Songs like A Thousand Years / Twenty-Four (Mashup) by Tanner Patrick
Based on a tempo of (+/- 10%) and a similar genre
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New Empire
One Heart/Million Voices
140 bpm • D# Maj • 04:12 • -6.3db
32% Popularity • 50% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 50% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Jennel Garcia
Hate to Love You
140 bpm • F Maj • 03:33 • -3.29db
10% Popularity • 56% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 56% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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The George Twins
Make It Right
140 bpm • A# Maj • 04:26 • -8.51db
17% Popularity • 51% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 51% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Devin Hayes
That's New - Acoustic
140 bpm • A Maj • 02:44 • -6.47db
16% Popularity • 63% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 77% Positiveness
16% Popularity • 63% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 77% Positiveness
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Rachel Platten
Speechless
140 bpm • F Maj • 03:19 • -5.37db
35% Popularity • 62% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 62% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Tanner Patrick
A Thousand Years / Twenty-Four (Mashup)
140 bpm • A Maj • 04:42 • -10.76db
21% Popularity • 51% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 51% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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David Archuleta
Notice Me
140 bpm • D# Maj • 03:44 • -5.92db
23% Popularity • 49% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 49% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 35% Positiveness
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Caleb Grimm
Amazed
139 bpm • C# Maj • 02:59 • -3.93db
22% Popularity • 44% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 44% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Jayesslee
Dare You to Move
139 bpm • F# Maj • 04:03 • -4.24db
28% Popularity • 43% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 43% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 24% Positiveness
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Maddie Wilson
Treat You Better
139 bpm • G# Maj • 03:43 • -9db
21% Popularity • 50% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 50% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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5 Seconds of Summer
Good Girls - Acoustic
139 bpm • D Maj • 03:03 • -5.71db
31% Popularity • 62% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 62% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Tanner Patrick
Say Something
141 bpm • D# Maj • 03:43 • -13.17db
21% Popularity • 60% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
21% Popularity • 60% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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David Archuleta
Everything And More
140 bpm • G# Maj • 03:53 • -5.05db
11% Popularity • 54% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 54% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Maybe Next Summer
You're Mine
141 bpm • G Maj • 03:00 • -11db
30% Popularity • 40% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 40% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Chris Mann
All I Ask / When We Were Young / Water U...
141 bpm • D# Maj • 04:04 • -8.95db
11% Popularity • 36% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 36% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Alex & Sierra
Say Something
141 bpm • D Maj • 03:26 • -12.3db
49% Popularity • 37% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
49% Popularity • 37% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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The Workday Release
A Starlit Sky
138 bpm • F Maj • 02:48 • -9db
31% Popularity • 65% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 65% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Josh Rabenold
Back to December
141 bpm • B Maj • 04:45 • -8.07db
25% Popularity • 55% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 55% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Hearts & Colors
Lego House
142 bpm • B Maj • 03:31 • -13db
44% Popularity • 69% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
44% Popularity • 69% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Tanner Patrick
Drag Me Down
138 bpm • C min • 03:03 • -5.6db
6% Popularity • 74% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
6% Popularity • 74% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
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Karianne Larson
I Like You
142 bpm • A# Maj • 03:27 • -7.77db
8% Popularity • 65% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 65% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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He Is We
His Name
142 bpm • E Maj • 03:09 • -6.54db
33% Popularity • 53% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 53% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Hollywood Ending
Freak Like Me
142 bpm • A# Maj • 03:16 • -5.77db
14% Popularity • 48% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 48% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Jon D
Let Her Go
142 bpm • A# Maj • 03:02 • -11.2db
21% Popularity • 56% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
21% Popularity • 56% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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BYU Vocal Point
Drag Me Down / As Long as You Love Me (M...
138 bpm • G# Maj • 03:45 • -7.51db
34% Popularity • 68% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 68% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Gabrielle Aplin
Mountains
138 bpm • F# Maj • 02:33 • -10.42db
24% Popularity • 37% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 37% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Reigan
All of the Pieces
137 bpm • F# min • 03:31 • -6db
15% Popularity • 36% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 36% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Mikey Wax
Only One
142 bpm • A Maj • 03:22 • -3.35db
25% Popularity • 51% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 51% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Megan & Liz
Best Thing I Never Had
143 bpm • F# Maj • 03:03 • -13.25db
37% Popularity • 60% Danceability • 11% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 60% Danceability • 11% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Jacquie
Right Love
137 bpm • C Maj • 03:59 • -7db
13% Popularity • 42% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 42% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Tanner Patrick
Beginner's Luck
137 bpm • D# Maj • 03:13 • -4db
3% Popularity • 65% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
3% Popularity • 65% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Kenzie Nimmo
Hold My Breath
143 bpm • A Maj • 03:59 • -11.09db
12% Popularity • 70% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 70% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Joey Graceffa
Anna Sun - Extended
137 bpm • G# Maj • 07:31 • -6.18db
10% Popularity • 39% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 39% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Luke Conard
Safe and Sound
144 bpm • G Maj • 03:36 • -9.13db
16% Popularity • 54% Danceability • 50% Energy • 64% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 54% Danceability • 50% Energy • 64% Liveness
0% Instrumentalness • 44% Positiveness
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Rixton
Whole
144 bpm • D Maj • 03:38 • -7db
27% Popularity • 46% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
27% Popularity • 46% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
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Two Worlds
Rude - Acoustic
144 bpm • C# Maj • 03:21 • -6.24db
15% Popularity • 64% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 64% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Tanner Patrick
Without Me
136 bpm • D Maj • 03:27 • -5.87db
17% Popularity • 75% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 75% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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![Mr. Right (feat. Larkin Poe) - Rainy Day Sessions [Rainy Day Sessions] cover art](https://i.scdn.co/image/ab67616d00001e0283bfe1efc3b01587e24e3363)
A Rocket To The Moon
Mr. Right - Rainy Day Sessions [Rainy D...
