Songs like A Thousand Years Away (Fast Edition) by Yagoub
Based on a tempo of (+/- 10%) and a similar genre
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Yagoub
A Thousand Years Away (Fast Edition)
172 bpm • A# min • 01:20 • -9.91db
0% Popularity • 36% Danceability • 43% Energy • 63% Liveness
61% Instrumentalness • 55% Positiveness
0% Popularity • 36% Danceability • 43% Energy • 63% Liveness
61% Instrumentalness • 55% Positiveness
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Jason Gerard
Flying Into The Darkness
172 bpm • G Maj • 02:05 • -11.78db
13% Popularity • 28% Danceability • 21% Energy • 48% Liveness
5% Instrumentalness • 31% Positiveness
13% Popularity • 28% Danceability • 21% Energy • 48% Liveness
5% Instrumentalness • 31% Positiveness
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Stelvio Cipriani
Michelangelo's Frescoes
172 bpm • A min • 04:14 • -21db
15% Popularity • 50% Danceability • 17% Energy • 11% Liveness
11% Instrumentalness • 29% Positiveness
15% Popularity • 50% Danceability • 17% Energy • 11% Liveness
11% Instrumentalness • 29% Positiveness
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Kamal Engels
On My Wings
173 bpm • C min • 04:20 • -12db
10% Popularity • 50% Danceability • 50% Energy • 13% Liveness
64% Instrumentalness • 54% Positiveness
10% Popularity • 50% Danceability • 50% Energy • 13% Liveness
64% Instrumentalness • 54% Positiveness
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Elias Rahbani
When Love Fades Away
171 bpm • A min • 03:21 • -12.46db
19% Popularity • 19% Danceability • 36% Energy • 18% Liveness
86% Instrumentalness • 12% Positiveness
19% Popularity • 19% Danceability • 36% Energy • 18% Liveness
86% Instrumentalness • 12% Positiveness
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Nicola Piovani
Caro Diario: Isole
173 bpm • A# Maj • 02:12 • -25.26db
28% Popularity • 36% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
28% Popularity • 36% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
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Laurens van Rooyen
Sequidilla
173 bpm • E min • 03:06 • -12.79db
14% Popularity • 38% Danceability • 40% Energy • 30% Liveness
80% Instrumentalness • 14% Positiveness
14% Popularity • 38% Danceability • 40% Energy • 30% Liveness
80% Instrumentalness • 14% Positiveness
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Giuseppe Sbernini
Romeo e giulietta
174 bpm • A min • 04:08 • -16.35db
19% Popularity • 28% Danceability • 21% Energy • 12% Liveness
74% Instrumentalness • 10% Positiveness
19% Popularity • 28% Danceability • 21% Energy • 12% Liveness
74% Instrumentalness • 10% Positiveness
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Omar Garcia
I Love You, Me Neither
170 bpm • C Maj • 03:56 • -14.03db
12% Popularity • 35% Danceability • 39% Energy • 59% Liveness
65% Instrumentalness • 42% Positiveness
12% Popularity • 35% Danceability • 39% Energy • 59% Liveness
65% Instrumentalness • 42% Positiveness
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Juan Torres Y Su Organo Melodico
Venecia Sin Ti
174 bpm • A min • 03:19 • -10.63db
40% Popularity • 16% Danceability • 41% Energy • 11% Liveness
22% Instrumentalness • 9% Positiveness
40% Popularity • 16% Danceability • 41% Energy • 11% Liveness
22% Instrumentalness • 9% Positiveness
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Cusco
Aetna - Based On an Italian Folksong
174 bpm • F# min • 03:40 • -15.39db
40% Popularity • 45% Danceability • 30% Energy • 14% Liveness
95% Instrumentalness • 37% Positiveness
40% Popularity • 45% Danceability • 30% Energy • 14% Liveness
95% Instrumentalness • 37% Positiveness
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Will Osvaldo
Corazón de Cristal
170 bpm • G min • 03:11 • -15.93db
13% Popularity • 32% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 32% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 20% Positiveness
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StudioGroup
Thornbirds Theme - Slow Waltz / 29 Bpm
170 bpm • A min • 03:00 • -21.8db
12% Popularity • 8% Danceability • 9% Energy • 12% Liveness
15% Instrumentalness • 19% Positiveness
12% Popularity • 8% Danceability • 9% Energy • 12% Liveness
15% Instrumentalness • 19% Positiveness
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Boleros Instrumentales
Usted
174 bpm • B Maj • 03:20 • -15db
17% Popularity • 46% Danceability • 30% Energy • 14% Liveness
89% Instrumentalness • 34% Positiveness
17% Popularity • 46% Danceability • 30% Energy • 14% Liveness
89% Instrumentalness • 34% Positiveness
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Jan Reijnders
Porque Te Amo
170 bpm • F# Maj • 04:53 • -10.03db
23% Popularity • 49% Danceability • 56% Energy • 12% Liveness
