Songs like A Spanking - From "Fifty Shades Of Grey" Score by Danny Elfman
Based on a tempo of (+/- 10%) and a similar genre
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Danny Elfman
A Spanking
135 bpm • A min • 02:32 • -17.06db
20% Popularity • 42% Danceability • 21% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
20% Popularity • 42% Danceability • 21% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
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Junkie XL
Choosing Dauntless
135 bpm • G min • 03:44 • -9.46db
30% Popularity • 32% Danceability • 83% Energy • 9% Liveness
84% Instrumentalness • 11% Positiveness
30% Popularity • 32% Danceability • 83% Energy • 9% Liveness
84% Instrumentalness • 11% Positiveness
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Stephen Warbeck
Leave Taking
135 bpm • G min • 03:04 • -27db
38% Popularity • 16% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 16% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Abel Korzeniowski
A Solitary Woman
136 bpm • A min • 02:34 • -26.46db
39% Popularity • 39% Danceability • 9% Energy • 13% Liveness
96% Instrumentalness • 10% Positiveness
39% Popularity • 39% Danceability • 9% Energy • 13% Liveness
96% Instrumentalness • 10% Positiveness
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Jan A.P. Kaczmarek
Braille
136 bpm • E min • 01:58 • -23.56db
34% Popularity • 18% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Trevor Morris
Cesare And Lucrezia's Theme
134 bpm • E min • 01:32 • -19.41db
22% Popularity • 61% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
22% Popularity • 61% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
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Mychael Danna
I Can See Everything
134 bpm • G min • 02:56 • -27.54db
9% Popularity • 16% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 7% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Bear McCreary
The Lullaby
134 bpm • D min • 04:40 • -24.8db
9% Popularity • 17% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Danny Elfman
Resolution / The Girl On The Train - Mai...
134 bpm • D min • 02:23 • -23.1db
15% Popularity • 30% Danceability • 6% Energy • 14% Liveness
88% Instrumentalness • 7% Positiveness
15% Popularity • 30% Danceability • 6% Energy • 14% Liveness
88% Instrumentalness • 7% Positiveness
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Max Richter
Action at a distance
137 bpm • D# Maj • 01:07 • -30.99db
19% Popularity • 17% Danceability • 2% Energy • 6% Liveness
93% Instrumentalness • 3% Positiveness
19% Popularity • 17% Danceability • 2% Energy • 6% Liveness
93% Instrumentalness • 3% Positiveness
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Michael Giacchino
Bundle of Joy
137 bpm • A min • 02:48 • -20.32db
63% Popularity • 31% Danceability • 8% Energy • 6% Liveness
49% Instrumentalness • 5% Positiveness
63% Popularity • 31% Danceability • 8% Energy • 6% Liveness
49% Instrumentalness • 5% Positiveness
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Abel Korzeniowski
Welcome To The Grand Guignol
134 bpm • F min • 02:20 • -17.62db
32% Popularity • 38% Danceability • 24% Energy • 12% Liveness
96% Instrumentalness • 18% Positiveness
32% Popularity • 38% Danceability • 24% Energy • 12% Liveness
96% Instrumentalness • 18% Positiveness
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John Williams
Sean's Theme - Minority Report Soundtrac...
