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A Song for Canaan
Songs like
A Song for Canaan
by
Matthew Perryman Jones
Based on a tempo of (+/- 10%) and a similar genre
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Ivan & Alyosha
The Fold
80 bpm • A# Maj • 04:13 • -8.46db
22% Popularity • 49% Danceability • 60% Energy • 9% Liveness
26% Instrumentalness • 41% Positiveness
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A.C. Newman
Be Not So Fearful
80 bpm • B Maj • 02:18 • -11db
34% Popularity • 62% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Brooke Annibale
Under Streetlights
80 bpm • A# min • 03:43 • -10.32db
19% Popularity • 56% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Hilary Grist
Tomorrow is a Chance to Start Over (song...
80 bpm • D# Maj • 04:20 • -12.09db
16% Popularity • 60% Danceability • 31% Energy • 10% Liveness
3% Instrumentalness • 6% Positiveness
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Barns Courtney
Goodbye John Smith
81 bpm • A min • 03:47 • -14.43db
38% Popularity • 40% Danceability • 20% Energy • 11% Liveness
8% Instrumentalness • 16% Positiveness
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Cold Weather Company
Fellow in the North
79 bpm • E Maj • 05:18 • -8.98db
24% Popularity • 56% Danceability • 45% Energy • 10% Liveness
54% Instrumentalness • 18% Positiveness
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Pilot Speed
Bluff
79 bpm • C Maj • 03:20 • -7.86db
10% Popularity • 29% Danceability • 39% Energy • 31% Liveness
0% Instrumentalness • 21% Positiveness
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The Tide Rose
On the Road
79 bpm • C# Maj • 03:56 • -7.7db
13% Popularity • 47% Danceability • 34% Energy • 8% Liveness
2% Instrumentalness • 33% Positiveness
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X Ambassadors
Eye Of The Storm
79 bpm • F min • 03:46 • -8.72db
29% Popularity • 35% Danceability • 48% Energy • 14% Liveness
56% Instrumentalness • 13% Positiveness
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Don Brownrigg
Fight for Your Castle
81 bpm • E Maj • 05:41 • -18.61db
15% Popularity • 25% Danceability • 21% Energy • 11% Liveness
9% Instrumentalness • 8% Positiveness
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Seafret
Sinking Ship
79 bpm • B Maj • 03:30 • -9.36db
30% Popularity • 56% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Sea Wolf
Whirlpool
79 bpm • A Maj • 03:52 • -7.94db
33% Popularity • 55% Danceability • 51% Energy • 8% Liveness
70% Instrumentalness • 48% Positiveness
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Radical Face
The Gilded Hand
81 bpm • C min • 06:14 • -10db
32% Popularity • 31% Danceability • 44% Energy • 9% Liveness
2% Instrumentalness • 14% Positiveness
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Vancouver Sleep Clinic
Stakes
81 bpm • C# min • 05:11 • -10.71db
38% Popularity • 38% Danceability • 35% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Ross Copperman
Hunger
79 bpm • C# Maj • 03:25 • -6.77db
55% Popularity • 44% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Devarrow
The Great Divide
79 bpm • F# Maj • 03:31 • -16db
26% Popularity • 53% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Jesse Marchant
7 & the Fall
78 bpm • E min • 05:32 • -12db
27% Popularity • 39% Danceability • 40% Energy • 14% Liveness
82% Instrumentalness • 7% Positiveness
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Aquilo
Silhouette
78 bpm • C# Maj • 03:50 • -8.37db
57% Popularity • 23% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 14% Positiveness
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Matthew Perryman Jones
Homage for the Suffering
82 bpm • C Maj • 04:25 • -10.28db
18% Popularity • 34% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Milo Greene
Autumn Tree
82 bpm • G# min • 03:50 • -14db
39% Popularity • 23% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Tyrone Wells
More
82 bpm • D Maj • 03:37 • -4db
28% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Kodaline
Take Control
82 bpm • G# min • 04:06 • -6.49db
38% Popularity • 42% Danceability • 70% Energy • 24% Liveness
3% Instrumentalness • 20% Positiveness
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Barcelona
Till Death
78 bpm • C# min • 05:19 • -7.22db
16% Popularity • 64% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Adam Agin