7% Instrumentalness • 61% Positiveness
23% Popularity • 49% Danceability • 56% Energy • 12% Liveness
7% Instrumentalness • 61% Positiveness
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Vladimir Cosma
Dans l'ombre
174 bpm • B min • 02:11 • -15.01db
38% Popularity • 44% Danceability • 20% Energy • 12% Liveness
76% Instrumentalness • 14% Positiveness
38% Popularity • 44% Danceability • 20% Energy • 12% Liveness
76% Instrumentalness • 14% Positiveness
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Tony Kinsey
Candy Carousel
175 bpm • F Maj • 02:38 • -16.47db
9% Popularity • 43% Danceability • 40% Energy • 14% Liveness
12% Instrumentalness • 64% Positiveness
9% Popularity • 43% Danceability • 40% Energy • 14% Liveness
12% Instrumentalness • 64% Positiveness
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Los Violines Románticos De Cuba
Maria Bonita
175 bpm • C Maj • 03:23 • -9.53db
12% Popularity • 33% Danceability • 38% Energy • 20% Liveness
88% Instrumentalness • 49% Positiveness
12% Popularity • 33% Danceability • 38% Energy • 20% Liveness
88% Instrumentalness • 49% Positiveness
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Henry Salomon y su Orquesta
Anónimo Veneciano
175 bpm • A# Maj • 02:48 • -14db
52% Popularity • 31% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
52% Popularity • 31% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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Elias Rahbani
Diala
169 bpm • D min • 02:52 • -13.58db
19% Popularity • 36% Danceability • 40% Energy • 7% Liveness
60% Instrumentalness • 37% Positiveness
19% Popularity • 36% Danceability • 40% Energy • 7% Liveness
60% Instrumentalness • 37% Positiveness
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Berolina Sound Orchestra
Erfüllte Sehnsucht
168 bpm • G min • 03:25 • -16.56db
13% Popularity • 24% Danceability • 18% Energy • 10% Liveness
48% Instrumentalness • 18% Positiveness
13% Popularity • 24% Danceability • 18% Energy • 10% Liveness
48% Instrumentalness • 18% Positiveness
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劉清池
湯島白梅
169 bpm • G Maj • 03:35 • -15.26db
17% Popularity • 68% Danceability • 30% Energy • 9% Liveness
93% Instrumentalness • 89% Positiveness
17% Popularity • 68% Danceability • 30% Energy • 9% Liveness
93% Instrumentalness • 89% Positiveness
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Juan Torres Y Su Organo Melodico
Il Postino
176 bpm • G# Maj • 04:36 • -13.5db
24% Popularity • 25% Danceability • 31% Energy • 10% Liveness
65% Instrumentalness • 7% Positiveness
24% Popularity • 25% Danceability • 31% Energy • 10% Liveness
65% Instrumentalness • 7% Positiveness
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Carl Doy
Cavatina (Theme From The Deerhunter)
176 bpm • D# Maj • 03:55 • -17.38db
16% Popularity • 25% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 20% Positiveness
16% Popularity • 25% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 20% Positiveness
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James Last
Hey
168 bpm • D Maj • 04:38 • -17.66db
13% Popularity • 32% Danceability • 29% Energy • 18% Liveness
92% Instrumentalness • 17% Positiveness
13% Popularity • 32% Danceability • 29% Energy • 18% Liveness
92% Instrumentalness • 17% Positiveness
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Elias Rahbani
Farewell to You
177 bpm • G min • 02:50 • -14.69db
17% Popularity • 16% Danceability • 36% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness
17% Popularity • 16% Danceability • 36% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness
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DCO
Playas de Ensueño
177 bpm • E min • 03:13 • -9.89db
49% Popularity • 27% Danceability • 40% Energy • 12% Liveness
38% Instrumentalness • 25% Positiveness
49% Popularity • 27% Danceability • 40% Energy • 12% Liveness
38% Instrumentalness • 25% Positiveness
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Klaus Wunderlich
Dolannes-Melodie
178 bpm • E Maj • 01:45 • -21.44db
15% Popularity • 44% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 56% Positiveness
15% Popularity • 44% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 56% Positiveness
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Vladimir Cosma
Thème de Nadia
178 bpm • E min • 02:27 • -15.99db
19% Popularity • 10% Danceability • 23% Energy • 18% Liveness
12% Instrumentalness • 5% Positiveness
19% Popularity • 10% Danceability • 23% Energy • 18% Liveness
12% Instrumentalness • 5% Positiveness
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河村利夫
北の旅人
178 bpm • D# min • 04:21 • -17.48db
11% Popularity • 30% Danceability • 22% Energy • 9% Liveness
95% Instrumentalness • 33% Positiveness
11% Popularity • 30% Danceability • 22% Energy • 9% Liveness