133 bpm • G min • 01:57 • -32.83db
13% Popularity • 16% Danceability • 2% Energy • 14% Liveness
91% Instrumentalness • 11% Positiveness
13% Popularity • 16% Danceability • 2% Energy • 14% Liveness
91% Instrumentalness • 11% Positiveness
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Fernando Velázquez
End-Titles
133 bpm • A min • 03:24 • -7.85db
10% Popularity • 19% Danceability • 52% Energy • 10% Liveness
25% Instrumentalness • 12% Positiveness
10% Popularity • 19% Danceability • 52% Energy • 10% Liveness
25% Instrumentalness • 12% Positiveness
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Ilan Eshkeri
Mika And Kai
138 bpm • D min • 02:45 • -27.63db
47% Popularity • 15% Danceability • 3% Energy • 6% Liveness
73% Instrumentalness • 4% Positiveness
47% Popularity • 15% Danceability • 3% Energy • 6% Liveness
73% Instrumentalness • 4% Positiveness
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Dario Marianelli
First Trek: Base Camp
138 bpm • G Maj • 02:30 • -14.28db
25% Popularity • 42% Danceability • 51% Energy • 10% Liveness
93% Instrumentalness • 42% Positiveness
25% Popularity • 42% Danceability • 51% Energy • 10% Liveness
93% Instrumentalness • 42% Positiveness
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Andrew Lockington
I Love You Dad
138 bpm • D Maj • 03:25 • -15.68db
10% Popularity • 46% Danceability • 54% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
10% Popularity • 46% Danceability • 54% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
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Steve Jablonsky
The Battle Room
138 bpm • G min • 03:03 • -17db
43% Popularity • 38% Danceability • 31% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
43% Popularity • 38% Danceability • 31% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Mychael Danna
The Second Story
138 bpm • E min • 04:02 • -33db
24% Popularity • 15% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
24% Popularity • 15% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Bear McCreary
Flight of the Columbina
138 bpm • C min • 03:40 • -14.46db
11% Popularity • 24% Danceability • 44% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
11% Popularity • 24% Danceability • 44% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
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Ilan Eshkeri
Toothpaste
138 bpm • E Maj • 01:32 • -25.52db
11% Popularity • 21% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
11% Popularity • 21% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Danny Elfman
Vandalize
138 bpm • C# Maj • 01:32 • -20.45db
14% Popularity • 32% Danceability • 28% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
14% Popularity • 32% Danceability • 28% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
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John Ottman
Hope (Xavier's Theme)
132 bpm • A min • 04:48 • -21.29db
44% Popularity • 36% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
44% Popularity • 36% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Steve Jablonsky
My Name Is Lincoln
132 bpm • C Maj • 03:42 • -18.04db
54% Popularity • 16% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
54% Popularity • 16% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Trevor Morris
The Passion Of King Henry
138 bpm • A Maj • 01:54 • -25.97db
24% Popularity • 26% Danceability • 9% Energy • 11% Liveness
83% Instrumentalness • 7% Positiveness
24% Popularity • 26% Danceability • 9% Energy • 11% Liveness
83% Instrumentalness • 7% Positiveness
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Steven Price
Harley and Joker
131 bpm • A# min • 02:49 • -13.92db
10% Popularity • 18% Danceability • 25% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
10% Popularity • 18% Danceability • 25% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Alan Silvestri
Totally Fine
139 bpm • G min • 04:29 • -31.02db
39% Popularity • 15% Danceability • 2% Energy • 11% Liveness
77% Instrumentalness • 3% Positiveness
39% Popularity • 15% Danceability • 2% Energy • 11% Liveness
77% Instrumentalness • 3% Positiveness
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John Williams
The Journey to Himmel Street
131 bpm • C min • 01:48 • -30.15db
26% Popularity • 18% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
26% Popularity • 18% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
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Rachel Portman
Bess 'Sons
131 bpm • D min • 02:03 • -24.5db
26% Popularity • 16% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
26% Popularity • 16% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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thenewno2
The Caster Theme
131 bpm • A min • 02:56 • -13db
15% Popularity • 52% Danceability • 31% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
15% Popularity • 52% Danceability • 31% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
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Danny Elfman
Jack the Knife
131 bpm • G Maj • 01:15 • -19.74db
8% Popularity • 37% Danceability • 28% Energy • 14% Liveness
92% Instrumentalness • 7% Positiveness
8% Popularity • 37% Danceability • 28% Energy • 14% Liveness