Bookends
82 bpm • F Maj • 03:44 • -5.71db
18% Popularity • 46% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Kyle Neal
Golden Shore
78 bpm • D# Maj • 02:45 • -12.89db
26% Popularity • 57% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
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Aidan Hawken
Walking Blind
82 bpm • A Maj • 03:21 • -13.23db
44% Popularity • 37% Danceability • 18% Energy • 11% Liveness
4% Instrumentalness • 13% Positiveness
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Swan Levitt
Parkhurst
78 bpm • G Maj • 03:00 • -9.4db
14% Popularity • 50% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Kodaline
What It Is
78 bpm • D# Maj • 03:50 • -7.09db
38% Popularity • 44% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Ross Copperman
Holding On and Letting Go
78 bpm • D Maj • 05:17 • -9.47db
45% Popularity • 49% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Rosi Golan
Between the Night, Between the Day
78 bpm • B Maj • 03:18 • -9db
26% Popularity • 52% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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One Two
Bitter and Sick
78 bpm • F# Maj • 03:06 • -18.09db
40% Popularity • 69% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Barcelona
Get Up
82 bpm • G# Maj • 03:59 • -15.7db
21% Popularity • 29% Danceability • 27% Energy • 10% Liveness
2% Instrumentalness • 17% Positiveness
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Aron Wright
How You'll Be Remembered
78 bpm • F# Maj • 04:18 • -14.71db
22% Popularity • 35% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Jesse Marchant
Winter Ghosts
78 bpm • B min • 03:59 • -14db
37% Popularity • 47% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
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Radical Face
The Crooked Kind
82 bpm • F# Maj • 04:39 • -12db
38% Popularity • 58% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Matthew And The Atlas
Out Of The Darkness
78 bpm • A Maj • 04:10 • -10.38db
35% Popularity • 47% Danceability • 40% Energy • 13% Liveness
7% Instrumentalness • 10% Positiveness
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Bear's Den
My Lair
83 bpm • F# min • 05:16 • -12.69db
4% Popularity • 44% Danceability • 36% Energy • 11% Liveness
21% Instrumentalness • 15% Positiveness
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Barcelona
Please Don't Go
78 bpm • E Maj • 04:35 • -14.92db
42% Popularity • 10% Danceability • 17% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Whitaker
Devil on Your Mind
83 bpm • A min • 03:39 • -13.88db
18% Popularity • 56% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
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Matthew Perryman Jones
Only You
83 bpm • E Maj • 04:08 • -14db
40% Popularity • 49% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Flagship
In the Rain
83 bpm • C Maj • 04:37 • -9.03db
11% Popularity • 47% Danceability • 58% Energy • 13% Liveness
52% Instrumentalness • 27% Positiveness
► Preview
Pete Yorn
Lose You
83 bpm • F# Maj • 04:35 • -10.67db
39% Popularity • 59% Danceability • 68% Energy • 22% Liveness
23% Instrumentalness • 36% Positiveness
► Preview
Keaton Henson
Beekeeper
83 bpm • C# min • 04:13 • -10.69db
34% Popularity • 20% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Ivan & Alyosha
Come Rain, Come Shine
84 bpm • E Maj • 03:29 • -6db
21% Popularity • 50% Danceability • 59% Energy • 47% Liveness
0% Instrumentalness • 34% Positiveness
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Aquilo
You There
77 bpm • C Maj • 04:13 • -14.71db
52% Popularity • 31% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Matthew Perryman Jones
Table for Two
83 bpm • G Maj • 04:10 • -14.62db
15% Popularity • 46% Danceability • 35% Energy • 7% Liveness
36% Instrumentalness • 5% Positiveness
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Big Little Lions
Stories
76 bpm • D# Maj • 03:48 • -12db
14% Popularity • 41% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Aron Wright
I Don't Believe in Satan
84 bpm • F# min • 03:28 • -14.15db
41% Popularity • 42% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
X Ambassadors
Kerosene Dreams
84 bpm • C# Maj • 03:53 • -8db
41% Popularity • 47% Danceability • 69% Energy • 16% Liveness
1% Instrumentalness • 19% Positiveness
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Liza Anne