95% Instrumentalness • 33% Positiveness
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Ihsan Al Munzer
Come My Love
166 bpm • G min • 03:43 • -17.4db
19% Popularity • 58% Danceability • 32% Energy • 20% Liveness
14% Instrumentalness • 93% Positiveness
19% Popularity • 58% Danceability • 32% Energy • 20% Liveness
14% Instrumentalness • 93% Positiveness
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Kees Broekhuizen
Forro Do Algarve
166 bpm • A min • 02:55 • -24db
12% Popularity • 58% Danceability • 31% Energy • 12% Liveness
95% Instrumentalness • 84% Positiveness
12% Popularity • 58% Danceability • 31% Energy • 12% Liveness
95% Instrumentalness • 84% Positiveness
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Alan Mayer
The Porter
165 bpm • F min • 01:21 • -10.07db
15% Popularity • 48% Danceability • 38% Energy • 9% Liveness
86% Instrumentalness • 58% Positiveness
15% Popularity • 48% Danceability • 38% Energy • 9% Liveness
86% Instrumentalness • 58% Positiveness
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Berdien Stenberg
The Moldau
165 bpm • E min • 06:18 • -15.31db
13% Popularity • 25% Danceability • 25% Energy • 6% Liveness
52% Instrumentalness • 15% Positiveness
13% Popularity • 25% Danceability • 25% Energy • 6% Liveness
52% Instrumentalness • 15% Positiveness
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Lucy Bradford
Hardcore And Choices
180 bpm • G Maj • 02:00 • -14.78db
10% Popularity • 58% Danceability • 41% Energy • 59% Liveness
91% Instrumentalness • 72% Positiveness
10% Popularity • 58% Danceability • 41% Energy • 59% Liveness
91% Instrumentalness • 72% Positiveness
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Black Retro
Nébuleux Nexus
180 bpm • C# min • 01:14 • -21.55db
19% Popularity • 32% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
19% Popularity • 32% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
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Nikos Constantine
Le Meteque
180 bpm • A Maj • 03:05 • -22.81db
21% Popularity • 48% Danceability • 20% Energy • 9% Liveness
18% Instrumentalness • 44% Positiveness
21% Popularity • 48% Danceability • 20% Energy • 9% Liveness
18% Instrumentalness • 44% Positiveness
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Iyad Rimawi
Rouge
180 bpm • A min • 02:51 • -6.59db
17% Popularity • 33% Danceability • 64% Energy • 11% Liveness
22% Instrumentalness • 25% Positiveness
17% Popularity • 33% Danceability • 64% Energy • 11% Liveness
22% Instrumentalness • 25% Positiveness
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Hassan Shamaizadeh
Do Panjareh
181 bpm • C min • 03:48 • -11.96db
10% Popularity • 29% Danceability • 31% Energy • 16% Liveness
76% Instrumentalness • 14% Positiveness
10% Popularity • 29% Danceability • 31% Energy • 16% Liveness
76% Instrumentalness • 14% Positiveness
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Franck Pourcel
Ma langue au chat - Remasterisé en 2019
163 bpm • C Maj • 02:33 • -8.08db
7% Popularity • 42% Danceability • 53% Energy • 20% Liveness
52% Instrumentalness • 58% Positiveness
7% Popularity • 42% Danceability • 53% Energy • 20% Liveness
52% Instrumentalness • 58% Positiveness
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Bruno Bertoli
Bella Italia
162 bpm • G min • 02:08 • -8.73db
41% Popularity • 71% Danceability • 34% Energy • 10% Liveness
85% Instrumentalness • 95% Positiveness
41% Popularity • 71% Danceability • 34% Energy • 10% Liveness
85% Instrumentalness • 95% Positiveness
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Raymond Maldonado
Change Good Times
182 bpm • F Maj • 01:58 • -13db
8% Popularity • 43% Danceability • 45% Energy • 29% Liveness
87% Instrumentalness • 64% Positiveness
8% Popularity • 43% Danceability • 45% Energy • 29% Liveness
87% Instrumentalness • 64% Positiveness
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Spiritual hymns
He Is Lord
183 bpm • F Maj • 01:46 • -20.21db
18% Popularity • 44% Danceability • 36% Energy • 12% Liveness
98% Instrumentalness • 36% Positiveness
18% Popularity • 44% Danceability • 36% Energy • 12% Liveness
98% Instrumentalness • 36% Positiveness
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Hugo Liscano
Caballo Viejo
162 bpm • C min • 02:26 • -12.24db
11% Popularity • 56% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 56% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Hassan Shamaizadeh
Mano To
182 bpm • D min • 03:33 • -11db
9% Popularity • 25% Danceability • 39% Energy • 12% Liveness
15% Instrumentalness • 27% Positiveness
9% Popularity • 25% Danceability • 39% Energy • 12% Liveness
15% Instrumentalness • 27% Positiveness
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Stephen Schlaks
I STILL LOVE YOU-A STORY ABOUT LOVE - AL...
