Passenger Pigeon
115 bpm • B Maj • 07:16 • -11.5db
7% Popularity • 32% Danceability • 38% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Danny Paul Grody
Natural West
117 bpm • G Maj • 05:03 • -15.08db
22% Popularity • 52% Danceability • 16% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Jack Rose
Dark Was The Night, Cold Was The Ground
106 bpm • D# Maj • 02:39 • -12.89db
8% Popularity • 44% Danceability • 32% Energy • 13% Liveness
91% Instrumentalness • 13% Positiveness
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Danny Black
The Beekeeper
117 bpm • B min • 02:09 • -6.27db
33% Popularity • 64% Danceability • 50% Energy • 11% Liveness
83% Instrumentalness • 63% Positiveness
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Goldmund
The Death of General Wolfe
117 bpm • D min • 01:45 • -14.91db
16% Popularity • 60% Danceability • 10% Energy • 12% Liveness
29% Instrumentalness • 14% Positiveness
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Matt Costa
Smeared Pointillist Painting
105 bpm • C# Maj • 02:39 • -12.36db
35% Popularity • 50% Danceability • 30% Energy • 12% Liveness
88% Instrumentalness • 27% Positiveness
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Glenn Jones
The Was And The Is
115 bpm • D min • 02:08 • -13.56db
13% Popularity • 52% Danceability • 27% Energy • 12% Liveness
94% Instrumentalness • 10% Positiveness
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Kaki King
Kewpie Station
105 bpm • D Maj • 02:11 • -13.33db
29% Popularity • 66% Danceability • 44% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Julian Lage & Chris Eldridge
Lion's Share
117 bpm • F Maj • 03:31 • -19.64db
17% Popularity • 59% Danceability • 3% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
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Ben Tofft
Silver City
105 bpm • E Maj • 02:59 • -24.09db
37% Popularity • 52% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 56% Positiveness
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Danny Paul Grody
On Leaving
105 bpm • D# Maj • 03:47 • -12.94db
16% Popularity • 50% Danceability • 26% Energy • 12% Liveness
87% Instrumentalness • 6% Positiveness
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North Americans
Yearling
118 bpm • A Maj • 02:56 • -14db
22% Popularity • 48% Danceability • 29% Energy • 13% Liveness
94% Instrumentalness • 14% Positiveness
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Glenn Jones
Gone Before
107 bpm • C Maj • 02:44 • -12.32db
15% Popularity • 36% Danceability • 26% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
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Six Organs Of Admittance
They Fixed The Broken Windmill Today
105 bpm • F Maj • 07:18 • -15.6db
25% Popularity • 34% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 29% Positiveness
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Hayden Pedigo
Good Night
104 bpm • D# min • 02:35 • -19db
27% Popularity • 27% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Jack Rose
Tower Of Babel
104 bpm • F# Maj • 07:04 • -13.88db
8% Popularity • 29% Danceability • 27% Energy • 36% Liveness
86% Instrumentalness • 4% Positiveness
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James Day Songs
Don't Waste the Pretty (Dave Doyle Mix)
118 bpm • F min • 03:47 • -5.62db
2% Popularity • 72% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Ben Sollee
Keep on Sailing
118 bpm • E min • 01:47 • -27.09db
17% Popularity • 76% Danceability • 14% Energy • 5% Liveness
89% Instrumentalness • 24% Positiveness
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Glenn Jones
Each Crystal Pane of Glass
115 bpm • E Maj • 05:37 • -17.07db
6% Popularity • 43% Danceability • 19% Energy • 12% Liveness
83% Instrumentalness • 12% Positiveness
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James Blackshaw
Love Is The Plan, The Plan Is Death
118 bpm • D min • 08:02 • -14.5db
19% Popularity • 50% Danceability • 23% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
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Phil Cook
The Village
118 bpm • F Maj • 03:05 • -14.97db
20% Popularity • 45% Danceability • 13% Energy • 15% Liveness
90% Instrumentalness • 9% Positiveness
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Bill MacKay
I Heard Them Singing
104 bpm • B min • 02:17 • -12.9db
34% Popularity • 49% Danceability • 45% Energy • 9% Liveness
89% Instrumentalness • 63% Positiveness
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Jack Rose
Rappahanock River Rag (For William Moore...
104 bpm • E Maj • 02:46 • -5.18db
16% Popularity • 28% Danceability • 74% Energy • 25% Liveness
98% Instrumentalness • 39% Positiveness
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A Snapshot of Mom, Scotland, 1957