136 bpm • E Maj • 03:20 • -4.54db
13% Popularity • 49% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 49% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
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Chris Salvatore
What You Do to Me
136 bpm • C Maj • 03:53 • -5.05db
13% Popularity • 56% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 56% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Devon Werkheiser
If Eyes Could Speak
136 bpm • A Maj • 03:29 • -5db
29% Popularity • 40% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 40% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Jai Waetford
The Only Exception
136 bpm • E Maj • 03:28 • -7.43db
15% Popularity • 40% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 40% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Jayesslee
I Won't Give Up
136 bpm • F# Maj • 04:54 • -6.05db
27% Popularity • 42% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 42% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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Us The Duo
Heartbreak
136 bpm • E Maj • 04:56 • -15db
25% Popularity • 56% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 56% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Alex & Sierra
It's About Us - Interlude
144 bpm • G Maj • 01:01 • -11db
28% Popularity • 44% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 44% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Justin Bieber
As Long As You Love Me - Acoustic Versio...
136 bpm • B min • 03:41 • -9.17db
52% Popularity • 55% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 55% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Jesse McCartney
The Other Guy
145 bpm • F# Maj • 03:39 • -6.49db
30% Popularity • 54% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 54% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Jason Koiter
Amanda's Song
135 bpm • G# Maj • 03:33 • -12.27db
9% Popularity • 56% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 56% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Matt Bloyd
A Million Dreams
145 bpm • E Maj • 04:34 • -8.78db
27% Popularity • 48% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 48% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Megan Lee
A Thousand Years Cover
145 bpm • A# Maj • 04:32 • -9db
15% Popularity • 35% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 35% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Haley Klinkhammer
Can't Help Falling In Love
145 bpm • C# Maj • 03:18 • -17.67db
39% Popularity • 45% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
39% Popularity • 45% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Tanner Patrick
Sideways Figure Eights
145 bpm • G Maj • 03:43 • -5.13db
11% Popularity • 60% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 60% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Alex & Sierra
Bumper Cars
145 bpm • D# Maj • 04:00 • -7.36db
43% Popularity • 43% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
43% Popularity • 43% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Steve Grand
Time
135 bpm • F Maj • 04:20 • -5.1db
20% Popularity • 43% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 43% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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The Collective
Burn the Bright Lights
135 bpm • E Maj • 03:31 • -4.66db
15% Popularity • 53% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 53% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Luke Conard
Someone Like You
135 bpm • C# min • 03:18 • -7.04db
18% Popularity • 61% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 61% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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Haley Klinkhammer
Can You Feel the Love Tonight
135 bpm • D Maj • 03:25 • -10.1db
32% Popularity • 65% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 65% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Tanner Patrick
Reasons
135 bpm • C Maj • 02:11 • -5.84db
8% Popularity • 82% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 82% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 28% Positiveness
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Stereo Kicks
Love Me So - Piano Version
146 bpm • A min • 03:28 • -6.47db
11% Popularity • 54% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 54% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Jayesslee
Secrets
146 bpm • F# Maj • 02:49 • -4.45db
36% Popularity • 44% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 11% Positiveness
36% Popularity • 44% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 11% Positiveness
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Pentatonix
Where Are Ü Now
134 bpm • A Maj • 02:51 • -9.01db
37% Popularity • 63% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 63% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Us The Duo
Final Bow
134 bpm • A Maj • 03:40 • -6.48db
21% Popularity • 69% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 69% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Alex & Sierra
Back to You
134 bpm • F Maj • 03:52 • -9db
31% Popularity • 36% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 36% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Tanner Patrick
Castle on the Hill
135 bpm • D Maj • 04:22 • -7.33db
6% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
6% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Stereo Kicks
Love Me So
146 bpm • A min • 03:29 • -4db
31% Popularity • 51% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 51% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Jayesslee
Dare You to Move (Studio Sessions)
146 bpm • B Maj • 03:58 • -7.02db
27% Popularity • 40% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 40% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
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Virginia To Vegas
Beautiful
134 bpm • G Maj • 03:21 • -11.76db
27% Popularity • 57% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 57% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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David Choi
By My Side
147 bpm • E Maj • 03:33 • -12.2db
42% Popularity • 57% Danceability • 35% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
42% Popularity • 57% Danceability • 35% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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For The Foxes
The River
134 bpm • F Maj • 03:45 • -8.83db