160 bpm • D# Maj • 04:12 • -11.2db
17% Popularity • 29% Danceability • 42% Energy • 9% Liveness
86% Instrumentalness • 56% Positiveness
17% Popularity • 29% Danceability • 42% Energy • 9% Liveness
86% Instrumentalness • 56% Positiveness
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Tony Muñoz
Historia De Un Amor - Instrumental
160 bpm • A min • 03:16 • -11.99db
32% Popularity • 51% Danceability • 43% Energy • 13% Liveness
57% Instrumentalness • 28% Positiveness
32% Popularity • 51% Danceability • 43% Energy • 13% Liveness
57% Instrumentalness • 28% Positiveness
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Hollywood Big Orchestra
Dr Zivago
185 bpm • G Maj • 02:51 • -9db
38% Popularity • 25% Danceability • 39% Energy • 15% Liveness
71% Instrumentalness • 22% Positiveness
38% Popularity • 25% Danceability • 39% Energy • 15% Liveness
71% Instrumentalness • 22% Positiveness
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Golden Strings Orchestra
Speak Softly Love
160 bpm • C min • 02:07 • -12.7db
30% Popularity • 58% Danceability • 46% Energy • 32% Liveness
95% Instrumentalness • 77% Positiveness
30% Popularity • 58% Danceability • 46% Energy • 32% Liveness
95% Instrumentalness • 77% Positiveness
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Roberto Carrus
Paradise
160 bpm • C Maj • 04:18 • -10.21db
17% Popularity • 51% Danceability • 63% Energy • 32% Liveness
96% Instrumentalness • 56% Positiveness
17% Popularity • 51% Danceability • 63% Energy • 32% Liveness
96% Instrumentalness • 56% Positiveness
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Fausto Papetti
Let the River Run
185 bpm • A# Maj • 03:26 • -11.58db
11% Popularity • 35% Danceability • 53% Energy • 13% Liveness
11% Instrumentalness • 29% Positiveness
11% Popularity • 35% Danceability • 53% Energy • 13% Liveness
11% Instrumentalness • 29% Positiveness
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Omar Garcia
Bajo El Cielo De Paris
186 bpm • C min • 03:53 • -16.16db
9% Popularity • 23% Danceability • 28% Energy • 25% Liveness
94% Instrumentalness • 37% Positiveness
9% Popularity • 23% Danceability • 28% Energy • 25% Liveness
94% Instrumentalness • 37% Positiveness
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David Arkenstone
Not Too Far To Walk
158 bpm • C min • 04:14 • -16.05db
9% Popularity • 71% Danceability • 34% Energy • 4% Liveness
90% Instrumentalness • 94% Positiveness
9% Popularity • 71% Danceability • 34% Energy • 4% Liveness
90% Instrumentalness • 94% Positiveness
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STAR WORKSHOP ORCHESTRA
Jane Eyre
157 bpm • B min • 04:44 • -13.7db
9% Popularity • 26% Danceability • 30% Energy • 9% Liveness
55% Instrumentalness • 12% Positiveness
9% Popularity • 26% Danceability • 30% Energy • 9% Liveness
55% Instrumentalness • 12% Positiveness
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Les Baxter
Borodin - Polevitzian Dance
156 bpm • A Maj • 02:27 • -16.8db
8% Popularity • 44% Danceability • 26% Energy • 10% Liveness
95% Instrumentalness • 42% Positiveness
8% Popularity • 44% Danceability • 26% Energy • 10% Liveness
95% Instrumentalness • 42% Positiveness
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Nicolas Corot
Dancing Flames in Darkness
156 bpm • E min • 02:00 • -12.85db
17% Popularity • 64% Danceability • 58% Energy • 26% Liveness
83% Instrumentalness • 98% Positiveness
17% Popularity • 64% Danceability • 58% Energy • 26% Liveness
83% Instrumentalness • 98% Positiveness
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Carlos Velasco
Bajo Los Puentes De París
155 bpm • G Maj • 03:14 • -5.79db
38% Popularity • 33% Danceability • 50% Energy • 33% Liveness
15% Instrumentalness • 44% Positiveness
38% Popularity • 33% Danceability • 50% Energy • 33% Liveness