Lost
84 bpm • C Maj • 03:56 • -9db
36% Popularity • 44% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Becky Shaheen
What Would You Say to the Dark
76 bpm • B min • 03:01 • -13.34db
21% Popularity • 35% Danceability • 26% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Matthew Perryman Jones
Amelia
83 bpm • E Maj • 04:27 • -8.49db
20% Popularity • 25% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Ross Copperman
Stars Are on Your Side
85 bpm • C Maj • 03:38 • -8.31db
41% Popularity • 26% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Zach Berkman
Down to the Second
76 bpm • E min • 03:24 • -9db
35% Popularity • 42% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
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Devics
Salty Seas
85 bpm • C min • 04:13 • -13db
35% Popularity • 46% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Trent Dabbs
This Time Tomorrow
75 bpm • C Maj • 04:27 • -18db
28% Popularity • 45% Danceability • 7% Energy • 12% Liveness
2% Instrumentalness • 18% Positiveness
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Phillip LaRue
On The Other Side
85 bpm • C Maj • 03:25 • -13db
30% Popularity • 45% Danceability • 42% Energy • 9% Liveness
8% Instrumentalness • 22% Positiveness
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Matthew Perryman Jones
I Can’t Go Back Now
76 bpm • B min • 04:21 • -10.72db
21% Popularity • 56% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Katie Costello
Stranger
75 bpm • E min • 04:14 • -11db
27% Popularity • 38% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Jake Houlsby
Howl
75 bpm • A# Maj • 03:38 • -14.95db
46% Popularity • 51% Danceability • 35% Energy • 12% Liveness
79% Instrumentalness • 27% Positiveness
► Preview
Monument Valley
Tattooed Fists
85 bpm • B min • 03:44 • -8.19db
13% Popularity • 49% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Kodaline
Blood and Bones
75 bpm • D Maj • 03:52 • -8.51db
40% Popularity • 47% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Will Cookson
I'm All At Sea
75 bpm • A# Maj • 02:27 • -12.7db
22% Popularity • 37% Danceability • 25% Energy • 12% Liveness
89% Instrumentalness • 45% Positiveness
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Katie Herzig
Viva La Vida
86 bpm • F min • 03:13 • -11.33db
36% Popularity • 26% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Trent Dabbs
Nobody's Stranger Anymore
86 bpm • D# Maj • 03:28 • -13.52db
27% Popularity • 45% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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The Last Bison
Come What May
74 bpm • A min • 04:01 • -12.92db
30% Popularity • 19% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 13% Positiveness
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Sleeping At Last
Chandeliers
86 bpm • A# Maj • 03:57 • -8.26db
18% Popularity • 27% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Fractures
Mortal
74 bpm • F# min • 03:59 • -8.08db
20% Popularity • 47% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
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The Burned
Make Believe
87 bpm • G# Maj • 03:33 • -16db
36% Popularity • 45% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Houses
A Quiet Darkness
74 bpm • F Maj • 06:49 • -10.24db
25% Popularity • 49% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
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Roo Panes
Lullaby Love
74 bpm • A min • 03:58 • -12.44db
40% Popularity • 51% Danceability • 22% Energy • 11% Liveness
6% Instrumentalness • 31% Positiveness
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Jack Savoretti
Hate & Love
73 bpm • A min • 03:53 • -10db
33% Popularity • 52% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
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Matthew Perryman Jones
Happy
87 bpm • C min • 03:47 • -10.34db
16% Popularity • 52% Danceability • 61% Energy • 11% Liveness
79% Instrumentalness • 7% Positiveness
► Preview
Vinnie Ferra
Destroying Me
88 bpm • C Maj • 04:55 • -9db
8% Popularity • 49% Danceability • 45% Energy • 4% Liveness
0% Instrumentalness • 53% Positiveness
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Jill Andrews
Lost It All
73 bpm • G min • 03:43 • -11.86db
44% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Amy Stroup
Versailles
88 bpm • C# Maj • 03:25 • -14.89db