12% Popularity • 36% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 36% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Tanner Patrick
Dangerous Woman
134 bpm • E Maj • 02:46 • -10.44db
4% Popularity • 63% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
4% Popularity • 63% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
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Union J
Amaze Me
147 bpm • E min • 03:53 • -6db
21% Popularity • 50% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 50% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Life UnderView
Look No Further
133 bpm • F Maj • 02:51 • -8.83db
7% Popularity • 58% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
7% Popularity • 58% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
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Jayesslee
Safe and Sound
133 bpm • E Maj • 04:11 • -15.19db
29% Popularity • 51% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 51% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Leroy Sanchez
Little Dancer
148 bpm • A# Maj • 03:55 • -10.3db
34% Popularity • 50% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 50% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 30% Positiveness
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Caleb Grimm
My Immortal
148 bpm • E Maj • 03:43 • -4.8db
12% Popularity • 44% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 44% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Tanner Patrick
All About That Bass
134 bpm • E Maj • 03:10 • -6.81db
11% Popularity • 68% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 68% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
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Jacquie
Broken Ones
148 bpm • B min • 03:49 • -4.02db
40% Popularity • 44% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
40% Popularity • 44% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Eli Lieb
Young Love
148 bpm • C# Maj • 03:36 • -2db
30% Popularity • 61% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 61% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Arden Cho
Didn't Know
148 bpm • A Maj • 02:58 • -9.21db
19% Popularity • 60% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 60% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Maddie Wilson
They Don't Know About Us
148 bpm • D Maj • 03:26 • -8.42db
32% Popularity • 65% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 65% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Jordyn Kane
Terrified
148 bpm • C Maj • 04:44 • -7.16db
7% Popularity • 48% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
7% Popularity • 48% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Christian Burghardt
Whiskey and Wine
132 bpm • D Maj • 03:14 • -7db
17% Popularity • 68% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 68% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Alex & Sierra
All for You
132 bpm • B min • 03:11 • -7db
23% Popularity • 71% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 71% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Dot SE
Dark Horse - Acoustic Version
132 bpm • F# min • 03:25 • -6.32db
12% Popularity • 66% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 66% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
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Tanner Patrick
Dark Horse
132 bpm • F min • 03:20 • -7.86db
4% Popularity • 77% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
4% Popularity • 77% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Jacquie
Drown Me in Your Love
131 bpm • B Maj • 03:46 • -4.96db
8% Popularity • 64% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 64% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Tiffany Alvord
Heartbeat Song
149 bpm • C# Maj • 03:05 • -7.27db
9% Popularity • 57% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 57% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Jamestown Story
Sunset
131 bpm • A# Maj • 03:52 • -10.68db
10% Popularity • 73% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 73% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Jon D
All of the Stars
150 bpm • G min • 03:54 • -16.28db
27% Popularity • 51% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 51% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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David Archuleta
Don't Run Away
150 bpm • C# min • 03:37 • -6.9db
18% Popularity • 54% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 54% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Megan & Liz
All the Way
150 bpm • G# Maj • 04:03 • -5.1db
10% Popularity • 46% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 46% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Tanner Patrick
Stitches
150 bpm • B Maj • 03:22 • -6.99db
5% Popularity • 61% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
5% Popularity • 61% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Jason Walker
Shouldn't Be a Good In Goodbye
150 bpm • G# Maj • 03:23 • -5.81db
32% Popularity • 42% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
32% Popularity • 42% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Gustavo Trebien
When You Say Nothing At All
150 bpm • G# Maj • 04:07 • -9db
26% Popularity • 54% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 54% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Shaun Reynolds
Fight For You
150 bpm • G# Maj • 04:33 • -4.95db
20% Popularity • 55% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 55% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 25% Positiveness
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Twisted Measure
I Choose You
150 bpm • A Maj • 03:43 • -7.87db
22% Popularity • 67% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 67% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
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Arden Cho
I'm the One to Blame
150 bpm • G Maj • 04:11 • -5.23db
15% Popularity • 52% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 52% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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The Workday Release
Love in a Box
130 bpm • G# Maj • 02:39 • -8.37db
34% Popularity • 75% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 75% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Jason Reeves
Photographs & Memories (acoustic)
130 bpm • G Maj • 05:15 • -13.93db
19% Popularity • 58% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 58% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