15% Instrumentalness • 44% Positiveness
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Richard Clay
Te Sigo Amando
152 bpm • D min • 02:45 • -7.52db
28% Popularity • 46% Danceability • 35% Energy • 32% Liveness
89% Instrumentalness • 52% Positiveness
28% Popularity • 46% Danceability • 35% Energy • 32% Liveness
89% Instrumentalness • 52% Positiveness
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Rubén Ochoa
Sinfonía para Corazones Solitarios
150 bpm • G min • 02:48 • -10.2db
22% Popularity • 41% Danceability • 53% Energy • 37% Liveness
5% Instrumentalness • 22% Positiveness
22% Popularity • 41% Danceability • 53% Energy • 37% Liveness
5% Instrumentalness • 22% Positiveness
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Ronny Matthes
Till the Sunrise - Gemafreie Loungemusik
152 bpm • B min • 05:48 • -19.25db
18% Popularity • 52% Danceability • 36% Energy • 19% Liveness
91% Instrumentalness • 80% Positiveness
18% Popularity • 52% Danceability • 36% Energy • 19% Liveness
91% Instrumentalness • 80% Positiveness
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Orchester Anthony Ventura
Barcarole
150 bpm • A Maj • 02:41 • -18.04db
30% Popularity • 28% Danceability • 21% Energy • 21% Liveness
87% Instrumentalness • 29% Positiveness
30% Popularity • 28% Danceability • 21% Energy • 21% Liveness
87% Instrumentalness • 29% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Amor en Roma
150 bpm • G Maj • 03:06 • -6.08db
13% Popularity • 35% Danceability • 69% Energy • 23% Liveness
1% Instrumentalness • 56% Positiveness
13% Popularity • 35% Danceability • 69% Energy • 23% Liveness
1% Instrumentalness • 56% Positiveness
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Royal Philharmonic Orchestra
Near Wild Heaven
200 bpm • D Maj • 04:10 • -9.11db
8% Popularity • 19% Danceability • 41% Energy • 9% Liveness
81% Instrumentalness • 35% Positiveness
8% Popularity • 19% Danceability • 41% Energy • 9% Liveness
81% Instrumentalness • 35% Positiveness
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Cesar Manalili
Lulay
147 bpm • C min • 02:49 • -14.8db
17% Popularity • 58% Danceability • 38% Energy • 11% Liveness
88% Instrumentalness • 64% Positiveness
17% Popularity • 58% Danceability • 38% Energy • 11% Liveness
88% Instrumentalness • 64% Positiveness
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Casadei
Via col liscio
202 bpm • G Maj • 02:56 • -12.53db
8% Popularity • 38% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 38% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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James Last
Heidelinde
202 bpm • C Maj • 02:48 • -14.59db
15% Popularity • 30% Danceability • 41% Energy • 15% Liveness
96% Instrumentalness • 50% Positiveness
15% Popularity • 30% Danceability • 41% Energy • 15% Liveness
96% Instrumentalness • 50% Positiveness
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河村利夫
箱根八里の半次郎
146 bpm • B Maj • 01:04 • -15.83db
17% Popularity • 51% Danceability • 15% Energy • 15% Liveness
23% Instrumentalness • 74% Positiveness
17% Popularity • 51% Danceability • 15% Energy • 15% Liveness
23% Instrumentalness • 74% Positiveness
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Maria Saldo
Lyphard Melodie
146 bpm • G min • 05:09 • -13db
14% Popularity • 44% Danceability • 42% Energy • 22% Liveness
64% Instrumentalness • 22% Positiveness
14% Popularity • 44% Danceability • 42% Energy • 22% Liveness
64% Instrumentalness • 22% Positiveness
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Joe Hisaishi
Turning Seasons - Original Karaoke
210 bpm • C Maj • 03:27 • -14.75db
26% Popularity • 44% Danceability • 42% Energy • 36% Liveness
35% Instrumentalness • 77% Positiveness
26% Popularity • 44% Danceability • 42% Energy • 36% Liveness
35% Instrumentalness • 77% Positiveness