92% Instrumentalness • 7% Positiveness
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Jerry Goldsmith
Giza Port
130 bpm • C# Maj • 01:58 • -31.08db
37% Popularity • 31% Danceability • 7% Energy • 11% Liveness
59% Instrumentalness • 9% Positiveness
37% Popularity • 31% Danceability • 7% Energy • 11% Liveness
59% Instrumentalness • 9% Positiveness
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Alan Silvestri
The Real Hero
130 bpm • G Maj • 05:54 • -18.02db
45% Popularity • 18% Danceability • 6% Energy • 30% Liveness
90% Instrumentalness • 4% Positiveness
45% Popularity • 18% Danceability • 6% Energy • 30% Liveness
90% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Roll Call
140 bpm • F Maj • 07:43 • -27.5db
16% Popularity • 15% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
16% Popularity • 15% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Ryan Amon
New Heaven, New Earth
140 bpm • C min • 02:22 • -15db
22% Popularity • 34% Danceability • 39% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
22% Popularity • 34% Danceability • 39% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
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Michael Giacchino
Jupiter Ascending - 3rd Movement
140 bpm • F min • 05:54 • -10.98db
8% Popularity • 46% Danceability • 45% Energy • 20% Liveness
79% Instrumentalness • 13% Positiveness
8% Popularity • 46% Danceability • 45% Energy • 20% Liveness
79% Instrumentalness • 13% Positiveness
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Danny Elfman
Texting
140 bpm • E min • 01:03 • -25.94db
27% Popularity • 59% Danceability • 20% Energy • 10% Liveness
79% Instrumentalness • 6% Positiveness
27% Popularity • 59% Danceability • 20% Energy • 10% Liveness
79% Instrumentalness • 6% Positiveness
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Andrew Lockington
Coming to See You
140 bpm • G min • 03:29 • -17.78db
11% Popularity • 30% Danceability • 17% Energy • 28% Liveness
96% Instrumentalness • 4% Positiveness
11% Popularity • 30% Danceability • 17% Energy • 28% Liveness
96% Instrumentalness • 4% Positiveness
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Steven Price
The Lions Theme
140 bpm • C# min • 04:40 • -18.84db
26% Popularity • 34% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 10% Positiveness
26% Popularity • 34% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 10% Positiveness
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John Paesano
Waiting in the Rain
130 bpm • G min • 01:50 • -27.04db
25% Popularity • 28% Danceability • 7% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
25% Popularity • 28% Danceability • 7% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
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Bear McCreary
Fallen Through Time
140 bpm • A min • 05:38 • -16db
47% Popularity • 19% Danceability • 32% Energy • 9% Liveness
78% Instrumentalness • 6% Positiveness
47% Popularity • 19% Danceability • 32% Energy • 9% Liveness
78% Instrumentalness • 6% Positiveness
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Michael Price
Status Symbols
130 bpm • D min • 02:33 • -20.13db
21% Popularity • 24% Danceability • 31% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
21% Popularity • 24% Danceability • 31% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
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Danny Elfman
A Spat
140 bpm • B min • 01:35 • -24.73db
25% Popularity • 40% Danceability • 10% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
25% Popularity • 40% Danceability • 10% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
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Andrew Lockington
San Andreas End Credits
130 bpm • D Maj • 02:57 • -11.02db
21% Popularity • 25% Danceability • 67% Energy • 29% Liveness
67% Instrumentalness • 47% Positiveness
21% Popularity • 25% Danceability • 67% Energy • 29% Liveness
67% Instrumentalness • 47% Positiveness
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Alan Silvestri
Night At The Museum
129 bpm • G# Maj • 02:35 • -16.84db
44% Popularity • 19% Danceability • 30% Energy • 18% Liveness
77% Instrumentalness • 6% Positiveness
44% Popularity • 19% Danceability • 30% Energy • 18% Liveness
77% Instrumentalness • 6% Positiveness
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Michael Giacchino
Logo And Prosper
129 bpm • A# Maj • 01:48 • -22.16db
21% Popularity • 17% Danceability • 4% Energy • 10% Liveness
99% Instrumentalness • 3% Positiveness
21% Popularity • 17% Danceability • 4% Energy • 10% Liveness
99% Instrumentalness • 3% Positiveness
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Rachel Portman
Farewell at the Safe House
129 bpm • C min • 01:33 • -25.62db
17% Popularity • 17% Danceability • 2% Energy • 7% Liveness
69% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 2% Energy • 7% Liveness
69% Instrumentalness • 4% Positiveness
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Ludwig Göransson
Truths
129 bpm • A min • 01:54 • -23.69db
43% Popularity • 25% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
43% Popularity • 25% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Danny Elfman