23% Popularity • 55% Danceability • 34% Energy • 8% Liveness
37% Instrumentalness • 26% Positiveness
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Down Like Silver
Wolves
72 bpm • G min • 04:32 • -13.99db
40% Popularity • 58% Danceability • 22% Energy • 11% Liveness
4% Instrumentalness • 9% Positiveness
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Secret Nation
I'm Yours
73 bpm • C# Maj • 02:59 • -18db
27% Popularity • 32% Danceability • 7% Energy • 12% Liveness
9% Instrumentalness • 17% Positiveness
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Snow Patrol
Make This Go On Forever
89 bpm • B Maj • 05:47 • -7.08db
50% Popularity • 51% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Ag Silver
I Found You
72 bpm • A Maj • 04:06 • -7.7db
20% Popularity • 45% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Ruby Amanfu
Turn Our Eyes Away
72 bpm • C Maj • 03:56 • -16db
30% Popularity • 56% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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UNSECRET
Let You Go
90 bpm • B min • 02:52 • -9.11db
19% Popularity • 15% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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Katie Herzig
I Hurt Too
71 bpm • G Maj • 04:28 • -11.62db
35% Popularity • 27% Danceability • 21% Energy • 9% Liveness
6% Instrumentalness • 24% Positiveness
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Glass Pear
My Ghost
90 bpm • C Maj • 02:56 • -11db
21% Popularity • 44% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Cider Sky
White Doves
70 bpm • G# Maj • 03:29 • -6.16db
17% Popularity • 49% Danceability • 41% Energy • 10% Liveness
36% Instrumentalness • 28% Positiveness
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One Two
Without You
92 bpm • B min • 04:17 • -11.89db
33% Popularity • 65% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Puzzle Muteson
By Night
92 bpm • B min • 03:38 • -12.15db
45% Popularity • 48% Danceability • 26% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
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Wye Oak
Civilian
91 bpm • G# min • 03:40 • -7db
57% Popularity • 39% Danceability • 70% Energy • 14% Liveness
22% Instrumentalness • 40% Positiveness
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Early Winters
Turn Around
92 bpm • C Maj • 04:04 • -14db
21% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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The Perishers
Trouble Sleeping - Acoustic Bonus Track
93 bpm • A# Maj • 03:17 • -13.36db
17% Popularity • 61% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Big Scary
Thinking About You
69 bpm • D Maj • 03:53 • -14db
35% Popularity • 63% Danceability • 31% Energy • 10% Liveness
12% Instrumentalness • 17% Positiveness
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Jack Savoretti
Breaking News
93 bpm • A Maj • 04:40 • -6.46db
15% Popularity • 51% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
Luke Sital-Singh
Dark
69 bpm • A min • 05:07 • -12.85db
37% Popularity • 26% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Demons Of Ruby Mae
The Boy Who Cried Wolf
93 bpm • B min • 03:35 • -5.95db
20% Popularity • 23% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Vast
One More Day
93 bpm • A min • 03:25 • -13db
35% Popularity • 48% Danceability • 18% Energy • 27% Liveness
1% Instrumentalness • 17% Positiveness
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Gregory Alan Isakov
This Empty Northern Hemisphere
94 bpm • F Maj • 05:00 • -13db
46% Popularity • 37% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
► Preview
Florence + The Machine
Wish That You Were Here
94 bpm • F# Maj • 06:42 • -6.04db
53% Popularity • 37% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Matthew Perryman Jones
Canción De La Noche
94 bpm • A min • 06:39 • -8.71db
18% Popularity • 38% Danceability • 56% Energy • 26% Liveness
14% Instrumentalness • 17% Positiveness
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Amy Stroup
Sabotage
94 bpm • F Maj • 03:49 • -9db
24% Popularity • 56% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Low Roar
Rolling Over
94 bpm • G min • 05:07 • -12.27db
41% Popularity • 41% Danceability • 29% Energy • 9% Liveness
77% Instrumentalness • 18% Positiveness
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A Song for Canaan