That's Not Hyde
141 bpm • F min • 02:25 • -23.73db
17% Popularity • 28% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
17% Popularity • 28% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 5% Positiveness
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Andrew Lockington
Natalie's Rescue
141 bpm • F min • 05:16 • -12.64db
10% Popularity • 26% Danceability • 74% Energy • 25% Liveness
89% Instrumentalness • 13% Positiveness
10% Popularity • 26% Danceability • 74% Energy • 25% Liveness
89% Instrumentalness • 13% Positiveness
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Alan Silvestri
Two Loves
129 bpm • G min • 03:19 • -28.85db
21% Popularity • 22% Danceability • 2% Energy • 22% Liveness
36% Instrumentalness • 11% Positiveness
21% Popularity • 22% Danceability • 2% Energy • 22% Liveness
36% Instrumentalness • 11% Positiveness
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Patrick Doyle
Merida's Home
142 bpm • D Maj • 01:32 • -10.11db
49% Popularity • 18% Danceability • 50% Energy • 8% Liveness
99% Instrumentalness • 21% Positiveness
49% Popularity • 18% Danceability • 50% Energy • 8% Liveness
99% Instrumentalness • 21% Positiveness
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Nicholas Hooper
Opening
142 bpm • G Maj • 02:54 • -21.7db
47% Popularity • 22% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
47% Popularity • 22% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
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Klaus Badelt
Reunion
128 bpm • F Maj • 01:14 • -27.45db
41% Popularity • 20% Danceability • 6% Energy • 35% Liveness
96% Instrumentalness • 4% Positiveness
41% Popularity • 20% Danceability • 6% Energy • 35% Liveness
96% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Lone Survivor
143 bpm • G Maj • 03:37 • -21.57db
41% Popularity • 27% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
41% Popularity • 27% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Andrew Lockington
First Skype
129 bpm • C Maj • 03:12 • -19.72db
15% Popularity • 26% Danceability • 18% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
15% Popularity • 26% Danceability • 18% Energy • 9% Liveness
84% Instrumentalness • 5% Positiveness
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Danny Elfman
Survive
143 bpm • A min • 02:49 • -21.97db
16% Popularity • 20% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
16% Popularity • 20% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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David Arnold
Pick Up
127 bpm • A min • 05:15 • -23.95db
0% Popularity • 44% Danceability • 21% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
0% Popularity • 44% Danceability • 21% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Coby Brown
Kite
144 bpm • B min • 03:19 • -23db
13% Popularity • 14% Danceability • 6% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
13% Popularity • 14% Danceability • 6% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Patrick Doyle
Death of Cedric
143 bpm • B min • 01:56 • -23.1db
45% Popularity • 14% Danceability • 11% Energy • 21% Liveness
98% Instrumentalness • 4% Positiveness
45% Popularity • 14% Danceability • 11% Energy • 21% Liveness
98% Instrumentalness • 4% Positiveness
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David Buckley
Alicia Keeps Her Cool
144 bpm • C Maj • 02:25 • -20.75db
8% Popularity • 13% Danceability • 18% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
8% Popularity • 13% Danceability • 18% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
Reforestation (Episode 5 - Humans)
126 bpm • A min • 01:40 • -17.72db
45% Popularity • 47% Danceability • 18% Energy • 17% Liveness
82% Instrumentalness • 5% Positiveness
45% Popularity • 47% Danceability • 18% Energy • 17% Liveness
82% Instrumentalness • 5% Positiveness
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John Paesano
The Maze Runner
145 bpm • D min • 02:49 • -14.33db
43% Popularity • 18% Danceability • 47% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
43% Popularity • 18% Danceability • 47% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
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Jeff Beal
Reverend Underwood's Eulogy
126 bpm • G Maj • 02:34 • -22.69db
26% Popularity • 22% Danceability • 7% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
26% Popularity • 22% Danceability • 7% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Lorne Balfe
Natural Order
125 bpm • F Maj • 01:14 • -15.01db
17% Popularity • 51% Danceability • 28% Energy • 11% Liveness
96% Instrumentalness • 48% Positiveness
17% Popularity • 51% Danceability • 28% Energy • 11% Liveness
96% Instrumentalness • 48% Positiveness
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Patrick Doyle
Sons of Odin
126 bpm • F Maj • 01:48 • -16.56db
44% Popularity • 48% Danceability • 50% Energy • 10% Liveness
98% Instrumentalness • 24% Positiveness
44% Popularity • 48% Danceability • 50% Energy • 10% Liveness
98% Instrumentalness • 24% Positiveness
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Danny Elfman
Seeing Red
125 bpm • B Maj • 02:43 • -21.46db
30% Popularity • 49% Danceability • 17% Energy • 13% Liveness
84% Instrumentalness • 6% Positiveness
30% Popularity • 49% Danceability • 17% Energy • 13% Liveness
84% Instrumentalness • 6% Positiveness
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David Arnold
Addicted to a Certain Lifestyle
125 bpm • A min • 03:50 • -21.65db
31% Popularity • 19% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
31% Popularity • 19% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Rob Lane
Funeral Rites
146 bpm • C# Maj • 01:31 • -27.64db
33% Popularity • 13% Danceability • 14% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
33% Popularity • 13% Danceability • 14% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
Pills
125 bpm • A Maj • 03:04 • -27.99db
8% Popularity • 17% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 2% Positiveness
8% Popularity • 17% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 2% Positiveness
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Lorne Balfe
A Once Great City
146 bpm • C min • 02:15 • -21.23db
37% Popularity • 13% Danceability • 19% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
37% Popularity • 13% Danceability • 19% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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John Williams
Sayuri's Theme and End Credits
124 bpm • C min • 05:06 • -17db
33% Popularity • 29% Danceability • 24% Energy • 62% Liveness
88% Instrumentalness • 16% Positiveness
33% Popularity • 29% Danceability • 24% Energy • 62% Liveness
88% Instrumentalness • 16% Positiveness
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Junkie XL
Capture The Flag
124 bpm • A# Maj • 03:06 • -8.31db
25% Popularity • 57% Danceability • 74% Energy • 11% Liveness
91% Instrumentalness • 54% Positiveness
25% Popularity • 57% Danceability • 74% Energy • 11% Liveness
91% Instrumentalness • 54% Positiveness
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David Arnold
The Lie in Leinster Gardens
125 bpm • A min • 03:14 • -24.61db
1% Popularity • 19% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
1% Popularity • 19% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Alan Silvestri
Even for You
124 bpm • A min • 02:16 • -15db
43% Popularity • 17% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
43% Popularity • 17% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Nicholas Britell
Opening Music
123 bpm • A min • 03:04 • -23.12db
16% Popularity • 38% Danceability • 13% Energy • 12% Liveness
71% Instrumentalness • 5% Positiveness
16% Popularity • 38% Danceability • 13% Energy • 12% Liveness
71% Instrumentalness • 5% Positiveness
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Nathan Barr
Goodbye Godric
148 bpm • A# Maj • 04:49 • -11.3db
12% Popularity • 13% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
12% Popularity • 13% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Danny Elfman
On His Knees
123 bpm • D min • 02:50 • -13.24db
37% Popularity • 40% Danceability • 19% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
37% Popularity • 40% Danceability • 19% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
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Jeff Beal
I've Known Everything
123 bpm • C min • 04:39 • -16.49db
28% Popularity • 40% Danceability • 22% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
28% Popularity • 40% Danceability • 22% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
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Bear McCreary
The Story of the Shield
123 bpm • D# Maj • 01:54 • -18.21db
11% Popularity • 43% Danceability • 28% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
11% Popularity • 43% Danceability • 28% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Steven Price
The Worst of the Worst
149 bpm • D min • 04:11 • -11.18db
18% Popularity • 40% Danceability • 46% Energy • 8% Liveness
95% Instrumentalness • 7% Positiveness
18% Popularity • 40% Danceability • 46% Energy • 8% Liveness
95% Instrumentalness • 7% Positiveness
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John Ottman
The Future - Main Titles
122 bpm • D Maj • 02:44 • -17db
31% Popularity • 17% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
31% Popularity • 17% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Atli Örvarsson
Nadine's Theme
122 bpm • F Maj • 03:43 • -14.5db
15% Popularity • 50% Danceability • 15% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
15% Popularity • 50% Danceability • 15% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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David Arnold
The Woman
122 bpm • A min • 02:31 • -22.24db
32% Popularity • 38% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
32% Popularity • 38% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
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The Meridian Studio Ensemble
The Woman - Series 2
122 bpm • A min • 02:34 • -24.04db
9% Popularity • 35% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
9% Popularity • 35% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 14% Positiveness
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Bear McCreary
Da Vinci’s Demons Main Title (Season T...
122 bpm • G# Maj • 01:24 • -13.7db
8% Popularity • 31% Danceability • 47% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
8% Popularity • 31% Danceability • 47% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Jeff Russo
Dodd's Theme
150 bpm • C min • 02:54 • -22.64db
12% Popularity • 18% Danceability • 6% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 6% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Dario Marianelli
Lady In Red
122 bpm • F Maj • 02:25 • -23.65db
7% Popularity • 28% Danceability • 5% Energy • 17% Liveness
30% Instrumentalness • 4% Positiveness
7% Popularity • 28% Danceability • 5% Energy • 17% Liveness
30% Instrumentalness • 4% Positiveness
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Atli Örvarsson
Vampires and Werewolves
150 bpm • G# Maj • 04:31 • -14.18db
7% Popularity • 22% Danceability • 54% Energy • 36% Liveness
88% Instrumentalness • 5% Positiveness
7% Popularity • 22% Danceability • 54% Energy • 36% Liveness
88% Instrumentalness • 5% Positiveness
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John Paesano
What's Next
150 bpm • G Maj • 02:56 • -19.54db
24% Popularity • 19% Danceability • 17% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
24% Popularity • 19% Danceability • 17% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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The Meridian Studio Ensemble
SHERlocked - Series 2
122 bpm • A min • 03:44 • -21.46db
14% Popularity • 17% Danceability • 7% Energy • 8% Liveness
85% Instrumentalness • 3% Positiveness
14% Popularity • 17% Danceability • 7% Energy • 8% Liveness
85% Instrumentalness • 3% Positiveness
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Cesar Benito
Trapicheos y Contrabando
150 bpm • C Maj • 02:57 • -13.85db
16% Popularity • 27% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
16% Popularity • 27% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Bear McCreary
Da Vinci's Demons Main Title Theme
122 bpm • C min • 01:08 • -12db
33% Popularity • 37% Danceability • 52% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
33% Popularity • 37% Danceability • 52% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
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Nicholas Britell
Antiphon
150 bpm • C min • 02:16 • -18.8db
46% Popularity • 49% Danceability • 37% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
46% Popularity • 49% Danceability • 37% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
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Mark Mothersbaugh
Thor: Ragnarok
151 bpm • A min • 01:09 • -9.17db
47% Popularity • 26% Danceability • 66% Energy • 9% Liveness
42% Instrumentalness • 22% Positiveness
47% Popularity • 26% Danceability • 66% Energy • 9% Liveness
42% Instrumentalness • 22% Positiveness
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Ilan Eshkeri
Kira's Wedding Quartet
121 bpm • E min • 04:32 • -27.19db
16% Popularity • 30% Danceability • 2% Energy • 9% Liveness
53% Instrumentalness • 19% Positiveness
16% Popularity • 30% Danceability • 2% Energy • 9% Liveness
53% Instrumentalness • 19% Positiveness
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Steven Price
Shenzou
121 bpm • C# min • 06:11 • -12.01db
38% Popularity • 30% Danceability • 50% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
38% Popularity • 30% Danceability • 50% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Charlie Mole
The Painting
121 bpm • G Maj • 03:02 • -17.51db
9% Popularity • 22% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
9% Popularity • 22% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness